HISTORY,ANTHROPOLOGY, COLONIALISM,AND THE STUDY OF INDIA

Autobiography of an Archive is a collection of essays by Nicholas B. Dirks written since 1991, preceded by an autobiographical introduction. This review article discusses the collection in relation to Dirks's overall scholarship and the wider intellectual field in which history, anthropology, and colonialism intersect in the study of India. Dirks has written three books: The Hollow Crown (1987), an “ethnohistory” of a “little kingdom” in south India; Castes of Mind (2001), about colonialism, anthropology, and caste in India; and The Scandal of Empire (2006), which discusses the foundations of British imperial sovereignty. In The Hollow Crown and other writings, Dirks significantly contributed to the debate about the “rapprochement” between anthropology and history, which was prominent in the 1980s. But in the 1990s, Dirks thought, the rapprochement ground to a halt; the relationship between anthropology and colonialism then came to the fore, and Castes of Mind, as well as some of these essays, were influential critical studies of colonial anthropology. In recent essays, Dirks has examined the “politics of knowledge” and the postwar development of South Asian area studies in the United States. This article argues that although the relationship between anthropology and history is now rarely debated, historical anthropology has continued to develop since the 1980s. Moreover, anthropologists in general now recognize that history matters, and that colonialism crucially shaped modern society and culture in India, and other former colonial territories. Many of Dirks's conclusions about, for example, Indian kingdoms and caste in colonial discourse, have been criticized by other scholars. Nonetheless, anthropological writing, especially on India, is no longer unhistorical, as it once often was, and Dirks's scholarship has played a valuable part in bringing about this change.     

Assembling an Anthropological Actor: Anthropological Assemblage and Colonial Government in Papua

This paper traces the networks through which particular practices of collecting cultures became imbricated in new relations governing colonial populations. It investigates the socio-technical arrangements associated with “practical anthropology” as they were enrolled in the Australian administered territory of Papua. The paper follows the assemblage of a new kind of anthropological actor: one which is framed in relation to new articulations of the administrative, academic and museum networks associated with a programme of “scientific administration” and the doctrine of “humanitarian colonialism”. In particular, it focuses on the office of the Government Anthropologist and the ways in which “native culture” emerged as an administrative surface.     

Liberal Government and the Practical History of Anthropology

This paper explores the implications of Foucault's perspective of liberal government for approaches to the practical history of anthropology. It also draws on assemblage theory to consider the changing relations between field, museum and university in relation to a range of early twentieth-century anthropological practices. These focus mainly on the development of the Boasian paradigm in the USA during the inter-war years and on the anthropological practices clustered around the Musée de l'Homme in the 1930s. Key steps in the argument focus on the role of what Foucault called “transactional realities” in mediating the practical applications of anthropology in colonial contexts and in “anthropology at home” projects. Special consideration is also given to the increasingly archival properties of anthropological collections in the early twentieth century and the consequences of this for anthropology's relations to practices of governing.     

Observing,Collecting and Governing “Ourselves” and “Others”: Mass-Observation's Fieldwork Agencements

This paper explores the relationship between oligoptic visual economies and liberal technologies of government which emerge from a consideration of the field collecting practices of Mass-Observation (MO), a social research movement established in the years leading up to the outbreak of the Second World War which attempted to develop an anthropology of British “everyday” life. Focussing on MO's fieldwork agencements, the paper shows how the project brought together museological methods of collecting and curating with new mechanisms of collective self-watching, and the ways in which these mechanisms became implicated in technologies of government through its archival operations. In the connections it drew between the liberal subjectivities of collective self-watching and surrealist aesthetic practices, MO played a significant role in shaping new governmental rationalities, with implications for both metropolitan and colonial populations, through its interlinked conceptions of “mass” and “morale”. These formed part of a broader scientific–administrative–bureaucratic apparatus which facilitated the classification, ordering and governance of populations and “things” in this and later periods.     

“Empirical Anthropologists Advocating Cultural Adjustments”: The Anthropological Governance of Āpirana Ngata and the Native Affairs Department

In 1929, āpirana Ngata published an article titled “Anthropology and the government of native races in the Pacific”. This would appear to confirm the link between anthropology and the rule of indigenous populations in New Zealand and its Pacific empire, but the evidence presented in this article suggests a more complex situation. This paper examines the “empirical anthropology” of Ngata and Peter Buck and the ways in which their activities reshaped the policy and practice of the Department of Native Affairs between 1920 and 1935, particularly through the notion of cultural “adjustments” or “adaptation”. Archival research reveals that behind the activities of the Dominion Museum, the Polynesian Society and its Journal was a Māori-led body, the Board of Māori Ethnological Research, which redirected government collecting, research and publication from salvage to the maintenance and revival of Māori cultural heritage in the service of tribal social and economic development. Seen through the theoretical framework of assemblage theory, we can see how a malleable idea of culture was employed in social governance in quite different ways to the colonial governmentality at work in other settler colonies at this time. The paper argues that this form of “anthropological governance” effectively de-territorialized state institutions, thereby creating a distinctive space for the native exterior to the nation.     

Quarantine Matters: Colonial Quarantine at North Head,Sydney and Its Material and Ideological Ruins

Australia’s quarantine regulations have their roots in colonial practice. This paper is concerned with the “matter” of quarantine—its location, spatialization, and materialization—and the ways in which it contributed to the colonial agenda. Through an exploration of Sydney’s North Head Quarantine Station, quarantine is shown to be a technology through which the colony and the continent were framed as simultaneously pure and vulnerable. These colonial roots of quarantine practice are then brought back to the present, drawing on Stoler’s (2008) concept of “imperial debris” to contemplate the contemporary ruins, both material and ideological, of colonial quarantine practice.     

4. A PRAGMATIC RESPONSE1

In the years since its twin publication in 2001 (Indian edition) and 2003 (U.S. edition), Textures of Time has attracted a great deal more attention outside the United States than in the American academy. This, we suggest, is because its ideas and approach are rather at odds with the dominant trends in the area of “postcolonial studies.” In this response to three critical essays that engage with the book—by Rama Mantena, Sheldon Pollock, and Christopher Chekuri—we begin by setting out our principal hypotheses as well as the evidentiary structure of the book, which draws mostly on vernacular materials from South India in the seventeenth and eighteenth centuries. The former includes the claim that South India between roughly 1600 and 1800 (and thus in the centuries before the consolidation of colonial rule) possessed considerable and diverse historiographical traditions, though these histories came couched in a variety of genres, rendering them difficult for the uninitiated to recognize at first; the latter requires us to develop the significance of the concepts of “texture” as well as of “subgeneric markers” that help distinguish texts with a historical intention from those that are nonhistorical but have the same generic location. Our response then goes on to discuss why theoretical or ?āstric texts in India do not themselves explicitly theorize the distinctions we make. Here, we posit a contrast between “embedded” and “explicated” concepts in the “emic” sphere, suggesting that “texture” belongs to the first category. We explicitly distinguish our views from the poststructuralist (and Barthesian) language adopted by Pollock in his critique of Textures, and the more predictable postcolonial vision of Chekuri. We once more emphasize the need to take the vernacular historiography seriously, and to refine our reading practices, rather than overly depending on normative materials in Sanskrit, or on a prefabricated theoretical schema that derives from a stylized (and impoverished) view of the nature of the transformations produced by colonial rule.     

Modernization,colonialism, and the new anthropology of sport

Abstract

Anthropologists Niko Besnier, Susan Brownell, and Thomas Carter have recently contributed a theoretically- and empirically-updated account of sport anthropology, the burgeoning, heterogenous, productive field dedicated to the myriad forms of sport and physical activity in human societies. This essay dialogically relates their contribution with previous conceptions of sport anthropology to better understand the interconnections between global and local contexts of physical culture and the relations between anthropological inquiry and important issues like social power, biopolitics, and colonialism. The essay specifically highlights the authors’ contextualization of assumptions of modernization and categorizations of “primitive” and “pre-modern” sport, arguing that a postcolonial approach to sport anthropology results in a more inclusive, nuanced framework for studying the anthropological dimensions of physical culture.     

Photographic Uncertainties: Between Evidence and Reassurance

This paper examines the mid-nineteenth century photographic collecting practices in the Colonial Office (CO) in London. Following methodologies laid down by Stoler and Joyce, the paper excavates the epistemic procedures through which photography and its role in colonial governance operated between the late 1860s and 1875. I focus my analysis on the production of, and response to, two CO despatches, which were circulated in November 1869 requesting photographs. But what was the work expected of these photographs, what were they meant “to do”? What was their relationship with anthropology and geography? The paper argues that in the praxis of central government, the role of photographic evidence was more uncertain and confused than instrumental interpretative models have assumed. I shall argue that in many cases photographs were not “evidence” in any dynamic sense in information provision, but rather functioned as tools of reassurance.     

The Politics of Knowledge: Anthropology and Māori Modernity in Mid-Twentieth-Century New Zealand

This article argues that growing confidence in anthropology as a tool for managing the adaptation of a resurgent Māori population to modernity shaped a “politics of knowledge” regarding New Zealand's indigenous people in the mid-twentieth century. We examine the relationship between anthropological discourse, state policy, and the Māori struggle to uphold traditional ways, through the prism of Ernest and Pearl Beaglehole's psycho-ethnographic study entitled Some Modern Māoris (Beaglehole, E., and P. Beaglehole. 1946. Some Modern Māoris. Wellington: New Zealand Council for Educational Research). This paper demonstrates that the study was the product of a nexus between concerns for Māori welfare, a perceived need for empirical research that could be applied to the “problem” of indigenous adjustment to contemporary conditions, and American philanthropy. For this reason, and as a detailed record of a small community when Māori society was on the cusp of post-Second World War transformations, we contend that the study deserves to be recovered from historical obscurity.     

Storytelling as Method in Spatial Planning

Abstract

Drawing on the case of the Wageningse Eng in the Netherlands, this paper considers the role of “storytelling” within spatial planning practices. It moves away, though, from seeing it as merely a model of spatial planning, where “storytelling” is sometimes used to justify planners' ideals for the landscape, or a model for spatial planning, which pushes for a normative use of “storytelling” as a means of encapsulating local knowledge and the views of those who live in, and use, the landscape. Rather, the paper engages “storytelling” as a method for revealing how formal planning practices may be destabilized by more vernacular narratives seeking to subvert dominant discourses and processes. In doing so, it seeks to not only show the contested nature of participatory planning within the Netherlands, but also the ways in which narratives—as revealed via such a method—construct specific positionalities with real implications for notions of inclusivity within planning practices.     

Transitions in the Ottoman Waqf’s traditional building upkeep and maintenance system in Cyprus during the British colonial era (1878–1960) and the emergence of selective architectural conservation practices

How did the Waqf, a widespread Islamic historic institution in the non-Western world which promoted traditional building upkeep and maintenance systems, cope with the emerging architectural conservation understandings of the modern era? How did colonial transfers of knowledge, expertise and political considerations influence these systems? The present study explores these questions by examining the case of the Ottoman Waqf (Evkaf) institution in Cyprus. By collecting and analysing archival evidence on conservation projects, initiated during the British colonial period between 1878 and 1960, a model framework of initiation, authorisation and implementation processes of the upkeep of the Waqf maintained properties has been identified. This framework has been used to show the transitional role of the colonial influence at different stages, which finally led to the dissolution of the Waqf system’s sustainable elements, and initiated the emergence of selective architectural conservation practices. By shifting the focus of conservation discourses to look specifically into the background dynamics of the institutional practice, a new argument has been developed. This revealed how heritage conservation practices are negotiated with the existing institutions and how they are transferred and/or transformed at different levels of institutional governance.     

From “Dead Things” to Immutable,Combinable Mobiles: H.D. Skinner,the Otago Museum and University and the Governance of Māori Populations

This paper draws on Callon's [2005 Callon, Michael. 2005. “Why Virtualism Paves the Way to Political Impotence: A Reply to Daniel Miller's Critique of The Laws of the Markets.” Economic Sociology: European Electronic Newsletter 6 (2): 3–20. [Google Scholar]. “Why Virtualism Paves the Way to Political Impotence: A Reply to Daniel Miller's Critique of The Laws of the Markets.” Economic Sociology: European Electronic Newsletter 6 (2): 3–20] concept of agencement, together with Latour's [1987. Science in Action: How to Follow Scientists and Engineers Through Society. Cambridge, MA: Harvard University Press] concept of immutable combinable mobiles to illustrate how Henry Devenish Skinner, ethnologist and anthropology lecturer at the Otago Museum and University sought to form and shape Māori identity, history, culture and populations as subjects of liberal government. It does this through an exploration of Skinner's fieldwork and collecting practices. The paper suggests that forms of analysis mediated through the American History School, and the culture area concept were deployed during the emergence of anthropology as a discipline in New Zealand (between 1919 and 1940) to produce ethnographic authority that then acted as a point of connection between scientific networks and the colonial administrative field.     

Lebensaltertheorien in der Anthropologie der Romantik

Theories of stages of life within the anthropology of romanticism. – The essay discusses the importance and prominence of theories about different stages of life in the anthropological and medical discourse of romanticism. This discourse has clearly a stabilising and restaurative function, favouring the age of moderate manhood. The political and social regulative implications of these theories demand a restaurative roll‐back. The essay is based on a concept of sociology of knowledge formation.     

Storm Drains as Assemblages: The Political Ecology of Flood Risk in Post‐Colonial Bangalore

Cities around the world are increasingly prone to unequal flood risk. In this paper, I “materialize” the political ecology of urban flood risk by casting stormwater drains—a key artifact implicated in flooding—as recombinant socionatural assemblages. I examine the production of flood risk in the city of Bangalore, India, focusing on the city's informal outskirts where wetlands and circulations of global capital intermingle. Staging a conversation between Marxian and Deleuzian positions, I argue, first, that the dialectics of “flow” and “fixity” are useful in historicizing the relational politics of storm drains from the colonial to the neoliberal era. Second, flood risk has been heightened in the contemporary moment because of an intensified alignment between the flow/fixity of capital and storm drains. Storm drains—and the larger wetlands that they traverse—possess a force‐giving materiality that fuels urban capitalism's risky “becoming‐being”. This argument raises the need for supplementing political‐economic critiques of the city with sociomaterialist understandings of capitalism and risk in the post‐colonial city. The paper concludes with reflections on how assemblage thinking opens up a more distributed notion of agency and a more relational urban political ecology.     

Le postmoderne expliqué aux enfants. Correspondance 1982–85

In the early modern period, the European concept of “nobility” was rarely used to describe the upper classes of the societies born in the British or in the French Americas. The presence of French nobles in New France or in the French West Indies and the emergence of the native gentry in parts of the British Empire have been much studied. But the social impact of elites has not been fully recognized by Atlantic historians—due, perhaps, to a bias towards “authentically” New World systems of social recognition based upon wealth, emphasizing supposedly greater possibilities of social mobility. This paper takes a comparative perspective to the social meanings of being a noble or being a gentleman in both empires. It concludes that there were few substantive differences between French nobles living in the metropolis and in the colonies because legal definitions of the French noblesse were strictly determined by the Crown. The essence of the French nobility was, in theory, the same in Versailles, in a remote rural parish of France or in Quebec. The story was very different for British colonial gentlemen who encountered countless difficulties to be socially accepted by their metropolitan counterparts. The paper explores the consequences of the chasm between British metropolitan and colonial upper classes and assesses solutions taken by colonial gentlemen to be fully integrated in the gentry of Great Britain.     

“Much in Blood and Money”: Necropolitical Ecology on the Margins of the Uganda Protectorate

Increasingly, political ecologists invoke the concept of “green grabbing” to refer to the ways in which processes of accumulation by dispossession articulate with various imperatives for environmental protection. This paper traces these contemporary processes to their roots in the colonial era, focusing on how dispossession in the name of environmental protection intersects with complex historical geographies of state formation and internal territorialisation. Drawing upon the case of Mount Elgon in Britain's Uganda Protectorate, in particular, we reconstruct the ways in which the interrelated “birth” of both conservation and transcontinental agrarian markets were intimately connected to the emergence and normalisation of the colonial state itself. In doing so, we propose the term necropolitical ecology as a framework to encompass the ways in which contemporary “green grabs” partially emerge from racialised modes of colonial appropriation, the violence of which often still lingers in agencies and institutions of environmental governance in the contemporary postcolony.     

Colonial Institutions: Uses,Subversions, and Material Afterlives

Archaeologically based explorations of colonialism or institutions are common case-studies in global historical archaeology, but the “colonial institution”—the role of institutions as operatives of colonialism—has often been neglected. In this thematic edition we argue that in order to fully understand the interconnected, global world one must explicitly dissect the colonial institution as an entwined, dual manifestation that is central to understanding both power and power relations in the modern world. Following Ann Laura Stoler, we have selected case studies from the Australia, Europe, UK and the USA which reveal that the study of colonial institutions should not be limited to the functional life of these institutions—or solely those that take the form of monumental architecture—but should include the long shadow of “imperial debris” (Stoler 2008) and immaterial institutions.     

Ritual,Continuity and Change: Greek Reflections

This article examines the tangled question of continuity and change from the point of view of ritual. It brings together in dialogue recent theoretical approaches to ritual in anthropology with several examples of diachronic studies of Greek death practices. It points to the importance of focusing on questions of “form” in ritual practices—that is, “how” rituals work and are transmitted, more or less completely, from one generation to the next. It also considers the importance of historical consciousness, in particular the notion of “changing continuities”, in understanding some of the existential ways that ritual addresses common human experiences of temporality.     

The Possibility of Shamanism: A Genealogy of Anthropological Appropriations

This piece adopts a genealogical approach to the emergence of “neo-Shamanism” as a “spiritual” practice. It argues that the work of Freud and Durkheim collapsed the dichotomy between “primitive” and “civilized” which characterized nineteenth-century evolutionist anthropology. Neither Freud nor Durkheim embraced the consequences of this collapse, and while Bataille attempted to do so, his application of “Shamanism” to modern self-governance was constrained by the terms of the Freudian/Durkheimian framework. Jung did embrace this collapse, positing a universal equivalence between religious forms and psychological processes, and this epistemic shift permitted his interlocutors, Levi-Strauss and Eliade, to inaugurate the discursive frameworks which made “neo-Shamanism” thinkable as an ethical practice for contemporary Westerners. Analyses which suggest that “neo-Shamanisms” are rediscoveries of a primal “spirituality” write from within this framework, neglecting the contingency of historical change, the creativity of anthropological appropriations and the politics of knowledge.