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Anton Dumitriu (1905–92) was a Romanian philosopher and logician who attempted to develop the more or less consistent theory of an ‘axiomatic’ tradition, referring to culture and civilisation in the ‘East’ (defined actually as Far East) vs. the ‘West’ (mainly Europe, both Western and East-Central) especially in the inter-war and post-war periods. Dumitriu's essays on Romanian culture or on Eastern vs. Western culture as published in his book Eleatic and Heraclitic Cultures (1987) will make the object of this study. This work is a revised version of his East and West (1943). It should be noted that most of the material discussed here is actually still available only in Romanian since Dumitriu's work on Logic is already translated into English, but his musings on culture and civilisation are available only in Romanian and are, consequently, almost unknown outside the country. This study attempts to make up for that and also to connect Dumitriu's views on culture and civilisation or East and West both to earlier Romanian views and currents in defining culture as well as to contemporary general European trends, while also taking into account the context of the Communist regime in which the second edition of his book was issued.  相似文献   

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Published in 1885, John Cross's biography of his late wife, George Eliot's Life as Related in Her Letters and Journals, was written with the intention to ‘make known the woman as well as the author’ (John Cross, ed., George Eliot's Life as Related in Her Letters and Journals, cabinet edn, 3 vols (Edinburgh: William Blackwood & Sons, 1887), I, v). Yet, ironically, the biography is renowned precisely for the lack of insight it affords readers into the private life of George Eliot. Why did Cross make a promise that he could not keep? My essay attempts to answer this question by examining George Eliot's Life in the context of the fame culture of the late nineteenth century. I suggest that it is possible to read Cross's unwillingness in the Life to make Eliot more ‘available’ to her public as a reaction against the sorts of publicity which, throughout the 1870s, had pushed Eliot's persona into a celebrity arena. George Eliot's Life represents Cross's effort to preserve Eliot's high professional reputation by emphasizing her distance from celebrity culture and her status as a female sage. Through close examination of the reviews of the biography, I identify the contemporary attitudes that made stressing Eliot's greatness appear urgent to her biographer and, paradoxically, so unpopular with the general public. I call attention, in particular, to changing expectations about the relationship between public figures and their audiences as well as the purpose and content of famous Lives. ?1.?Leon Edel, ed., The Diary of Alice James (Harmondsworth, Middlesex: Penguin Books, 1982), pp. 40–41.   相似文献   

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This article takes as its starting point the ancestral connection linking George Washington, first president of the United States, to the parish of Warton in north Lancashire. But rather than simply repeating the various details of this ancestry, this article considers instead the ways in which the Warton–Washington connection has been used within acts of ‘commemorative diplomacy’ — informal and often unofficial activities that deploy cultural memory in the interests of international relations. From the antiquarian endeavours of the 1880s, to the Washington-focused commemorations organized during the world wars, to the Bicentenary events of July 1976, places like Warton have long played a vital role in Anglo-American relations. Indeed, what Winston Churchill famously called the ‘special relationship’ has always been a carefully cultivated ‘myth’ as much as a political reality, and thus rooting it in specific places has been essential, ensuring it seems ‘organic’ rather than constructed, real rather than artificial, old and robust rather than new and superficial. Commemorative activities at Warton therefore offer an important perspective on twentieth-century Anglo-American relations, showing how a north Lancashire connection to the first president has provided an invaluable vector for defining, imagining and celebrating the transatlantic ties of the past and present.  相似文献   

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This article examines recent scholarly work on boredom by drawing on Mikhail Bakhtin’s account of modernity, irony, and mass skepticism. In The Arcades Project, Walter Benjamin noted that, beginning in the 1840s, Western societies had been gripped by an “epidemic of boredom.” He was referring to a peculiarly modern form of mass boredom, associated with the “atrophy of experience” in a mechanized and urbanized social life—a boredom Elizabeth S. Goodstein has characterized as the “democratization of skepticism.” Although Bakhtin says little about “boredom” directly, he probes the sociocultural conditions that give rise to it. Bakhtin, for example, celebrates the liberatory and egalitarian promise of modern vernacular speech, which displays a healthy suspicion of “monotonic” qualities of elite genres, and which springs not from the pulpit or the palace, but from the street, the marketplace and the public square. Bakhtin is concerned about the nihilistic implications of this disenchantment of the world and the threats it poses—indifference, reification and alienation—to the “participative” mode of social life he favours.  相似文献   

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1.Introduction Rural livelihoods in Tibet2 have,during the last fifteen years,undergone fast and profound processes of economic transformation and state-led modernization,both in the TAR and the Eastern parts of the Tibetan plateau.Local life styles have changed at a pace rarely seen in an area where people subsisted,until the late 1990s,almost entirely on nomadic mobile livestock production.New local socio-economic structures with peculiar characteristics have emerged.They include the decline of traditional livestock-based (mobile) pastoralism;the emergence of a ‘post-pastoral’ economy based on the extraction of medicinal fungi for Chinese and international markets;and the emergence,often from below,of new arrangements governing rangeland access and usage.  相似文献   

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The problem of how to describe and account for the present can be identified as a particular preoccupation of poets of the so-called Northern Irish renaissance. This article examines how the temporal deictic ‘now’ functions in some well-known poems by Seamus Heaney, Michael Longley and Derek Mahon. All three poets explore how to combine the plausibility of lyric derived from an individual consciousness with the authority of narrative derived from social interactions. This article will do three related things. First, it will argue that discussing ‘now’ as a temporal deictic enables us to appreciate the full ambiguity and complexity of some poems written at the height of the Northern Irish Troubles. Second, the article will argue that these poems reveal that ‘now’ actually functions in poetry more complexly than some theorists of deixis have allowed. Finally, the article will suggest newly fruitful ways of combining literary stylistics with more conventional close reading.  相似文献   

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SUMMARY: This paper engages with the historical archaeology of the British Isles (With one or two exceptions, I follow the usage of Kearney 2006 in preferring the term ‘British Isles’ to ‘Atlantic archipelago’, preferring the more ideologically loaded, but familiar, term over the arguably more neutral but obscure term.) as a whole. It advocates an approach that foregrounds geography and political economy, via quite simple and traditional ways of mapping variation, for example the work of Cyril Fox. It seeks to play to archaeology’s strengths: rather than seeking abstract origins, it examines how practices later labelled as ‘colonial’ emerged from an intersection of concrete material practices.  相似文献   

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Immigrant-receiving societies are increasingly emphasizing the need for immigrants to integrate into mainstream life. In Britain, this trend has manifested itself in ‘social cohesion’ discourses and policies. Discussions about social cohesion have often focused on the residential patterns of immigrant and minority groups in British cities, with the assumption that residential patterns are an indication of social integration. Integration, however, is also a socio-political process by which dominant and subordinate groups negotiate the terms of social membership. We explore the ways in which British Arab activists conceptualize their membership in and responsibilities to their places of settlement; we also consider how they reconcile notions of integration with their connections to their places of origin. Our study participants speak of the need for immigrants to participate actively in their society of settlement, but they reject the idea that integration requires cultural conformity or exclusive loyalty to Britain. Their definition of integration as a dialogue between distinctive but equal groups sharing a given place provides a normative alternative to social cohesion discourses.  相似文献   

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Abstract

If there were no borders, there would be no migrants – only mobility. The persistent reification of migrants and migration – even in critical migration studies –(re-)fetishizes and (re-)naturalizes the epistemological stability attributed to the (‘national’) state as a modular fixture of geopolitical space. In this regard, migration scholarship (however critical) is implicated in a continuous (re-)reification of ‘migrants’ as a distinct category of human mobility. Thus, the methodological nationalism that rationalizes the whole conjuncture of borders-making-migrants supplies a kind of defining horizon for migration studies as such. The dilemma of methodological nationalism has never been merely a problem of thought, however. It is indeed a manifestation of the veritable participation of researchers and scholars – whether consciously or unwittingly – in the very same sociopolitical processes and struggles through which the ‘national’ configuration of ‘society’ (or, the social field) is reified and actualized as the territorial expression of state power. Therefore, the questions of methodological nationalism and what might be called ‘militant research’ are deeply interconnected, indeed, mutually constitutive. As scholars of ‘migration’ – and above all, as practitioners of ‘militant research’ – we must attend to a self-reflexive critique of our own complicities with the ongoing nationalization of ‘society’. Hence, as researchers or scholars of migration, we are indeed ‘of the connections’ between migrants’ transnational mobilities and the political, legal, and border-policing regimes that seek to orchestrate, regiment, and manage their energies. We are ‘of’ these connections because there is no ‘outside’ or analytical position beyond them. The larger juridical regimes of citizenship, denizenship, and alienage configure us to be always-already located within the nexus of inequalities that are at stake in these conflicts.  相似文献   

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This paper discusses a number of well-known critiques of the museum that seek to identify it as a problematic space for experience. The key argument put forward is that we can find within that analysis a critical geography around the museum that help us to understand the work that it does in relation to experience. Three spatial motifs are drawn from this analysis and discussed: the singular, the interior and the outside. The paper argues that museums since the nineteenth century have established a topos for experience based on a mimetic realism around the experience of both culture and history through the first two of these spatial expressions. Through them museums produces a fabulation of culture and history that supplements for the lack of topos for experience found within modern society as a whole. The latter spatiality – that of the outside – is found in the form of the absent–presence of the event in relation to the archiving principle of the museum, thereby continually unsettling the first two expressions and calling them into question. This dynamic reveals the museum as a space to critically think about what it does with experience and the importance of spatial analysis for that.  相似文献   

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Viking Metal, Pagan Metal and their relatives represent subgenres of Black and Folk Metal characterised by their historical and mythological references, their incorporation of folk melodies alongside traditional music and instruments, and the use of contemporary material culture and dress. Like earlier folk-rock traditions, these subgenres have often steered an interesting course between the hedonistic tendencies which can accompany rock music (the ‘rock “n” roll lifestyle’) and an educational role: metal as heritage and specifically as heritage interpretation. In this paper, the authors explore these various connections through conversations with members of two prominent bands (Týr and Heidevolk) who gave research seminars at the University of York in 2012 and 2013. The connections between music making, landscape, performativity and narration are prominent in both cases, and form the basis of this study.  相似文献   

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This article explores the ecological and ideological context of a passage in which two nationalists lament Ireland's treeless state. Although Joyce satirises these professed tree-lovers and the cause of reforestation, the passage alludes to a lively, serious topic in fin de siècle discourse. While Catholic nationalists blamed the loss of the island's once-vast, oak-dominated forests on British colonialism, a history elided by unionists, they shared a belief in the economic benefits of reforestation. Like Joyce, both sides knew little of Ireland's post-Ice Age natural history and did not appreciate the cultural importance of forest ecosystems to ancient Celtic peoples. Today, the Republic's profit-based plantations of conifers enact the materialist ideology of c.1904 reforestation advocates while overlooking the environmental and cultural benefits of restoring the biodiversity of native deciduous forests.  相似文献   

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Although scholars have recently begun to question the manner in which nationalist temporal narratives are constructed, a similar analysis of nationalist spatial narratives has yet to occur. Instead, scholarship often remains trapped within the territorial boundaries of the nation‐state; the only ontologically given container of nationalism. In order to advance theoretical understanding of nationalism, however, it is imperative that geographers break this sedentary spell, by beginning to map the interstitial historical‐geographies of nation‐building in the context of globalisation. Through an analysis of the transnational development of Irish nationalism in the second half of the 19th century in particular, this paper will illuminate the important role played by the diaspora and other transnational actors in the development of Irish nationalism in Ireland.  相似文献   

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