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《巴勒斯坦考察季》2013,145(1):21-26
Abstract

Most modern attempts to identify biblical Ziklag build on the pioneering work of Edward Robinson. Analysis of the medieval and pre-modern observations made by Father Felix Fabri, in Evagatorium in Terræ Sanctæ, Arabiæ et Egypti Peregrinationem and Sionpilger, and Eugène Roger, in La Terre Sainte, provide support for the identification of biblical Ziklag with Tell esh-Shari'ah (Tel Sera') during these periods. Such a medieval and pre-modern identification provides support for this same modern identification of biblical Ziklag and militates against competing identifications with Tell el-Hesi (Tel Hasi), Khirbet Meshash (Tel Masos), Tell es-Seba' (Tel Beer-Sheva), and Tell Khuweilifeh (Tel Halif).  相似文献   

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Book Reviews     
《Early Medieval Europe》1998,7(3):359-372
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The information which can be extracted from studying craft and production in past societies is by no means limited to technology and exchange. Analysing the chaîne opératoire of iron production in medieval society provides a new perspective and knowledge of its role for urban development. Seen as a complex network of economic, social and material relations, craft and production are embedded in society and have the power to influence it. This article presents and discusses the remains of blacksmithing found at the site of Rådhuspladsen ('City Hall Square') in Copenhagen. The analysis focuses on the scale, types and organisation of the ironworking, as well as identifying the people who may have been involved, including their social and geographical networks. This study aims to better understand the role of iron production for the development of medieval Copenhagen and in general, its role in medieval Danish towns.  相似文献   

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The article presents the results of a study based on activity analysis of a medieval churchyard of St. Clemens in the urban setting of Copenhagen. The churchyard was in function from the 11th to 16th century revealing changes in layout and burial rites over time. A glimpse of the symbolic life of the medieval Copenhageners is also exposed and analysed. Moreover, the study of the churchyard reveals activities of a more secular nature and presents some of the activities that must have been part of everyday life in the medieval town. Thus, the churchyard has not only been an arena for meetings between the living and the dead but also a location for experiencing the urban life burgeoning outside the churchyard. For comparison, a recently discovered contemporaneous churchyard at Rådhuspladsen is also discussed.  相似文献   

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The faunal assemblages from Asnæs Havnemark, Fårevejle and Trustrup, located in northwest Zealand, Denmark, yielded extensive yet substantially fragmented bone material dating predominantly to the late Mesolithic Ertebølle culture, ca. 5400–3950 cal BC . This paper presents a combined assessment of skeletal part representation of red deer (Cervus elaphus) and roe deer (Capreolus capreolus) from these three sites in conjunction with quantification of overall fragmentation data for the assemblages. These data indicate that the observed pattern of skeletal part abundance is most consistent with a pattern of density‐mediated skeletal attrition, and therefore the whole carcasses were initially deposited. Deer were not part of a logistic exploitation strategy at these sites. This indicates variability during the Ertebølle period not only in which resources were exploited, but in how these resources were processed. Copyright © 2013 John Wiley & Sons, Ltd.  相似文献   

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The jeu parti – a debate in song weighing questions of love, sex, wealth, ethical behaviour – enjoyed popular acclaim across social classes in thirteenth-century France. Despite the appeal of these texts as historical sources, suggestive of the mentalité of a medieval community through frank discussion of taboo subjects, jeux partis have received sporadic scholarly attention. A rare scroll, copied by an Anglo-Norman scribe (London, Lambeth Palace Library, MS 1681) supplies new evidence of the genre’s transmission outside the pages of a codex and outside northern France. The only known document of its kind to contain jeux partis, it has been overlooked by scholars for a century, yet it suggests that the transmission of music and culture could be achieved textually, borne along the performance circuits of medieval Europe. This study investigates how jeux partis were composed, transmitted and refashioned for new audiences with the aid of text and improvisation.  相似文献   

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Questions of heritage, of ownership of discourses of past and present are important elements in present‐day struggles over identity and belonging, not least those related to immigration policy. None the less, the perspective of immigrant groups is often overlooked when decisions are taken concerning preservation of heritage sites. Since the late 1960s the area around Frederiksværk, Northern Zealand has become the home of large numbers of immigrants, notably from ex‐Yugoslavia, who were brought to Denmark to serve as rank and file in the then booming steel industry. In spite of their undeniable contribution to the development of the town, the cultural heritage of this relatively large immigrant population takes up very little space in the official branding of the town as a key site in the industrial history of Denmark. This article discusses the various place narratives in relation to immigrants in the case of Frederiksværk. We take as our point of departure the Danish notion of kulturmiljø (cultural milieu), which is more material than the notion of heritage. This discussion focuses on the ability of kulturmiljø to capture and incorporate the multiple and often contradictory cultural practices of different groups of actors and not the least to transgress the often rather static and confined view on local history, which often results from the heritage perspective. We analyze how different actors, notably the Yugoslavs, are represented in the narratives of the town, and how Yugoslav immigrants themselves perceive their position in Frederiksværk. Furthermore, we attempt to register some of the imprints made by immigrants on the material and cultural fabric, possibly useful to include in a kulturmiljø of Frederiksværk. The conclusion assesses the potentials and limitations of the kulturmiljø approach with regard to making visible the place narratives of immigrants.  相似文献   

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The medieval hunt and hunting manuals have been studied by historians as sources for the history of medieval science and geography, and for their insights into the daily lives of the elite societies that practiced hunting as a ritualized sport. This article examines two medieval hunting manuals, Juan Manuel’s Libro de la caza, and the Libro de la montería, commissioned by King Alfonso XI of Castile, and King Alfonso X’s law code, the Siete partidas, for their rhetorical and ideological portrayals of hunting and falconry as expressions of aristocratic power and sovereignty over the natural world. The article concludes with a study of an imagined debate between the merits of falconry and hunting with hounds in the Libro de la caza and Libro de la montería that sheds light on Juan Manuel and Alfonso’s competing views on nobility, informed by the political history of war and rebellion that shaped the lives of both men.  相似文献   

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This article explores some of the ways in which the Heptaméron's thirteenth nouvelle plays upon epistolary expectations established by medieval letter-writing traditions, and it suggests how sixteenth-century epistolary exchange had shifted from its medieval antecedents, particularly in regard to the materiality of letters. It also considers the implications of Marguerite's epistolary play for the letter-writing landscape and for the subject at the very heart of the Heptaméron: love, and the fictions we necessarily engage in writing about it.  相似文献   

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Abstract

This article examines Lucy Hutchinson's pervasive materialism, arguing that her use of corporeal imagery – in part shaped by her early translation of Lucretius – contributes to the soteriological purposes of her later works in multiple ways. Criticism on Hutchinson has tended to divorce the materialist imagery of her translation from the Calvinistic themes of her other writings. I argue, however, for the lasting presence of a materialism constructed from the vocabularies of Lucretian Epicureanism, Neoplatonism and John Owen. Focusing especially on the poem Order and Disorder and Hutchinson's theological tract to her daughter, I show how she uses materialism as a “means” to achieving assurance and grace. I suggest that these various responses to physical experience are part of Hutchinson's enduring investigation into the ontology of “Order” and “Disorder”, and her quest for stable spiritual being.  相似文献   

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