The Muslim Male Character Typology in American Cinema Post‐9/11

This article tries to discover whether filmic stereotypes of Muslims in general and Arabs in particular have undergone any changes since 9/11, and if they have, what new character types have been developed to reflect these images. In the course of this study, results from other researchers who have examined the presentation of Muslims on the screen both before and after 9/11 are referred to, with a view of highlighting the sustained, unchanging character features, as well as detecting new formations. A variety of films, which have been released since 2011, incorporating Muslim and Arab characters, are used in this research and the physical appearance attributes and behavioral attributes as described by Mastro and Greenberg have been utilized to help with the analysis. The most important finding is that in the 10‐year period following 9/11, although some familiar characterizations still hit the screen occasionally, there has been a tendency to reconstruct more convincing Muslim and Arab cinematic characters. Also noticeable is the fact that the narrative at times focuses on their ethnicity or economic status more than their religious beliefs. Continued research will show if this is a passing phase or the beginning of an end to Muslim and Arab stereotyping in American cinema.     

The Italian American Experience In New Haven: Images and Oral Histories

Anthony V. Riccio's lavish new coffee table book, The ItalianAmerican Experience in New Haven: Images and Oral Histories,provides a fascinating look at the experiences of Italian immigrantsand their children in one east coast community. The field ofimmigration history has certainly benefited from the wealthof oral histories collected from immigrants and their descendants.Ranging from Al Santoli's New Americans, an Oral History: Immigrantsand Refugees in the U. S. Today (1988) to works such as La Merica:Images of Italian Greenhorn Experience (1985)