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Drawing on a case study of married female migrants from two rural villages of Hung Yen province to Hanoi City, Vietnam, this paper investigates the implications of female migration on gender roles and relations within families. The paper shows that wives' migration changes gender roles and relations within the family. Being on the move, migrant wives become the main breadwinners while their husbands left behind take on the role of carers. The migrant wives acquire a stronger voice in family matters and a strong sense of pride, worthiness and earned respect, whereas their husbands experience a loss of power. However, these changing gender roles and relations rarely result in family fragmentations; instead, families are still being sustained as migrant wives ‘do family’. By ‘doing family’, they can exploit their increasing power in an acceptable manner, so that patriarchal family ideals are not openly confronted. This paper provides a more nuanced understanding of the implications of female migration on families, i.e. the simultaneity of the reproduction of and the change in gender roles and relations within families.  相似文献   

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Bollywood’s transnational mechanisms offer a unique space to study gendered subjectivity. My article studies a specific Bollywood movie, English Vinglish (2012) to draw out the profile of the ‘new woman.’ Persistently, I question the ‘new-ness’ to the construction of women when the ‘new’ reiterates the values of tradition, nation, and family. The ‘new’ seems to exist as a particular and unique transaction between local traditions and the global spread of populations that make limiting conceptions of woman, nation, or family, anomalies in a world propelled by expanding market needs and demands. The ‘new’ while offering possibilities for women, concomitantly carries different exclusions based on class, religion, language, and other identities. Understanding the formation of gender under contemporary conditions of transnationalism requires attentiveness to an insidious partnership of possibilities and exclusions that makes it simplistic to think in terms of progress or regress.  相似文献   

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Abstract

Scholars search for analogies with which to better understand biblical texts. David has been compared to the “outlaw”, “refugee”, “vassal”, “renegade”, “guerrilla”, “bandit chief”, “fugitive” and “fugitive hero”. This article suggest that there are better cultural-social analogies, i.e., David as a “goodfellan”while in exile from Saul and in the land of the Philistines, and upon accession to the throne, “The Godfather”.

This article also has, as a part of its purpose, the intent to unmask some of the behavior of David and of monarchy for what they are: essentially organized crime maintained in large part by the use of indiscriminate violence-supported by nonsensical myths and obvious hypocrisy.

Cross-cultural comparisons are made throughout between the David stories, gangster movies and systems of monarchy—especially the ad hoc feudal type. Historical questions aside: The David stories can be “cross-culturally” compared with gangster films as “art”.  相似文献   

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This article interrogates the politics of safety that underpin rehabilitative practices in a state-funded shelter run by an anti-trafficking NGO in Eastern India. It focuses on the experiences of a group of female adolescents, categorised as ‘child marriage victims’, residing at the shelter. The analysis of in-depth life history interviews collected over a two-week period in October 2014 reveals that the adolescents contest the legislative victimhood imposed on them. For them, their marriages and pre-marital relationships are an expression of romantic and sexual agency, in contravention of familial norms. In this context, the adolescents perceive the shelter as a punitive space and interpret their enforced stay for ‘protection’ and ‘rehabilitation’ as an extension of familial control and regulation of their lives. The protectionism-as-safety discourse rewrites their agency as victimhood and transforms the shelter into a site where everyday forms of gendered power inequalities within social relations in the household are authorised and reproduced by the state and NGO. The adolescents perceive themselves as ‘bad girls’ and adopt various strategies to insist on their rehabilitation into ‘good girls’ to secure release from the shelter often by enacting the ‘victimhood’ expected of them. This allows for unique expressions of agency in an otherwise constrained context but hinders relationships of solidarity with other residents. Overall, the article highlights the need to challenge the ways in which patriarchal norms continue to spatially govern and discipline the expression of female sexuality and agency through 'safe spaces' in India.  相似文献   

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本文披露了20世纪80年代中期在古临安城(杭州市)发现的一件刻有“‘进’‘■’”字款的越瓷残片,论证其为南宋皇宫坤宁殿的用瓷,产于南宋初年古银锭湖寺龙口窑。  相似文献   

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‘文物參考資料’是以圖書館、博物館及其他文物工作者為主要對象,以有關圖書館、博物館、文物保護工作的法令、報導、經驗、技術和理論為內容,特別着重於學習蘇聯先進經驗的參考性資料性的刊物。創刊於一九五○年一月,原為中央文化部社會文化事業管理局的內部刊物,第七期後改為  相似文献   

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Infante Dom Henrique of Portugal, better known as Henry the Navigator, has enjoyed much attention from historians and public alike. Past writers have elevated him to an icon of chivalry and Portuguese national spirit, or, because of his impact on the early overseas expansion, ascribed to him a Promethean role in the rise of modernity. The works of Sir Peter E. Russell, including his new biography Henry ‘the Navigator’: a life (New Haven, 2000), have made a great contribution to separating the historical Dom Henrique from his ‘culture hero’ counterpart, Henry the Navigator. They represent a key point of departure for new research, which will need to focus on placing Dom Henrique in the context of his times and his contemporaries. Thanks to the dramatic advances that have taken place over the last twenty years in the historiography of late medieval Portugal and of the early European overseas expansion, as well as in the prosopography of the Iberian nobility, it is now possible to aspire to an in-depth contextualization of Dom Henrique's life and career. It is likewise possible to exploit much more fully the existing primary sources, both published and unpublished. The foundation now exists for an histoire totale approach to Dom Henrique, an undertaking called for by Vitorino Magalhães Godinho in his comprehensive 1990 program of research on the Portuguese overseas expansion.  相似文献   

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This paper focuses on Jan Monk's contribution to reinforcing diversity and collaboration in the field of human geography. It illustrates how gendered diversity and feminism is promoted in her academic work both inside the Anglo-American academic world and outside, by exposing the feminist voices from around the world and mainstreaming them in her collaborative work. Fostering and reinforcing diversity has become a body of knowledge in her extensive publications in which she assesses the varying extent and nature of feminist geography in the Anglophone world and across countries, attempting to interpret differences in terms of geographical and cultural contexts and disciplinary trends. The paper emphasizes how fostering diversity and collaboration in Jan's academic work is not only about writing articles, editing books and producing a film, but also engages the formulation of organizational structures such as the Routledge book series and the initiation and establishment of the Commission of Gender and Geography of the International Geographical Union which have contributed to the production of collaborative feminist geographical knowledge across spaces and places.  相似文献   

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