Narrated Desire: Reflections on Flaubert’s Sentimental Education

Flaubert’s Sentimental Education, published in 1869, is a novel about thwarted desires. My essay looks at some pathologies of desire the novel’s protagonist, Frédéric Moreau, may be said to exemplify in order to bring into view the conditions that make desire satisfaction possible. I take the tribulations of the protagonist not as mere consequences of his personal flaws but as significant clues about the mechanics of desire in general. I discuss the ways in which the style and form of the novel mirror the predicament of the desire-driven character, and I conclude by questioning the view that Flaubert’s aestheticism amounts to a banishment of desire.     

Watching the city: the politics of space in Pizza,birra, faso

In this article, I discuss the representation of Buenos Aires in Pizza, birra, faso. Paying attention to some of the film’s salient aspects vis-a-vis its portrayal of urban space, my analysis has as its ultimate goal to reveal the ways in which the film engages in a political critique that might seem absent if studied solely from a narrative point of view. In this sense, Pizza, birra, faso is a paradigmatic example of the ways in which many of the films of New Argentine Cinema engaged with their political context differently to films of the post-dictatorship generation. To unearth this political content, I will argue, it is necessary to study these films as films, and not merely as texts.     

6. ACTES DE PRÉSENCE: PRESENCE IN FASCIST POLITICAL CULTURE1

In order to discuss the notion of presence, I explore Fascist Italy as an example of a presence‐based culture. In the first part of this paper, I focus on the doctrines of “the philosopher of fascism,” Giovanni Gentile (1875–1944), in order to show that his programme of cultural awakening revolves around the notion of the “presentification of the past.” This notion formed the basis of Gentile's dialectic of the act of thought, which is the kernel of his actual idealism, or actualism. I argue that actualism should primarily be interpreted as an ontology of a historical reality; it expresses the view that reality is history. In his 1914 inaugural “L'esperienza pura e la realtà storica” (Pure Experience and Historical Reality), Gentile drew this view to its ultimate consequence by developing a view of experience that has some striking parallels with the contemporary views of presence as expounded by Gumbrecht, Runia, and Ankermit. In the second part of my paper, I discuss how Gentile and his collaborators put presence into practice in school reforms, the Enciclopedia Italiana, and in hundreds of monuments, memorials, and exhibitions. Finally, I discuss the 1932 Mostra della rivoluzione fascista, which was not only the apex of fascist culture politics, but also of the practice of presence. In this context, I argue that this practice should not be seen as a politics of historical interpretation, as Hayden White once held, but as a politics of sublime historical experience, or presence. The presence of presence in fascist political culture raises some difficult questions for all who embrace the new paradigm, questions that can only be answered if the notion of presence is somehow balanced by the critical historical method, which is the basis for a true dialogue with the past.     

Adam Smith's analytic-synthetic method and the ‘system of natural liberty’

In the present paper I shall deal with Adam Smith's application of the analytic-synthetic method, which he considered to be the scientific method par excellence. I shall concentrate on some shortcomings in Smith's arguments and endeavour to explain them as resulting from a particular interpretation of the aforesaid method. The peculiarity of Smith's interpretation was that he omitted the analysis and that he thought the synthesis reflects the composition of an object out of pre-existing elements which are endowed with ‘essential qualities’. I shall then try to show that this methodological concept presupposed the view that society is a compound of independent individuals, i.e. an aggregate of Robinson Crusoes. Finally I shall discuss possible political reasons for this view. On the systematic level, I shall argue that political and scientific partisanship do not necessarily stand in contradiction to objective knowledge, and on the historical level, I shall plead for a ‘Social History of Ideas’.¹     

Landscape and Gentrification: The Picturesque and Pastoral in 1980s New York Cinema

In this article I discuss 1980s New York cinema through the conceptual lens of landscape, drawing in particular on the interconnected but separate traditions of the pastoral and the picturesque. While the former mode of representing landscape is idealizing (the shepherd/nymph‐motif), the latter with its origins in the period of the enclosures of the English countryside tends to aestheticize poverty and dispossession. This distinction can productively be deployed in relation to tensions between glamorization and exploitation in 1980s New York cinema, which often dealt with the themes of rent, eviction, and unemployment in postindustrial settings. Focusing in particular on Downtown 81 (Edo Bertoglio, 1981/2000) and Desperately Seeking Susan (Susan Seidelman, 1985), I argue that the current nostalgia for a pre‐gentrified and less regulated New York in popular culture is dependent on these idealizing and aestheticizing tendencies insofar that they conceal or prettify some of the darker aspects of the period.     

Adam Smith's analytic-synthetic method and the ‘system of natural liberty’

In the present paper I shall deal with Adam Smith's application of the analytic-synthetic method, which he considered to be the scientific method par excellence. I shall concentrate on some shortcomings in Smith's arguments and endeavour to explain them as resulting from a particular interpretation of the aforesaid method. The peculiarity of Smith's interpretation was that he omitted the analysis and that he thought the synthesis reflects the composition of an object out of pre-existing elements which are endowed with ‘essential qualities’. I shall then try to show that this methodological concept presupposed the view that society is a compound of independent individuals, i.e. an aggregate of Robinson Crusoes. Finally I shall discuss possible political reasons for this view. On the systematic level, I shall argue that political and scientific partisanship do not necessarily stand in contradiction to objective knowledge, and on the historical level, I shall plead for a ‘Social History of Ideas’.¹     

Shards of Meaning: Archaeology and the Melanesia-Polynesia Divide

Abstract

Among the many consequences of colonisation in the Pacific were the twin processes of conjunction and separation of indigenous societies following the establishment of colonial boundaries. In the Solomon Islands, both occurred. Particularly in the northwest, earlier connections were reduced (although not eliminated) following the establishment of the British‐German boundary between the British Solomon Islands Protectorate (BSIP) and German (later British) New Guinea. Other parts of the Solomons which had previously had less contact were conjoined into the BSIP, which later became the independent state of the Solomons Islands. I consider some of the outcomes of these processes for New Georgian (Western Solomons) notions of nationhood. I discuss the question of Western sentiments towards the Papua New Guinea island of Bougainville, but focus primarily on New Georgian ambivalence towards union with other parts of the Solomons, particularly Malaita Province.     

The Visual Inheritance: Collections of Historical Photographs from Papua New Guinea

Knowledge about historical photographic collections of Papua New Guinea (PNG) is limited both in source communities and amongst scholars. This article aims to shed light on significant collections of PNG photographs, describing some of the collections, and pointing to their importance at both ends of the ‘exchange’. I discuss some limitations in present uses of these visual records and point to the need for repatriation initiatives. The poor knowledge of extant photographic collections among today’s Papua New Guineans is described, and I raise some thoughts about what this signals to archives and researchers. As examples, special mention is given to the collections of photographers Albert English, William Saville, Rudolf Pöch and Captain F.R. Barton. Finally, I comment on current challenges and future opportunities for the keepers of these historical collections. A list of the collections mentioned in the article can be found at the end.     

Images of Uncertainty: some thoughts on the meaning of form in in the art of Late Antiquity

Abstract

My concern is with the change in style in the visual arts which occurred with the emergence of Late Antiquity. The discussion is intended to fall into three parts; in the first part I review how art historians have approached Late Antique art and examine some of the theoretical positions that have arisen through attempts to explain style in art; in the second part I shall endeavour to formulate my own theoretical explanation and I shall go on, in the third part, using some examples, to consider how this theoretical formulation is particularly valuable in the analysis of the art of the Late Antique period.     

Sources of archaeological dacite in northern New Mexico

For years archaeologists in New Mexico, particularly in the northern Rio Grande region have noticed a very fine-grained what appeared to be mafic or basalt raw material source in late Paleoindian and Archaic contexts in northern New Mexico and southern Colorado. Indeed, a number of Folsom, Cody, Plainview, and Archaic bifaces are produced from this material. It appeared that there were at least two possible very fine-grained volcanics that could be the sources for these raw materials – San Antonio Mountain in far northern New Mexico, in the Taos Plateau Volcanic Field, and Cerros del Rio, on the east side of Bandelier National Monument right above the Rio Grande. After reconnaissance collections at the two probable sources, the short story is that the vast majority of “basalt” artifacts were indeed produced from one of these sources, but they are petrologically dacite and silicic volcanic rocks. An additional dacite source, called here the “Newman Dome”, also in the Taos Plateau Volcanic Field was discovered in the 1980s, but remained mainly discussed in the gray literature by CRM archaeologists. Examination of various Paleoindian and Archaic collections from the northern and middle Rio Grande indicates a strong preference for this silicic rock for the production of chipped stone tools, and in concert with obsidian source provenance studies has increased our ability to reconstruct procurement and range in these preceramic periods. These high-alkali dacite sources are easily discriminated with their trace element compositions, and based on this study, procurement seems to be dominantly restricted to these three sources in the region. Here I discuss the petrology, geochemistry, and some of the archaeological issues of these sources and their utility in the Southwest archaeological endeavor in an effort to bring these important prehistoric raw materials into the published realm.     

The Systematisation of Tradition: Maori Culture as a Strategic Resource

In this article I discuss the systematisation of Maori tradition in New Zealand during the 1970s and 1980s. More particularly, my focus is on the politicisation and rationalisation of Maori tradition within the New Zealand state, these processes occurring partly in response to calls by Maori leaders for a dismantling of colonial and monocultural structures in New Zealand and reactive objectifications of Maori tradition which challenged the legitimacy of the post-colonial state administration. I begin with a consideration of the main objectives towards which the systematisation of tradition has been directed over the past two decades, and I examine the way in which priorities have shifted in response to reactive politicisations of ethnic identity. I then draw upon a number of specific examples to illustrate the ethnicisation and rationalisation of Maori tradition as aspects of the systematisation process within the New Zealand state.     

Neither ‘New Melanesian History’ nor ‘New Melanesian Ethnography’: Recovering Emplaced Matrilineages in Southeast Solomon Islands

ABSTRACT For two decades, Melanesianists have sought to reconcile what Robert Foster (1995) termed the ‘New Melanesian History’ and the ‘New Melanesian Ethnography’. The former describes historically oriented studies that critique representations of Melanesian custom as recent objectifications of strategically positioned discourses and practices. The latter describes culturally oriented, particularist studies that characterize Melanesian sociality as an undifferentiated plane of being without integral a priori units; on every scale, human agency must individuate persons and collectivities by means of ‘fraction’, ‘de‐conception’, and ‘decomposition’. In this article I present data from Solomon Islands that resist analysis in terms of an unqualified both/and synthesis of these orientations. Specifically, I argue that articulations of matrilineal connections to land among the Arosi of Makira are neither merely postcolonial reifications of custom nor historically conditioned ‘depluralizations’ from an always pre‐constituted social pleroma. Through historically situated case studies, I show how Arosi land disputes both reproduce and revalue matrilineally defined categories, each understood as the humanized continuation of an autonomous primordial essence. Recognition of the continuing importance of these categories among Arosi highlights what the New Melanesian Ethnography has obscured: that some Melanesians confront a historically transforming problem of how pre‐existent parts fit together to make up social totalities.     

考？古？

每一个学科能够独立于学科之林都有其存在的理由。学科的意义从某种意义上说或许是一个空泛的概念,但它会作为一个疑问随着学习的深入会轮回地出现。因此,本文试图从考古学与人类学及历史学的关系入手,追溯三门学科的历史并进行简要对比,从而对考古学的现实意义（特别是由“关系”而产生的各种意义）获得某一层面的认识。并希望通过这样的思考。而更加清醒地认识考古学的研究对象和研究方法。     

The Panstereorama: City Models in the Balloon Era

The nineteenth-century ‘panstereorama’ was an urban relief model placed on display as a public spectacle. In this article, I consider first two affiliated forms that help to explain the genre, namely panorama paintings and plans-reliefs. I then go on to consider urban regional practices of city modelling in London and Paris before examining in detail panstereoramas representing Paris and New York. It is argued that this form of model urban cartography served as proxy for the view obtained from the increasingly popular balloon trip and that it accordingly provided virtual travel to, and a map of, the cities depicted.     

Living with Heritage: The Potentials of and Pressures on the Heritage Landscape of Gwollu,Upper West Region,Ghana

Abstract

The impact of development has been identified as one of the most pressing concerns in heritage management in Africa. At the same time, heritage has also been recognized as having the potential to bring tourists, and thus growth, to local economies. Communities that wish to benefit from the latter have to balance developmental pressures against the preservation of heritage, and various sectors of the community may view these priorities differently. In this paper, I discuss some of the potentials of, and pressures on, the heritage landscape of Gwollu, a town in Ghana's Upper West Region. I use Gwollu's brickmakers as a case study to illustrate the small-scale everyday development that can have a lasting impact on a town's heritage resources, and how internal divisions within communities may affect the heritage tourism process.     

Memory Work,Geography and Environmental Studies: Some Suggestions for Teaching and Research

In geography and environmental studies, the subjective and objective are often pitted one against the other, and we are often required to divorce the personal and anecdotal from our formal production of knowledge. I question the sense of this practice. First, I examine a method of self-exploration, known as memory work. I then describe how this method can be used in teaching and research to help us explore how we make and give meaning to place. Beyond these concerns, I also discuss some of the links between memory work and the conception of subjectivity and place in geography and environmental studies. Finally, I comment on how both memory and the language in which we couch our experiences are central concerns for geographers and environmental scholars wishing to effect social change.     

Style and self‐making: String bag production in the Papua New Guinea Highlands

The looped netbag or bilum is one the most culturally significant of everyday objects in Papua New Guinea (PNG). Made exclusively by women, bilum are also iconic of female productive and reproductive labour. In this article, I analyze how growing social stratification is expressed through the types of bilums young women produce and wear. I argue that the choices that young women make about what kinds of designs, shapes, colours, and fashions to incorporate into their bilums can tell us a great deal about their desires, experiences, and imaginings. While previous analyses have focused on the bilum as an ambiguously gendered object expressing complex ideas about sexual difference, I argue that bilum style increasingly indexes complex ideas about geography and social location, materializing contemporary Papua New Guinean ‘imaginaries’ of space.     

Transformations of cultural heritage in Melanesia: from kastam to kalsa

In this article, I look at the reverberations of the global discourse about heritage at the margins of the global system in the Pacific. To this end, I analyse the development of indigenous concepts of cultural heritage on Baluan Island, in Manus Province, Papua New Guinea. I discuss how over the past 50?years two different heritage concepts have developed on the island, which have been used to reflect upon and direct cultural and social change. Further I show how the genesis and transformation of this local discourse about heritage is driven by local concerns and politics, as well as national and international developments.     

7. TOWARD A GENEALOGY OF THE RESEARCHER AS SUBJECT IN POST/DECOLONIAL PACIFIC HISTORIES

Recent discussion has drawn out some important differences between postcolonial and decolonial theories. The former are associated primarily with the work of South Asian scholars working in cultural, literary, or historical studies; decolonial scholarship, by contrast, is located in Latin America and has emerged from sociological critiques of dependency theory. Shifting the locus of debate to the Pacific centers another subject in globalizing critiques of colonialism: the historian in indigenous communities. In this article, I examine how the role of the researcher is conceptualized in Linda Tuhiwai Smith's landmark work Decolonizing Methodologies: Research and Indigenous Peoples (1999). Revealing tensions between objectivity and intersubjectivity, on the one hand, and between essentialist identity and hybridity, on the other, I ask why Smith's book hinges on dichotomizing nonindigenous and indigenous researchers, who are by turn enabled or constrained in a colonial present. I situate this late twentieth-century subject in a genealogy of indigenous engagement with history and anthropology in New Zealand and contemporary problems of historical justice.     

Evaluating the Effectiveness of Nonprofit Fundraising

In this article, I apply and discuss two alterative approaches for evaluating nonprofit fundraising practices. First, I introduce simple financial ratios, using a sample of New York state social welfare nonprofits. Then, I construct Adjusted Performance Measures, which attempt to neutralize the uncontrollable outside forces that nonprofits face in their fundraising. I compare the two types of measures statistically, and examine their respective strengths and weaknesses.