Godot’s Shakespeare

While the connection between Samuel Beckett’s Waiting for Godot and King Lear has become something of a critical commonplace, references to other Shakespeare plays can also be found throughout. This essay traces Godot’s debt to two plays in particular. First it argues how Godot not only draws on Hamlet’s graveyard scene for macabre imagery, but how it also construes an extended meta-theatrical parody of Hamlet’s soliloquies about the contrast between acting and talking/thinking. The second half of the essay proposes a number of connections with The Tempest, and specifically with its “salvage and deformed slave” Caliban. It argues how the figure of Caliban not merely functions as a model for a colonial power-dynamic that can be seen to operate here and elsewhere in Beckett, but how Caliban is equally significant as a lyrical figure whose great speech about sleeping, waking, and dreaming informs Beckett’s play in a number of ways.     

Lulik: Taboo,Animism, or Transgressive Sacred? An Exploration of Identity,Morality, and Power in Timor‐Leste

This article explores the continued significance of lulik for people living in the central highlands of Timor‐Leste today, lulik being a term frequently translated as ‘sacred’. In contrast to the straightforward definition of lulik as the sacred property of religious places or objects set apart from everyday life, it shows that lulik is understood as a potency that animates the environment and that is concentrated in specific sites in the landscape, in ancestral objects and houses. As a vital energy that sustains life, yet that is connected to prohibitions, danger, and restrictions, lulik shares an affinity with similar phenomena found in Melanesia, Polynesia, and Southeast Asia (such as mana, tapu, or semangat). Engaging with recently reinvigorated approaches to animism and Durkheim's notion of the sacred, this article examines how lulik that emerges when distinctions between human and non‐human entities are collapsed. The analysis of how Funar residents maintain a distance from this transgressive force leads to an exploration of how lulik is connected to the constitution of the self, and how lulik is mobilized as a source of power and morality.     

Form,function, fiction – translations of technology and design in product development

This article is a case study of the design and development of a Norwegian crockery series for institutional households – the 1962 Figgjo 3500 Hotel China. It investigates how this product represented a decisive break with the conventions of postwar Norwegian design and manufacture. The onset of international free trade meant export or die for the manufacturing industry. The elitist aestheticism so prevalent in the so‐called Scandinavian Design movement was abandoned in favour of an ideology remarkably akin to what was at the German Ulm School of Design called scientific operationalism. The paper also analyses how the manufacturer sought to portray this product: first, it was inscribed as science incarnated, and the material morality reigned supreme. But as society's faith in science took some serious blows in the course of the 1960s and modernist design idioms were partly forsaken in the 1970s, the engineered tableware became the fashioned tableware as trends tamed technology. These translations of technology, design, identity and consumption tell the story of how an artefact is constantly in a state of transformation – on both sides of the factory gate.     

1968 and its other worlds: Global events and (anti-)state dynamics in France,Mozambique and Vanuatu

ABSTRACT

This article de-centres the moment, event and impact of 1968 and expands it temporally and spatially. Taking a longue durée approach charting a trajectory from the 1960s into the 1980s, we analyse statist and anti-statist dynamics through a comparison of the May 1968 Paris riots with the Nagriamel movement in Vanuatu and the phenomenon of Naparama in Mozambique. Such a horizontal triangulation and spatio-temporal expansion is undertaken to contribute to a more global understanding of what we term ‘the 1968 event’ entails. However, this comparative analysis also underlines how its impact should be measured as, first, an experimentation with and attack on political reality, second, how the intricate connections between Euro-American and other worlds were integral to its articulation and, third, how paradoxically 1968 and its response spawned the rise of an authoritarian form of nation-state – eclipsing the openings in the firmament of the political, social and the real afforded by the original event.     

‘PastPort’: Reflections on the Design of a Mobile App for Citizen Heritage in Port Melbourne

This article reports the authors’ design and evaluation of a web-based app called PastPort for the locality of Port Melbourne. Created through an interdisciplinary collaboration between architectural history, planning, cultural heritage and human–computer interaction, PastPort allows local citizens and history groups to post and share historic materials, and is designed to be used by residents and visitors in situ as a mobile guide. We reflect on our design of PastPort, together with evidence from a study of early users, to explore how digital heritage tools quickly become inscribed with historiographic tendencies for how the past might be constructed, communicated and experienced.     

Charles Gleyre's ‘Les Romains’: Classics and nationalism in Swiss art

This article looks at an example of how classical antiquity was used by a nineteenth‐century Swiss painter and explores the national dimension of one of his works. Through an examination of the painting, Les Romains passant sous le joug, its Swiss artist Charles Gleyre and his commission from the canton of Vaud, it will elaborate an example of how a classical legend was transformed in an artistic representation of the nation.     

Access culture: Web 2.0 and cultural participation

This article applies aspects of Jürgen Habermas, Manuel Castells and Lawrence Lessig’s theories to demonstrate how digital communication and new media platforms enhance cultural participation as well as how cultural policy affects the cultural behaviour of users who produce and are consumers in a digital convergence culture. The digital platforms and new media used in the analysis include an open source animated short film, Elephants Dream, the social networking sites YouTube and MySpace, and the BBC’s Creative Archive. The aim of this article is to study how cultural policy makers can learn from these examples and how they can make use of the participatory, self‐publishing characteristics of Web 2.0 in order to create accessible digital cultural public spheres.     

Women's Social Networks and Female Friendship in the Ancient Greek City

This paper explores how women used their social networks within the ancient Greek urban environment in two spheres: first with regard to their civic engagement, and second with regard to their social relationships. By examining the types of social networks in which women were involved, how they were used and their impact on social relations, it argues that historians should broaden their conception of women's contribution to the Greek civic environment. Such an approach shows how women negotiated social and economic status within the polis community, how they used their social capital as a resource for social and civic engagement and sheds light on their personal relationships. These relationships not only enhanced women's well‐being and allowed them to determine their own roles in community life, but also formed the basis of their engagement with the polis. Considering the social networks to which women belonged, and the differing types of social capital embedded in them, further enables an examination of female friendship. Recognising the contribution of women to the polis community is necessary in order to understand the wider social and civic relationships within the ancient city.     

Cuban Miami on the Air: Narratives of Cubanía

Radio has been a fundamental aspect of Cuban culture on and off the island since the first broadcast in Havana in 1922. When Cubans fled the island after the revolution of 1959 for the USA, particularly Miami, radio quickly became a vital medium for navigating a new country and for consolidating a Cuban exile identity. Politically, radio in Miami has been an effective means for articulating hardline exile politics. But with generational turnover and increasingly moderate stances on Cuba by more recent arrivals and US-born Cuban Americans, how is radio changing? How are narratives of what constitutes cubanía – Cubanness – shifting in an increasingly diverse Cuban Miami? This article takes up these questions through an examination of an immensely popular morning program that aired in 2009 in southern Florida called the Enrique y Joe Show. I examine how the Enrique y Joe Show, produced and performed by US-born Cuban Americans, utilized a form of irreverent Cuban humor called choteo to represent and satirize the hardline Cuban exile politics that have been dominant on Miami's radio waves for decades. Ultimately, their performances deploy choteo to articulate Cuban American identity divorced from a particular political orthodoxy. The coda reflects on changes in Miami's radio landscape since 2009.     

Playing with Infrastructure like a Carishina: Feminist Cycling in an Era of Democratic Politics

This article discusses transit infrastructure as a site of radical possibility and limitation in an age of participatory democracy across Latin America. I focus on multiple spaces of participation in Quito, Ecuador to elucidate how citizenship and infrastructure are co‐produced through gendered processes. I first analyse city space of Quito from a gendered and infrastructural lens to consider how urban environments are dictated by violence and insecurity. Then, against this backdrop, I explore the spatial strategies of the feminist bicycle collective, Carishina en Bici, which translates from Quechua to “bad housewives that cycle”. Here, I draw on the concept of “deep play” to reveal how public practices in Quito question the equitable impacts of local democratic experimentation. To examine Carishinas’ spatial practices, I focus on an urban alleycat race, the Carishina Race, to show how strategic practices of solidarity reinsert feminist possibilities in urban space.     

Robert Weston,Medical consulting by letter in France, 1665-1789

This review investigates Robert Weston’'s Medical Consulting by Letter in France, 1665–1789. Weston uses correspondence between physicians and patients to explore perceptions of health and methods of treatments in early modern France. He also approaches the theme of how authority was expressed and perceived in epistolary communication. This book is important in its exploration of an underutilized source and its contribution to an understanding of how medical relationships were constructed in the past. With a rigorous structure and a high volume of information, Weston’'s work is an invaluable contribution to historical literature on early modern France.     

Recognizing and undisciplining feminist geography in the Caribbean

Abstract

The aim of this piece is to provide an overview of the state of feminist geography in the Anglo-Caribbean. In doing so via the metaphor of a gayap, we provide a précis of work that has been completed by feminist geographers across the region; offer an analysis of the historical, structural, and institutional obstacles of why it is not more robust; and propose that it can be seen across the region via an undisciplined and anti-orthodox standpoint. In addition, we review how Caribbean feminist scholarship and praxis contributes to feminist geographies through analyses of how people in the region, particularly women, are contesting, negotiating, disrupting, and responding to prevailing heteropatriarchal ideologies across differing social contexts and political arrangements within the Caribbean.     

Unpicking Sri Lankan ‘island-ness’ in Romesh Gunesekera's Reef

Through a close reading of the Anglo–Sri Lankan author Romesh Gunesekera's 1994 novel Reef, this paper interrogates the misplaced concrete-ness regarding Sri Lanka's status as archetypal ‘island-state’. I show how Reef maps an imaginative geography which both naturalizes and problematizes Sri Lankan ‘island-ness’. Through the memory of the novel's main protagonist the author's exploration of modernity fixes geographical knowledge of Sri Lanka. ‘Island-ness’ emerges as a rationalization of modernity, one with its roots in Sri Lanka's colonial experience which the author then unpicks as he proceeds to explore the limits of modernity. I suggest that Reef demonstrates how island-ness is an inescapable yet problematic dimension of contemporary Sri Lankan geography. This is an ambivalent contradiction that fuels a civil war in Sri Lanka which relentlessly and sanguinely contests the integrity of Sri Lankan island-ness. The paper emphasizes how Romesh Gunesekera's hybrid position, as an author born in Sri Lanka and now writing from England, constitutes a post-colonial intervention which allows us to ask new questions about Sri Lanka's ‘natural’ insularity. 2003 Elsevier Ltd. All rights reserved.     

We don’t know that we don’t know what a body can do … , or Spinoza and some social lives of sonic material

ABSTRACT

This essay is about how artists, listeners and critics claim to hear life in a sound and how this suggestive, but hazily defined, provocation connects vast cultural circuits of production, technology and capital. I argue that claims to life in a sound also belie an anachronistic return to an early modern understanding of sound as particulate matter and suggest a technoscientific discourse in which sound and data are described in terms of one another. With a close engagement with microsounds – from Gilles Deleuze to computer music specialist Curtis Roads – this essay queries what sonic particulates are presumed to be when they are mapped onto Spinoza’s corpora simplicissima but processed through analogy synthesis or digital tools. In part, this essay tries to speak to a persistent separation of sonic materiality and auditory culture, in music and sound studies in which life in a sound cannot be thought apart from how life is subject to different kinds of extractions. With a return to Spinoza’s physics, this essay also retakes the often sloganized “no one knows what a body can do” to emphasize an ethical recomposition of the text in which to “know” must be as open-ended as “body” is typically emphasized to be.     

Bonsai of the consanguinities: cultivation and control of incest regulation in the works of Bonizo of Sutri

This paper examines the particular ways in which reformer and bishop Bonizo of Sutri's (c.1045–c.1094) treatment of degrees of consanguinity in both his Liber de Vita Christiana and De arbore parentele modified, reframed, and cut authorities on consanguinity and introduced an explicit power of episcopal dispensation to guide the application of these limitations. In this task, Bonizo's treatment reveals that the central problem in consanguinity rules was knowledge: knowledge of the grades, knowledge of how to match real kinship lines to theoretical structures, and how to cope with the ignorance of consanguinity. The following therein offers a specific case study of efforts to implement reformed ideas of consanguinity rules in a pastoral context.     

IDENTIFYING OPTIMAL SECTOR GROUPINGS WITH THE HYPOTHETICAL EXTRACTION METHOD*

ABSTRACT We formulate the problems of finding a key sector and a key group of sectors in the economy by the hypothetical extraction method (HEM), and derive their analytic solutions that are termed industries’ factor worths. It is shown that the key group of k ≥ 2 sectors is, in general, different from the set of top k industries selected on the basis of the key sector problem, the issue which is totally ignored in the input–output (IO) linkage literature. Further, the related problems of finding a key region and a key group of regions in an interregional IO setting are discussed. We also examine how a change in an input coefficient affects the factor worth of an industry. The key group problem is applied to the Australian economy for factors of water use, CO₂ emissions, and generation of profits and wages.     

The Lore of Liu An and the Authorship of the Huainanzi

This article provides an alternative approach to the issue of the Huainanzi's authorship by exploring how it was related to the Liu An lore emphasizing him as a talented writer. Beginning with a redefinition of the concept of the author in early Chinese literature, the article first examines how Liu An as the author of the Huainanzi functions as the key to our understanding of the text in previous scholarship. The article then moves to investigate the materials relied upon by previous scholarship in defining Liu An as the author of the Huainanzi. The investigation reveals the conflicting messages in different sources regarding when and how Liu An was hailed as a talented writer, what the neipian would likely be, and whether or not Liu An presented the Huainanzi to the Han court. Finally, this article examines the formation of the Liu An lore, in which he is portrayed as a prolific writer especially associated with esoteric writings of the time, and argues that it is this Liu An lore that has defined the Huainanzi's authorship.     

Context and Interpretation: An Archaeology of Cultural Production

This paper examines the construction of modern-world contexts in historical archaeology. To help draw out and understand the social and cultural contexts of capitalism, colonialism, and modernity, and how they may be materially understood, an explanation of the German history of everyday life school (Alltagsgeschichte) is presented. In this approach, the objects of historical study become the everyday cultural interpretations of past people and how these interpretations actively produced and reproduced cultures. This approach is illustrated by a landscape archaeology of the Bordley–Randall site in Annapolis, Maryland.