AN ARCHAEOMAGNETIC STUDY OF POTTERY KILNS FROM BRÜHL-PINGSDORF (GERMANY)*

Four pottery kilns from Brühl-Pingsdorf (Germany) were dated by comparing their characteristic remanent magnetization with a curve of the palaeo-secular variation of the geomagnetic field. Archaeomagnetic results suggest last heating events between AD 775 and 1020. The archaeological evidence generally supports the relative temporal succession and the duration of use, but indicates that the kilns are about 150 years younger on average. Hence, a systematic offset between these independently developed chronologies must be considered. Rock magnetic parameters display radial variations through the kiln walls. These variations are controlled by the maximum temperature the rock was exposed to. These parameters were used to identify specimen which acquired a thermoremanent magnetization.     

INAA OF ARCHAEOLOGICAL SAMPLES AT THE UNIVERSITY OF MANCHESTER

INAA at Manchester began almost by chance, and amid scepticism, with a request for help from the university's Department of Archaeology in the early 1970s. Over the years, the method of selecting pottery to be sampled was refined from the simple assumption that sherds found at a site were typical of those made there, to a greater focus on kiln sites and wasters. An important element in Manchester's approach was that this was a teaching department: in the quarter‐century during which the laboratory practised INAA over 6000 samples were analysed in a wide range of projects by postdoctoral researchers, Ph.D. students and even final‐year undergraduates. Although there were sometimes problems of comprehension on both sides, close collaboration with archaeologists encouraged methodological comparisons, and often INAA was seen as an additional weapon in the archaeologists’ arsenal as much as a developing scientific technique. The university's place as the inventor of the computer encouraged the development of statistical programs, which in turn facilitated ready collaboration and exchange of information with other laboratories, such as those at Bonn and Berkeley.     

LEAD ISOTOPE ANALYSES OF ISLAMIC POTTERY GLAZES FROM FUSTAT,EGYPT*

Lead isotope analyses have been undertaken on a group of Islamic lead‐glazed pottery artefacts from Fustat, Egypt, spanning the period from the eighth to the 14th century ad , that had previously been the subject of a comprehensive typological, chronological, petrographic and technological study. Comparison of the lead isotope ratios for the glazes with those for lead ores from Egypt, Iran, Tunisia, Anatolia, Greece, Sardinia and Spain provided information on the possible sources of the lead used in the production of the glazes. The results show that the lead used in glaze production by the Islamic potters at Fustat was most probably obtained from distant ore sources in Iran or Tunisia, Sardinia, Spain and the Taurus Mountains. Different ore sources were favoured in different periods and, to a limited extent, for different types of pottery, but at no time did the Fustat potters use the potentially more accessible Egyptian ore sources.     

MICROCHEMICAL CHARACTERIZATION OF BUILDING STONE FROM SEVILLE CATHEDRAL,SPAIN

Enrichment diagrams for trace elements have been proposed as a useful and straightforward procedure to identify ores and stones. The identification of the diverse stone of the exterior of the Cathedral of Seville has been achieved by this means. Fourteen trace elements have been analysed, from both quarry and building material samples, using atomic absorption and flame emission spectrometry in order to apply enrichment diagrams for identification purposes.     

OPTICAL PROPERTIES OF TIN‐OPACIFIED GLAZES*

Tin glazes contain SnO2 particles, with a diameter similar to the wavelength of visible light, which are responsible for glaze opacification. In this paper a theoretical model to explain the optical behaviour of these glazes is developed. This model is tested by measurement of the reflectance and transmittance spectra for different optical paths in Spanish Islamic and mudejar glazed ceramics and it is shown to be valid by total reflectance non‐destructive measurements on a wide range of other Islamic and related glazed ceramics.     

Short Note: Provenancing of Pottery— The Need for an Integrated Approach?

The method of chemical provenance determination of pottery is described as a very useful tool, which gives reliable results in most cases, if it is applied correctly and to its full power. Therefore, it is claimed that additional petrographic analysis, the so‐called ‘integrated approach’, should not be considered as a must for each project, but is only needed in cases in which the chemical approach leaves questions to be answered.     

WHERE DID THE LUSTRE TILES OF THE SIDI OQBA MOSQUE (ad 836–63) IN KAIROUAN COME FROM?*

Metallic lustre decoration of glazed ceramics is a very special kind of ornament, because its colours change with the observational conditions. In diffused light, they can be green, brown or ochre–yellow. In specular reflection, they show an associated coloured metallic shine (blue, golden‐yellow or orange). The lustre tiles at the Sidi Oqba Mosque in Kairouan still have no defined origin (possibly Kairouan and/or Mesopotamia). Physicochemical analyses of eight Kairouan lustre tile samples and four Mesopotamian lustre pottery samples show that the Kairouan tiles probably came from Mesopotamia, from a major production centre, possibly Baghdad, Samarra or Basra.     

Revisiting the Exploitable Threshold Model: 14th century resource procurement and landscape dynamics on Perry Mesa,Arizona

Abstract

This study presents a revision of Dean E. Arnold’s (1985, 1993) Exploitable Threshold Model, which attempts to explain the selection of raw materials for pottery production. Arnold’s model posits that potters’ preferences for materials are largely determined by the linear distance to individual resources. We argue, however, that potters’ choices are, at least in part, determined by spatial relationships among the necessary resources rather than the distances to them. This study of 14th century pottery production on Perry Mesa, Arizona demonstrates that potters selected materials based on the co-occurrence of readily available sources of temper, clay, and fuel. Lack of water and fuel sources on the mesa top compelled local residents to eschew the use of readily available basaltic sands to temper their plainware pottery. Instead, Perry Mesa potters selected granitic sands from the river valley nearly 300 vertical meters below their settlements.     

The Accounts of the Medieval Paternoster Gild of York

Abstract

The 1399 account roll of the Paternoster Gild of York, missing since the 1880s, has recently been discovered amongst papers donated to the Borthwick Institute, University of York. These accounts, edited at the end of this paper, reveal the names of over 150 gild members from all over the city of York and beyond and allow them to be placed within their social context, showing members and their families receiving bequests in each other's wills, and revealing several of them as members of the later Corpus Christi gild at York. The accounts also demonstrate the extent of the gild's property ownership and give details of preparations and purchases for the elaborate gild feast. The gild was responsible for performances of the Paternoster play, and examination of the accounts allows revision of confused, earlier reports of their contents relating to the plays. It is now clear that two pageants from the play are mentioned in the accounts, supporting Johnstone's suggestion that the play was based on seven pageants, each one reflecting one of the seven petitions of the Lord's Prayer, matched against one of the seven deadly sins.     

THE ORIGIN OF BLACK‐FIGURE GREEK CERAMICS FOUND IN NAUCRATIS (NILE DELTA)*

At the site of the Greek trading port of Naucratis, located on the Canopic mouth of the Nile inland from Alexandria, Flinders Petrie and later archaeologists encountered sherds of Classical Greek black‐figure pottery. We have characterized the pastes of 14 of these specimens, drawn from the collections of the British Museum and the Ashmolean Museum at Oxford, by neutron activation analysis and numerical taxonomy. The ceramics agree in composition with a reference group centred on Athens. We also investigated a small number of additional black‐figure sherds from other sites. One specimen, from Ruvo di Puglia (Italy), actually originated in or near Marseilles. There was no evidence for local manufacture of black‐figure pottery at Naucratis.     

A STUDY ON LATE MEDIEVAL TRANSPARENT‐GLAZED POTTERY AND ARCHAIC MAJOLICA FROM ORVIETO (CENTRAL ITALY)*

Nineteen samples of medieval transparent‐glazed pottery and archaic majolica from Orvieto (central Italy) were studied. They were classified by archaeological criterion as follows: five transparent‐glazed fragments with green and brown decorations (first half of the 13th century), eight green transparent‐glazed fragments (13th century) and six tin‐glazed fragments with green and brown decorations (second half of the 13th century). SEM–EDX, XRD (the Rietveld method) and XRF were used to characterize the chemical and mineralogical compositions both of the bodies and the coatings. In all of the samples, the paste is Ca‐rich with CaO contents as high as 13–20 wt%. The mineralogical composition is compatible with a firing temperature of about 950°C, which is the typical temperature reached in a wood kiln. No difference was observed between the bodies of transparent‐ and tin‐glazed pottery. In the case of transparent glazes, the burial conditions lead to heavy weathering of the samples. However, on the basis of the analyses carried out in non‐weathered areas, the typical composition is PbO 55–65 wt%, SiO₂31–35 wt%. In tin glazes, the tin is scattered on the mass of the glaze as SnO₂crystals with a concentration of 7–14 wt%. Concerning the decorations, it is established that the green colour is due to the presence of copper, while manganese is responsible for the brown colour. These pigments, which represent the typical colours of ‘archaic majolica’, are spread through the glaze homogeneously, apart from one case in which there is clear evidence of manganese oxide crystals.     

LUSTRE-DECORATED CERAMICS FROM A 15TH TO 16TH CENTURY PRODUCTION IN SEVILLE*

A set of 17 fragments of ceramics have been uncovered on the occasion of excavations of a workshop in Triana near Seville. These ceramics are typical of objects that are not commonly encountered in present collections in spite of intensive production during the 15th–16th centuries. Chemical and mineralogical analyses have been performed using various techniques (X-ray fluorescence and diffraction, SEM, ion beam analyses). The majority of the ceramic sherds represent the diversity of the Seville production; three fragments recovered in the same archaeological context were not locally produced and belong to the production of eastern Spain (Valence area). The ceramic bodies of the Seville sherds are compatible with the use of clays from the Guadalquivir valley. The glaze and the lustre decoration are comparable to those produced in eastern Spain. These conclusions are based on data that represent the production of a single workshop in Seville; the scatter of the data is due to variations in the processing and/or to alterations during the five centuries of burial of the ceramic fragments.     

THE SMITHSONIAN–NIST PARTNERSHIP: THE APPLICATION OF INSTRUMENTAL NEUTRON ACTIVATION ANALYSIS TO ARCHAEOLOGY

The history and procedures of the Smithsonian–NIST programme in the application of instrumental neutron activation to the study of archaeological materials are reviewed. Statistical processing of the resulting analytical data is a major focus of the programme, with attention called to processes of initial group formation. Specific areas of current research emphasis are presented, which build upon the strength of accumulated databases.