农区产业集群、网络与中部崛起

我国中部六省地区由于多种原因在全国区域经济格局中已经成为了"经济增长速度的相对塌陷地区",实施"中部崛起"战略是学术界、中央和地方政府达成的共识。本文在分析中部地区存在问题的基础上提出,实施产业集群战略、创建本地企业网络是实现中部崛起的有效途径。发展农区产业集群可以提高集群企业和区域产业的竞争力,推动农村工业化和城镇化进程,促进县域经济的发展。而企业之间的网络联系是产业集群的本质特征,培育产业集群必须从创建企业网络入手。最后,本文对如何在中部农区培育产业集群、创建企业网络作了探讨。     

文化与创意产业集群的研究谱系和前沿:走向文化生态隐喻?

文章基于文献研究,梳理文化和创意产业集群的研究谱系,指出该领域学术界:①没有将文化和创意产业本体论知识整合到集群分析框架;②对艺术家和创意阶层及其项目生产方式、知识流的空间过程关注十分薄弱;③忽视文化消费和中介因素对创意集群和文化生产的反身性;④比较偏向生产型创意集群的研究、忽视空间型创意集群和消费型文化产业园区和城市空间的研究;⑤在研究方法上相对单一。作者提出通过运用文化生态系统隐喻,进一步展开综合研究的可能性。     

北京美术产业对地方文化的嵌入性程度分析

北京十一五规划指出北京将大力发展文化产业,尤其是文化创意产业。美术是文化产业中最具有创意色彩的产业部门,北京是中国最重要的美术产业中心,近5年来出现了一批美术创意产业集中区。本文使用近十多年来国外经济地理学家频繁使用的嵌入概念分析北京的美术产业。本文所采用的嵌入概念更强调KarlPolanyi的观点,以北京三个主要美术产业区798艺术区、宋庄画家村、观音堂文化大道为研究地点,通过分析实地访谈资料、艺术家和画廊的网站资料,探讨企业和艺术家在作品风格、市场定位、企业分布、企业制度等方面是如何嵌入北京地方制度文化和意识形态文化的。本文认为在把握嵌入程度,避免过度地方化的程度上有待未来讨论。     

Global Networks of the Motion Picture Industry in Los Angeles/Hollywood using the Example of their Connections to the German Market

The motion picture industry is one pillar of the so-called “cultural industries” which are highly concentrated in large urban agglomerations. Personal connections to the various informal networks found in these locations play an important role in facilitating information flows and reproduces these clusters' competitive advantage. However, the clusters and their markets do not exist in a vacuum: creative content, capital and creative talent are also traded and connected in global networks, bridging the physical gaps between these creative clusters. Against this background, this paper addresses the issue of how network relations beyond cluster boundaries and across large spatial, social and cultural distances are coordinated in a branch of the cultural industry such as motion picture production.     

En route to New York: diasporic networks and the reconfiguration of female entrepreneurship in Senegal

This article examines the influence of migration and transnational social networks on female entrepreneurship. It interrogates shifting patterns of market development, juxtaposed to the lure of new economic opportunities for women entrepreneurs located at the periphery, Senegal. I critically analyse how a distinct and classed category of Senegalese women entrepreneurs navigates international spaces and legal restrictions in attempts to launch profitable economic ventures in metropolitan centres such as New York City and negotiate new forms of representation and agency in contentious socio-economic spaces. By interrogating the complex interplay between women entrepreneurs and diasporic communities, I weave an often-missing gender perspective into the analysis of the emergence of female transnational entrepreneurship and diasporic social networks. This article demonstrates that diasporic social networks, transnational markets and spatial interconnections, while contributing to market revitalisation and expansion, are nonetheless fraught with tension. Diasporic social networks embody paradoxical positions. They represent an enabling economic transactional space, while embodying an informal social space that nonetheless remains sites of power struggles deeply embedded in gendered, sociocultural and economic dynamics that transfer from local to transnational contexts.     

TERRITORIAL GOVERNANCE,NETWORKS AND POWER: CROSS‐SECTORAL PARTNERSHIPS IN RURAL POLAND

Research on the operation of territorial governance and rural development programmes is dominated by qualitative methodologies, paying little attention heretofore to the characteristics and structures of new horizontal and vertical relationship formations that are the explicit objective of the governance and rural development model. Seeking to address this deficit in the literature, this article adds to a small number of existing contributions that use social network analysis (SNA) to examine the role of inter‐organizational networks in shaping geographic functional regions in the context of governance. Rooted in the methodological perspective of SNA, the analysis focuses on relations between local actors participating in three area‐based rural partnerships in Poland, which are conceptualized as territorially embedded institutional network clusters. The structure of inter‐sectoral relations, understood as interactions (competition, conflict, coordination, cooperation, and control) and flows (information, financial, human, or tangible resources), between the institutional partners of these partnerships is examined. Analysing in detail attributes of network relations, the article identifies structural characteristics of the area‐based partnerships, such as manifestations of how diverse local resources are engaged and how dominance by traditional powerful stakeholders can be overcome by network structures. Structural dynamics and transformations that represent expressions and manifestations of how territorially embedded governance networks are expected to operate are important areas of inquiry in political geography. In this context, the particular empirical and theoretical capacity of SNA is illuminated in this article as part of a broader presentation of primary field data on how network governance and rural development is taking shape in Central and Eastern Europe.     

Art and design as competitive advantage: A creative enterprise cluster in the Western United States

The creative enterprise cluster consists of companies that take their principal competitive advantage from a distinctive appearance, form, content, or sound that they embed or embody in their products or services. They include large numbers of micro-enterprises, freelancers, and design manufacturers, which loosely comprise a 'creative enterprise cluster'. The US state of Montana has such a cluster. It includes artisan firms, native American businesses, freelancers, and design manufacturers, many of which are included in government business databases. Montana's biodiversity, low population density, independent lifestyle, and cultural heritage have drawn large numbers of creative enterprises and entrepreneurs, which have led to support network of associations, cooperatives, galleries, suppliers, and educators. A study of the cluster for the Montana Governor's office(1) led to a number of recommendations that included recognizing recognition as economic development, increasing emphasis on arts and design in education, forming local and international marketing networks, establishing specialized business service centres, and matching artists with manufacturers. As a result, the state selected this cluster for further targeted support and development.     

中国产业集群研究中的主体能动性与多方验证方法

结合国情的中国产业集群研究需要关注集群内外相关众多主体的合作行动和主体能动性。从属性数据、关系数据以及观念数据的分析视角来看,已有的产业集群研究方法对于各主体的多样性及能动性缺乏充分的考察。源于经济地理而构建的多方验证方法考察集群相关主体的观念数据,悬置对于主体的各种先入为主的假定,在开放与批判的前提下解释多种数据,在此基础上形成对于主体能动性的深度理解,以支持对于集群机制的进一步研究。因而,多方验证方法在产业集群研究中的应用有助于增进案例研究的解释力,促进对于集群主体能动性的理解,并在理论上、方法上与实践上具有广阔的发展空间。     

地方感的多态与分异：不同人群对旧城街区的感知

地方感指人与地方的情感关联,是地理学特别是人文主义地理学的关键概念。快速城镇化使得“地方”剧变,地方感也变得复杂多样,多元主体的地方感形成机制值得探讨。本文基于人文主义地理学视角,选取江苏省如皋市东大街为典型案例,通过实地调研,运用半结构化访谈等方法,将不同主体的地方感归纳为三类：根植型、创造型和关怀型。老年原住民形成了根植型地方感,其重点在血缘联结、归属感、身份认同;沿街商户生成了创造型地方感,主要涉及美学、经验与私人空间等;虽从地方抽离但仍与地方保持着积极情感纽带的“乡邻”们则形成了关怀型地方感,主要涉及关注、社会互动、熟悉等。借助案例剖析和质性研究方法,本文对地方感多元类型和形成机制的深入探讨将有助于理解地方感的多态性和分异性。     

不同类型产业集群发展中地方政府行为的比较研究

产业集群是当今地方政府发展本地经济的主要政策方向之一。本研究首先从理论上探讨地方政府在经济发展和产业集群中行为动机和特征,其次案例分析内生型的花都区狮岭镇皮革皮具产业集群和外生型的东莞市石龙镇电子信息产业集群发展不同阶段中地方政府的行为方式,然后对比发现两种类型产业集群中的地方政府行为方式与产业集群的形成过程和发展特征相协调,最后总结出不同类型产业集群在不同阶段地方政府行为方式的重点领域,以期为地方政府产业集群政策的制定提供参考。     

Cooperation and Forming Networks of Creative Cities: Polish Experiences

The goal of this article is to draw attention to one of the currently observed trends in the geography of cities in the context of the networking of cities of similar development profiles. In that context, the most important examples of the urban networks were analysed, including the following networks: the UNESCO Creative Cities Network and Eurocities as well known side-network initiatives of the European Capital of Culture. Each network was analysed in the context of business objectives and the conditions for participation. In addition to that, the article describes the idea of cluster forming with particular emphasis on creative industries clusters. Moreover, this article is devoted to Polish experiences connected with the participation of the Polish cities in international networks of creative cities, establishing creative clusters in Poland and with cluster initiatives.     

EXPERIENCE THE DIFFERENCE: THE COMPETITIVE STRATEGIES OF FOOD‐RELATED ENTREPRENEURS IN RURAL DENMARK

As food production becomes increasingly integrated, globalized and competitive, small‐scale food‐related enterprises in many European countries are struggling to market and monetize their products. Although these struggles have been well documented, few studies have considered the ways in which food‐related entrepreneurs in rural contexts are adapting to and overcoming these challenges. In particular, little is known about how they differentiate and add value to their products. This article focuses on the development and implementation of new and hybrid commercial strategies by food‐related entrepreneurs in three rural communities in Denmark. These strategies add experiential elements to the longstanding practice of commodifying myths associated with rural settings and identities. Although harnessing culture and experiences to sell things is nothing new, we demonstrate that some Danish entrepreneurs are responding to market competition by tweaking and extending these concepts. In particular, it is argued that entrepreneurs use different experiences with varying levels of intensity and consumer engagement for different purposes. Whereas passive experiences such as storytelling are used to educate consumers about the specific qualities of products, more active and participatory experiences are sold as add‐ons and standalone products. The findings contribute to our understanding of food‐related entrepreneurship in rural contexts, consumption, value creation and the experience of economy more broadly.     

Social Networks and Policy Entrepreneurship: How Relationships Shape Municipal Decision Making about High‐Volume Hydraulic Fracturing

Well‐resourced and well‐connected individuals, or “policy entrepreneurs,” often play an important role in advocating and securing the adoption of policies. There is a striking lack of inquiry into the ways that social networks shape the ability of these actors to achieve their aims, including the ways in which network ties may channel policy conflict. To address these gaps, we analyze data from an original survey and an original database of policies to assess the success of policy entrepreneurs (PEs) active in a highly contentious arena: municipal policymaking concerning high‐volume hydraulic fracturing (HVHF) in New York. We use text‐mining to collect social network data from local newspaper archives, then use those data to construct municipal HVHF policy networks. Municipal anti‐HVHF PEs appear more successful when they operate in less cohesive networks, act as bridges to relative newcomers to the governance network, and have a larger number of network connections. Pro‐HVHF PEs appear more successful when they can forge high‐value connections to key decision makers. Policy entrepreneurs on both sides of the issue are more successful when they have a greater number of sympathetic coalition partners.     

农业产业集群发展中的共同演化分析——以鄢陵县花木产业集群为例

本文基于演化经济地理学的视角,结合鄢陵县花木产业集群30多年的纵向发展演化实例,探讨了农业产业集群内部微观基础(农户、企业)、中观尺度的产业网络和宏观尺度的外部环境(制度、技术和空间)如何共同演化并决定着农业产业集群的演变。研究发现:①农业产业集群的演化与其内部基本行为主体农户与企业、产业网络、技术、制度和地域空间的演变具有协同作用、共同演化,特定的影响因素与集群网络交互作用形成了集群发展的不同阶段。②在集群发展的不同阶段,企业、网络、技术、空间和制度具有各自的特点和不同的协同演化特征,微观主体的组织创新是对宏观环境变化的适应,宏观环境变化及地域空间演变是微观变化的综合。③在培育农业产业集群的过程中,既要重视个别农户和企业的成功示范,又要重视地理邻近效应对整个产业网络、技术、惯例形成和空间再造的作用。本研究结论对于农业产业集群的管理实践和集群政策制定具有一定的参考价值。     

Down by the sea: visual arts,artists and coastal regeneration

This paper takes a critical approach to the arts-led regeneration of Margate, south east England. It argues that regeneration policy has effectively utilised local characteristics to recreate Margate as an artful space, and has stimulated a local milieu of artistic and cultural activity. However, though the work of local artists is vital in producing Margate as a creative place, local artists are marginalised by policy interventions focussed on attracting new consumers and investors. Thus, this paper argues that a misplaced policy emphasis is failing to support the labour and social relations on which the interpretation of places as ‘creative’ is built, and arguably undermines the sustainability of an arts-based regeneration. This has implications for culture-led policy, calling for greater attention to be paid to the specific locations in which it is deployed, and to the networks of producers whose labour is critical to its success.     

CREATIVE INDUSTRIES IN THE NETHERLANDS: STRUCTURE, DEVELOPMENT, INNOVATIVENESS AND EFFECTS ON URBAN GROWTH

Creativity is central in stimulating economic growth in cities, regions and advanced capitalist economies in general. There is, of course, no one-to-one relation of the number of firms in creative industries to economic growth. Innovation is a key mechanism explaining the relationship of creative industries with economic performance. Based on an empirical study in the Netherlands we explore the effect of creative industries on innovation, and ultimately on employment growth in cities. In the Netherlands the three specific domains of creative industries - arts, media and publishing, and creative business services - make up 9 per cent of the business population. Drawing on survey data we find that firms in creative industries are indeed relatively innovative. Yet substantial differences are found across the three domains: firms in the arts domain are clearly less innovative, most likely due to a different (less market-oriented) dominant ideology. In addition, firms in creative industries located in urban areas are more innovative than their rural counterparts. We go on to analyse how the concentration of creative industries across cities is connected with employment growth. With the exception of the metropolitan city of Amsterdam, we find no measurable spill-over effect from creative industries. The presence of the creative class (in all kinds of industries other than creative ones) appears to be a much stronger driver of employment growth than creative industries.     

SOCIAL CAPITAL AND WORK AMONG RURAL-TO-URBAN MIGRANTS IN CHINA

This research provides a fine-grained analysis of the link between social capital and work-related outcomes among rural-to-urban migrants in China. Using data from the Shanghai Rural-to-Urban Migrant Worker Survey, the authors examine various kinds of social networks, the types of social capital they produce and their effects on migrant workers. While kinship networks and pre-existing social capital tend to provide migrants with job security and stability, they are negatively associated with migrants’ earnings and work satisfaction. By contrast, newly established friendship networks with local urbanites indicate new forms of social capital from the destination city, which are positively associated with higher satisfaction with income and work environment, and a higher likelihood of landing a permanent job.     

HOW CHILDREN PLACE THEMSELVES AND OTHERS IN LOCAL SPACE

This study examines the ways in which children aged 11 to 15 in six adjacent neighbourhoods in a medium-sized Swedish town place themselves and others in local space. Special attention is given to how they discuss a neighbourhood stigmatized in the public discourse and how children who live in this neighbourhood react to the negative representations of the place in which they live. The study is based on group interviews and maps. The study shows that children construct representations of their own neighbourhoods as "quiet" neighbourhoods and place objects of "trouble" and "danger" somewhere else. It is argued that this is done both in relation to their personal knowledge of the neighbourhood and in relation to local and/or media representations of their own and other neighbourhoods. It is shown that the children are influenced by media representations of a stigmatized neighbourhood, but also that they are not passive reproducers of these discourses and that some of them are able to offer counter-discourses. The children living in this neighbourhood experience difficulties in defending it as the quiet place which they perceive it to be to outsiders because of the negative discourses.     

Local culture as a context for entrepreneurial activities

This paper examines how an industrial legacy leads to the formation of a distinct local culture and how the culture’s survival provides a context for the subsequent entrepreneurial activities in new local industries. The discussion about culture as a key driver of entrepreneurship and economic growth is well established in the academic debate. However, we know little about how culture is formed. Through a qualitative case study of two polar Swedish cities, the study highlights four key factors which are instrumental in the formation of local culture: initial conditions, characteristics of key players, network activities and composition of newcomers. We show how the local entrepreneurs responded to the underlying assumptions of the two different cultures.     

The spatialisation of the digital games industry: lessons from Ireland

This article draws on the concept of spatialisation to better understand the development of a digital games industry on the periphery of mainland Europe, on the island of Ireland. Positioning digital games within the cultural and creative industries, we explore how global networks of production in this industry get territorialised, negotiated and shaped by local factors. Drawing upon an industry-wide survey in Ireland we found that employment has grown by 400% in the last decade but that this rate of employment growth and its concentration in large urban areas masks significant ruptures and shifts which more detailed spatial, occupational and social analysis reveals: in particular, how the state, multinational game companies, and physical and human capital interact to shape an industry which is strong in middleware, localisation and support but weak in content development. An understanding of global digital games production networks and of occupational patterns in this industry is, we believe, crucial for national and European cultural policies for the digital games industry and for the cultural and creative industries more generally.