Cultural Materiality and Spiritual Alienation

Abstract

This article takes its point of departure in Phillip Blond’s Christian criticism of secular materialisms and the failure of modern thought to appreciate the true materiality of creation. He challenges secular thought and returns to a combination of Greek and Christian Trinitarian thought, in order to reach for a new ground for political theology. Blond’s Christian ontological claims are contested, but an aspect of them is brought into the context of cultural creation and related to questions of the spiritual dimension of cultural arte-facts in a secular setting. Against the background of Friedrich Nietzsche’s struggle with the difficulty of singling out a pure secular culture from the old and (in his view) stifling religious heritage in society and culture, this article suggests that a radical notion of human intentional (but finite) creation, analogous to Blond’s idea of God’s infinite creative intention, may be helpful for a construction of a materialistic critical theory about contingent spiritual obstacles to political change.     

Introduction: The Materiality of Traces and Legacies

This Special Issue presents issues in contemporary archaeological theory and practice as influenced by the work of H. Martin Wobst. Wobst came to study in the U.S. nearly 50 years ago and has contributed to many changes in the theory and practice of archaeology since then. Though the papers cover a wide range of topics they share common interests in seeing materiality as constitutive of culture, archaeologists as participants in the present as well as observers of the past, and an interest in transcending traditional definitions of archaeological research.     

Materiality and Autonomy in the Pocumtuck Homeland

The Indigenous people of New England’s middle Connecticut River Valley are often imagined as having been subservient to powerful tribal nations elsewhere. Yet, archaeological and ethnohistorical evidence suggests Pocumtuck independence and autonomy in relations with neighboring Native groups and with Dutch, English, and French colonizers during the seventeenth century. We employ a decolonizing framework, drawing on H.M. Wobst’s critique of the preoccupation with dominance and geopolitical “centers” to analyze this evidence. By framing artifacts, colonial texts, and cultural interactions as both past and present “material interventions,” we can generate better understandings of Pocumtuck political autonomy, agency and identity.     

The Measures and Materiality of Improvement in Ireland

This paper examines the impact and evidence of Improvement thinking on domestic and social spheres. Taking the example of Ireland it examines the origin and development of improving strategies and methodologies from the seventeenth to nineteenth centuries, in particular the widening application of reform to incorporate domestic, educational and moral concerns. Improvement measures were imposed on communities often by a land-owning class of differing social and religious origin, engendering socio-political tension still evident in Ireland today. Equally it was a period of new commercial opportunities and social betterment creating new class divisions that have been previously undervalued. This paper draws on work on a group of islands on the northern periphery of the country, where archaeological and historical evidence demonstrate that the reforms associated with the Improvement project were still underway well into the nineteenth century.     

The Materiality of Social Power: The Artifact-Acquisition Perspective

This paper explores the materiality of social power relationally through study of social interactions with artifacts. Specifically, it is argued that acquisition of an artifact instantiates social power by imposing interactions on groups taking part in that artifact's life-history activities. We introduce the “performance-preference matrix,” an analytic tool for systematically studying the effects of such acquisition events on activity groups. The use of the performance-preference matrix is illustrated through an example: the acquisition of electric-arc lights for lighthouses in the 19th century. Suggestions are offered for analyzing culture-contact situations and for handling singularized artifacts such as heirlooms and monuments.

Material Matters: Representation and Materiality of the Harappan Body

In the Indus Civilization (ca. 2600–1900 BC), a society with no readable texts and few larger-scale representations, terracotta figurines were the most common representations of the human body. This paper explores the unique construction of the material representations of bodies and other material culture from Harappa, a major Indus site now in Pakistan. Hand-modeling representations of human bodies from dual clay pieces, sometimes decorated with bone pigments, suggests a focus on the process and ideological rather than practical choices in the materialization of the Harappan human body. For the Harappans, material matters as they engage physically with their world and embody themselves and their worldview.     

Twisted Lives: On the Temporality and Materiality of Biographical Presences

People??s biographies are dominated by a multitude of factors. In recent years it has come to a general understanding that people??s life histories are embedded in things just as things are premising the biographies of people. Still, the scholarly discussion has concentrated heavily on individual biographies resulting in life-histories of bodies and individuals confined by their bodily framework rather than conceptualizing the person through the mutual interaction between people and things and the interrelationship between various presences in the revelation of the temporality and materiality of biography. In this paper I aim to explore the category of personal biography resting upon aspects of Heideggerian philosophy. I argue for biographical presences that are spread across time, subjected to shared participation and intrinsically intertwined with the narratives they generate. The argumentation rests upon my personal involvement with the biography of a seventeenth-century peasant from the farm Búearárbakki in southern Iceland. The site and its material culture have emerged as the cause and consequence of our shared life-histories manifesting the notion of multi-temporality and materiality to the category of biography.     

Lines of Desire: Power and Materiality Along a Tanzanian Caravan Route

The caravan routes that connected the East African interior to the coast are well known from the nineteenth century, when trade along them was intense and increasingly formalised. It is understood that this brought important changes in the structure of society, in people–object relations and in the opportunities for the exercise of power; we also assume that this situation differed from pre-colonial periods, yet very little archaeological work has examined that assumption. Understandings of the incorporation of this region into a larger world of commodity exchange have been based upon implicit assumptions about the role of trade; these often stress the underdevelopment of East Africa. Yet it is necessary to examine the ways in which foreign goods were made commensurable with valuables and assets in the regional economy before it is possible to discuss the ways that access to these goods may have affected local power structures. This paper attempts such an analysis, through a focus on two areas in the interior which have been the subject of recent archaeological field work. By tracing the specific histories of their interaction with objects before and during the nineteenth century, it examines the assumption that the accumulation of exotic objects was necessarily the basis of authority. Instead, it will be argued that the ways in which new opportunities and objects were incorporated were specific and local, fitting within existing schemes of understanding and the authorisation of power.     

物质文化遗产的非物质性与非物质文化遗产的物质性认同

文化遗产是人类创造的文明结晶,物质文化遗产包含着精神内涵,非物质文化遗产必然依托于物质载体。文化遗产兼具物质性和非物质性两种因素:物质文化遗产与非物质文化遗产相互依存、互相作用。认清两种文化遗产之间的区别和联系,对于文化遗产的保护具有理论指导作用。     

Materiality and Mutable Landscapes: Rethinking Seasonality and Marginality in Rural Ireland

Drawing on examples from Achill Island, County Mayo and from the north Antrim uplands, notions of marginality, isolation, and cultural stagnation associated with upland landscapes are explored in light of contradictory material and documentary data, raising questions about the materiality of marginality and challenging static, nationalist presentations of rural Irish life in the post-medieval period. Discussion of the Irish evidence is contextualized with reference to the twentieth-century construction of marginality in southern Appalachia.     

The Materiality of Mental Health at the Morrissey World War I Internment Camp

Historical Archaeology - To date, very little is known archaeologically about First World War–era internment camps, especially in Canada, where this history was actively erased through the...     

The Banality of Gilding: Innocuous Materiality and Transatlantic Consumption in the Gilded Age

This paper examines Gilded Age affluence by focusing on apparently inconsequential decorative goods and assessing how such goods were part of shared transatlantic patterns that reached beyond the Gilded Age and the confines of urban America. The paper focuses on figurines recovered from nineteenth-century sites in London and underscores how the American Gilded Age amplified many early nineteenth-century material patterns and ideological practices that were well-established in the United Kingdom and continued after the height of Gilded Age affluence. This study examines the symbolism of such aesthetically eclectic goods and focuses on the socially grounded imagination that was invested in them borrowing from dominant ideologies and idiosyncratic personal experiences alike.     

Magunkaquog Materiality, Federal Recognition, and the Search for a Deeper History

This article explores the manner in which archaeology can address some of the issues that confront contemporary Native American groups trying to gain federal recognition. Often frustrating and at times capricious, the federal recognition process privileges documentary evidence over other forms of information in determining the political and cultural continuity demanded of groups seeking recognition. Demonstrating cultural continuity is hindered by the antiquated, assimilationist views that underpin the recognition process which equate the adoption of European cultural practices with the loss of Indian identity. This issue of authenticity is linked to even broader questions concerning materiality and the construction of identity. Drawing on archaeological and documentary investigations of the Christian Indian community of Magunkaquog, this paper explores the ambiguities of an archival record that can be challenged by material evidence. Archaeological evidence of cultural persistence discussed in the paper supports the political arguments of contemporary Native American groups that their ancestors maintained their political and cultural identity in the face of European colonization.     

Camouflaging Consumption and Colonial Mimicry: The Materiality of an Eighteenth and Nineteenth-Century Nipmuc Household

This article serves as an interpretation of Nipmuc history in colonial contexts by focusing on the engagement and survival of the “capitalist colonial” world by the eighteenth- and nineteenth-century Nipmuc inhabitants of the Sarah Boston Farmstead Site in Grafton, Massachusetts. Ceramic analyses are drawn upon to argue that active consumer strategies and/or choices may potentially undermine the material and discursive markers of difference linked to notions of domesticity, class and race. The apparent homogenized or “insignificant” character of the Sarah Boston Farmstead ceramic assemblage is argued to in fact be quite significant, as its banality speaks to a degree of knowledgeable “mimicry”—tactical or not—that may have deflected (but not negated) inequality through the undermining of markers and discourses of difference.     

Between Memory and Materiality: An Archaeological Approach to Studying the Nazi Concentration Camps

Abstract

By its very nature, historical narrative that is rooted exclusively in textual sources is destined to be more linear, more univocal, and less equipped to deal with the problematic. On the other hand, due to its unique abilities and approaches, historical archaeology thrives on the tensions inherent to any attempt to understand past and present experience. In this article I negotiate between two approaches to studying the concentration camps of the Third Reich—one canonical the other experimental. It is suggested that when studying the camps, we are faced with a series of tensions: between past and present, between remembering and forgetting, and between live human actors and the material record. This article explores two research paradigms: first, the traditional text-centric historical approach, and second, an approach that might be called 'historical archaeological'. I embrace the inherent tensions between the two approaches, and put forward some innovative ways for coming to terms with these places of internment.     

Negotiating Materiality: International and Local Museum Practices at the Vanuatu Cultural Centre and National Museum

In this paper, we examine the idiosyncratic ways in which the Vanuatu Cultural Centre has incorporated global museum technologies into highly localised systems of object management. The convergence of understandings of subject‐object relations, and indeed of materiality, highlights the effects of museum practices of objectification on local practice as well as the effects of local agenda on museum practice. In constructing a holistic analysis of the current work of the Vanuatu Cultural Centre, we examine practices of display and exhibition in the context of the archive and storeroom, and grass‐roots research; moving away from the emphasis on visuality and exhibition found in many museum studies, to an approach that locates display as but one form of objectification within wider social practice. We challenge some analytic models that view Melanesia and Euro‐America as zones that organise subject‐object relations dichotomously, highlighting instead the mutual contingency of relationships between persons and things between cultural contexts and the effects of the international exchanges of museum practice on the development of these relations.