Performing arts as cultural heritage in the Federated States of Micronesia

This article explores the performing arts as cultural heritage in the Federated States of Micronesia (FSM) in the western Pacific. It examines policies for and ideas about the support, management and safeguarding of the performing arts, first through the colonial lens of historical preservation, then through intangible cultural heritage and finally from recent theorising in music ecology. In presenting an overview of cultural heritage policy in the FSM with regard to the performing arts, this paper discusses the relationship between heritage practices and colonialism, and it reviews the place of music and dance in the cultural management of Micronesia. Drawing on recent work in ethnomusicology, the article argues for considerations of the holistic space of the performing arts and the facilitation of participatory practices to address concerns of cultural demise and to reframe approaches to music and dance as cultural heritage in the Pacific.     

Toward a Cultural Landscape Atlas: Representing all the Landscape as Cultural

Many government and non‐statutory registers utilise point datasets to represent cultural heritage places. An effect of this approach is to emphasise that cultural heritage comprises a series of spatially discrete material remains or ‘sites’, suggesting discrete locations which are somehow disconnected from their broader historical and landscape contexts. We advocate an alternative in which spatial representation of heritage is set within a cultural landscape framework, acknowledging that all parts of the landscape have inter‐connected cultural histories, associations and meanings resulting from long‐term and ongoing human–environmental interactions. Results from a collaborative cultural heritage research project undertaken at Culgoa National Park in Australia demonstrate the advantage of this approach. The mapping products produced by the work comprise an interactive electronic DVD Atlas and hard copy maps. Both focus on meeting the management needs of field‐based park staff.     

Maisons Tropicales/Maisons Coloniales: contesting technologies of authenticity and value in Niamey,Brazzaville, Paris,New York and Venice

This article draws on multi-sited anthropological fieldwork to analyse institutional practices of producing cultural authenticity and value under conditions of globalization. It focuses on the ‘re-discovery’ of three so-called Maisons Tropicales as modern architectural heritage in Niamey and Brazzaville. These prototypes of a colonial building project were subsequently translocated, commoditized and displayed as modern works of art in Paris and New York. The article describes the global connections and disconnections between the actors involved, claiming that the alternative practices of appropriating the Maisons Tropicales rely on competing and conflicting technologies of authenticity and value. Adding to scholarship on exchanges of material culture, as well as on the production of cultural authenticity and value, the article reframes debates in heritage studies pertaining to the ethics of site-specificity, material integrity, and integrity of place; preservation, conservation, and restoration; restitution and repatriation; as well as questions of cultural identity and the notion of a ‘shared’ colonial heritage. Ultimately, the article re-contextualizes the Maisons Tropicales in their (post-)colonial legacies. It concludes that critical interjections by artists and ethnographers suggest potential to reassemble the dominant technologies of authenticity and value in the fields of art and heritage preservation.     

From analogue to digital and back again: institutional dynamics of heritage innovation

This article traces the emergence of a digital imperative – the belief in the necessity of digitising cultural expressions – in a particular heritage project in the Dutch city of Maastricht. The main reason for doing so is to contribute to the growing body of literature on digital cultural heritage, a perspective that pays analytical attention to the organisational and institutional dynamics of heritage innovation. Such a perspective complicates the popular assumption that digitisation will be beneficial to participation and instead puts forward – by drawing on institutional theory and the sociology of expectations – a less technology‐centric and more contextual understanding of digital heritage. The conclusion highlights the potential of institutional analysis and the sociology of expectations for digital heritage studies.     

Aspects of Archaeological Heritage in the Cultural Landscapes of Western Anatolia

Throughout the course of time, environments built within landscapes have been transformed into conserved archaeological heritage sites through natural, but mostly anthropogenic, forces. Today, cultural heritage is the product of visual and spatial features of architectural material and landscapes created through conservation, but also through social and economical needs and interests. In Western Anatolia, archaeological heritage sites with ecologically rich areas, countryside, coastlines and seascapes are the most essential visual, spatial and structural features of cultural (historical) landscapes. Moreover, western Anatolian landscapes have retained their authentic character regarding intangible cultural diversity, ecology, rural traditional systems and agricultural practices. However, rapid changes and developments due to urbanisation and mass tourism have made their impacts on cultural historical landscapes in recent years. In this paper, an attempt is made to explore the cultural heritage within the evolution of cultural archaeological landscapes in Western Anatolia and to propose a sustainable approach for development and conservation options for cultural heritage and their landscapes.     

QUESTIONING A NEOLIBERAL URBAN REGENERATION POLICY

The present study traces recent trends in cultural policy concerning “cities of culture” in South Korea. The paper is a case study of the city of Gwangju, known as the birthplace of modern democracy in Korea. Currently, public input from below into the urban regeneration project for Gwangju is almost nonexistent, while most urban regeneration policies have been implemented from the top by elites who enjoy exhibiting their performances through constructing massive edifices rather than encouraging the preservation of such intangibles as historical significance through cultural participation from below. The government’s policy of promoting Gwangju as the “city of culture” in order to make it a hub of Asian cultural industry and tourism in the global economy is closely allied to its policy of economic reductionism of culture. The study suggests that Gwangju and its unique heritage would instead benefit from an urban regeneration policy aimed at establishing it as the city of art and culture for human rights and democracy and as part of a collaborative network with the heritage initiatives of international bodies.     

Digitisation,digital interaction and social media: embedded barriers to democratic heritage

Abstract

The democratisation of heritage through digital access is a well-documented aspiration. It has included innovative ways to manage interpretation, express heritage values, and create experiences through the ‘decoding’ of heritage. This decoding of heritage becomes democratised, more polyvocal than didactic exhibitions, and less dependent on experts. However, the decision of what ‘heritage’ is and what is commissioned for digitisation (the encoding) is not necessarily a part of this democratisation. This paper will consider how digitisation reinforces the Authorised Heritage Discourse through the lens of Stephen Lukes’ three (increasingly subtle) dimensions of power: conflict resolution, control of expression and shaping of preferences. All three dimensions have an impact on how public values are represented in heritage contexts, but the introduction of digitisation requires more resources, expertise and training within established professional discourse. Social media may have a positive impact on the first two dimensions, but can reinforce hegemony. Alternatives are subject to epistemic populism. The role of digitisation and social media in the democratisation of heritage needs to be better understood. Questions regarding the nature and process of digital interaction, in terms of whose heritage is accessible, affect the very issues of democratisation digitisation appears to promote.     

Ethnographic sound collections and Australian Aboriginal Heritage: Kaytetye song traditions remembered

ABSTRACT

Song was one of the principal methods of transmitting knowledge in the fundamentally oral societies of Indigenous Australia. As the breadth of song traditions has greatly diminished over the past 200 years, archival recordings of song now form a significant resource of intangible cultural heritage for Australia’s Indigenous people. The song performances recorded in the past are now being rediscovered, remembered and in some cases revived. This paper presents findings from a recent project involving the return of a set of poorly documented recordings of songs to Kaytetye people in central Australia. These newly discovered recordings, the earliest ever made of Kaytetye singing, are shown to be an important heritage resource for these communities. Working collaboratively with senior song experts in order to gain a better understanding of the meaning and cultural significance of various songs, I document the how this discussion of audio material generated important social-histories and memories, reinforced local understandings of rights in cultural heritage, and revealed both continuities and changes in Kaytetye ceremonial and song practice.     

Heritage statecraft: When archaeological heritage meets neoliberalism in Gazprom's resource colonies,Russia

A growing number of scholarly works in the field of archaeology and heritage studies have been investigating the role of culture in relationship management. By assessing the use of heritage and repatriation of archaeological finds by multinational Gazprom, a natural gas company, in the Russian Federation, this paper contributes to this heritage diplomacy research by critically repositioning some of its core paradigms and its predominant emphasis on interstate diplomatic processes. As explored in this paper, archaeology and heritage are cultural technologies that have to be framed in the broader statecraft policies of the nation state, and are enmeshed with different types of power and include a plethora of agents. By exploring a case study investigating the corporate security initiatives of a resource extraction and transport giant in Russia, this paper contributes to the extensive literature on neoliberalism, corporate social responsibility and federalism in newly developing economies.     

The Hopi,the katsinam,and the French courts: looking outside the law in the repatriation of Indigenous cultural heritage

Katsinam (plural of katsina) are effigies central to the religion of the Hopi people of northern Arizona in the United States. Since 2013 the Hopi have sought the return of katsinam being sold in French auction houses. The Hopi have employed a series of legal actions to stop the auctions. All such actions, however, have been consistently denied by French courts. This paper uses social science analysis to understand why the legal actions of the Hopi failed. This paper treats the case of the katsinam as a cautionary lesson in cultural heritage studies, with the goal of drawing insights that can inform other situations involving the repatriation of Indigenous cultural heritage.     

Reviving Community Spirit: Furthering the Sustainable, Historical and Economic Role of Fish Weirs and Traps

Stone wall fish weirs and traps were once an important means for inland and coastal communities to catch fish. In many places the weirs and traps have been left to deteriorate and other more productive but less sustainable practices have taken their place. It was considered that they have fulfilled their historical and economic role and it was the loss of community spirit that has contributed to their decline. A recent survey in Yap, Federated States of Micronesia found a diverse and extensive number of fish weirs and traps, and a community keen to restore and reinvigorate their associated cultural practices and community spirit. The paper draws on comparative data from other places of the world to investigate weirs and traps, and to see if a similar revival could be observed. Of importance was a need to highlight the value of pursuing this type of research for contemporary communities and maritime archaeological practitioners in the current international management framework for underwater cultural heritage.     

Developing a Collaborative Strategy to Manage and Preserve Cultural Heritage During the Libyan Conflict. The Case of the Gebel Nāfusa

The paper discusses the potential of a collaborative scheme for the development of a protocol for recording and managing the cultural heritage in Libya. The critical political situation in the country urges the development of cultural heritage management policies in order to protect it more thoroughly and consistently. Moving on from the numerous international initiatives and projects dealing with a mostly “remote” approach to the issue, the project here presented to engages with staff members of the Department of Antiquities (DoA) in the development of a joint strategy for the application of remote sensing and geographical information systems (GIS) to the preservation and monitoring of Libyan cultural heritage. A series of training courses resulted in an initial development of new ways of recording and analysing field data for a better awareness of the full range of threats that the archaeology of the country is subject to. Focussing on the case of the Jebel Nafusa, the training involved the assessment of site visibility on satellite imagery, the analysis of high-resolution satellite datasets for archaeological mapping, the creation of a GIS spatial database of field data, and the mapping of risks and threats to archaeology from remote sensing data. This led to the creation of of a risk map showing the areas that are affected by a number of threats, thus giving the DoA a tool to prioritise future fieldwork to keep the assessment of site damage up to date. Only a collaborative approach can lead to a sustainable strategy for the protection of the invaluable cultural heritage of Libya.     

“茶马古道”遗产保护中的文化品牌建设

文化遗产可以展现一个地区的文化脉络,也是评价该地区文化深度与厚度的要素之一。对待历史功能在现代社会发生了一些转变的文化遗产,应该加以保护还是改善开发是学界引发广泛讨论的论题。而冻结与封存并不能体现文化遗产的价值,尽管茶马古道的部分历史功能已经消逝或改变,但其在过去近20年问已经以一个文化标签的形式进入了大众文化视域,成为一个区域形象符号。树立品牌建设观念,遵循文化品牌建设的原则、规律进行综合性的保护与利用,是此类跨区域、跨民族、跨文化类型的文化遗产保护与传承的重要方式。     

From the ground up: cultural heritage practices as tools for empowerment in the Homeless Heritage project

Abstract

The Homeless Heritage project took place across two English cities (Bristol and York) between 2010 and 2014. The project sought to use a range of participatory heritage practices to engage contemporary homeless people in documenting their perspectives on each city. Drawing on data gathered over three and a half years this paper reflects on how collaborative cultural heritage practices can be useful in recording diverse stakeholder perspectives which can become catalysts for social change. It is further argued that two interactive exhibitions that resulted from the Homeless Heritage project contributed to the democratisation of knowledge, aiding negotiation of the complicated politics of contemporary homelessness in valuable ways.     

The securitisation of cultural heritage

ABSTRACT

It is not a novelty for art to come under attack: cultural heritage has always been endangered by wars, conflicts and political violence. Since the last century, the international community has started reacting, moved by the concern that these threatened monuments be protected. Lately, cultural heritage can be seen to undergo a veritable crescendo from politicisation to criminalisation and securitisation. Accordingly, this article seeks to analyse the pathway that characterises the international protection of cultural heritage in crisis-torn contexts, employing a discursive lens and mapping the narrative threads that the main international actors have constructed in reaction to recent attacks on archaeological sites (i.e. Palmyra) and historical artefacts, especially in the Middle East (namely Syria and Iraq). After having traced this process, we will offer a tentative explanation of what we consider a process of securitising an under-researched field (i.e. cultural heritage).     

Conflicts Over the Repatriation of Sami Cultural Heritage in Sweden

Abstract

More than 400 years of colonization and assimilation policy by the Nordic states has created a new situation for Sami culture. Over this long period the Sami heritage has become thoroughly marginalized, but today the more overt conflicts that we find elsewhere in the world between colonizing states and indigenous peoples have diminished. Such conflicts are, perhaps, more characteristic of an earlier stage of the colonial frontier, and they have been replaced by post-colonial forms of consensus. Despite the shared experiences of the Sami in their recent history, some important differences have emerged between Nordic states in how the Sami heritage is perceived and how it is managed. Much more than in Norway, the dominant attitudes of the Swedish state continue to echo the discriminatory attitudes of the past, but in a more restrained way. This continuity of attitudes is demonstrated here using examples of current policies and practices. Particularly in Sweden, there are continuing conflicts between nationalism and the Sami world view, but I argue that these old conflicts are no longer the main problem in Scandinavia. Instead, scholars, Sami leaders, and others concerned with heritage in the north are finding common cause in opposing what we might call the ‘wilderness assumptions’ of policy makers in the south, especially within the neo-liberal Swedish state. These assumptions have been reinforced by the restructuring of state finances, and they are now leading towards neglect of northern cultural heritage and its associated institutions, particularly museums. These assertions are supported using examples from various museums and through case studies of the repatriation of Sami cultural objects such as drums and siejdde-stones, and the continuing problems with Sami skeletal remains.     

Archaeological Ethnography,Heritage Management,and Community Archaeology: A Pragmatic Approach from Crete

This article examines the introduction of archaeological ethnography as an approach to establish positioned research and bring context-specific and reflexive considerations into community archaeology projects. It considers recent critiques of heritage management in archaeology and the role of archaeologists as experts in it, contending that smaller and less prominent sites exist in different contexts and pose different problems than large-scale projects usually addressed in the literature. We describe how the ‘Three Peak Sanctuaries of Central Crete’ project, investigating prehistoric Minoan ritual sites, involves communities and stakeholders and what demands the latter pose on experts in the field. Archaeological work is always already implicated in local development projects which create and reproduce power hierarchies. It is therefore important that archaeologists maintain their critical distance from official heritage discourses, as they are materialized in development programmes, while at the same time engaging with local expectations and power struggles; they also have to critically address and position their own assumptions. We use examples from our community archaeology project to propose that these goals can be reached through archaeological ethnographic fieldwork that should precede any archaeological project to inform its methodological decisions, engage stakeholders, and collaboratively shape heritage management strategies.     

Maya heritage: entangled and transformed

This article discusses two aspects of heritage – entanglement and transformation – that became clear during a recent cultural heritage project in Yucatan, Mexico. Regarding entanglement, heritage becomes relevant only when coupled with other concerns, ranging from politics to livelihood to personal biographies. An unpredictable array of entanglements came into being during the project and these entanglements elevated the impact and visibility of local heritage to an unanticipated degree. Transformation refers to the claim that heritage is not frozen in the past. Instead, it is in motion and subject to change. The transformations of heritage discussed in this paper are examined from the perspective of a mobilities paradigm and understood, in part, as resulting from the experience of performing heritage for outsiders for the first time. In so far as the heritage project precipitated changes in identity, this paper explores what is meant by Maya identity and argues that it is a fluid construct that can be both anchored in the past and negotiated in the present. This perspective makes sense of an event in which contemporary people anchored their identity in a spectacular 1000-year-old ruin, but falls short of explaining the uneven recognition of smaller ruins.     

The dhow as cultural icon: heritage and regional identity in the western Indian Ocean

Dhows, the traditional sailing ships of the western Indian Ocean, are currently used in museums, heritage sites and popular culture as a symbol of a regional culture in the western Indian Ocean. While scholars have embraced the notion of seas as cultural or historical units, this type of ‘basin thinking’ is a recent phenomenon in the Indian Ocean. Over the last 150 years the dhow has gone from being a despised symbol of the slave trade and economic underdevelopment to representing a romanticized past and a regional identity. This article traces the parallel development of the idea of the dhow as a symbol of regional identity and changing perceptions of both the vessels and the region it is taken to represent. It argues that recent representations of dhows as cultural heritage represent a new and developing notion of regional identity within the western Indian Ocean.     

Protection Versus Public Access: Two Concepts Compared within the Italian Underwater Cultural Heritage Management System

The concepts of protection and public access relating to underwater cultural heritage are often taken as two contrasting notions in the Italian underwater cultural heritage management panorama. This contribution aims to review these concepts with the objective of emphasizing the possibility of sound and scientifically compelling public access to the underwater cultural heritage, keeping protection principles intact. With the support of in-the-field examples successfully produced worldwide, this paper will attempt to underline how scientifically sound public access activities in the field of underwater cultural heritage management can benefit the protection of such heritage.