Staging Japan: The Takarazuka Revue and Cultural Nationalism in the 1950s–60s

In the 1950s and 1960s, the modern Japanese state employed overseas cultural promotion as a way to maximise its interests and image not only in international contexts but also at home. By juxtaposing the Takarazuka Revue’s performances in the United States and Japan during the postwar period, this paper argues that the overseas promotion of this Japanese theatre troupe both depended upon and reinforced the Japanese populace’s nationalistic pride in its culture. The paper also addresses the ways in which the Japanese government used Takarazuka’s theatrical presentations as a means of pursuing its domestic and diplomatic agendas: improving Japan’s international position by proposing shared aspects of popular culture with the US and increasing its sense of nationalism by propagating cultural pride. In doing so, the paper explicates the ways in which Japanese popular cultural considerations interfaced with political concerns in the shaping of postwar Japan’s national identity.     

Cultural attraction, ‘soft power’ and proximity: the popularity of Japanese language in Hong Kong since the 1980s

This paper discusses the cultural attraction, ‘soft power’, and importance of cultural proximity to the popularity of the Japanese language in Hong Kong over the last three decades. Exploration of both primary and secondary sources constitutes the main research methodology employed. Email surveys and face-to-face interviews were undertaken to ascertain the nature and degree of the cultural attraction that stimulates local people's interest in learning Japanese language and culture. The paper concludes that Japan's ‘soft power’, i.e., popular culture and cultural products, are the most influential driving forces behind the popularity of Japanese language in Hong Kong. Also, the Japanese cultural proximity to the Chinese is another factor that excites local people's interest in learning Japanese as a foreign language. In the Hong Kong context, geopolitical and national identity factors do not seem to detract from the popularity of the Japanese language.     

The beach at the end of the world: Eilat in Israeli popular culture

Located on the southernmost tip of Israel, at the meeting point of the Negev desert and the Red Sea, Eilat was occupied in March 1949 in the last military operation of Israel's War of Independence. Notwithstanding official notions of Eilat as a strategic asset and efforts to sustain Israeli presence there in the form of a permanent settlement, in Israeli popular culture Eilat, which later evolved into a thriving tourist resort, has had from the outset the reputation of being ‘different, special, distinct’. This article explores the unique position of Eilat in Israeli popular culture. The underlying argument is that this unique position of Eilat both evinced and reflected a dynamic interplay of liminal conditions and phenomena that rendered Eilat an exceptional experience. Furthermore, being situated at the southernmost tip of Israel, the location of Eilat at the geographical margin of Israel was productive of its image as an extraordinary place and sustained its prominence in popular imagination. The article charts and analyses a variety of liminal phenomena in their social and cultural contexts in different periods of Eilat's history.     

Culture for competitiveness: valuing diversity in EU-Europe and the ‘creative city’ of Berlin

The European Union (EU) has in recent years propagated an approach to ‘culture’ that pulls together support for the creative and cultural industries with diversity-sensitive immigration and integration strategies, drawing on popular policy visions of the ‘creative’ and ‘intercultural’ city. This approach emphasizes the role that the diversity of culture, as personal resource, can play in enhancing economic competitiveness. The article examines its logic and possible effects through an analysis of EU documents and policy in Berlin. Berlin intersects with the EU’s agenda, using EU structural funds and participating in the European program ‘Intercultural Cities’. It is shown that the attempt to use ‘culture for competitiveness’ equates support-worthy ‘diversity’ with forms of culture that conform to (neo)liberal values and priorities. The attempt to shape a cosmopolitan place attractive for investment and the high-skilled feeds into gentrification processes that create ‘diverse’ neighborhoods where ‘difference’ has no place.     

Film policy in Japan – an isolated species on the verge of extinction?

This article examines changes of the place that film has occupied in the public policy of the Japanese government, including not only cultural policy per se, but also industrial and economic policy. After describing some of the distinctive features of the Japanese film market, this paper discusses the inadequate basis of the government’s cultural policy for film. Film in recent years has received some attention as an industry with export potential, particularly with the rise of ‘Cool Japan’, the policy of promoting Japanese culture abroad as a tool for economic and diplomatic aims. In the chequered history of economic growth strategies and nation branding of recent years, the film industry has had some good news but received no serious attention either as a sector with economic significance or as a form of national culture.     

从贞惠、贞孝公主墓志看中日文化的碰撞与交融

贞惠、贞孝两位公主《墓志》铭文中所反映出来的汉文化底蕴,自该两墓碑出土以来就受到学界的重视。本文对照被涉及汉文典籍,详细解读了两位公主《墓志》的文本。在此基础上,对照在时代上相距不远的其他墓志文本,得出了两位公主《墓志》的文本风格并非唐代通行《墓志》风格,而是更接近当时少数民族地方政权乃至日本《墓志》风格的结论。从这一点出发,本文展示了对这种文化碰撞与交融现象的四点思考:时尚追逐的滞后性;文化轻视现象推动的模仿者之间的文化互动;对先进文化追慕过程中的身份迷失;文化渗透压对政治经济交流的巨大影响等。并认为,这是中日文化碰撞与交融中出现的一种奇特文化现象。     

Global Media Cities in a World-wide Urban Network

This article examines the link between cities and culture from the point of view of the production of cultural goods, including media products. It focuses on the institutional structure of present-day cultural production and the media industry and on their geographical organization at the local and global levels. The cultural economy is a prime mover for globalization processes in the urban system, in which cultural production clusters act as local nodes in the global networks of the large media groups. The models frequently used to analyse the global city system will be supplemented and partially modified by an empirical analysis of the 'world media cities'. The analysis of the world media cities enables those locations to be identified, from which globalization in the spheres of culture and the media proceeds and is 'produced' in practical terms. Global city research has predominantly emphasized the role of advanced producer services—in contrast this article concludes that for the process of globalization the globally operating media firms are at least as influential as the global providers of corporate services, because they create a cultural market space of global dimensions, on the basis of which the specialized global service providers can ensure the practical management of global production and market networks.     

Popular geopolitics of Chinese Nanjing massacre films: a feminist approach

This article attempts to deconstruct the masculinised contract among the war narrative, popular culture, and Chinese nationalism by exploring the roles of women in Nanjing Massacre films with war narratives and Chinese audiences' emotional ‘readings’ of these women. Based on the analysis of City of Life and Death (2009) and The Flowers of War (2011) and audiences' comments on these two films from Douban Movie, this article has mapped a popular geopolitics of these two films through a feminist approach. The main argument of this research points out that, through the production and consumption of these two films, the women of the Nanjing Massacre can be territorialised as Nanjing/China and used to represent China's attitudes towards both the historical and current Sino–Japanese relationship. In this way, the women of these films can be considered an articulation of popular culture and politics, and they are empowered to establish Chinese nationalism and construct anti-Japanese identities in Chinese society. To a wider extent, this article can be read as a contribution to the literature on gender, nationalism and popular geopolitics.     

THE MEANING OF CULTURAL FESTIVALS

Cultural festivals and events are increasingly becoming arenas of discourse enabling people to express their views on wider cultural, social and political issues. Often the debates polarise into those advocating change and those wishing to preserve “traditional” or “local” culture in the face of modernisation and globalisation. This article analyses the discourse on cultural festivals from the perspective of stakeholders involved in traditional and popular culture events in Catalunya. There is generally a high level of agreement about the aims of cultural events and the cultural content that is appropriate for them. In particular, the importance of cultural events in underpinning Catalan identity is seen as being important. However, stakeholders tend to differ more in the meanings attached to concepts such as identity, with policy makers exhibiting a greater emphasis on economic and political issues, whereas cultural producers are more concerned with social aspects of identity. However, the general consensus on the social role of cultural events between the different stakeholders may be one explanation for the relatively vibrant festival culture in Catalunya.     

Envisioning Seoul as a World City: The Cultural Politics of the Hong-dae Cultural District

This article explores how the vision of a world city influences local cultural politics, by looking at an attempt to construct a cultural quarter in Seoul, South Korea. The Hong-dae area of Seoul has a reputation as a vibrant place of urban amenities, emerging cultural forms, and neighbourhoods of cultural workers and artists. In 2003, the city government announced a policy to create a Cultural District in the area. Subsequently, local conflict over defining Hong-dae culture emerged, and the plan was later postponed. This study elucidates how the proposed policy, framed by a vision of Seoul as a world city, led local actors to territorialise, fossilise, ethnicise and capitalise Hong-dae culture. It argues that competition for world city status may politicise and territorialise urban cultural scenes, rather than enhancing the urban amenities of diversity, openness and tolerance.     

Media portrayal of the cultural relationship between Australia and Japan

This article traces Japanese and Australian media portrayals of the cultural aspects to the bilateral relationship. The article examines popular discourse about Japan and Australia in the media of each country, demonstrating how this has reflected the evolution of the cultural relationship. In Australia, the press has swung from portraying Japan as a problematic source of income from the resources trade, through to the home of ‘cool’ technology and fashion. In Japan, discourse about Australia has ranged from images of a country populated with cute animals, to a regional partner sharing the same democratic ideals. The article draws from the personal experiences of the author who was a correspondent and journalist for Australian and Japanese news corporations during the 1980s and 1990s. The author covered the ‘koala wars’ and the frill-necked lizard boom prompted by the Mitsubishi Mirage television commercial, as well as monitoring the growth in Japanese tourism to Australia. The author also draws on data from tracking surveys conducted by the Embassy of Japanese in Australia.     

Malay women as discerning viewers: Asian soap operas,consumer culture and negotiating modernity

This article examines how Malay women in remote Malaysian villages engage with images of transnational modernity shown in popular soap operas imported from other Asian countries. While the government promoted these Asian soap operas at first as appropriate vehicles for the cultural project of modernising the mindsets and attitudes of the masses, authorities have now expressed some discomfort and ambivalence about the excessive representation of consumer culture in these soaps, which they fear will compromise the cultural values of Malay women. However, I argue that Malay women are discerning viewers who are able to critically negotiate the images of consumer culture in these soaps without necessarily ignoring their cultural values or social responsibilities. This debate about whether these soaps broaden the mindsets of Malay women viewers or teach them degenerate values of consumerist culture is part of an ongoing contestation over the cultural ramifications of modernity in Malaysia. This television genre of Asian soaps can be conceptualised as a site for negotiating modernity, where Malay women derive pleasure from the consumerist modernity depicted in the Asian soap operas while remaining mindful of the strictures posed by local culture.     

Sustaining popular music’s material culture in community archives and museums

This article examines the challenges of sustainability faced by community archives and museums that are concerned with the preservation and display of the material culture of popular music’s recent past. The sustainability of grassroots sites of popular music heritage is of great concern due to their role in making accessible cultural artefacts that have limited representation in the collections of more prestigious institutions. Drawing on three sites that have ceased operation – Jazz Museum Bix Eiben Hamburg, Mutant Sounds and Holy Warbles – the article highlights difficulties faced by the founders and volunteers of physical and online archives in sustaining their ‘do-it-yourself’ heritage practices in the medium- to long-term.     

满铁的“满洲”经营与附属地各图书馆

日俄战争后日本殖民者以“满铁”为主体,在中国东北进行政治、经济、贸易、交通、文化等侵略。同时利用“满铁”以满铁大连图书馆和国立奉天图书馆为集源中心与附属地各图书馆,形成纵横交错的东北文化调查研究资料收集场所。最终以文事的形式来管理达到实以武备统治东北的目的。     

The Economic Geographies of the Outer City: Industrial Dynamics and Imaginary Spaces of Location in Copenhagen

The paper focuses on the changing economic geographies of the outer city of Copenhagen. The outer city is not a well-defined place but can be understood as a set of processes transforming the urban economic landscape outside the built-up area. Several central and interrelated economic processes transform the outer city. The paper examines the changing industrial dynamics and location spaces within the framework of geographical proximity and relation propinquity in order to examine the social and cultural embeddedness of location. Imaginary spaces of location are the social constructs of the firm (of the interviewee representing the firm). They are representations of the perception, experience and interpretation of the location of the firm. The imaginary spaces of firms in the outer city are different from those of the firms in the built-up area, and a survey points to the fact that multiple rationalities are important in order to understand industrial location.     

Masculinity and Cultural Contestation in the Australian 1950s

Enduring popular narratives posit the 1950s as a time of gendered oppression and conservative stability. While previous historians have pointed to the social and political changes of the period, their work has understood culture as a passive reflector of these transformations. Through analysis of four Australian films, this article argues that the contemporary cultural landscape was a dynamic space that actively negotiated between competing ideals. Exploring the representation of distinct albeit legitimate models of masculinity in these films, this article reveals the complex and unsteady gender order unfolding in the cultural world of the 1950s.     

Managing the gendered dynamics of parenting during the UK New Labour government years

This article considers what a ‘structure of feeling’ approach can reveal about the gendered dynamics of parenting during the ‘New Labour’ years of the UK government. It explores some of the ways in which contestations about gender roles were evident in policy and in popular cultural discourses and demonstrates how these discourses both contained their own internal tensions and contradicted each other. It then reflects on the strategies that parents engaged in need to make sense of and manage these contestations and makes clear some of the pressures that had come to bear through policy and popular culture on parents' personal lives.     

旅游地景与地方的关联机理初探——基于空间与文化的交汇视角

对landscape旅游景观的判读传统由来已久。文章对landscape同源异形的景观与地景两种译法进行了比较,区分了旅游景观与旅游地景的异同,并将旅游地景分为"成为的"旅游地景、"再造的"旅游地景和"创造的"旅游地景。选用地景主要是考虑对其原意的尊重、强调土地在中华文明中的重要地位及重视其传导的地方性信息。研究从有形的空间与无形的文化相交汇的视角来探讨旅游地景与地方的关联机理,认为空间视角下的旅游地景与地方是"依附中的割裂"关系,文化视角下的地方与旅游地景则呈现出"渗透下的不可控"的关系。研究提出了处理旅游地景与地方关系的理想模式,即由多方均衡参与的基础支持和内外融合的策略来实现神形兼备的目标的全方位一体化融入模式。     

Working Borders: The Contexts of Copán Archaeology

The work of archaeologists and the knowledge they produce both help create, and are conditioned by, a variety of kinds of borders, including political, academic, and cultural. In this article I review a series of borders that shape and determine the social conditions in which archaeology at the well-known site of Copán in western Honduras takes place and takes on meaning. I argue that the histories of these borders, their construction, and their crossings reveal structural tensions in the overlapping registers of academia, public history and popular discourse, in which archaeological knowledge circulates. These histories must be consciously interrogated in order to be negotiated. I suggest that by becoming fluent in the cultural conversations ongoing in a place, archaeologists are best able to begin productive collaborations and make informed choices about how they participate in the border-making processes of their work.