魔法火山旅馆

有周游世界梦想的人,除了想住遍豪华酒店外,更希望新奇特的居住体验能给旅途带来惊喜。在智利,就有一间这样的旅馆,能满足猎奇者的需求,因为它是一家伪装成火山的旅馆——“梦妮坦魔法旅馆”,全球别无分号。     

MEANING OF THE SOUND: MAGIC AND SUFI MYSTICISM IN THE PHONIC STRUCTURE OF THE MALAY CHARM AND CHANT

The poetics of oral Malay charms (incantations) is based on lexical repetitions and parallelisms intended to enhance their magic power. These poetical devices, in their turn, bring forth phonic repetitions of different kinds (alliterations, assonances, etc.), which make possible an increase in information conveyed by the incantation without diminishing its magical efficacy. One of the forms of such repetitions is the anagram, i.e. a device based on the division of the word-theme, for instance the name of the spirit invoked, into individual sounds or syllables and their reiteration in other words of the text. The article discusses the structure and meaning of anagrammatic sound organisation, its origin from the magic notion of the equivalency between the whole and its part, as well as the use of poetical devices of oral literature, and of the anagram in particular, in written Sufi works (Hikayat Si Burung Pingai, verses by Abd al-Jamal and Syair Perahu) which resort to the archaic poetics of the charm and chant, although reconsidering them from the new perspective.     

魔法生日会

当小小的Elia抬起头,用他那双浅褐色的眼睛渴望地看着我,遨我去他生日会的时候,他那一头反射着冬末微弱阳光的暗黄色卷发,在微风里飘扬。尽管我那天本有计划,但面对这样一个天使的邀约,有谁能忍心说“不”呢？     

神奇的镜泊湖 让人叫绝的冰瀑悬崖跳水

<正>吉尼斯纪录者狄焕然挑战冰川悬崖跳水说起到镜泊湖旅游,吊水楼瀑布那是必须去的一个景点。而到吊水楼看瀑布,最大的亮点就是看东北汉子狄焕然在悬崖瀑布的跳水表演。2008年的秋天,我第一次来镜泊湖观赏狄焕然的悬崖瀑布跳水表演,便被这位东北汉子的勇气所感动了,后来又多停留了一天,再次欣赏了他在滚滚瀑布间飞身一跃的雄姿。值得一提的是,在我离开的第二天,狄焕然在央视《综艺大观》节目的见证下,通过吉尼斯世界纪录,成为世界悬崖跳水     

THE TIME OF THE SELF AND THE TIME OF THE OTHER

What is time? This essay offers an attempt to think again about this oldest of philosophical questions by engaging David Hoy's recent book, The Time of Our Lives: A Critical History of Temporality, which proposes a “history of time‐consciousness” in twentieth‐century European philosophy. Hoy's book traces the turn‐of‐the‐century debate between Husserl and Bergson about the different senses of time across the various configurations of hermeneutics, deconstruction, poststructuralism, and feminist theory. For him, what is at stake in such a project is to distinguish between the scientific‐objective “time of the universe” and the phenomenology of human temporality, “the time of our lives.” Hoy's approach is to organize his book around the three tenses of time—past/present/future—and to view objective‐scientific time as derived from the more primordial forms of temporalizing lived experience that occur in our interpretation of time. In my reading of Hoy's work, I attempt to explore how “time” (lived, experiential, phenomenological) can be read not in terms of “consciousness” (Hoy's thematic), but in terms of the self's relationship with an Other. That is, my aim is less to establish a continental tradition about time‐consciousness, understood through the methods of genealogy, phenomenology, or critical theory, than it is to situate the problem of time in terms of an ethics of the Other. In simple terms, I read Hoy's project as too bound up with an egological interpretation of consciousness. By reflecting on time through the relationship to the Other rather than as a mode of the self's own “time‐consciousness,” I attempt to think through the ethical consequences for understanding temporality and its connection to justice.     

尼罗河畔文明物语

<正>尼罗河是埃及的母亲河,准确说更是生命线,一条郁郁葱葱的绿色生命线,置于茫茫的沙漠之中。埃及90%的人口,生活在这全国1/30国土的尼罗河畔。这条河见证了埃及古老文明的形成和兴旺,主导了两岸生灵的繁荣与衰落。跟随这条河,人们在历史的时空穿梭,跨过河上河下,遍看古代现代,游走神庙田舍,拥抱沙漠绿洲。我们在阿斯旺下火车,行李直接就送到斯蒂芬妮游轮了,我们要在尼罗河上航行三日,这是期盼许久的心念。有多久呢?算起来有40年了。自从1978年电影《尼罗河上的惨案》     

THE BOXER ON THE ROOF OF THE WORLD

正Though the Tibet boxing team might be rarely heard of,Sonam Norbu,a national master sportsman from the first Tibet boxing team with a weight of 52 kilograms,has won a gold medal for the 2011 National Youth Fight,a bronze medal for the 2012 National Championship,and another bronze medal for the 2013 National Championship.The Tibet boxing team is still young today.Asked why he chose to be a boxer,     

燕山—长城南北地区史前文化的适应变迁

目次一生态交错带适应的一般模式二史前文化适应方式的转换三环境格局的变化与适应变迁四结语燕山-长城南北地区是考古学研究上有特殊意义的地区。其地处蒙古高原到华北平原、东北平原的过渡地带,海河流域北部、滦河下游为其南区域,滦河上游、大小凌河、辽河上游地区为其北区域。我国400毫米降水分界线即位于此,也是北方干旱区与半干旱-半湿润区的过渡地带。     

太平洋上的璀璨宝石 瑙鲁

<正>瑙鲁(Nauru)是位于南太平洋密克罗尼西亚群岛的一个岛国,国土面积21.3平方公里,是世界上最小的岛国,也是世界上第三小的国家,人口约9200人,瑙鲁人在这个岛上生活的历史已经有千年之久了。瑙鲁的旅游景点不多,安尼巴惹湾和布阿达湖最为著名。安尼巴惹湾位于瑙鲁岛东部的安尼巴惹区,是瑙鲁的一个大海湾,这里的海滩有瑙鲁最好的沙滩,日平均     

太平洋上的璀璨宝石 瑙鲁

正瑙鲁(Nauru)是位于南太平洋密克罗尼西亚群岛的一个岛国,国土面积21.3平方公里,是世界上最小的岛国,也是世界上第三小的国家,人口约9200人,瑙鲁人在这个岛上生活的历史已经有千年之久了。瑙鲁的旅游景点不多,安尼巴惹湾和布阿达湖最为著名。安尼巴惹湾位于瑙鲁岛东部的安尼巴惹区,是瑙鲁的一个大海湾,这里的海滩有瑙鲁最好的沙滩,日平均     

THE DALAI AND THE WEST

ＴＨＥＤＡＬＡＩＡＮＤＴＨＥＷＥＳＴ￥／／ＡｕｔｈｏｒｉｔａｔｉｖｅｄｏｃｕｍｅｎｔｓｒｅｖｅａｌｔｈａｔｔｈｅＤａｌａｉｆｌｅｄＣｈｉｎｅｓｅｔｅｒｒｉｔｏｒｙｉｎ１９５９ｗｉｔｈｔｈｅａｓｓｉｓｔａｎｃｅｏｆｔｈｅＣＩＡ．ＴｈｅＣＩＡｈａｓｔｒａ...     

THE ANTHROPOCENE AND THE PLANET

Dipesh Chakrabarty's The Climate of History in a Planetary Age is, in three respects, far more than a synthesis of over a decade of pioneering conceptual work aimed at making sense of the Anthropocene/planetary predicament and its implications for historical understanding. First, the book makes visible an intellectual trajectory in which Chakrabarty's conceptual struggles with the Anthropocene gradually move from the centrality of the notion of the Anthropocene toward the centrality of the notion of the planet. Second, it highlights the relational complexities with which one needs to grapple when trying to make sense of the current predicament. Third, and finally, the book showcases a series of often overlapping conceptual distinctions that Chakrabarty has developed while navigating these complexities. Through a discussion of the above key aspects, this review essay highlights the achievements of The Climate of History in a Planetary Age and critically engages with its central themes. In dialogue with the book, it pays special attention to exploring the respective benefits and drawbacks of the notions of the Anthropocene and the planet, and to the character and role of human agency in the Anthropocene/planetary predicament. Finally, the essay concludes with a few thoughts concerning the question of what kind of a reinvention of historical understanding might be triggered, respectively, by the notions of the Anthropocene and the planet.     

要让照相机物尽其用体现价值

由于照相机拥有者的兴趣和爱好不同,它们的用途和价值的体现亦不尽相同,有的把它当玩具,有的把它工具,还有的把它当成收藏品。如果您也拥有照相机,不管把它当成什么,我建议您一定要让它物尽其用,体现价值!