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Objects from the European Iron Age decorated with swirls and scrolls, faces and figures, and generally referred to as Early Celtic Art, can offer deep insight into later prehistoric notions of creativity. By drawing on archaeology and social anthropology, art and architectural design, this theoretical discourse investigates the design processes involved in the creation of Early Celtic Art. Rather than attempting to decipher a meaning behind decoration, this enquiry uses architectural ‘Design Theory’ to explore the implications of certain design choices. It starts with the premise that these designs are integral to the objects in order to identify different layers of complexity, innovation and emulation, and ends with wider reflections on who was creative and how. This approach, borrowed from architectural analysis, aims to open a new line of enquiry into the fascinating world of Iron Age creativity.  相似文献   

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The final volume of the Polyglot Bible, edited by Benito Arias Montano and printed in Antwerp by Christophe Plantin, was published in 1571–1572. Forming part of the Bible's Apparatus, the volume contains a number of essays, illustrations and maps by Montano relating to questions raised by the biblical text. Montano's maps were a product of his philological training in Oriental languages and exegesis, his profound interest in antiquarianism and geography and his practice of visualizing and tabulating knowledge. He designed his maps both as study aids and as devotional‐meditative devices. Moreover, the maps reflect his wider philosophical outlook, according to which Holy Scripture contains the foundations of all natural philosophy. Montano's case encourages us to re‐examine early modern Geographia sacra in the light of the broader scholarly trends of the period.  相似文献   

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Scholars generally dismiss the ideas of the eighteenth-century founder of the Royal Irish Academy, Charles Vallancey, who argued for links between ancient Irish, Phoenician, and Scythian languages and cultures. Vallancey's antiquarian writings were widely known at the time and impacted upon thinkers such as William Jones, who first correctly articulated the links between Indo-European languages. Earlier, Vallancey had hypothesized similar links and a “common source” of world languages, relying on Irish origin legends and supposed similarities between Ireland and the “Orient.” Though inaccurate, his ideas spurred fuller investigations, prompting philologers in new directions. The father of semiotics, Charles Sanders Peirce, argued for the value of speculative reasoning, outlining the logic of discovery. For Peirce “abduction” is the beginning of the scientific method, the formation of a hypothesis. Reading Vallancey's speculations as abductive suggestions accounts for his prominence at the time and asserts his influence in the history of philology and linguistics.  相似文献   

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The relationship between major and minor elements, trace element composition, and age of obsidian sources within a volcanic field, is of considerable interest for obsidian source and artifact research in the New and Old World. The present study investigates this relationship in the Medicine Lake Highland of western North America. Geological evidence had indicated a very young age for all obsidian sources in the Highland, yet archaeological evidence suggested that obsidian was utilized for several thousand years. X-ray fluorescence analysis distinguished the latest flow (Glass Mountain) from the Cougar Butte, Grasshopper Flat, and Lost Iron Wells sources. Data obtained from two nearby archaeological sites showed that obsidian from the latter two sources was used by c. 7500 bc, while Glass Mountain material was not used (or available) until after 1360± 240 bp. These findings indicate that inferences of an extremely recent age for all obsidian sources in the volcanic field were unwarranted. Further analysis of major and minor elements indicated different hydration rates for these sources. The results argue that significant geochemical variability, as well as age differences, can exist between obsidian sources within the same volcanic field.  相似文献   

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This research is an investigation of the locations of Late Neolithic and Early Bronze Age round barrows in the Peak District. The work involved close examination of the barrows present around two earlier monuments: the Long Low bank barrow and the henge at Arbor Low. Using a Geographic Information System, it considered the densities of the barrows around these focal monuments, inter‐visibility between the sites, and the distribution of distinctive artefacts in the surrounding area. The results raise important questions about the role of memory in the past.  相似文献   

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Level IV of Molodova I, an open-air Middle Paleolithic site in the Ukraine has been described by some researchers as a possible source of evidence for early symbolic behavior. We examined bone objects from this layer that were identified by Ukrainian researchers as exhibiting possible Neandertal produced engravings including two anthropomorphic figures. While we have determined that there is no evidence of symbolic activity at Molodova I, the database we have created, with its systematic recording of traces left by taphonomic agents on faunal remains, provides a better understanding of the overall site taphonomy.  相似文献   

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Special buildings used as saunas have been found in certain large hillforts in the north of Portugal and in the Cantabrian coastal area of Asturias and Galicia in Spain. The principal aim of this study is to highlight the importance of these buildings in the archaeology and art of the European Iron Age, where they are very rarely mentioned. Two approaches are developed: in Parts 1 and 2, we explain the structure of the buildings, their function, and the current debate surrounding their dating. In Parts 3 and 4, further analyses are developed on their position in the landscape, associating the saunas with the public life of the hillforts, and on the decorative structure of the pedras formosas (‘beautiful stones’) found in some of them, and their relation to certain artistic trends in so‐called Celtic art.  相似文献   

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This article considers the transformation of artists' education during the nineteenth century, from neo-classical idealism to classical naturalism. Through a study of manuals of anatomical education used in the Royal Academy and the École des Beaux-Arts, it shows that this change was the result of the massive importation into Western Europe of specimens of fifth-century B.C. Greek art, and, most notably, of specimens of the work of Pheidias and Polycletus. European contact with Pheidian anatomical naturalism acted as a catalyst for the introduction into art of the modern spirit of science thereby making figural art modern.  相似文献   

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