Folklore without a folk: questions in the preservation of the Marinduque Moriones heritage

Since the 1870s, the Moriones festival has been part of the Lenten celebrations in Marinduque, located at the heart of the Philippines. Inventoried by the Philippine government, the National Commission for Culture and Arts (NCCA) and the Intangible Cultural Heritage in the Asia-Pacific Region (ICHCAP) as one of the Philippines’ intangible cultural heritage, the Moriones festival has exhibited various problems regarding a decreasing historical value, political intervention and increasing detachment from the Marinduque community. This study raises questions on regional inventorying of ICH, especially in light of what needs to be tackled before, during and after the incorporation of traditions and practices as ICH.     

Making heritage at the Cannes Film Festival

This paper is a discussion of how and why film should be considered heritage, by analysing the role of the Cannes Film Festival (CFF) in turning films into a form of heritage, through a number of different initiatives focused on the preservation and promotion of films as heritage. In doing so, the present article charts the evolution of the CFF against the background of cultural diplomacy and heritage. Studying the CFF from a heritage perspective will contribute to theoretical debates that situate film festivals as places where memories and identities are contested and negotiated. The paper will show that these heritage-making initiatives are a result of the ability of the CFF to respond to changes taking place in an age of international contact, to accommodate new trends, new films and emerging national film industries. Within this context, this paper also addresses a gap in film festival scholarship by engaging in heritage theory to further expand cultural and heritage insights.     

Transformations of cultural heritage in Melanesia: from kastam to kalsa

In this article, I look at the reverberations of the global discourse about heritage at the margins of the global system in the Pacific. To this end, I analyse the development of indigenous concepts of cultural heritage on Baluan Island, in Manus Province, Papua New Guinea. I discuss how over the past 50?years two different heritage concepts have developed on the island, which have been used to reflect upon and direct cultural and social change. Further I show how the genesis and transformation of this local discourse about heritage is driven by local concerns and politics, as well as national and international developments.     

Cultural effects of authenticity: contested heritage practices in China

In this study, I analyse how the Chinese Government imposes the concept of authenticity on local heritage practices in the process of heritage nomination, conservation and management. Rather than discussing authenticity as an objective criterion, I approach authentication as a social process in the heritage discourse that impacts on local cultural practice. Through illustrating two cases in China, I propose three cultural effects of authentication on local heritage practices, namely spatial separation, emotional banishment and value shifting. Moreover, the heritage practices in China have created space for dynamic negotiations between local and global value systems. When the concept of authenticity is imposed on local heritage practices by heritage agencies, local communities are not passive recipients; rather, they consume, contest and negotiate the concept of authenticity in various ways.     

Cultural Heritage and Ecosystem Services: A Literature Review

During the last decade, we have witnessed an increased interest in Ecosystem Services (ES), including the so-called ‘cultural ecosystem services’ and its subcategory of ‘cultural heritage’. In this article, a review of academic literature of ES and cultural heritage is carried out. ES has primarily been developed by scholars from the ecological and economic disciplines, and in this article, we discuss how this impacts the way in which cultural heritage is used and conceptualised in ES literature. Based on the conceptual review, we initiate a discussion of what the implications for cultural heritage management could be if the heritage sector adopts the rationales in the ES framework.     

Networked practices of intangible urban heritage: the changing public role of Dutch heritage professionals

This study examines the changing roles of heritage professionals by focusing on the participatory practices of intangible urban heritage. Developments towards democratisation in the heritage sector led to a growing expectation that heritage professionals would work with local publics. This democratisation is manifested in (1) the use of digital media for grassroots heritage practices, (2) the broader scope of what is defined as heritage, and (3) a focus on communities in UNESCO’s Convention for the Safeguarding of the Intangible Cultural Heritage. Heritage professionals are thus challenged to develop inclusive heritage practices, particularly in cities, which are characterised by a dynamic nature and cultural diversity. In this article, I analyse how urban heritage organisations and professionals have responded to these developments. Drawing on interviews and a qualitative content analysis of these organisations’ policy documents, I examine the ways in which heritage professionals reconsider their public role through what I define as networked practices of intangible heritage. This concept captures the networked structure in which heritage professionals increasingly work, and also demonstrates how heritage is given meaning through public practices that take place in both the physical and virtual realms of contemporary cities.     

Historicizing Edai Siabo: a Contemporary Argument about the Pre‐colonial Past among the Motu‐Koita of Papua New Guinea

ABSTRACT In the 1970s the Motu‐Koita, traditional inhabitants of what is now the National Capital District of Papua New Guinea, inaugurated a yearly cultural festival thematically based on traditional coastal trading voyages known as hiri. Contestation over the location and commercialization of the festival in the capital city developed in the new century as one distant village claimed to ‘own’ the hiri. The Motu‐Koita view of their past and their identity has been affected by their encounter with Christianity, colonialism and its aftermath, and the rhetoric of the villagers’ claims drew on criteria of authenticity, cultural purity, and exclusiveness which are arguably contemporary rather than ‘traditional’. This article reviews Motu‐Koita history, the story of the origin of the hiri, and the local politics of the cultural festival. It attempts to understand the way the past, which was formerly mythopoeically invoked, is being historicized and thereby fixed in new local discourses of cultural and heritage rights and ownership, as Melanesians come to terms with the effects of global processes on their traditions and other resources.     

消费地理学视角下非物质文化遗产的消费研究——姊妹节中的传统手工艺苗绣

消费研究的爆炸式增长始于20世纪80年代的消费热潮。消费地理的研究领域在过去的三十年里已经大大扩展,超越了经济和文化之间的传统分歧,并逐渐占据了主导的地位。本研究关注传统节庆中非物质文化遗产苗绣的消费实践,从不同的空间主体（在地的身体、流动的身体、固定的空间、临时的空间）对苗绣的消费过程进行分析,采用参与式观察法和深度访谈法解译施洞地区苗族和游客在传统节庆姊妹节中对苗绣的消费实践。研究发现,消费的话语和实践在特定的空间中定位身体,反过来地方又影响着具身化的消费实践。     

大遗址概念起源发展及共属性探究

大遗址一词出现于建国之初的经济恢复时期。在配合大规模基本建设进行大遗址清理的实践中,提出了“既对基本建设有利,又对文物保护有利”的“两利原则”。大遗址概念形成于改革开放后新的经济建设高峰期,受国外文化遗产概念启发,逐步发展成考古领域的遗址与相关环境结合的综合体概念。大遗址从起源来看属于工作概念,在文物知识概念体系内难于恰当定位,以现阶段研究的各种概念定义皆难于对具体遗址进行大遗址判定。大遗址也不太符合术语的透明性要求,“大”的义项不明确、界限不清。事买上,大遗址只有经国家公布才能得到认可,因此,大遗址尚处于工作概念阶段。     

Postcolonial cultural governance: a study of heritage management in post-1997 Hong Kong

This paper seeks to unpack the politics of heritage preservation in post-1997 Hong Kong. Referring to international frameworks on heritage preservation, it seeks to position Hong Kong’s cultural resource management on par with international discourses for the advancement of heritage governance. Debates surrounding heritage are indeed a part of the wider picture of Hong Kong’s cultural and identity politics and the Hong Kong-China relationship. By examining various contested cases of heritage conservation, and by linking those debates back to the government’s responses within the context of cultural governance, we suggest that heritage management has become a hot stove for cultural politics in post-colonial Hong Kong with deep repercussions in the political, social and economic spheres. The paper examines the rising social debates concerning the removal and conservation of built heritage, and the various government attempts to address these debates. It argues that the current heritage governance mechanism has failed to meet social needs and provide an articulated heritage policy. We propose that a coherent organisational structure is required to better accommodate diverse and contradictory views and discourses surrounding heritage and cultural governance and to tackle the various cultural challenges in postcolonial Hong Kong.     

地域文化基因再现及人本观转基因空间控制理念

文化景观是环境层面上文化行为的空间产物,地域文化景观反映该地域文化体系的地理单元特征。地域文化遗产性景观揭示传统文化(尤其是心理期盼认知传统行为)在空间上传承与形制叠加的人文地理性。对后者的研究国外已借用生物传承多样性的"基因、物种和生态系统"理念去解构。诸多研究多涉及聚落景观及其基因方面,还没有全方位延伸到地域文化景观的各类型,尤其很少介入地域传统文化(风水观)遗产性基因,及其遗产景观基因的排列或组合或结构的研究。本文引用人文地理学"社会-文化"转向创立的"现象学结构主义"方法,首次系统揭示(中国)地域文化遗产(形制)基因与结构;并据后现代人本性空间观理念,即在满足遗产性景观所在地(或社区)生活空间质量需求规律下,论及提升文化产业展现内涵下的遗产景观基因再现控制理念。     

Dreams of Empire: France,Europe, and the New Interventionism in Africa

This article examines the growing importance of the concept of rural heritage in contemporary France by exploring its creation and institutionalisation through French cultural policies. The French state has sought to define rural heritage as a social and economic tool enabling different social categories to promote rural France as a new object of consumption mainly aiming at urban society. The concept of rural heritage has become the object of an intense appropriation by the declining farming industry, which uses it as a mean to create a new relationship with its territory. Considered as an ongoing and future project, rural heritage remains a major issue for the future of French society as a whole.     

Sound recordings and cultural heritage: the Fonck Museum,the Felbermayer collection,and its relevance to contemporary Easter Island culture

Sound recording plays a prominent role in cultural heritage work in the Pacific region, supported by sound archives and institutional collections that serve to preserve this intangible cultural heritage. While it has long been a standard practice for field recordings to be lodged in institutions of learning, recent developments in Pacific research have emphasised the ethical and social benefits that can result from the repatriation of sound recordings to their communities of origin, and from the development of field recording practices in which cultural stakeholders are more directly involved. Meanwhile, the digitisation of historical sound recordings and the use of digital domains for dissemination have become matters of theoretical and methodological inquiry in their own right. This article seeks to contribute to the discourse surrounding the repatriation of historical field recordings through the presentation of findings from a recent Chilean government-funded digitisation and repatriation project involving previously undocumented recordings of Easter Island (Rapanui) music from the Fonck Museum, Viña del Mar. It will explain the circumstances under which the project developed, the strategies pursued in bringing it to fruition, and the reception of the project by the Rapanui community.     

The social production of ‘attractive authenticity’ at the World Heritage Site of Røros,Norway

This paper examines how authenticity and its use as a way of conceptualising the past participates in processes of heritage production, which are here defined as both the social construction of heritage sites and the uses of heritage sites as resources to achieve social goals. We argue that the social production of place and the social values generated by place are linked by a common approach based on the use of ‘place attraction’ as a unifying social concept. The World Heritage Site of Røros has as an attractive place become a resource for the production of cultural capital among various stakeholders, taking the form of a large body of ‘heritage knowledges’. However, a symbolic capital production of ‘attractive authenticity’ has today generated an idealised past and a purified iconic image of Røros as World Heritage. The discourse of ‘attractive authenticity’ reveals a conflict of interests where symbolic capital unfolds and makes power relations evident. This exposes a discussion about cultural heritage management practices at World Heritage Sites.     

Editorial

Abstract

The Fiestas de Astures y Romanos (The Festival of Astures and Romans) is a thriving historical re-enactment performed in the town of Astorga, in north-west Spain. The objective of our research has been to explore the complex interactions between politics, the public, and heritage management, and to evaluate their impact upon archaeology as a discipline. We draw on a participant ethnography carried out during the 2011 event. The concept of ‘Celtic-Barbarian Assemblage’ enables us to understand how different usages of the pre-Roman past condition identity politics and heritage policies at the local level. Finally, we reflect upon our findings and suggest potential lines of action to tackle what we perceive to be the increasing gap between public and academic archaeology in Spain, whose long-term consequences can be detrimental for the discipline as a whole.     

Heritage diplomacy

This paper explores the concept of heritage diplomacy. To date much of the analysis regarding the politics of heritage has focused on contestation, dissonance and conflict. Heritage diplomacy seeks to address this imbalance by critically examining themes such as cooperation, cultural aid and hard power, and the ascendency of intergovernmental and non-governmental actors as mediators of the dance between nationalism and internationalism. The paper situates heritage diplomacy within broader histories of international governance and diplomacy itself. These are offered to interpret the interplay between the shifting forces and structures, which, together, have shaped the production, governance and international mobilisation of heritage in the modern era. A distinction between heritage as diplomacy and in diplomacy is outlined in order to reframe some of the ways in which heritage has acted as a constituent of cultural nationalisms, international relations and globalisation. In mapping out directions for further enquiry, I argue the complexities of the international ordering of heritage governance have yet to be teased out. A framework of heritage diplomacy is thus offered in the hope that it can do some important analytical work in the field of critical heritage theory, opening up some important but under theorised aspects of heritage analysis.     

遗产认同:概念、内涵与研究路径

本文从遗产产生、发展及其遗产本质属性特征的视角提出了遗产认同的概念,并从“遗产身份”和“遗产认同”两个角度解释了遗产认同的内涵,即前者强调遗产的客观属性,后者强调主体对遗产的认知。在此基础上,根据遗产与认同的四种交叉关系,作者提出了遗产认同相应的研究路径,即从时间视角的遗产化过程分析每个阶段的遗产认同;以尺度的视角从表征层面的空间身份和文化身份特征理解遗产认同;从非表征层面的遗产实践分析相关者如何通过具体行动表征和重构自己的身份认同。遗产认同概念的提出与研究不仅可能丰富新文化地理学的景观研究理论,也为遗产旅游地治理提供理论借鉴,未来还需对遗产认同与遗产保护利用关系做进一步探讨。     

Deep commoning: public folklore and environmental policy on a resource frontier

Abstract

This article explores the concept and practice of the commons as a holistic, multi-sectoral, cross-disciplinary framework for critical heritage work on resource frontiers. Drawing from my research on forest commoning in the Appalachian coalfields, I argue that land-based systems of commoning vital to communities in the path of resource extraction merit more attention from heritage workers. Commons tend to disappear through their atomization into siloed objects of study and stewardship. This disappearance, partly a function of reductionist, dualistic thinking, also signals a persistent colonialist myth of emptiness. I argue that the embodied, participatory field methods of public folklorists are particularly well-suited to the study and accreditation of land-based commons as heritage. Building on the idea of ‘deep ecology’, the notion of ‘deep commoning’ espouses our implication in worlds we bring into dialogue through the practice of public folklore as critical heritage work.     

As the Sand Settles: Education and Archaeological Tourism on Underwater Cultural Heritage

Underwater cultural heritage sites draw thousands of diving tourists lured by the excitement of shipwrecks and the beauty of the marine environment. Through scientific research and interpretation, archaeologists have the opportunity to educate these visitors about the history of the sites and, perhaps more importantly, about the need for preservation. Effective interpretation leads to appreciation of underwater cultural heritage sites as links to our past, rather than simply as mines of ‘treasure’ to be salvaged for personal gain or sites of interest to be consumed by tourists. This paper describes a selection of interpreted maritime sites from the continental US (with specific reference to Florida), the Caribbean, and the Pacific to show how archaeological tourism, specifically shipwreck preserves and heritage trails, can begin to change mindsets, engage emotions, and inform visitors. It also discusses ways in which we can improve upon assessment, monitoring, and long-term preservation strategies after the trails are created and the sand has settled.