New Subjectivities: Capitalist, Colonial Subject and Archaeologist. Review of “Capitalism in Colonial Contexts”. Society for Historical Archaeology, Albuquerque, January 2008”

The sub-discipline of Historical Archaeology continues to push out its borders from its origins as the archaeology of British colonial settlement in North America. This review article evaluates the contribution of a set of papers presented at the Society of Historical Archaeology meeting in Albuquerque New Mexico in early 2008, and shows how new theoretical formulations are taking shape.

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Résumé  La sous-discipline de l’archéologie historique continue à faire reculer ses frontières de ses origines en tant qu’archéologie de l’implantation du colonialisme britannique en Amérique du Nord. Cet article évalue la contribution d’un ensemble d’articles présentés à la Society of Historical Archaeology à l’occasion de la rencontre qui s’est tenue à Albuquerque au Nouveau Mexique au début de l’année 2008, et montre comment les nouvelles formulations théoriques prennent effet.

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Resumen  Desde sus orígenes en los trabajos arqueológicos de la colonización británica de Norteamérica, la sub disciplina de Arqueología Histórica ha ido ampliando sus límites. Este artículo revisado evalúa la contribución de una serie de trabajos presentados en la junta de la Sociedad de Arqueología Histórica en Alburquerque (Nuevo México) a principios del 2008, y demuestra que las formulaciones teóricas están empezando a tomar forma.

     

On the Edge of Improvement: Rathlin Island and the Modern World

This paper focuses on the archaeology of an island off the north coast of Ireland as a case study of the processes affecting rural life in the country in the Age of Improvement. The nature of changes to management of the landscape and architectural modes is discussed and an attempt is made to identify the agents of reform. The response and negotiation of the islanders to emergent commercialisation is discerned by changes to traditional houses and the material emerging from recent excavation work.     

马克斯·韦伯眼中的孔子:韦伯中国史观中的精神与自然力

[提要]作为德国社会学古典理论的奠基人之一,马克斯·韦伯以“新教伦理与资本主义精神之间具有历史亲和力”的观点在世界范围内享有盛誉。他终其一生都在以摒弃西方人传统偏见的态度去探究非西方的文化。韦伯在中国宗教(尤其是儒教和道教)研究领域取得了巨大成就。他以对孔子和儒者的仰止之心指出儒教是一种高度发达的、冷静的理性主义,深刻剖析了宗教是中国未能发展成为现代化工业社会的决定性因素。韦伯进一步揭示了自然环境及其变迁对于中国历史进程的影响,阐释了自然环境状况也是中国未能发展成为工业资本主义的另一症结所在。     

CAPITALISM IN TIMES OF CRISIS

This article investigates how Danish industrialists responded to the rise of the modern state in the decades up until the Second World War, a period in which many of the basic principles of liberal capitalism were called into question, and in which the relationship between the state and the economy underwent major changes in all Western societies. It argues that the industrialists remained firm believers in classical liberalism and, on that ground, opposed growing state intervention as a slide towards socialism. The article has an emphasis on their reactions to calls for social policy initiatives, and it shows that the industrialists typically opposed such initiatives, either on pure ideological grounds or as conflicting with the economic competitiveness of Danish firms. When accommodation to selected demands for a stronger state did take place, it was typically in periods of crisis, the most important being the years just after the First World War. The interwar years did, however, see some approbation to increasing state intervention in the economy, and in the 1930s the idea of cooperation with the state entered their rhetoric. Thus, the article argues that the rhetoric and narratives gradually changed, while the ideological core did not.     

Beyond Hollywood: Enhancing Heritage with the ‘Orphan’ Film

Global discussions relating to heritage preservation, with their traditional focus upon architecture, archaeological sites, and landscape, often overlook and, at times, even devalue the role of the moving image. The last century witnessed the emergence and development of moving image preservation practice, which largely remains a separate vocation with a unique agenda and approach. With a case study of historical conservation and presentation in San Antonio, Texas, this paper argues for greater dialogue and collaboration between moving image archivists and traditional heritage preservation practitioners. Creative use of archival media offers unparalleled opportunities to illustrate and explore the development and historical trajectory of heritage sites, the visitors to them and, most importantly, the local communities that participate in and facilitate the evolution of this heritage.     

What is Social Economics?

During the 1950s at the latest, Max Weber became a ‘founding father’ of sociology, chiefly on the basis of a restricted set of canonical writings and without any consideration of his wider relationships to law, economics and politics. During the last ten years of his life he was responsible for a major collaborative work, the Grundriss der Sozialökonomik—Outline of Social Economics. The title was of his own choosing; and so it might well shed new light on his work if we consider how this work was organised, and how Economy and Society, written as a contribution to this handbook, was intended to form part of it.     

Rethinking “Peasant Consciousness” in Colonial Egypt: An Exploration of the Performance of Folksongs by Upper Egyptian Agricultural Workers on the Archaeological Excavation Sites of Karnak and Dendera at the Turn of the Twentieth Century (1885–1914)

This paper aims to rethink “peasant consciousness” in colonial Egypt, through a study of the performance of folksongs by Upper Egyptian agricultural workers on the archaeological excavation sites of Karnak and Dendera at the turn of the twentieth century (1885–1914). Mainly based on a historical‐anthropological analysis of songs collected between 1900 and 1914 by the French archaeologists Maspéro and Legrain, this essay proposes a new understanding of subaltern consciousnesses as fragmented objects constructed through a dialectical relationship of power and resistance as performed by the various actors present on the scene. Drawing its inspiration from the work of contemporary ethnomusicologists (Finnegan 1977 Finnegan, R. 1977. Oral Poetry: Its Nature, Significance, and Social Context, Cambridge: Cambridge University Press.  [Google Scholar], 1992 Finnegan, R. 1992. Oral Traditions and the Verbal Arts: A Guide to Research Practices, London; New York: Routledge. [Crossref] , [Google Scholar]; Slyomovics 1987 Slyomovics, S. 1987. The Merchant of Art: An Egyptian Hilali Oral Epic Poet in Performance, Berkeley, CA: University of California Press.  [Google Scholar]) and relying on the framework shaped by their use of oral‐formulaic and speech‐act theories, this study conceives of the performance, reception and collection of the songs as a crucial locus of encounter, interaction and negotiation between the local landless peasants employed as daily workers on the excavation sites, and the colonial administrators of the Antiquities Service during the key period of transition from corvée to contract labour.     

Who goes there? Science, fiction, and belonging in Antarctica

The implications of the ATS regime on Antarctica have been profound, both structuring the possibilities for states to engage Antarctica, while limiting those very engagements to those directly related to science. State-run science has in many ways solved the problem of Antarctica's resistance to capital development and provided a safe course for national rivalry. Yet science has not always been seen as the sole convener of Antarctic activity. Tracing three versions of a story of resistance to an alien invasion of the pole – John Campbell's ‘Who Goes There?’ (1935), and its two filmic remakes, Christian Nyby's The Thing From Another World (1951) and John Carpenter's The Thing (1981), in relation to Richard E. Byrd's Antarctic exploration career, this essay considers US strategies for incorporating Antarctic territory into national and global imaginaries.     

A Vast Inland Empire and the Last Great West: remaking society, space and environment in early British Columbia

In the late nineteenth and early twentieth centuries, a new order was imposed on the land and inhabitants of present-day interior British Columbia. From one perspective this was a story of human progress and improvement – the advance of colonizing Europeans into lands that they considered underutilized and unproductive and that they sought, often successfully, to bring within the growing orbit of global trade and world capitalism. Yet for many people and creatures the story of resettlement was far from a story of progress. In relatively short order – less than a century – the grasslands of interior British Columbia were swept and transformed by many of the most powerful currents of western modernity. The results of this transformation were uneven and often deeply inequitable. By the late nineteenth century native peoples had been dispossessed and struggled to survive on small resource-poor Indian Reserves; a few corporate and family-owned cattle ranches controlled the best range leaving small-scale immigrant ranchers with more or less marginal land; and many types of grassland had been heavily overgrazed. This paper explores these darker sides of European resettlement in present-day interior British Columbia by emphasizing the role of ranching in colonial resettlement, by describing the stratified rural society that ranching, in part, produced, and by revealing the different ways that cattle and ranches interacted with natural and economic processes to remake an environment.     

Barcelona as urban palimpsest: Architectonic memory and structural violence in José Luis Guerin's En construcción (2001)

This article presents an analysis of the Spanish director José Luis Guerin's “documental ficticio” titled En construcción (2001) En construcción. Dir. José Luis Guerin.Ovídeo TV S.A., 2001. Film. [Google Scholar]. In particular, I will examine the filmic representation of urban and architectonic spaces within post-industrial Barcelona, as well as the relationship of space and place to the construction of historical (post)memory in post-Francoist Spain, as “lieux de memoire.” While contemporary Spanish film has tended toward the engagement of Franco's lingering specters, I contend that Guerin's filmic discourse rather focuses on the new totalitarian state imposed by the emergence of social democracy and free-market capitalism in post-Francoist Spain, as inscribed via the urban architecture within Barcelona's public spaces.     

“伪满洲国”电影的历史叙述

对沦陷时期存在于中国东北地区的“满洲映画协会”及其拍摄的电影的研究,因中国、日本和美国学者的历史观和文献掌握情况的不同而呈现出较大的分歧。我们必须将满映置于日本建立的战时东亚电影统制体系之内,对日本殖民主义者推行的电影政策进行考察,对现存的电影作品进行深入的文本分析,才能认清其本质。     

For love or money? Assessing outcomes from direct public investment in film

ABSTRACT

This study examines Australian domestic film performance under two distinct policy regimes with respect to direct investment strategy. In particular, we contrast film performance under two public funding agencies with noted differences in (i) the number of films financed annually, (ii) the average (and maximum) funding per film, and (iii) the involvement of an expert review panel in funding decisions. In addition to box office returns, we consider performance benchmarks related to major film festival screenings, nominations and awards; critical acclaim based on IMDb user and critic reviews; and whether or not the film received a release in the major UK and/or US markets. Finally, we exploit a subset of our data where a ‘two-door’ policy was used for investment decisions that allows us to reflect on our more general results.