3. THE EXPRESSION OF HISTORICAL EXPERIENCE

The theory and philosophy of history (just like philosophy in general) has established a dogmatic dilemma regarding the issue of language and experience: either you have an immediate experience separated from language, or you have language without any experiential basis. In other words, either you have an immediate experience that is and must remain mute and ineffable, or you have language and linguistic conceptualization that precedes experience, provides the condition of possibility of it, and thus, in a certain sense, produces it. Either you join forces with the few and opt for such mute experiences, or you go with the flow of narrative philosophy of history and the impossibility of immediacy. Either way, you end up postulating a mutual hostility between the nonlinguistic and language, and, more important, you remain unable to account for new insights and change. Contrary to this and in relation to history, I am going to talk about something nonlinguistic—historical experience—and about how such historical experience could productively interact with language in giving birth to novel historical representations. I am going to suggest that, under a theory of expression, a more friendly relationship can be established between experience and language: a relationship in which they are not hostile to but rather desperately need each other. To explain the occurrence of new insights and historiographical change, I will talk about a process of expression as sense‐formation and meaning‐constitution in history, and condense the theory into a struck‐through “of ,” as the expression of historical experience.     

Danto, History, and The Tragedy of Human Existence

Philosophy of history is the Cinderella of contemporary philosophy. Philosophers rarely believe that the issues dealt with by philosophers of history are matters of any great theoretical interest or urgency. In their view philosophy of history rarely goes beyond the question of how results that have already been achieved elsewhere can or should be applied to the domain of historical writing. Moreover, contemporary philosophers of history have done desperately little to dispel the low opinion that their colleagues have of them. In this essay I argue that Arthur Danto is the exception confirming the rule, for Danto's philosophy of representation may help us understand how texts relate to what they are about. The main shortcoming of (twentieth‐century) philosophy of language undoubtedly is that it never bothered to investigate the philosophical mysteries of the text. The writing of history is a philosophical goldmine and we must praise Danto for having reminded us of this.     

批判与革新：南粤史家张荫麟历史哲学管窥

张荫麟是中国近代学术史上著名的史学家,他在历史哲学领域颇有建树,他批评目的史观、循环史观、进步史观、辩证法史观、演化史观等传统历史哲学观点,试图建立一套新的、完善的历史哲学体系,这是中国近代历史理论建设的重大创举。发掘与总结张荫麟在历史哲学研究方面的成就,不仅有利于考察20世纪前半期中国历史理论的演变,而且对于继承先哲学术遗产、创新史学理论学科发展亦大有裨益。     

PHILOSOPHY OF HISTORY AFTER 1945: A BIBLIOMETRIC STUDY

Much has been said about what philosophy of history should be. This bibliometric assessment of research in the philosophy of history examines what scholars in this field have actually produced. The study covers a dataset—a subsection of the bibliography of the International Network for Theory of History—of 13,953 books, articles, book chapters, dissertations, and other scholarly publications, encompassing materials written in seven different languages published between 1945 and 2014. This material was classified according to a multilayered system of taxonomy consisting of keywords representative of themes discussed in the field. Separate quantitative analyses were made to elucidate characteristics about the publication outputs in the field in the different language groups. Changes in paradigm, often referred to as “turns” or “trends,” have been mapped in this study, according to a quantitative analysis of the most recurrent keywords within a five‐year interval, which give an indication of the most debated themes in each period. ?Religion/theology/secularization? is the most frequent keyword during the period 1945 to 1969, followed by ?Marxism/historical‐materialism?¹ from 1970 to 1984, in what can be considered a second period of the field. Although many of the key publications of the linguistic turn were written within this second period, our dataset shows that it is not until the third period (1985–2014) that their writing goes on to influence other authors in the field.     

History, Memory, and the Law: The Historian as Expert Witness

There has been a widespread recovery of public memory of the events of the Second World War since the end of the 1980s, with war crimes trials, restitution actions, monuments and memorials to the victims of Nazism appearing in many countries. This has inevitably involved historians being called upon to act as expert witnesses in legal actions, yet there has been little discussion of the problems that this poses for them. The French historian Henry Rousso has argued that this confuses memory with history. In the aftermath of the Second World War, judicial investigations unearthed a mass of historical documentation. Historians used this, and further researches, from the 1960s onwards to develop their own ideas and interpretations. But since the early 1990s there has been a judicialization of history, in which historians and their work have been forced into the service of moral and legal forms of judgment which are alien to the historical enterprise and do violence to the subleties and nuances of the historian's search for truth. This reflects Rousso's perhaps rather simplistically scientistic view of the historian's enterprise; yet his arguments are powerful and should be taken seriously by any historian considering involvement in a law case; they also have a wider implication for the moralization of the history of the Second World War, which is now dominated by categories such as "perpetrator,""victim," and "bystander" that are legal rather than historical in origin. The article concludes by suggesting that while historians who testify in war crimes trials should confine themselves to elucidating the historical context, and not become involved in judging whether an individual was guilty or otherwise of a crime, it remains legitimate to offer expert opinion, as the author of the article has done, in a legal action that turns on the research and writing of history itself.     

THE TEETH OF TIME: PIERRE HADOT ON MEANING AND MISUNDERSTANDING IN THE HISTORY OF IDEAS1

The French philosopher and intellectual historian Pierre Hadot (1922–2010) is known primarily for his conception of philosophy as spiritual exercise, which was an essential reference for the later Foucault. An aspect of his work that has received less attention is a set of methodological reflections on intellectual history and on the relationship between philosophy and history. Hadot was trained initially as a philosopher and was interested in existentialism as well as in the convergence between philosophy and poetry. Yet he chose to become a historian of philosophy and produced extensive philological work on neo‐Platonism and ancient philosophy in general. He found a philosophical rationale for this shift in his encounter with Wittgenstein's philosophy in the mid‐1950s (Hadot was one of Wittgenstein's earliest French readers and interpreters). For Hadot, ancient philosophy must be understood as a series of language games, and each language game must be situated within the concrete conditions in which it happened. The reference to Wittgenstein therefore supports a strongly contextualist and historicist stance. It also supports its exact opposite: presentist appropriations of ancient texts are entirely legitimate, and they are the only way ancient philosophy can be existentially meaningful to us. Hadot addresses the contradiction by embracing it fully and claiming that his own practice aims at a coincidence of opposites (a concept borrowed from the Heraclitean tradition). For Hadot the fullest and truest way of doing philosophy is to be a philosopher and a historian at the same time.     

Danto on Representation, Identity, and Indiscernibles

Arthur Danto has made important contributions to both aesthetics and philosophy of history. Furthermore, as I shall try to show in this essay, his aesthetics is of great relevance to his philosophy of history, while his philosophy of history is of no less interest for his aesthetics. By focusing on the notions of representation, identity, and the identity of indiscernibles we shall discover how fruitful this cooperation of aesthetics and philosophy of history may be. Crucial to all historical writing and, hence, to all philosophy of history, is the notion of identity through time and change. How could the historian write the history of x if x cannot be said to remain the same in the course of its history? It will become clear that aesthetics will provide us with a satisfactory solution for the problem, for the aestheticist notion of representation will enable us to define the notion of identity that the historian needs. Nevertheless, a certain friction can be observed between Danto's aesthetics and his philosophy of history. At the end of this essay I hope to show that Danto's philosophy of history will be our best guide to dealing adequately with this friction.     

HISTORICAL UNDERSTANDING AND HISTORICAL INTERPRETATION AS CONTEXTUALIZATION

This article discusses the theoretical problems pertaining to the relationship between historical contextualization and historical understanding and interpretation. On the one hand, there is the view that documents need to be understood in relation to their historical context; on the other, it is not clear how a historian can get out of his or her own historical context in order to be able to engage with the conceptual frameworks, beliefs, or ways of reasoning that are radically different from his or her own. The paper proposes a resolution to this dilemma; its upshot is that historical understanding is constituted by contextualization.     

INTELLECTUAL HISTORY,INCONCEIVABILITY, AND METHODOLOGICAL HOLISM1

The debate between individualism and holism in the philosophy of history pertains to the nature of the entities relied on in historical explanations. The question is whether explanations of historical items (for example, events, actions, artifacts) require the assumption that the collective historical entities (for example, civilizations, cultures, and so on) used in these explanations are (sometimes) conceived of as irreducible to the actions, thoughts, and beliefs of individual human beings. In this paper I analyze two methodological problems that holist explanations face in the writing of intellectual history. The first problem derives from the fact that holist explanations in intellectual history have to rely on the claim that certain beliefs were inconceivable to some individuals because they were members of specific collectives, whereas it is unclear how historical research can justify such claims when made from the holist position. The second problem pertains to the difficulties the holist position faces when it has to account for the novel properties of artifacts studied by intellectual history.     

LEON GOLDSTEIN AND THE EPISTEMOLOGY OF HISTORICAL KNOWING1

Leon Goldstein's critical philosophy of history has suffered a relative lack of attention, but it is the outcome of an unusual story. He reached conclusions about the autonomy of the discipline of history similar to those of R. G. Collingwood and Michael Oakeshott, but he did so from within the Anglo‐American analytic style of philosophy that had little tradition of discussing such matters. Initially, Goldstein attempted to apply a positivistic epistemology derived from Hempel's philosophy of natural science to historical knowledge, but gradually (and partly thanks to his interest in Collingwood) formulated an anti‐realistic epistemology that firmly distinguished historical knowledge of the past not only from the scientific perspective but also from fictional and common‐sense attitudes to the past. Among his achievements were theories of the distinctive nature of historical evidence and historical propositions, of the constructed character of historical events, and of the relationship between historical research and contemporary culture. Taken together, his ideas merit inclusion among the most important twentieth‐century contributions to the problem of historical knowledge.     

章开沅教授与中国近现代史写作

选题是历史学论著写作成败的关键,要有创新并考虑研究的可持续发展。历史研究及写作需要史实的实证和史识的阐述来支撑。缺少史实的实证,历史就变成一个空架子,但要避免史料的堆砌。史料工作不是机械的工作,而是高层次的智力劳动。转引材料应该注明出处,以示尊重别人的劳动。至于史识,也即史学家的思辨,这有很高的甚至是很残酷的要求,真正的史学家(例如司马迁),能够达到历史哲学方面的理解,甚至是对宇宙生命的终极诉求,这也要求史学家应该有史学的参与意识。此外,文字表达是一件很重要而又很痛苦的事情,历史学家不应该原谅自己在文采方面的缺失,而应该提高文字表达能力,适当地强调史感,以达到设身处地地与古人对话、交流、沟通。总之,史料、史识、文采三者应该达到完美的统一。     

Vielfalt der Wissenschaften bei Carnap,Lewin und Fleck. Zur Entwicklung eines pluralen Wissenschaftskonzepts

The Diversity of Science in Carnap's, Lewin's and Fleck's Philosophy: Toward a Pluralistic Point of View. In the 1920s and 1930s three different but simultaneous approaches of philosophy of science can be distinguished: the logical approach of the physicist Rudolf Carnap, the logico‐historical approach of the psychologist Kurt Lewin and the socio‐historical approach of the medical scientist Ludwik Fleck. While the philosophies of Lewin and Fleck can be characterized as contextual appraisals which account for the interactions between particular sciences and their historical, socio‐cultural or intellectual environments, Carnap's philosophy is narrowed to an internal methodology centered on scientific propositions and logical structures in general. In addition to these differences in aim and practice of methodological analysis the estimation of the real disunity and diversity of the special branches of science differs. Instead of Carnap's ideal of a unified science from the new pluralistic point of view the evaluation of the empirical multiplicity of particular sciences obtains philosophical acceptance.     

Continuity,chance, and change: The character of the industrial revolution in England

This article examines the life and works of Robert Blakey, author of the first English-language history of political thought. Studies of Blakey have typically concentrated on one aspect of his life, whether as an authority on field sports or as an historian of philosophy. However, some of Blakey’s lesser-known ventures, particularly his early Radical politics, his hagiographies, and his attempts to write a biography of Charlemagne, heavily influenced his more famous works. Similarly, Blakey’s upbringing in a Calvinist tradition, rooted in the Scottish School of Common Sense philosophy helps makes sense of his philosophical and theological commitments, yet has been largely ignored. This article provides a sketch of Blakey’s life, tying these disparate strands together, and explaining their influence upon, and relevance to, the first history of political philosophy.     

DIGITALIZING HISTORICAL CONSCIOUSNESS

What is a “historical” video game, let alone a successful one? It is difficult to answer this question because all our definitions of history have been constructed in a linear‐narrative cultural context that is currently being challenged and in large part displaced by digital media, especially video games. I therefore consider this question from the point of view of historical semantics and in relation to the impact of digital technology on all aspects of the historiographical operation, from the establishment of digital archives, to the production of e‐texts, to the digital remediation of visual modes of historical representation. Seen from this dual perspective, video games appear to participate in a process of spatialization and virtualization of historical semantics. In the first place, video games have begun to detach the notion of history from its double reference to the past and to the real—“what essentially happened”—that it had acquired at the end of the eighteenth century. Second, they also challenge the semiotic production of “historic events” that has characterized the construction of modern historical consciousness. Historical video games, in other words, replace representation with simulation and presence with virtuality, thereby marginalizing the oscillation of the modern historical imagination between historical facts and historic events, transcendence and immanence, representation and presence. Although digital reworkings of historical semantics have not produced any grammatical transformation of the signifier, history—nor does this essay propose one—I do argue that the impact of video games on our contemporary historic(al) culture is of paradigmatic proportions similar to those described by Reinhart Koselleck for the dawn of the modern age. Focusing on one of the most successful contemporary video games, Sid Meier's Civilization, I show how the remediation of cinematic genres by video games is pushing the processes of de‐temporalization and de‐referentialization of history toward the formation of a new notion of the historical that may be conceptualized as the inversion of the classic Aristotelian paradigm: history has replaced poetry and philosophy as the realm of the possible.     

“历程”中的客观性——对柯林武德思想的再认识

柯林武德试图将历史学建立在一种新的客观性概念的基础上。他指出:历史中的客观性是在绵延不断的"历程"中得到体现的,在这一历程中,历史当事人的思想与后来的历史学家对它的反思不是"两个"思想而是"一个"思想,历史体系是历史与历史学家的统一。在历史体系中,历史学家即使不受纯粹历史"事实"的制约,也必然受整体"历程"的制约。柯林武德的这些观点使得一种新的史学"客观性"观念成为可能。     

6. WHY WE NEED TO MOVE FROM TRUTH‐FUNCTIONALITY TO PERFORMATIVITY IN HISTORIOGRAPHY

The central challenge of the philosophy of history and historiography is to find a principled way to rank different interpretations of the past without assuming their truth in terms of correspondence. The narrativist insight of the narrative philosophy of historiography was to correctly question historical realism. It analyzed texts and showed that they cannot reflect the past as it is. However, the rejection of the truth‐functional evaluation threatens to lead to an “anything goes” approach in terms of cognitive evaluation of historiography. In any case, no adequate theory of evaluation has so far been developed, although clearly not all historiographical interpretations are acceptable. Postnarrativist philosophy of historiography suggests that any history book includes a content‐synthesizing unit, but that it is problematic to think that it is “narrative” that structures texts. It is better to think of historiography texts as presenting reasoning for views and theses about the past. Arguments for these theses should be considered not as being true but as more or less appropriate, fitting, or warranted. The historian aims to produce as highly rationally warranted and compelling a thesis of the past as possible; its rational appropriateness depends on three dimensions of cognitive evaluation: the epistemic, the rhetorical, and the discursive.     

INTENTION AND IRONY: THE MISSED ENCOUNTER BETWEEN HAYDEN WHITE AND QUENTIN SKINNER

No contemporary intellectual historian has produced more influential reflections on the historian's craft than Hayden White and Quentin Skinner, yet their legacy has never been meaningfully compared. Doing so reveals a surprising complementarity in their approach, at least to the extent that Skinner's stress on recovering the intentionality of authors fits well with White's observation that irony is the dominant rhetorical mode of historical narrative in our day. Irony itself, to be sure, has to be divided broadly speaking into its dramatic or Socratic variants and the unstable and paradoxical alternative defended by poststructuralist critics. The latter produced in White an anxiety about the anarchistic implications of an allegedly inherent undecidability in historical interpretation and narration, which threatened to conflate history entirely with fiction. By recovering the necessary role of intentionality as a prerequisite for a more moderate version of Socratic and dramatic irony—in which hindsight provides some purchase on a truth denied actors at the time history is made—it is possible to rescue an ironic attitude that can register the frequency of unintended consequences without surrendering to the conclusion that no explanation or interpretation is superior to another. Against yet a third alternative, which tries to reconstruct the past rationally as a prelude to the present, acknowledging the ironic undermining of intentions avoids giving all the power to the contemporary historian and restores a dialogic balance between actors in the past and their present‐day interpreters.     

REPRESENTATION AS A COGNITIVE INSTRUMENT

This essay discusses the role of the notions of reference, truth, and meaning in historical representation. Four major claims will be argued. First, conditional for all meaningful discussion of historical representation is that one radically discards from one's mind the paradigm of the true statement and all the epistemological and ontological problems occasioned by it. Second, representation is not a two‐place, but a three‐place operator: in representation a represented reality (1) is represented by a representation (2) focusing on certain aspects of represented reality (3). Third, applying the notions of reference, truth, and meaning to historical representations compels us to give them a content basically different from the ones they have in contemporary philosophy of language and science. Fourth, it will be shown that in (historical) representation, meaning precedes truth—and not the other way around as in most of contemporary philosophy of language.     

TRAUMA DELEGITIMIZED: KARL LÖWITH AND THE COSMIC VIEW OF HISTORY

This article uncovers the work of trauma in Karl Löwith's historical thought. Although best known for his critique of the philosophy of history and for the conception of secularization in his 1949 book, Meaning in History, Löwith deepened his positive historical vision in several essays that he wrote in the 1950s and 1960s. From these texts emerges a unique historical orientation, which I call the “cosmic view of history.” This perspective was at once a critique of modern historical consciousness and an embodied corrective to that consciousness, one in which the catastrophes of the twentieth century were relativized and made endurable. In both the origin and structure of this historical orientation and in its textual expression in Löwith's work, trauma is a residual force that links Löwith's language, his experiences, and the postwar context. The role of trauma in Löwith's thought further reveals a process of delegitimization in which historical consciousness and historical events lose their power to determine historical meaning, thus enabling a response to and an escape from catastrophe. This article also explores the significance of this cosmic view of history for contemporary theoretical concerns related to the Anthropocene and its consequences for historical theory.