Cering Denzhol:Archive Worker

ＣｅｒｉｎｇＤｅｎｚｈｏｌ：ＡｒｃｈｉｖｅＷｏｒｋｅｒ￥ＪＡＭＢＡＣＥＣＥＮＩｎ１９８２,ｗｈｅｎＣｅｒｉｎｇＤｅｎｚｈｏｌｗａｓｔｒａｎｓｆｅｒｒｅｄｔｏｗｏｒｋｆｏｒｔｈｅＳｉｃｈｕａｎＧａｒｚｅＡｒｃｈｉｖｅｓ,ｈｅｗａｓａｍａｎｗｈｏｄｉｄｎ...     

A Visit To Qunpei Cering

ＡＶｉｓｉｔＴｏＱｕｎｐｅｉＣｅｒｉｎｇ￥／／ＷＡＮＧＨＵＩＭＩＮＧＩｈａｖｅａｌｗａｙｓｂｅｅｎａｍａｚｅｄｂｙｔｈｅａｒｃｈｉｔｅｃｔｕｒａｌｅｘｑｕｉｓｉｔｅｎｅｓｓｏｆｔｈｅＲｉｎｂｕｎｇＨｏｔｅｌ,ｗｈｉｃｈｉｍｐｒｅｓｓｅｓｗｉｔｈｉｔｓ...     

Cering Zholgar and Her Pamdo Hotel

LadmirethePamdoHotel,aSinoGermanyjointventure,andlovetostaytherewheneverIgotoLhasa.Involvingcomparativelysmallinvestment,thehotelissimplyfurnished.However,itdoesagoodbusiness,attractinglotsoftourists,Chineseandforeign.Thoughthishasmuchtodowiththecuriosityofthevisitors,thereisonepointthathastobeadmittedfitsChinesegeneralmanagerCeringZholgaralwaysbearsasmiletypicalofTibetanwomen.DAUGHTEROFTWOFATHERS.Intheearly1950s,MaYongfu,aPLAofficerfromBeijing,fellinlovewithaTibetangirlnamedZh…     

Zhaxi Cering: Master Fresco Painter

ＺｈａｘｉＣｅｒｉｎｇ：ＭａｓｔｅｒＦｒｅｓｃｏＰａｉｎｔｅｒ￥ｂｙＺｈａｎｇＤａｎａｎｄＤｏｑｕｎｇＺｈａｘｉＣｅｒｉｎｇ７４,ｉｓａｗｅｌｌｋｎｏｗｎｆｒｅｓｃｏｐａｉｎｔｅｒＷｈｏｗｅａｒｓａｆｅｌｔｈａｔａｎｄａｐｕｒｐｌｅＴｉｂｅｔａｎｒｏ...     

Zhaxi Cering:First-Generation Tibetan Pilot

ＺｈａｘｉＣｅｒｉｎｇ：ＦｉｒｓｔＧｅｎｅｒａｔｉｏｎＴｉｂｅｔａｎＰｉｌｏｔＤＡＩＮＢＡＬＨＡＭＯＡｂｏｙｗａｓｂｏｒｎｉｎｔｏａｐｏｏｒｐｅａｓａｎｔｆａｍｉｌｙｉｎＧａｒｚｅＣｏｕｎｔｙ,ＳｉｃｈｕａｎＰｒｏｖｉｎｃｅ,ｉｎ１９５４．Ｗａｔ...     

The Painting Career of Xawu Cering

ＴｈｅＰａｉｎｔｉｎｇＣａｒｅｅｒｏｆＸａｗｕＣｅｒｉｎｇ￥ｂｙＺｈａｏＱｉｎｇｙａｎｇａｎｄＧｕａｎＱｕｅｊｉｅＷｕｔｕｎｉｓａｓｍａｌｌＴｉｂｅｔａｎｖｉｌｌａｇｅｏｎｔｈｅｂａｎｋｏｆｔｈｅａｚｕｒｅＬｏｎｇｗｕＲｉｖｅｒｗｈｉｃｈｗｉｎｄｓｔ...     

TIBETANS ON CHANGES IN TIBET (III):Life Story of Noble Official Tinyung Cering Dorje

My name is Tinyung Cer-ing Dorje and I am 76this year. My home is inTinyung Courtyard out-side the wall of Xoi Vil-lage and the name of the house followsour family name.My grandfather's name was NamgyiDorje and he was a Tibetan governmentofficial. One of his daughters was mymother. My father. Cering Tagyi, held thepost of commander of the No.7 Regimentof Tibetan Army. The house was built upin my grandfather's time and its construc-tion area is some 460 squaremeters.At the age of 16,Ien…     

The failure of Asian American representation in All-American Girl and The Cho Show

This article examines Korean American comedian Margaret Cho's attempts to represent Asian American identity as the star of two television sitcoms, All-American Girl (1994) and The Cho Show (2008). It begins with All-American Girl, showing how its contradictions around race, ethnicity and gender demonstrate the ideological boundaries of the network sitcom genre. It then looks at how the post-network ‘celebreality’ sitcom, The Cho Show, reproduces the assimilationist identity politics promulgated in All-American Girl even as it purports to critique them. The commercial failure of these shows is traced ultimately to the broader institutionalised racism and sexism of the US entertainment industry, its perpetuation of the neoliberal ideology of the American Dream and the internationalisation of that ideology by social minorities.     

汉代中国经济、社会和国家权力--评许倬云的《汉代农业:早期中国农业经济的形成》

许倬云所看的《汉代农业：早期中国农业经济的形成》是美国西雅图华盛顿大学”汉代研究丛书”之一种。该著作不仅为西方读者考察和介绍了关于汉代农业的重要史料,而且还进一步诠释了古代中国农业经济、社会和国家发展的历史。但是,受魏特夫“亚细亚型社会”和“东方专制主义”观点的影响,作者在运用相关考察汉代农业经济时,却忽略了对传统史料的考证和诠释。这种倾向,导致了作者在论述水利工程、人口增长、佃农人数、国家权力和田租数量等影响农业经济发展的要素时,忽略或误读了传统史料所表达的基本信息。同样,作者对汉代地主阶级势力所作出的过低的估计也存在着相当问题。实际上,整个汉代,地主阶级的发展是极为活跃的：西汉后期,地主豪强兼并土地已愈演愈烈;迨至东汉,随着田庄的兴起,汉朝统一的根基不断被腐蚀,最后终于瓦解了汉王朝的统治。