The Anglican patient: Robert Boyle and the “Medicalised Self” in early modern England

In Occasional Reflections upon the Accidents of an Ague (1665), Robert Boyle investigates the symptoms, signs, and causes of a vexing quartan fever. Boyle’s sickness inspires an exploration of the promises and perils of medicine, in which he tests both regimen and remedy. As he writes through his suffering, Boyle recognises that the eclecticism, eloquence, and flexibility of medical thought provide ways of preserving and re-describing agency and interest, ways of shaping and organising the self. As an “Anglican patient,” Boyle probes counsel, temperance, repentance, and fears of relapse, seeking a via media between enlisting medical assistance and enjoining spiritual rectitude, between curing and caring. His meditations interiorise the world in order to discover the social dimensions, and shared vocabularies, of suffering and the self, the latter embedded in conversations devoted to cure.     

The philosophy of westernisation: Ahmet Ağaoğlu on civilisation and culture

This article seeks to explore Ahmet A?ao?lu's understanding of the concepts of ‘civilisation’ and ‘culture’ and his approach to the question of Westernisation, with the aim of shedding light on the intellectual background of the westward transformation of Turkey. A?ao?lu attempted to define and describe these concepts at a time when a nation-building process was taking place in Turkey. The study traces the evolution of, and the relationship between, A?ao?lu's later Westernist and nationalist ideas which were in constant interplay with each other, and concludes that A?ao?lu saw a symbiotic relationship between one's changing civilisation and cultural enrichment.     

“Let no man write my epitaph”: the contributions of Percy Shelley,Thomas Moore and Robert Southey to the memorialisation of Robert Emmet

For centuries elegy has been instrumental to Irish culture and its self-expression. This essay considers the elegies both by and about Robert Emmet written by Thomas Moore, Robert Southey and Percy Bysshe Shelley as well those written by anonymous balladeers. Central to this essay is the examination of the topoi of Irish elegiac verse and song shared by these poems and the way in which they contribute to the evolution of this genre and the radical nationalism associated with it. Their shared discourse is born out of Ireland's colonial experience and contributes to the establishment of Irish national identity, whilst their differing authors and audiences signal the complexities inherent within a colonial textual framework. In particular this essay draws attention to Shelley's neglected Irish poems which reflect the discomfort of a poet and idealist attempting to find his own voice whilst striving to escape the dominant ideology of his own culture.     

The “War on Terror” and the Military–Archaeology Complex: Iraq, Ethics, and Neo-Colonialism

The archaeological response to the 2003 invasion and occupation of Iraq is often portrayed as a crusade to rescue antiquities, destroyed either directly by the military action itself or indirectly by the looting of archaeological sites and museums. I argue in this paper that this narrative is awfully inadequate, and masks the ethical and political dimensions at the core of this historical episode. I contend that, in their often well-intended attempts to rescue antiquities, most archaeologists involved have projected a professionalized, apolitical and abstract response, devoid of the social and political context, and based on the fetishisation of a narrowly and problematically defined archaeological record. I argue further that the increasing collaboration of many archaeologists with the invading militaries and occupation authorities since 2003, assisted by the “cultural turn” especially within the US military, have laid the foundations for an emerging military-archaeology complex. I trace the contours of this phenomenon by examining various archaeological and museum discourses and practices. This new development (with historical resonances that go as far back as the 18th century, if not earlier) is linked directly with the ontology and epistemology of archaeology, and deserves further close scrutiny and analysis. The thesis advanced here does not advocate inaction and withdrawal in situations of warfare, but a critical engagement that safeguards the autonomy of the scholar; critiques the political agendas and power structures of contemporary warfare; deconstructs its discursive basis and its ideological overtones; and shows its catastrophic consequences for people and things alike, past and present.     

“Obra de arte yo too”: Eduardo Mendicutti on soccer,glamour, and the “Beckham effect”

ABSTRACT

La Susi en el vestuario blanco (2003) is a fictional chronicle of life in the Real Madrid locker room, a privileged insight into the sanctum sanctorum of the world's richest soccer team. The hiring of Susi as glamour coach ostensibly aims to boost the competitive advantage of the galácticos in foreign as well as local markets (reflecting the reality of the club at the time). In Mendicutti's homoeroticizing gaze, it also serves to uncover the homophobic substrate reportedly still common in male team sports and teases at the anxieties of the players. This article explores the peculiar function of Susi as she sets the comic tone of the work and engages with the varied virilities before her. It examines the notions of “glamour” and “identification” both as tongue-in-cheek team objectives and as phenomena with wider relevance for the way spectators relate to sport and players relate to the world around them.     

“The producers on the one side,and the capitalists on the other”: Labor Reform,Slavery, and the Career of a Transatlantic Radical

Abstract

Through exploring the neglected career of John Campbell, an Irish-born Chartist refugee who ascended to a leadership role in the antebellum American labor movement, this article seeks to shed light on how revolutionary upheaval in Europe, debates over immigration, and sectional conflict affected working-class politics. Focusing on the period 1848 to 1851, and tracing Campbell's rapid evolution from a radical opponent of slavery to an ardent supporter of black subjugation, I argue that labor historians need to pay closer attention to shifting local and national contexts to understand the racial politics of labor agitators. Yet even as Campbell's views changed, his commitment to a producerist vision remained constant; by 1851 he had simply added people of African descent to a list of “idle” nonproducers who lived off the labor of workingmen. His proslavery twist on producer ideology suggests historians of antebellum social relations may need to go beyond interrogating the racial dimensions of artisan republicanism to gain a fuller understanding of the variety of working-class attitudes to race.     

Disorienting Rhythms: Gypsyness, “Authenticity” and Place on the Greek–Albanian Border

Against a located background—a focus that highlights the significance of place in the constitution of Gypsy identifications and runs counter to most of the assumptions shared by recent studies on Gypsies—the article tries to explore the tensions, ambiguities and contradictions generated by the involvement of the Gypsy musicians of Parakalamos, a village on the Greek–Albanian border, in issues concerning “tradition” and “authenticity”. More specifically, the article considers how Gypsy music playing practices initially allowed Gypsy practitioners to be included in the nation‐state project in a somewhat “dishevelled” form as local musicians; however, in the face of recent shifts in politics, culture and representation in Greece concerning multiculturalism and “cultural heritage”, Gypsy musicians find themselves in the position of being recognised as “musical outsiders” that should by implication adhere to their distinct musical tradition. In this respect, although it has hardly been admitted, such a move runs counter to what constitutes the core of Gypsy musicianship: their locatedness. The article argues that within such “identitying” practices lurks an occlusion of the ways Parakalamos Gypsyness has been, and continues to be, dependent on place and music, and not on a separate, distinct and self contained Gypsy identity, thereby casting doubts on assumptions about what constitutes identity as such.     

Observing,Collecting and Governing “Ourselves” and “Others”: Mass-Observation's Fieldwork Agencements

This paper explores the relationship between oligoptic visual economies and liberal technologies of government which emerge from a consideration of the field collecting practices of Mass-Observation (MO), a social research movement established in the years leading up to the outbreak of the Second World War which attempted to develop an anthropology of British “everyday” life. Focussing on MO's fieldwork agencements, the paper shows how the project brought together museological methods of collecting and curating with new mechanisms of collective self-watching, and the ways in which these mechanisms became implicated in technologies of government through its archival operations. In the connections it drew between the liberal subjectivities of collective self-watching and surrealist aesthetic practices, MO played a significant role in shaping new governmental rationalities, with implications for both metropolitan and colonial populations, through its interlinked conceptions of “mass” and “morale”. These formed part of a broader scientific–administrative–bureaucratic apparatus which facilitated the classification, ordering and governance of populations and “things” in this and later periods.     

Politics of Immortality: Hobbes on “Humane and Divine Politiques”

Hobbes anticipates many important features of liberalism, including rights, the sovereign state, social contract and constitutionalism. Yet in his insistence that the sovereign will have final authority in matters of faith he appears to repudiate what we have come to consider the core liberal assumptions regarding separation of church and state. In this article, I argue that Hobbes takes this approach because of the political challenge posed by immortality (the promise of eternal rewards and the threat of eternal torment and damnation after death). Hobbes regards immortality as one of the most important factors that transform a religion from a means to strengthen the sovereign's authority, a “humane politiques,” to a “Divine politiques,” where others come to exercise countervailing claims on subjects' loyalty. Because immortality presents such a profound challenge to Hobbes' political remedy founded on the judicious use of fear, he adopts a twofold strategy to moderate its political influence. The first is a redefinition of who shall speak and what shall be said about immortality. The second strategy is to elevate the demands of this-world, by promising an eternal peace that will ensure a commodious life.