Diasporic identifications: exile,nostalgia and the Famine past in Irish and Irish North-American popular fiction, 1871–1891

During the nineteenth century, “exile” became a key term to describe the Irish-diasporic community in North America. More recently, scholars in the fields of diaspora studies and Irish studies have described this community as a “victim diaspora” with connotations of forced expulsion, exile, and nostalgia for the homeland. Moreover, among scholars and within the Irish-American community, the notion exists that the Great Irish Famine (1845–1851) constitutes the Irish-American “charter myth”, that it was the starting point of an Irish-American identity. This article sheds a different light on these (self-)identifications by discussing the concepts of origin myth, exile and nostalgia and also considers the concept of diasporic belonging in the context of Irish and Irish North-American works of popular “Famine fiction” written between 1871 and 1891. Consequently, the impact of these late nineteenth-century literary considerations on present-day conceptualisations of the Irish-American community as a victim diaspora are discussed.     

Middle-Class Ideologies and American Respectability: Archaeology and the Irish Immigrant Experience

This study illustrates the materialization of identity shifts through refined ceramic and glass forms recovered from working class Irish immigrant and Irish-American communities. The sites used in this article were chosen because of their spatio-temporal compatibility covering dynamic periods of Irish identity in the United States. Historians argue that 1880 marks the beginning of an identity shift from Irish immigrant to Irish-American. This research attempts to provide the necessary materials to begin a discourse bringing together material and historical evidence illuminating the conflict between competing ideologies of respectability and changing conceptions of Irish identity in America.     

Coarse cloth and clerical tailoring: negotiating Boston-Irish cultural imperatives in the Famine era

Recent calls for updated approaches to the Irish-American historical experience recommend more systematic attention to complexities inherent in Irish immigration and settlement. They also seek further contextualisation of the history of the Irish in the USA within broader North American, transatlantic and global frameworks. The need to review and potentially reappraise longstanding, essentialist perspectives on Irish arrival and assimilation is equally evident. This article expands on foundational narrative histories of the Boston Irish to re-examine Famine-era settlement and contending agendas within spheres of religious affiliation and political activism. The character and evolution of Irish-American ethnic identity, and the tragic imprint of the Famine under consideration here pave the way for new readings of traditional orthodoxies. Collectively, they reveal Boston's Irish historical terrain to be more complex than the record currently suggests.     

International Celebrities and Irish Identity in the United States and Beyond, 1840–1860

This article uses Antonio Gramsci's theory of cultural hegemony to analyze how a relatively small Irish-American bourgeoisie legitimated its authority over the broader Irish ethnic community during the antebellum era. As part of the massive wave of immigrants that left Ireland during and after the Great Famine of the mid-1840s, the Irish Catholic middle class was saddled with a dually marginal status. On the one hand, its members maintained only tenuous authority over the hundreds of thousands of peasants and laborers that made up the bulk of the Irish-American community. On the other hand, they were deeply distrusted by important elements of native American society that associated them with the supposed superstition, laziness, and violence of their lower-class fellow countrymen. The bourgeoisie responded by using the celebrity status of Irish political exiles to achieve the twin project of simultaneously obscuring intra-ethnic class tensions while proving its suitability for American domestic politics. Famous personalities and the editors who lauded them employed celebrity to consolidate their leadership status in America.     

American propaganda and Ireland during world war one: the work of the Committee on Public Information

Soon after America entered the war in April 1917, President Woodrow Wilson established the Committee on Public Information (CPI) which used the tools of propaganda and persuasion to fight the war in the US and in allied, enemy and neutral foreign countries. This article examines the CPI’s work in relation to Ireland and Irish issues during the First World War. Among the questions examined are: What was the nature of the CPI’s Irish work between 1917 and 1918? What does it reveal about first, the CPI and second, Wilson’s view of Irish-American loyalty during the war? Why did the CPI’s British and Irish services become involved in Irish military recruitment? Was there any contact between the CPI officials in London and their British counterparts in the Ministry of Information to co-ordinate the push to encourage Irishmen to enlist? How did the CPI negotiate a space for its messages in post-rising Ireland where home rulers, republicans, unionists and British authorities pursued their respective agendas? The article seeks to add an American dimension to the narrative of Ireland and the First World War and examines themes relating to Anglo-American co-operation on the Irish question and diasporic identity.     

19世纪末20世纪初美国大众化杂志的发展

19世纪末20世纪初,美国大众化杂志迅速兴起和发展。大众化杂志有如下几个特点:迎合大众口味;内容贴近社会现实;价格低廉;有一个稳定增长的、数量较大的读者队伍。美国大众化杂志的兴起和发展,是当时美国社会政治经济状况决定的,并对20世纪初美国黑幕揭发运动的兴起和发展,以及20世纪初美国社会的变革和转型起了重要的促进作用。     

Illegible ethnicity and the invention of Scots-Irish narratives on the stages of Belfast and Appalachia

Theatrical stages have long been home to performances of identity, creating and sustaining legible visions of various peoples and groups for their audiences. Indeed, in the nineteenth century, the playwright/actor Dion Boucicault popularised the “stage Irishman” for Irish and American audiences alike, thus contributing to the invention of “Irish-America”. This paper examines a similar attempt in the late twentieth and early twenty-first centuries to query the definition of a distinct group of Irish-Americans: the Scots-Irish. Productions from Belfast, Northern Ireland, as well as from the southern Appalachian Mountains, demonstrate how the illegibility of the Scots-Irish – in other words, their status as a non-recognisable, incoherent segment of the white population in the USA – allows for narratives about this group to be highly malleable. Contemporary productions of the Scots-Irish story demonstrate the ways in which ethnic identities emerge as constructions of past and present, memory and history, and politics and culture.     

Filibusters,Fenians, and a Contested Neutrality: The Irish Question and U.S. Diplomacy, 1848–1871

Abstract

The period from the late 1840s to the early 1870s represented a distinct one in Irish-American politics. This article frames Irish-American nationalists active in this period as nonstate actors seeking to influence the course of U.S. foreign relations to serve their own interests. In particular, it focuses on the activities of the Fenian Brotherhood and an earlier, less well-known organization, the Robert Emmet Club. The actions of both highlighted the looseness of U.S. neutrality legislation and, ultimately, provided a compelling argument for Anglo-American rapprochement. Simultaneously, in the immediate postbellum years, U.S. statesmen had reason to manipulate the Irish question to further their own ends. As Anglo-American relations improved, however, the geopolitical value of Irish nationalism declined; Irish-American nationalists were left marginalized in the calculations of U.S. diplomats.     

The texted and textured construction of Irish identity in the theatrical world of Charleston,South Carolina

On the eve of the American Civil War, the Irish who had immigrated to the United States as a result of the Great Famine were in the process of constructing an Irish working-class identity in Charleston, South Carolina. A “legacy” for such construction had been created in the previous century: those who had come from Ireland then had used public displays of celebration and concomitant rhetorical devices to create the impression that they were willing and eager to assimilate. Their rituals at banquets and other public occasions “set the stage”, so to speak, for the next century's generation of immigrant Irish who also found it necessary to articulate publicly their claim to an ethnic American identity. Theatrical venues and staged performances served the Famine Irish well in this endeavour.     

Symbols, Myth-Making, and Identity: The Red Hand of Ulster in Late Nineteenth-Century Paterson, New Jersey

Symbols are manipulated to express social identity and to reaffirm or create a sense of place. Smoking pipes recovered from late nineteenth-century privies in the Dublin Section of Paterson, New Jersey, bear the symbol of the Red Hand of Ulster. Today, the Red Hand of Ulster is ubiquitous on Unionist murals throughout Northern Ireland symbolizing Northern Irish Protestant identity. Originally, the Red Hand symbolized the dawn of the Irish High King of Ulster. In late-nineteenth-century Paterson, it is argued here, the symbol was embedded in ethnic politics involving the Irish Diaspora and Irish–American identity developed through the Gaelic revival and Irish–American organizations and labor unions.     

The historical significance of President Kennedy's visit to Ireland in June 1963

President John F. Kennedy's visit to Ireland in June 1963 was the first by a serving American President. Using materials from archives in London, Dublin, and Boston, this article re-assesses the motives behind Kennedy's decision to visit Ireland and concludes that it was largely a personal journey. However, the trip was not without wider historical and political significance and was surrounded by controversy. The visit was unpopular in the United States, proved a security nightmare, and provoked much discussion amongst the political leadership in Belfast, Dublin and London over Kennedy's attitude to partition. The visit marked a major development in the history of Irish-American relations as it eased tensions over Ireland's neutrality, marked a shift towards White House activism in Irish affairs, boosted Irish tourism, and fostered increased trading and cultural links between the two countries.     

Imaginary Worlds,Real Stories

St Edmund, King and Martyr survived the Reformation as a hero and emblem of East Anglian regional identity. This article traces the development of the post-Reformation Edmund in ‘popular’ sources, including his continuing presence in the landscape and the influence of the nineteenth-century ‘cult of commemoration’ on perceptions of the saint.     

Avenging ‘Bridget’: Irish domestic servants and middle-class America in the short stories of Maeve Brennan

This article will examine the representation of Irish women servants in Maeve Brennan's short stories, first published in The New Yorker in the 1950s, and collected in The Rose Garden (2001). The Irish ‘Bridget’, the most publicly visible, if troubling, image of Irish womanhood in late nineteenth- and early twentieth-century America, has received much-needed attention from historians and social scientists in the last decade, and is a central figure in discussions of Irish women and diasporic identity in the American context. Drawing on this body of work, and focusing in detail on key stories from the collection, including ‘The Bride’, ‘The View from the Kitchen’, ‘The Anachronism’, ‘The Divine Fireplace’, and ‘The Servants’ Dance', I argue that Brennan's reimagining of the Irish Bridget can be approached as a form of feminist revisionism, as Brennan's stories enter into a charged dialogue with the history of imagining the Irish woman servant as an undesirable but necessary presence in middle-class American domestic culture. Brennan's self-reflexive reworking of this paradigm is informed by her work as a satirist for The New Yorker, and proves an effective means of writing back to this problematic history, as she takes up recognisable tropes and motifs from earlier representations of Bridget in popular and literary culture, and alters them in knowing and subversive ways.     

The Heroic Outlaw in Irish Folklore and Popular Literature

As a symbolic figure in Irish folklore and popular literature, the outlaw embodies folk morality in conflict with the self-interest and inequity of the state. In the aftermath of British colonisation, the Irish outlaw is represented as more than a criminal. He provides a hero through whom ordinary Irishmen and women can vicariously enjoy brief victories, and imagine their collective dignity in the midst of political defeat and its consequences. Legends, ballads and chapbooks portraying the outlaw are the products of hard-pressed people representing themselves to themselves, reflecting on their strengths and weaknesses, and contemplating issues of morality and justice.     

“A log-rolling,Irish-American politician,out to raise votes in the United States”: Tip O’Neill and the Irish dimension of Anglo-American relations, 1977–1986

The Irish dimension of Anglo-American relations is a relatively marginalized aspect of the historiography of transatlantic studies. Historians have focused on the role of the Clinton administration in the Northern Ireland “peace process” but previous American contributions also warrant attention. As the Speaker of the United States House of Representatives, Thomas P. “Tip” O’Neill was one of the most prominent Irish-American politicians. This article demonstrates O’Neill's attempts to ensure that the American contribution to the Anglo-Irish process steadily increased, despite the transition from arguably his natural political ally in the President Jimmy Carter administration to President Ronald Reagan in 1981. O’Neill's interest in Northern Ireland and position as speaker helped ensure that Carter's promise of financial aid to Northern Ireland in 1977 following progress in the political process was fulfilled in March 1986.     

Exploring textures of Irish America: a new perspective on the Fenian invasion of Canada

Within an Irish nationalist history, for those at “home” and especially for members of the Irish American diaspora, venerating heroic rebels and recollecting attempted insurrections are quintessential narratives used to define Ireland's turbulent past. However, on the fringes in that regard has been the American-based Fenian Brotherhood's attempted invasion of Canada in 1866. Arguably a successful effort – although a very brief one, due to the American authorities' obstruction – its international camber and transnational implications may have kept this history apart from premier narratives of an Irish nationalist past. This paper suggests that although in the long term the Fenian invasion of Canada was largely expunged from the Irish/Irish American nationalist canon, initially it was retained, for a short time at least, in popular expressions of Irishness. By turning to “texts” that contemporaneously venerated the Fenians' efforts and uncovering transnational undertones in the process, this paper offers new suggestions concerning the changing textures of Irish America.     

‘Kingdom Come’: Representing Mormonism through a geopolitical frame

This paper extends the reach of ‘popular geopolitics’ by exploring the geopolitical frame that American popular/news magazines use to portray a major religion in the United States: the Church of Jesus Christ of Latter-day Saints (the most prominent body known as Mormonism). It asserts that magazines often represent this type of Mormonism as a geopolitical entity, and sometimes even as a geopolitical threat. Prior to the early twentieth century, these portrayals were hegemonic, given the national government's distrust of Mormonism. But echoes of an earlier and more virulent geopolitical discourse have persisted, long after the federal government made its peace with Mormonism. This paper defines and analyzes twentieth-century magazines' geopolitical discourse on Mormonism, particularly in relation to Mormon spatiality. In doing so, it puts forward concepts of geopolitical optic and logic in order to more effectively distinguish between variations in geopolitical language.     

Reception of the Easter Rising in British and American little magazines

This article examines the reactions of writers and readers to the Easter Rising in five British and American little magazines. The New Age, The Egoist, The Little Review, The Masses and The Phoenix have been chosen due to their links with Irish writers and culture, and because they were established periodicals that published over several years. Little magazines have been described as counterpublic spheres, in which oppositional opinions could be given voice against the conventional narratives of the mainstream. Though the politics of these journals was extremely divergent, collectively they operated as discursive spaces for a range of alternative voices. The reactions published in these journals give us a sense of the interaction between modernism and the Easter Rising in its immediate aftermath.     

The Spanish American War’s ‘Most Durable Hero’: Admiral Pasquale Cervera and Popular Heroic Values in the United States, 1898–1909

The United States honored a host of military heroes during the Spanish American War including Pasqual Cervera y Topete, the enemy admiral who had experienced a humiliating defeat at the Battle of Santiago Bay, Cuba (3 June 1898) at the hands of US naval forces. Over the course of the war and in the year that followed, American public opinion of the admiral became positive and increasingly laudatory. By late 1899, Life Magazine, followed by other popular publications, claimed that Cervera was a better war hero then Admiral George Dewey and other American officers who had been wildly celebrated for their wartime heroics. The enemy admiral’s heroic rise was possible because of a fundamental change in the relationship between the press and the nation’s war heroes that sped up each champion’s ultimate decline. In the late nineteenth century Americans sought chivalrous, selfless men of action for their heroes. As journalists began covering each war hero’s daily life as they did other celebrities, however, they discovered character flaws in the nation’s homegrown champions. This examination of Cervera’s gradual rise as an American hero through his death in 1909 includes an overview of the American hero-making process and lifecycle and how celebrity journalism shortened the reign of most war heroes. After identifying the complicated set of values the nation sought in its war heroes at the end of the century, this study will also explain why journalists considered naval heroes as better representatives of those cherished ideals than those from the Army (including volunteer Theodore Roosevelt) until well after the end of the war. Roosevelt was honored as a hero during the war and won the 1899 New York gubernatorial election largely because of his wartime popularity, but was not considered selfless because of his clear political ambitions. American hero-worship of Cervera developed slowly, was considerably more subdued than the public enthusiasm displayed for America’s native-born champions, and was undoubtedly bestowed, in part, as a criticism of the failure of American heroes to live up to the heroic narrative created for them by reporters and biographers. Cervera’s ranking as Life’s ‘most durable hero’ of the war, while seemingly nonsensical, begins to make more sense when the Spanish admiral is reconfigured as a national cultural hero instead of an American military champion. Despite his enemy status, Cervera came to epitomise important military values of the day, because of the rapid decline of the nation’s American-born war heroes brought about by celebrity journalism.     

Irish Protestant migration and politics in the USA,Canada, and Australia: a debated legacy

In the USA, the rediscovery and celebration of Irish Protestant ancestry has extended in recent years to arguments by some scholars, political journalists, and politicians that there exists today an identifiable Scots-Irish socio-political legacy. This essay explores the history and cultural context of Irish Protestant migration and assesses its contemporary ramifications at the national level and in a critical state-level case (Kentucky). To assist in identifying the factors that have fostered or mitigated Irish Protestant identity/ies, comparisons will be made between the American experience and the very different ones of two other major recipient countries: Canada (and the province of Ontario) and Australia (and the state of New South Wales). Source regions, religious affiliation, the timing and magnitude of mass migration, and settlement patterns have all mattered in determining the socio-political roles played by Irish Protestants in the three former British colonies since the eighteenth and nineteenth centuries. Even more important have been the local economic and political contexts, including prevailing political party structures and competition. These factors explain why none of the three case countries, the USA included, bears witness to a coherent, identifiable Irish Protestant socio-political legacy.