Milton,the passions,and the knowing body

ABSTRACT

This paper challenges the notion that Galenic humouralism stripped the early modern body of agency and argues that some accounts of early modern materialism were connected to epistemology. It evidences how Milton’s passions are inscribed with the shocking language of agency and moral responsibility to overturn the assumption of “passive”, unconscious passions. It explores two pictures of passions in connection with knowledge: passions as obstacles to knowledge, and passions as sources as knowledge. Both images recast the material body as a knowing agent, but do so with complications. Agency-ridden passions complicate a straightforward notion of agency, and seem to leave early moderns with the option of blaming their passions instead of themselves for deception. Frequent references to internal passions in political discourses also suggests an unsettling degree of comfort with subjectivity in making knowledge-statements, but it is a version of subjectivity that seems far more public than private.     

Thomas Traherne,Thomas Hobbes,and the Rhetoric of Realism

Abstract

Thomas Traherne has often been seen as a mystic detached from the turbulence of his period. Recent scholarship has attempted to place him more firmly in context. This article contributes to this trend in arguing that Traherne's late works, especially Commentaries of Heaven, were shaped by the pressure of responding to Thomas Hobbes's Leviathan. Though Traherne makes only one direct reference to Hobbes, his idiosyncrasies in thought, argument, and mode of expression are all fundamentally influenced by the need to counter Hobbes's account of ethics, metaphysics, and language. Traherne is particularly concerned to assert and display an ardent realism against Hobbes's nominalism. In doing so, he creates a complicated play of rhetorical figures, especially abusio or catachresis, as embodying theological commitments. This both places Traherne more clearly against the background of the intellectual history of the period in which he lived, and demonstrates his particularity as a writer.     

Milton,drama, and Greek texts: preface

ABSTRACT

This collection of essays explores the connection between Milton’s approach to drama and his engagement with Greek antiquity. Paying attention to early Christian and early modern interpretive traditions as well as Greek literature, it situates the power of this conjunction for Milton within the larger project of the northern Renaissance.