Monitoring and Medicalising Male Sexuality in Semi‐Colonial Egypt

This article examines the ways Egyptians monitored male sexuality in Ottoman and semi‐colonial Egypt. An exploration of the legislative proposals and press debates about marriage, prostitution and venereal disease reveals that the state attempted to medicalise the sexuality of Egyptian men to create ‘healthy’, disciplined men who would later marry and form fit families to serve as the foundation for a strong postcolonial nation. In their attempts to medicalise male sexuality, reformers delineated the normative heterosexuality of the ‘healthy’ male colonial subject for the emerging nation. This article explores the sexual practices of male colonial subjects to demonstrate how Egyptian notions of sexual diseases were gendered.     

‘My Body was Aflame with His Memory’: War,Gender and Colonial Ghosts in Hiroshima mon amour (1959)

This article argues that historicising the iconic 1959 French film Hiroshima mon amour reveals a different set of meanings that most scholars have overlooked. As France found itself embroiled in the brutal and bloody Algerian War of Independence, many started reflecting on the meaning and aftereffects of the Second World War. Despite its anti‐colonial universalist humanism, Hiroshima remains haunted by colonial ghosts and fantasies of post‐war ‘Asia’ where Asian female bodies are passive and Asian male bodies only echo other European male bodies. Ultimately, sexual and racial differences organise the film's narrative of war and canonises a Eurocentric version of ‘history’. The film's melodramatic love story renders invisible the ways gender and sexuality shape understandings of violence, wars, and violated bodies. Against Marguerite Duras's and Alain Resnais's intentions, the love story allows the remembering and forgetting of a (French) national history that only the female character embodies. Only the French woman stands in for subjectivity, memory and trauma, rendering everything else secondary. Once read as a historical text, the film illustrates the limits and ambivalences of post‐war anti‐colonial humanist political imagination.     

“Let Me Come to Tell You”: Loide Shikongo,the King,and Poetic License in Colonial Ovamboland

In this paper, I explore cultural discourse, gender and the subjectivities of local people on the frontier of empire in mid‐20th century southern Africa. Using the example of Nekwaya Loide Shikongo, a prominent woman from Ondonga in northern Namibia (the colonial “Ovamboland”), and an epic poem on the deposed King Iipumbu yaShilongo that she performed in 1953, I discuss how gender was constituted and mediated. The narrative of a remarkable woman’s life and her poetry is told to understand how gender in relation to other forms of identity was constructed in different cultural discourses. I argue that both the Christian mission’s cultural discourse and the South African colonial administration’s efforts to masculinise the “native” political authority gendered Owambo elite women whose identities had previously included “gender” only as a rather contingent component. The example of Loide Shikongo, however, also shows that many Owambo continued to pursue heterogeneous, and sometimes ambiguous, strategies in their claims to Christian models of modernity.     

Aqui Lourenço Marques!! Radio colonization and cultural identity in colonial Mozambique, 1932–74

The Portuguese empire in Africa was one of the last to collapse amidst the waves of decolonization that swept the continent in the 1950s and 1960s. The astonishing endurance of Portuguese colonialisms until the mid-1970s can be viewed partly in relation to the communication technologies that underscored the Lusophone imperial presence in Africa in important cultural and political ways. This paper explores the historical geography of radio-broadcasting in colonial Mozambique and examines the importance of colonial anthropological knowledges in the formation of radio programming. Colonial broadcasters represented their work as «radio-colonization» and frequently stressed the links between their activities and the development of imperial and colonial modernity. From the very beginning of radio-broadcasting in Mozambique, broadcasters sought to harmonize their contribution to colonial culture and society with the objectives of the colonial state, and broadcasting became central to the capitalist development of the colony. In the dying days of Portuguese colonialism broadcasters belatedly began to attempt to assimilate non-white subjects into the perceived order of colonial modernization. Radio programming was differentiated in important ways according to ethnicity and gender and this paper seeks to discuss some of the complex relationships between colonial subjectivities and the search for the colonial modernization of Mozambique.     

Modernity and the Other Woman: Gender and National Identity in the Egyptian Women's Press: 1952–1967

This article looks at depictions of non‐Egyptian women in the Egyptian women's press during the Nasser period, from 1952–1967. A regular and recurring feature of the Egyptian women's press during the 1950s and 1960s, representations of foreign women were products of both global and local struggles. Enabled by a world order increasingly transformed by the political voices of colonial and post‐colonial subjects, such representations were also bound up in Egyptian debates about gender subjectivities, the consequences of state and nation building, and the boundaries of national identity. While they can be read as contributing to the creation of what Chandra Mohanty has called ‘an imagined community of third world oppositional struggles’, they also suggest much about how the liberating, emancipatory possibilities of post‐colonial/anti‐imperialist projects limit their own possibility for realisation.     

Xing: The Discourse of Sex and Human Nature in Modern China

In Modern Chinese, xing is the character most commonly used to denote sex, gender and sexuality. However, the character was a specialist Confucian term originally meaning ‘human nature’ in Classical Chinese, and only came to signify both sex and human nature in the early twentieth century. This usage was invented by Japanese intellectuals in the late nineteenth century for their translations of sexological texts from Europe, in which they encountered the concept of sex as a natural drive and the fundamental core of individuals. This article investigates the convoluted linguistic career of xing, and argues that in China in the 1920s, sex/xing became the point of anchorage for a new politics, which naturalised sex, legitimised talk about reproduction and desire, and made imperative the intensification of the production of scientific knowledge on sex (and by extension ‘human nature’). It is emphasised that the history of xing in China in the 1920s is not just a curiosity or appendage to more ‘mainstream’ history of sexuality; rather, it is impossible to appreciate the global nature of modernity without a thorough understanding of the circulation of sexual ideas.     

The Discourse of Maendeleo and the Politics of Women’s Participation on Mount Kilimanjaro

Studies of participatory development and empowerment often fail to place people’s actions and motivations within their wider cultural, social, political and economic context. Drawing on fieldwork which looked at village‐based women’s groups on Mount Kilimanjaro, Tanzania, this article deconstructs the dominant discourse of development on the mountain (maendeleo) to show how women’s participation in their local organizations is used as a strategy to boost their social status and financial gains. Local, national and global discourses on development, modernity and gender are reappropriated by Chagga men and women to produce a normative Chagga developmental subjectivity which women can demonstrate by participating in women’s groups. The over‐representation of better‐off and higher‐status women in these groups suggests that, in excluding the poorest women, participation in women’s groups is serving to legitimate, and perpetuate, existing inequalities within Chagga society.     

Women,Gender and Migration along a Mediterranean Frontier: Pre‐Colonial Tunisia,c.1815–1870

This paper investigates gendered mechanisms for regulating migrants and migration in a pre‐colonial Muslim state, Tunisia, from the end of the Napoleonic Wars to the eve of colonialism. Trans‐Mediterranean migration to, and permanent settlement in, nineteenth‐century Tunis, the capital city, constituted a major stimulus for political, cultural and social transformations that endured into the colonial period. Employing diverse documentation, the case study analyses this Mediterranean migratory current of ordinary women and men to test the theoretical literature based primarily on trans‐Atlantic movements, which has emphasised the ‘diversity of social positioning’ for women migrants. The paper argues that for pre‐colonial Tunisia, a state that was both an Ottoman province and a part of the larger Mediterranean world, the system of diplomatic protection represented a critical form of positioning. Moreover, Mediterranean states, both European and Muslim, had a long tradition of controlling the movements of women in port cities. Two distinct historical moments in the settlement of women from the Mediterranean islands in pre‐colonial Tunisia are compared. This approach not only enables an assessment of whether women's movements across international borders can attenuate, if only momentarily, patriarchal authority, but also encourages reflection on how gender explains historical variations in global migratory displacements as well as to what extent colonialism serves as an satisfactory explanatory framework for the gendering of communal boundaries.     

AIDS as Occupational Hazard: Racial Mixing and Historical Space in Malaysia's Multinationals

In Malaysia, bangsa, a term blending race and ethnicity, structures modes of social and political‐economic organization that reflexively challenge and reinforce the significance of race, not just to the country's three main groups but to the construction of risk as well. Tracing this reflexivity, the author bridges a historical rendering of Malaysia's colonial‐capitalist incorporation with an ethnographic unpacking of its social artifacts: notions of space, place and race that confer on factories a high‐risk label for HIV/AIDS. It traces how multinational corporations, as landscapes of multiracial modernity, are both the quixotic trophies of Malaysia's global integration and a source of social dread. Risk is ethnographically shown to be more a sociohistoric dynamic than a statistical probability, reflecting ideas of racial individuation and ideals of social stability and cultural immiscibility anchored in colonial governance structures of nineteenth‐century Malaya and operative in contemporary Malaysia.     

The Ultimate "Other": Post-Colonialism and Alexander von Humboldt's Ecological Relationship with Nature

This article is a meditation on the overlaps between environmentalism, post‐colonial theory, and the practice of history. It takes as a case study the writings of the explorer‐scientist‐abolitionist Alexander von Humboldt (1769–1859), the founder of a humane, socially conscious ecology. The post‐colonial critique has provided a necessary corrective to the global environmental movement, by focusing it on enduring colonialist power dynamics, but at the same time it has crippled the field of environmental history, by dooming us to a model of the past in which all Euro‐American elites, devoid of personal agency, are always already in an exploitative relationship with the people and natural resources of the developing world. A close reading of Humboldt's work, however, suggests that it could provide the basis for a healthy post‐colonial environmentalism, if only post‐colonial critics were willing to see beyond Humboldt's complicity in colonial structures. In particular, this article attempts to rehabilitate Humboldt's reputation in the face of Mary Louise Pratt's canonical post‐colonial study, Imperial Eyes: Travel Writing and Transculturation. Humboldt's efforts to inspire communion with Nature while simultaneously recognizing Nature's “otherness” can be seen as radical both in his day and in ours. In addition his analysis of the link between the exploitation of natural resources and the exploitation of certain social groups anticipates the global environmental justice movement.     

The Corporeal Empire: Physical Education and Politicising Children's Bodies in Late Colonial Bengal

This article deploys children's bodies as an analytical lens to examine the political significance of knowledge production and childhood in British colonial projects in late colonial India. Scholars have theorised the ‘body as method’ of history to argue that bodies are imbued with meanings, become stakes in power struggles and are sites of knowledge and power. I examine this theme by investigating a key locus of knowledge production for children – the colonial school and its curriculum, specifically physical education. To underline the multi‐stranded processes and loci of colonial knowledge production, I examine nationalist pedagogies of two Bengali children's magazines (Amaar Desh and Mouchak) as a form of informal schooling. I argue that the colonial state's engagement with physical education in schools stemmed from anxieties to both discipline native children's bodies, and to discourage students’ ‘seditious’ political activism. Second, I demonstrate that for Bengali educated elites, children embodied a political space for contestation and undertaking their projects of re‐masculinising the youth. These nation‐building projects placed a premium on masculinity, influenced boy cultures to imitate adult male cultures, and inscribed gender roles on the bodies of Bengali boys and girls. By doing so, these colonial encounters restructured and redefined childhood in crucial ways.     

“It's About Time You Came Out”: Sexualities,Mobility and Home

Abstract: Helping redress the dominance of metropolitan narratives upon which much literature on sexuality is framed, this article interprets the narrative told by a “white” 16‐year‐old man living in regional Australia. Our aim is to investigate the intersections of migration and homemaking in sexual subject formation. Finding a place to call “home” can be a complex process for young men born in regional Australia and not conforming to the social formations of a “normal guy”. This young man's narrative expressively reveals the fluidity and spatiality inherent in processes of negotiating sexual subjectivities. His story provides telling insights into how migration and mobility change his understandings of home and of self by making possible a third‐space configured by neither the gender norms of his hometown nor the “gay scene” in Sydney.     

1919 in dynamic East Asia: March First and May Fourth as a starting point for revolution

Abstract

The March First Movement and the May Fourth Movement are like mirrors reflecting each other’s relationship. This article uses the concept of “simultaneity” in global history to reevaluate the significance of both events in world history. It also examines the differences exhibited by the simultaneity of the two events from the perspective of an “interconnected East Asia.” After entering the world-system, imperial Japan, semi-colonial China, and colonial Korea occupied different positions within its hierarchical structure. Here we need to pay attention to the status-diverse but mutually influential conditions in East Asia. To see through the complexity of (semi)colonial modernity and find the inherent opportunities to overcome modernity, it is useful to analyze the “double project” of adapting to modernity and overcoming modernity. Since the 1920s, the two events have been continually reinterpreted in the vein of socio-historical changes. The question of how to remember the two is not only a historical question but also a practical question for the present. Now is truly the methodological turning point in exploring and reinterpreting the two events. The author will use the terms “March First Revolution” and “May Fourth Revolution” in an attempt to tackle this issue. The mass gatherings that took place during March First and May Fourth provide sufficient evidence to support the use of “revolution” to describe them. Although March First and May Fourth are part of two respective histories of Korea and China, at the same time they are part of East Asia’s and the world’s interconnected history.     

2. WRITING POLITICS BACK INTO HISTORY1

This essay examines the writing of history and historiography in early modern south India as discussed in the book Textures of Time. The book argues that a historical and historiographical awareness was prevalent in south India prior to the arrival of a European field of knowledge under colonial rule. However, this essay maintains that the book unwittingly reproduces some of the very same Eurocentric formulations of the writing of history and modernity that it seeks to refute. A liberal conception of modernity is at the core of how society, history, and politics have been imagined in this book. These attributes of modernity, such as history as a set of causal relations, as presentation of facts, as a realm of the real cannot escape their prior formulation in Europe. The liberal social order also underpins the relationship between writing and the world. In Textures, early historians merely represent reality; they are not authors whose practices are constitutive of politics and identity. The conception of modernity overlooks the constitutive role colonial empires played in the very creation not only of the West and non‐West, but also in conceptions of the real, the modern, the universal, and the historical.     

White Settler Society as Monster: Rural Southeast Kansas,Ancestral Osage (Wah‐Zha‐Zhi) Territories,and the Violence of Forgetting

This article provides a critical analysis of the practices and discourses of white settler “men” in Southeast Kansas (Ancestral Osage Territories) by examining the inextricable links rural masculinity has with settler colonialism. I begin by underscoring how efforts in erasing Indigenous histories have been sanctioned through processes of dispossession, bordering, and nation‐state building. I then explore how hetero‐patriarchal rural hierarchies are assembled via capitalistic desires for private property; conservative Christianity's rhetoric of altruism and good intentions; white supremacist conceptions of race; and masculinist perspectives regarding work and gender. Next, I highlight how the spatial assertion of white settler masculinity reproduces colonial oppressions based upon interlocking subject positions and notions of difference. I continue by suggesting denial and disaffiliation are banal exercises of disavowal employed by white settler societies as attempts to forget colonial violence. I then finish by illustrating how a masculinist status quo might be disrupted, resisted, and transformed.     

Reading Habits: Catalina de Erauso and the Subjects of Early Modern Spanish Gender and Sexuality

This article reconsiders the subject of early modern Spanish gender and sexuality studies by analyzing the relación de méritos y servicios presented by the famed ‘Lieutenant Nun’ Catalina de Erauso to the Council of the Indies. Studies have focused on the Vida i sucesos de la Monja Alferez, a biography of disputed authorship, and its transgressive protagonist who hides gender identity and illicit desires from persecuting authorities. In contrast, this article studies the petition to show how Erauso’s identity depends upon bureaucratic forms, their standardized content, and collective authorship. In so doing, it moves from a study of gender transgression to a reading of ‘hábitos’—a term that designates interlocking categories of gender, dress, profession, and social status. By shifting the subject of gender and sexuality studies to this web instantiated by ‘hábitos,’ this article shows how collaborative acts of reading and writing allowed privileged subjects to navigate identity and empire in the seventeenth-century Spanish Atlantic world.     

Erotic Attachment,Identity Formation and the Body Politic: The Woman‐as‐nation in Canadian Graphic Satire, 1867–1914

Using depictions of ‘Miss Canada’ in editorial cartoons and political campaign posters published in English Canada between 1867 and 1914 as a case study, this article argues that the repetitive deployment of feminised and eroticised images of the nation summoned particular gender, sexual and political identities into being and entangled viewers’ psychic investments in masculine, heterosexual and nationalist subjectivities. It also considers how Miss Canada's normative representation as white conflated racial whiteness and Canadian‐ness, and how images hailed viewers into racial subjectivities that were leashed to national identity. Rather than querying how or why the woman‐as‐nation trope elicited nationalist sentiment in an already‐constituted subject, this analysis examines how imagery provoked viewers’ identification with subject positions that were co‐constituted with nationalism. Impassioned and even violent nationalism becomes more comprehensible when we consider that the woman‐as‐nation was capable of producing attachments to national identity that, for some, were inseparable from and tantamount to psychic investments in gender, sexual and racial identities. While Canadian scholars have recognised that Miss Canada was a significant popular culture icon during the long nineteenth century and acknowledged this icon's embeddedness in gender, sexual and national discourses, studies have tended to describe Miss Canada's role in consolidating hegemonic ideologies and power relations and underestimate visual culture's constitutive capacities. The extent of Miss Canada's hetero‐erotic coding has also largely escaped historians’ notice. Although a few scholars have explored visual culture's role in Canadian national identity formation during this era, this study makes a unique contribution by foregrounding the productive work of popular imagery in co‐constituting and entwining national and sexual subjectivities.     

Decolonization in the Heart of Empire: Some Fanonian Echoes in France Today

Abstract: This paper offers a translation of key texts by the contemporary Mouvement des Indigènes de la République (MIR) and its key intellectuals: Sadri Khiari and Houria Bouteldja. Following Khiari, post‐colonial situations are best understood as recompositions: territorially mediated re‐articulations of colonial pasts with other social relations. To respond to the complexities of this post‐colonial recomposition, MIR propose an ambitious politics of “autonomy” and “mixity”. “Autonomy” (externally in relationship to the state and organized politics and internally for feminist groups) is seen as an indispensable precondition for a socio‐politically mixed, and potentially universalizing, political formation politics. More counter‐colonial than post‐colonial in orientation (Hallward), MIR attempt to give direction to three decades of revolt emanating from France's racialized popular neighbourhoods, including the uprising of 2005. I argue that MIR's interventions take up themes from the analyses by Frantz Fanon, Albert Memmi and Suzanne and Aimé Césaire to make countercolonial critique “live” in France today.     

Gender,Risk and Micro‐financial Subjectivities

Abstract: This article analyses the gendered contradictions of microfinance's celebrated “double bottom line” of social and financial impact. The example of microfinance is used to illustrate the gendered and colonial constructions of “risk” and “responsibility” that underpin neoliberalism and its gendered paradoxes. After revisiting the discursive critique of these terms, I draw on how indigenous women participating in a microfinance institution in Bolivia describe their experience to suggest how gendered ideas of risk and responsibility are framing their negotiation of and resistance to the market. While the gendered and colonial construction of risk creates dynamics that perpetuate indigenous women's exclusion from the market, the terms of the resistance and use of the intervention also challenge feminist critiques of neoliberal governmentality developed mostly with reference to advanced modernity and welfare regimes.     

Performing post-migration cinema in Italy: Corazones de Mujer by K. Kosoof

Following consideration of the most common representations of migrants in Italian cinema, where they are often portrayed as victimised and minor subjects, this article analyses a film by Davide Sordella and Pablo Benedetti, Corazones de Mujer (2008) as a ‘post-migration alternative’. This film considers a different way of depicting ‘foreigners’, and addresses the complex issues of gender and sexuality as they emerge at the interface between Western and Arab cultures. Within the conceptual framework of Judith Butler's ‘gender performativity’ and Rosi Braidotti's ‘nomadic subject’, this article aims to suggest an alternative way of representing migrants in Italian cinema as agents of social and gender transgressions.