Neoliberal expulsions,crisis, and graphic reportage in Spanish comics

ABSTRACT

In this article, after analyzing the comics industry in Spain in the context of the 2008 crisis, which reveals how small and medium publishers have adapted to new trends in consumption, I focus on the graphic novel Barcelona. Los vagabundos de la chatarra (2015) by Jorge Carrión and Sagar. This comic depicts the underworld of scrap metal collection in Barcelona, where mainly immigrant workers wander the streets, barely eking a living out of the detritus of consumerist society. It is an example of graphic journalism in comics, one of the most interesting developments in the genre in the past few years. It is also a novelty in Spanish comics because certain topics were far from common in the existing repertoire, which had been dominated by adventures, fantasy, and science fiction. Drawing on Verónica Gago's La razón neoliberal (2014) and Saskia Sassen's Expulsions (2015), I challenge conventional approaches to neoliberalism by focusing on neoliberalism from below, which is seen by Gago to point toward the emergence of a new historical consciousness of living in perpetual crisis.     

INTELLECTUAL HISTORY CONFRONTS THE LONGUE DURÉE

This review of John Potts's Ideas in Time: The Longue Durée in Intellectual History discusses the advantages and disadvantages of writing intellectual histories that embrace the longue durée. It applauds Potts's concise account of historiographical discussions of continuity and discontinuity in the history of ideas in the last seventy-five years but laments his failure to discuss the contributions of historians of science and scholarship to the practices of knowledge-making and to the transmission of ideas. It suggests that the study of discontinuities can also be rich and revealing, and it proposes one approach to understanding the ways in which ideas go out of fashion. It concludes by noting, first, that the models that contemporary historians of ideas adopt also have to do with book-market opportunities and pressures and, second, that we have work to do to engage our contemporaries and students in whatever form of intellectual history we choose to write.     

Albert Einstein,Physicist (1879–1955)

Abstract

Einstein's ideas changed man's thoughts about the totality of physics. These ideas were so fundamental for human thought that Einstein belongs to all the sciences and to all cultures. If ever there was a scientist whose centenary ought to be commemorated in an interdisciplinary journal, Einstein would be that one. This is because of the all-pervading influence of the revolution in physics in which Einstein played so paramount a part. Here we look back to what one man was able to contribute to transforming everyman's thought about the physical world. For the most part the lasting consequences are evident and well-known. Nevertheless, we have to observe that in some respect – not necessarily those emphasized by Einstein – the implications are still scarcely apprehended.     

Piero Gobetti and the Liberal Revolution in Italy

Abstract

Piero Gobetti, who died at an early age in 1926 after a severe beating by Fascist squadristi, is one of the most remarkable figures in twentieth‐century Italian culture. A writer and thinker with deep political commitment, Gobetti launched the reviews and journals during the political crisis in Italy between 1918 and 1925 which provided a meeting point for the otherwise dispersed forces of the Italian Left. The republication of his essay ‘The Liberal Revolution. An Essay of the Political Struggle in Italy’ ‐ the fifth edition since it first appeared in 1924 — has reopened the debate on Gobetti and provides an opportunity to consider Gobetti's ideas outside the context of the often politically motivated interpretations that have been placed on them.     

Lurching through Public Law: The Unsteady State of the Subfield

Abstract

David Walsh is a student of Eric Voegelin's political thought, and this essay evaluates the influence of Voegelin's work on Walsh, while also suggesting how Walsh deviates from Voegelin's philosophy. The analysis is performed in terms of several key concepts from Voegelin's work, including Gnosticism, metaxy, luminosity, equivalences of experience, and history. It is argued that Walsh makes extensive use of Voegelin's ideas of metaxy, luminosity, and the equivalences of experience, but that he transforms these concepts as he moves beyond Voegelin's philosophy of consciousness and turns to a philosophy of existence that is not subject to the epistemological problems that continue to challenge Voegelin's thought. Finally, it is suggested that, in so doing, Walsh is actually continuing Voegelin's philosophical project, rather than undermining it.     

Jacob Vernet and ‘The Religious Enlightenment’: ‘Rational Calvinism’, the Pastors of Geneva and the French philosophes

Summary

In this article I react to dismissive remarks made about my Jacob Vernet, Geneva and the philosophes (1994) in a recent book by David Sorkin, The Religious Enlightenment (2008). Vernet, a distinguished Genevan pastor and theologian, who fell foul of d'Alembert, Voltaire and Rousseau, is one of six figures studied by Sorkin, who claims that the religious dimension of the Enlightenment has been much underestimated and that the philosophes were considerably less significant than has usually been thought. Reacting to the accusation that my treatment of Vernet's theology was superficial and unreliable, I reconsider the latter's major theological works (including his Traité de la vérité de la religion chrétienne, Instruction chrétienne, and Pièces fugitives sur l'eucharistie) in an attempt to validate my previous interpretation, and illustrate that Vernet refused to acknowledge ideas that he had actually published. The second part of the article draws more general conclusions, pointing out spectacular errors in Sorkin's depiction of eighteenth-century Geneva and arguing that he has a clear agenda, which, in my opinion, is wrong-headed, easy to refute and—above all—often based on gratuitous accusations and statements lacking any evidence.     

“UNABLE TO RESIST”: ON THE “POSSIBILITY” OF “IMPOSSIBILITY” AND CHRISTOPHE BOUTON'S TIME AND FREEDOM

This essay reflects critically on Martin Heidegger's remarks about authenticity and death with the aid of Christophe Bouton's Temps et liberté (2002), translated by Christopher Macann as Time and Freedom (2014). It first raises general questions concerning the possible thematic relationship between human endeavoring (action) and the experiences of finitude and freedom. Heidegger's Being and Time is particularly useful for exploring this relationship, but certain problems emerge when using this text for accessing the essay's themes. To wit: there are good reasons for mistrusting readings of Being and Time as a “practical” guide for grounding action. Against the practical reading, the essay wishes to reclaim the ontological‐existential significance of Heidegger's text. Although Bouton's treatment of Being and Time excludes its ontological dimensions and is entirely practical, even to the point of disregarding certain theoretical risks inherent in this approach, Bouton's study is indispensable for situating Being and Time in a historical‐intellectual context, whereby the experiences of freedom and time are understood within certain metaphysical presuppositions rendering them difficult to establish together on reliable grounds. Following Bouton's lead, the essay shows that the hermeneutic differences between practical and ontological readings of Being and Time can be explored through reflections on what Heidegger might have meant by the term “Möglichkeit” (“possibility”), from which Bouton infers “freedom.” It is alleged that Bouton does not fully consider all of Heidegger's assertions regarding Möglichkeit, most problematically the claim that the human being's most essential “possibility” is its “impossibility,” that is to say, its death.     

Agamben and the Migrations of Glory

Abstract

In the American political imagination, there is a longstanding and wide-ranging discussion about the separation of church and state. Though Americans argue about whether it should be a ‘‘high wall,’’ or whether certain ‘‘breaches’’ in it might be desirable, they all take ‘‘separation’’ to describe an institutional arrangement. From Giorgio Agamben's perspective, however, ‘‘separation’’ is an image that conceals much more than it reveals about the religious character of the state and the global economy. Agamben traces ‘‘the migrations of glory’’ from church, to state, to global capitalism. For part of this task, Agamben accepts Michel Foucault's diagnostic approach to power. By one reading, certainly, governmentality has us in its grip. But now government itself is overshadowed by the power of global capitalism. While Foucault sought only to make us ‘‘a little less governed,’’ Agamben is interested in a deeper iconoclasm and a greater emancipation. According to Agamben, our less-than-free condition can be illuminated by reflection on: (1) the state of exception and the camp, which are only made possible by a form of idolatry in which the sovereign assumes to themself a power that they should not have; (2) On another of the ‘‘maps’’ drawn by Agamben, however, there is a further ‘‘migration of glory,’’ away from national sovereignty, toward postmodern global capitalism; (3) The Coming Community provides the barest sketch of Agamben's hope for a remedy, while his reading of Paul's Letter to the Romans in The Time that Remains brings a more visible kind of messianic expectation or vocation back into the discussion of political life. A concluding section discusses five sorts of questions that might be put to Agamben about the overall shape of his project.     

Performing gender in lay saints' Lives

Abstract

Taking as its point of departure Judith Butler's theory of gender performativity, this article shows how femininity and masculinity are performed in three lay saints' Lives from the middle Byzantine period: the Life of Philaretos the Merciful (820), the Life of Thomaïs of Lesbos (mid-tenth century) and the Life of Mary the Younger (eleventh century). The approach of these texts through gender performativity shows in the most graphic way the difference between male and female constructions of sanctity on the one hand, and the important role that gender plays in the construction of lay sanctity, on the other.     

Leviathans Old and New: What Collingwood Saw in Hobbes

Summary

R. G. Collingwood presented his major work of political philosophy, The New Leviathan, as an updated version of Thomas Hobbes's Leviathan. However, his reasons for taking Hobbes's great work as his inspiration have puzzled and eluded many Collingwood scholars, while those interested in the reception of Hobbes's ideas have largely neglected the New Leviathan. In this essay I reveal what Collingwood saw in Hobbes's political philosophy and show how his reading of Hobbes both diverges from other prominent interpretations of the time and invites us to reassess Hobbes's complex association with the origins of liberalism. In doing so, I focus on Collingwood's science of mind, his ideas on society and authority, and his dialectical theory of politics, in each case showing how he engaged with Hobbes in order to elucidate his own vision of civilisation. That vision is based on the development of social consciousness, which involves people coming to understand the body politic as a joint enterprise whereby they confer authority upon those who rule.     

The Idea of a Good and Bad Gemeinschaft in William Bloke Modisane’s Autobiography,Blame Me on History

William Bloke Modisane, the African writer and journalist, attracted wide notice with his autobiography, Blame Me on History, which was banned in South Africa in 1963, the year in which it received its first publication. The sociologist's interest in Modisane's autobiography can be located in several basic themes (among these can be counted the problem of his cultural dilemma as a member of the African middle class), but for present purposes, we need to note only one aspect of the book which I think has been constantly ignored, namely the sociological tradition that informs the meaning of his concept of the community— Sophiatown. The name “Sophiatown” carries a profoundly important meaning in Modisane's autobiography. I will argue that in the sociological sense in which the Drum writer uses the name, he articulates the central notions of what the German sociologist Ferdinand Tönnies regards as a Gemeinschaft social order. There is a different, though related, point that needs to be made about Modisane's use of the term “community”: if we read his book carefully, we can see that it contains two different narratives about Sophiatown, a positive one which appears to have been slightly romanticised, and a negative one, which focuses on the community's darker side, showing it up to have been a Gemeinschaft in an unusual way. It is through this binary opposition that Modisane creates in his autobiography that he shows his ambiguity with regard to his Gemeinschaft community.     

The Inglorious

Abstract

The essay argues that Sheldon Wolin's case for decoupling democracy and liberalism, which he makes in both editions of Politics and Vision (1960 and 2004), significantly depends on the historical argument Henri Cardinal de Lubac made in his book Corpus Mysticum: L'Eucharistie et l'Eglise au moyen âge (1944 and 1949). Such a claim for the importance of this dependence deepens our understanding of the significance of both Wolin and Lubac for contemporary debates about religion and democracy. To this end, the essay has two proximate goals: (1) by displaying Wolin's use of Lubac's arguments concerning the shifting use of the term corpus mysticum, we will have a better theological understanding of Wolin's complex criticisms of liberal democracy; and (2) in the midst of claims to uncertainty about the political implications of Cardinal de Lubac's thought, we will see some of the conclusions that one political theorist came to after considering a theological argument. Finally, this particular instance of a mutually critical dialogue of faith and political reason raises crucial questions for thinking about the ends of democracy.     

Construction of Meaningful Contexts On War,Lions, Dogs,Birds and a Vineyard

The present article argues that 1 Kgs 20-22 are not well-suited as historical sources for the Aramean wars, but are of considerable importance in the reconstruction of the world of ideas of that time. It is shown how animals and plants can be used as codes in the narrative. The use of lions, dogs and birds in 1 Kgs 20-22 illustrates one and the same theme: killing and devouring. Yahweh can appear as a lion or send a lion, but even though the lion kills, it does not “devour” the disobedient prophets of Yahweh. Yahweh is also behind the treatment of Ahab, Jezebel and the prophets of Baal, but Yahweh leaves it to dogs and birds to devour them. The king of animals is connected to Yahweh's prophets and the unclean animals to the apostate royal house. Through the codes we gain insight into certain basic modes of thought in Old Testament cosmo-ontology. For linguistic expressions acquire their meaning not only from the narrative sequence in which they are used, but also from the system in which they are included.     

The Mafia misunderstood – again

Abstract

Observers who have investigated Alleanza Nazionale's relationship to historical fascism have mostly relied on programmatic documents as well as Gianfranco Fini's speeches and interviews. This article tackles the same question by considering the visual propaganda produced by the party from its launch in 1994 to its merger with Silvio Berlusconi's Popolo della Libertà in March 2009. An examination of the logos, the portraits of Fini and other imagery that feature on posters, brochures, websites and the party daily Secolo d'Italia shows that they frequently refer, albeit mostly covertly, to the iconographies of fascism. The contemporary visual sources used by Alleanza Nazionale and the strategies adopted to present a modern and respectable image are also explored. The article argues that much of the propaganda of Alleanza Nazionale incorporates two levels of meaning: an overt and moderate one, which addressed the general public, and a concealed one celebrating ideas and values of the Ventennio, which aimed to reassure a hard-core of activists that the party had not betrayed its original identity.     

A Critical Reappraisal of Eustathios Makrembolites’ Hysmine and Hysminias

Abstract

Despite the massive amount of scholarly literature on Iconoclasm and its aftermath, there are really only two major publications that deal specifically and synthetically with ninth-century art. One of these is André Grabar's magisterial L'iconoclasme byzantin, a chronological analysis of monuments and texts; the other is Robin Cormack's short but insightful essay in Iconoclasm, the collection of papers originally presented at Birmingham in 1975, which asks ‘whether the discussion of religious images stimulated by Iconoclasm changed the nature of Byzantine Art’. My aim is rather different. Rather than presenting an encyclopedic overview, this article attempts to crawl into the fabric of Byzantine culture: to see and understand Byzantine art of the ninth century as the Byzantines saw and understood it. It follows that the material presented has not been segregated into the familiar (and often useful) categories of style, iconography, and context, for, to the Byzantines, the three were neither exclusive nor separable. For similar reasons, I have deemphasized any linear progression that might imposed with art historical hindsight on the distant past, and have thereby underplayed the flashes of innovation, novelty and erudition that such detachment allows. These sparks are probably more visible (and certainly more appealing) to twentieth-century art historians than they were to the ninth-century Byzantines, for whom, as we shall see, the power of tradition militated against individual creativity, and artists on the whole remained anonymous artisans. In my attempt to look at Byzantine art from the inside rather than from the outside I have, in other words, concentrated on the fluid interface between objects, and the shifting dialogue between objects and context. This is because what interests me here is how Byzantine ideas about art (their theories), Byzantine perception (how the Byzantines saw), and the artifacts themselves (the practice) come together in the ninth century: how art, that preeminent social construct, worked in the years after Iconoclasm.     

MISREPRESENTING MARX: A LESSON IN HISTORICAL METHOD

In this book Jonathan Sperber deploys his extensive knowledge of nineteenth‐century European social and political history, and his diligent research into sources that have become readily available only recently, to produce a substantial biography of Karl Marx. We find, however, that Sperber is mistaken in his treatment of Marx's ideas and of the intellectual contexts within which Marx worked. In fact, we suggest that he is systematically mistaken in this regard. We locate a root source of the error in his reductive approach to theoretical ideas. In section I we focus on the claim, taken for granted in the book, that Marx's ideas are instantiations of “materialism.” By detailed reference to the record of Marx's writings, we show that there is no justification for describing Marx as a “materialist” in the usually accepted senses of that term. In section II we review how Soviet and other interpreters of Marx, taking their lead from the later Engels, insisted that “materialism” was fundamental to Marxism. We suggest that Sperber's presentation of Marx's thinking as “materialist and atheist” aligns far better with such interpretations than it does with what Marx actually wrote. In sections III and IV we criticize Sperber's “contextualist” approach to dealing with ideas in history. His approach may seem reminiscent of Quentin Skinner’ s, but where Skinner deploys the discursive conventions prevailing in a past time to illuminate theoretical ideas, Sperber reduces theoretical ideas to context. We name Sperber's approach “theoretical nominalism,” a term that we use to denote the view that theoretical ideas are nothing but interventions into particular situations. We end by suggesting that greater attentiveness to philosophy and theory would have enriched Sperber's efforts in this book.     

EDWIN SANDYS,ARCHBISHOP OF YORK 1577–88, ‘STIFF-NECKED,WILFUL AND OBSTINATE’: CONFLICT IN THE ELIZABETHAN CHURCH

Abstract

This article examines the events that, as legend has it, resulted in the foundation of Balliol College (c. 1263) by John (I) Balliol (d. 1268). The Balliol family had long been at odds with successive bishops of Durham over certain lands in Sadberge, the homage of which the bishops believed they were owed. John (I) began his struggle just after his inheritance in 1229 and the dispute reached its height in 1255–60, at which time an intense argument broke out. Other factors, including his actions whilst serving as one of Henry III's English representatives in the Scottish government (1251–55), led to Balliol's ultimate submission to Bishop Kirkham (d. 1260) at Durham Cathedral in 1260 and the foundation of Balliol College at Kirkham's instance. The theory remains, as one historian argues, that Balliol's penance was to give the long delayed homage to the bishop for these lands and not to establish Balliol College. However, there are no surviving records of homage and other possibilities remain, including perhaps that the penance called for Balliol's youngest son, John (II), the future King of Scotland, to be educated at a Durham school.     

Gerhard Schøning,Gothicism and the Re‐evaluation of Northern Landscapes

In this article we shall survey some central views of the north and the people living there, as it was presented by different scholars from the 16th to the 18th century. In particular, we will focus on Gerhard Schøning (1722–1780). Many historians have stressed the big influence that French Enlightenment philosophy had on Schøning. This article, however, will also point to other ideas and traditions that inspired him. One is the old Swedish cultural and patriotic movement called Gothicism. Schøning did, no doubt, share many ideas with Swedish Gothicism. Even so, important factors like aesthetics, scholarly orientation and religious ideas changed greatly during this period, and this effected both Gothicism and Schøning's relation to it. It is also fundamental for us to clarify these changes when trying to explain the re‐evaluation of northern landscapes in the 18th century.