Michael Drayton’s Poly-Olbion: maritime England and the free seas debates

ABSTRACT

Attending to Poly-Olbion’s river dynamics, I argue that, implicitly opposing natural, inevitable unionization, Drayton demonstrates through visual and poetic means that any viable empire is forged by deliberate local choices about conjunction and affiliation. Further, I show that by reconfiguring Saxton’s maps, rejecting politically defined boundaries and perceptions, and situating three major rivers as the organizing features of the landscape and the empire, Drayton ultimately defines Britain as inherently and universally maritime. Moreover, linking Poly-Olbion to mare clausum and mare liberum debates, I reveal that Drayton situates the flow of self-aware rivers into the sea as an extension of Britain beyond its land boundaries. He thereby suggests that the eventual mixing of British waters with the larger oceans establishes the basis of Britain’s local and global maritime rights, linking regional autonomy and conjunction by choice with claims to both local offshore dominion and global freedom of navigation and trade.     

‘The Pacific Way’ as Postcolonial Discourse

In 2005, an entry entitled ‘Pacific Way’ appeared in a collection of essays on postcolonial thought. While this seems unremarkable, it invites questions concerning both the Pacific Way idea and the nature of postcolonial critique. This article is especially concerned to examine the specific circumstances in which the term was initially articulated and the precise meaning with which it was imbued. Although the Pacific Way acquired some ‘postcolonial’ characteristics in subsequent years, it was evidently anything but in its original formulation. Rather, it was a conservative discourse embracing notions of class hierarchy common to elites among both colonisers and colonised. This brings into question the status of the Pacific Way as a postcolonial discourse, and whether postcolonialism's ‘anticoloniality’ is in fact hospitable to indigenous hegemony, thus undermining its general anti-hegemonic credentials.     

‘The Old Woman as Hare’: Structure and Meaning in an Irish Legend

This paper looks at the St Kitts and Nevis Mummies' plays as published in Folklore by Roger Abrahams (1968). It demonstrates that the texts were originally taken from a play published by the Victorian children's author Mrs J.H. Ewing. This play appeared in several editions, most notably in two series issued by the Society for Promoting Christian Knowledge. Mrs Ewing's text was itself compiled from three northern English chapbook texts and a version from Silverton, Devon. The relative contribution of these texts to Mrs Ewing's play, and the way she put them together, are both explored.     

Auctoritas as sanctitas: Balthild's depiction as ‘queen-saint’ in the Vita Balthildis

This paper assesses the representation of Queen Balthild of Neustrian Francia in her seventh-century Vita as a new kind of saintly figure, a ‘queen-saint’ rather than as a traditional saint-queen. Balthild made herself unpopular among certain factions of the Frankish nobility during her son's minority by interfering in Church matters. In particular, she compelled bishops to grant episcopal exemptions to monasteries and promoted her own, unpopular, candidates to Neustrian dioceses, leading to her identification as a ‘modern-day Jezebel’ by her enemies, and her banishment to the monastic community at Chelles. Modern scholarship on Balthild, led by Lynda Coon, has assumed that Balthild's biographer was keen to erase from popular memory her actions as queen, actions which could be interpreted as inappropriate behaviour for a saint, and that the Life reflects this by emphasising Balthild's more stereotypical saintly behaviour as a nun once she had retired to Chelles. However, it will be argued that, rather than underlining her humility, the author of the Vita Balthildis was in fact keen to show that her interference in Church matters should be seen as contributing to her identification as a saint, by stressing that her autonomous and authoritative use of her power was actually a positive attribute.     

The ‘Kitchen’ as Women's Space in Rural Hausaland,Northern Nigeria

In Hausa villages of northern Nigeria the kitchen rarely exists as a separate room. Except in very wet or cold weather cooking takes place in the open courtyard of the multi-generational extended family compound, or gida. Cooking for family members is a female activity shared, or rotated, among co-wives in what are more often than not polygamous households. Thus, the kitchen is a site of female co-operation, jealousy and various other charged emotions. Using empirical data from a village case study this article analyses how kitchens can be viewed from a feminist perspective as sites of women's power.     

Feminicide as ‘act’ and ‘process’: a geography of gendered violence in Oaxaca

Feminicide in Mexico is most notoriously associated with the serial deaths of women in and around Ciudad Juárez. A 2005 congressional investigation expanded, nonetheless, the geographical scope of feminicide, arguing that the phenomenon was present throughout the country. One location that was identified early on as also experiencing a high rate of feminicide was the state of Oaxaca, in the southern part of Mexico. Inscribed within this shifting geopolitical terrain, this article draws on an understanding of feminicide as both act and process in order to offer a critical portrayal of feminicide in Oaxaca. Beginning with a discussion of the profiles of feminicide in Oaxaca, the analysis moves out to explore the multifaceted processes that enable feminicide to occur. In so doing, we also explore how feminicide intertwines with other forms of social and political violence in Oaxaca. From an ethical-moral terrain, this article joins a broader movement in certain corners of feminist geography that is concerned with ‘making bodies count’ and the politics of witnessing acts of violence.     

‘None but Abigails appeared in white aprons’: The Apron as an Elite Garment in Eighteenth-Century England

In the early eighteenth century, the Duchess of Queensberry arrived at the Bath Assembly wearing a white apron, only to have it torn from her person by a Master of Ceremonies who declared that only a lady’s maid would appear dressed so. This article looks at the apron as a garment worn by elite women in eighteenth-century England in order to consider some of the questions raised by this encounter. Aprons were closely linked with the labouring classes in contemporary representation, and elite women wearing them were therefore accused of imitating the dress and behaviours of their inferiors. While emulation from below has received due attention from scholars, this apparent imitation from above remains underexplored. Elite women certainly did masquerade as country girls at times; however, the apron as an item of elite dress was not as transformative as contemporaries feared. Instead, it became subject to expectations and conventions governed by the rhythms of elite everyday life. Though the Duchess of Queensberry became infamous, elite women wearing aprons were most likely to provoke censure when they defied these conventions.     

The ‘R-Word’ and ‘E-Word’ Definitional Controversies: A Dialogue with My Five Interlocutors

In this piece, I reply to the principal criticisms made by my five interlocutors regarding my conception of Eurocentrism. This entails two key aspects with the first section discussing the ‘E-Word definitional controversy’, where I argue, in the light of the forum, that there are various competing definitions of Eurocentrism in postcolonialism which yield commensurable competing non-Eurocentric antidotes. While I defend my own position, I am interested in revealing this complex picture because it has not been brought to light before and I urge postcolonialists to debate these different conceptions. The second section considers the ‘R-Word controversy’ wherein my interlocutors want me to row back on my claim that post-1945 social science theory is founded on subliminal Eurocentric institutionalism rather than scientific racism or neo-racism. There I consider some of the issues that are stake while concluding that modern Eurocentrism is indeed embedded in racialised thought.     

The ‘Social Construction’ of David Schneider as ‘A Giant of Anthropology’

David Schneider is widely regarded as one of the great anthropologists of our times. This article questions this opinion. First it shows that his fieldwork on the Micronesian island of Yap evidences ethnographic insensitivity, particularly on the matter of an alleged ignorance of physiological paternity, thus calling into question his supposed concern with getting at native understandings. The alleged ignorance forms the ethnographic basis for his later critique of established kinship studies. This, plus his ignorance of lexical marking, invalidates the critique. Even worse is his study of American kinship and its related theory of culture, both consisting mostly of top-of-the-head impressions unrelated to specific operations.     

The question of ‘the political’ in critical geopolitics: Querying the ‘child soldier’ in the ‘war on terror’

After two decades of scholarship on ‘critical geopolitics’, the question of whether it is largely a discursive critique of prevailing knowledge production and geopolitical texts or critique with an implicit, normative politics of its own remains open. These positions are not incommensurate, and much scholarship on critical geopolitics does both. This paper analyzes critical geopoliticians' concern with this question in the present historical moment and probes the possibility of a post-foundational ethic as the basis for ‘the political’ in critical geopolitics and beyond. Empirically, this paper explores these theoretical tensions within ‘critical geopolitics’ by tracing the disparate fates of two young men, both child soldiers at the time of their capture. ‘Child soldier’ is an unstable category subject to geopolitical valence and stigma during the ‘war on terror’. The deployment of extra-legal tactics and spaces of violence, such as those faced by detainees at Guantanamo Bay, point to the rise of biopolitics combined with geopolitics, illustrating the intersection of sovereignty and governmentality as important political fodder for critical geopolitics two decades after its inception. The stories of Canadian Omar Khadr, one of the youngest prisoners at Guantanamo and the only citizen of a Western state still held there, and Ismael Beah, a rehabilitated soldier who fought as a boy from Sierra Leone, illustrate too how geographical imagination strongly shapes access to provisions of international law and the victimized status of ‘child soldier’ in particular.     

The United Nations as the ‘Parliament of Man’

Abstract

Paul Kennedy. The Parliament of Man: The Past, Present, and Future of the United Nations. Toronto, ON: HarperCollins, 2006. Pp. xvii, 361. $36.95 (CDN); Ronald St John Macdonald and Douglas M. Johnston, eds. Towards World Constitutionalism: Issues in the Legal Ordering of the World Community. Leiden: Brill, 2005. Pp. xviii, 968. €235.00; $317.00 (US); S. Neil MacFarlane and Yuen Foong Khong. Human Security and the UN: A Critical History. Bloomington and Indianapolis, IN: Indiana University Press, 2006. Pp. xix, 346. $35.00 (US), paper; David M. Malone. The International Struggle over Iraq: Politics in the UN Security Council, 1980–2005. New York, NY: Oxford University Press, 2006. Pp. xiv, 398. $59.95 (CDN); Michael J. Matheson. Council Unbound: The Growth of UN Decision Making on Conflict and Postconflict Issues after the Gold War. Washington, DC: United States Institute of Peace Press, 2006. Pp. xvi, 422. $19.95 (US), paper; Ramesh Thakur. The United Nations, Peace, and Security: From Collective Security to the Responsibility to Protect. New York, NY: Cambridge University Press, 2006. Pp. xvi, 388. $32.99 (US), paper.     

‘Impressions of Weird Fate’: Revision and Crisis in ‘The Lady of Shalott’

Alfred Tennyson disliked the engraving of ‘The Lady of Shalott’ produced by William Holman Hunt for the 1857 Moxon edition of Tennyson’s Poems, accusing the artist of taking too many liberties in depicting the Lady’s hair and the threads of her weaving as ‘wildly tossing’ around her. This essay traces the histories of both Hunt’s image and Tennyson’s text, arguing that the poet’s objection is grounded in the fact the engraving reproduces the fierce agency that characterizes the Lady in Tennyson’s 1832 original but not his 1842 revision. That pattern of revision, I suggest, reflects the poet’s distress over the 1833 death of his beloved friend Arthur Hallam and is motivated by his new ways of thinking, in the wake of that catastrophe, about the crisis of desire and the perpetual trauma of communication between the living and the dead.