A psycho-historical source: the Memoirs of Abbot Guibert of Nogent

Medievalists turn to Guibert of Nogent's Memoirs (1116) for the account of the Laon uprising they contain. And yet this account is poor history. It is didactic and self-righteous in tone; one senses that the writer consistently sacrificed historical truth to the moral point he was trying to make. Scratch this twelfth- century ‘historian’ and you will find underneath a guilt-ridden cleric, haunted by vivid sexual reminiscences of his mother and by the terrible chastening reality of the Virgin Mary. A sensitive reading of the confessional sections of the Memoirs may yield up crucial unconscious impulses in a medieval man's psyche: his ‘masculine’ ambitions for glory, his need to prove his manhood, and yet also his ‘feminine’ desire for selfless submission to God, and his need to achieve a kind of passive holiness and innocence. These opposing impulses may account for the ‘demon’ that tortured Guibert of Nogent.After isolating certain psychological themes in the Memoirs it is possible to relate these themes to various nuances in the psychological ‘milieu’ of twelfth-century France. It is also possible to relate some of these themes to a ‘milieu’ not altogether different from that of twelfth-century France — twentieth-century southern Italy. For in southern Italy, we find that the psychological relationship between masculinity and femininity and (perhaps as a result of this relationship) the prominence of the Virgin Mary in the lives of the people corresponds closely to the situation in twelfth- century France. But this cross-cultural analysis is meant only to illuminate some of the possibilities of psychohistory. At the very least, a psychohistorical consideration of a text such as Guibert of Nogent's Memoirs should reveal some useful correlations between the single psychological current and the larger tides of cultural history.     

William Rufus: myth and reality

The commonly accepted view of the reign of William II (1087–1100) is a political myth, primarily the work of Eadmer, who depicted the king as the villain against whom St Anselm strove to impose the revolutionary Gregorian reform programme in England. Henry I, moreover, denigrated his brother's regime as a cover for furthering William's harsh but constructive policies. Eadmer's writings were quarried by subsequent twelfth-century writers in the mainstream of the English monastic historical tradition, who added their own literary embellishments. Nineteenth-century historians uncritically accepted these accounts and Henry I's gloss on the reign. They then contributed moral judgements of their own, which passed without qualification into modern secondary works.This paper re-evaluates William II's political and governmental achievements, and his ecclesiastical policy. His character is considered in the light of recent work on twelfth-century intellectual and psychological attitudes, and the accounts of more favourable chroniclers. It is concluded that the king developed his father's strong policies in every direction with considerable success, making possible the more publicized but essentially imitative work of Henry I. William's expansion and consolidation of national frontiers, his legal and financial developments, and his maintenance of royal control over the Church are revealed under the distortions of ecclesiastical and Henrician historiography.     

Getting the punchline: deciphering anti-Jewish humour in Anglo-Norman England

The idea that laughter was impossible for medieval monks has been largely overturned in recent decades, but the paucity of sources and the cultural specificity of humour still makes understanding their sense of humour difficult. William of Malmesbury, a twelfth-century English Benedictine, nevertheless provides a rare glimpse of what made monks laugh in his collection of Marian miracles, the Miracula sanctae Mariae. Introducing one of his miracle stories as ‘a great joke that will have readers laughing out loud’, William gives us invaluable information about the way humour could infiltrate the most unlikely of genres, in this case one generally thought to be devotional and edificatory in nature. The story is also virulently anti-Jewish. By placing the joke in its historical context, exploring the themes of corruption, political weakness and interaction between Jews and Christians in twelfth-century England, we can understand what this joke meant and what it can in turn reveal about the world that produced it.     

Philip of Harvengt's Life of the Blessed Virgin Oda

For every famous author of the twelfth-century renaissance, there are numerous lesser-known writers. Despite being overshadowed by more brilliant scholars or those closer to the centre of important events, their voices add depth to the study of the intellectual and religious history of this period. A founding member of one of the earliest Premonstratensian houses, a highly-educated and prolific author, much in demand as a hagiographer, and a vigorous defender of the clerical order, Philip of Harvengt is one such writer, and a worthy subject for study. This article examines one of his hagiographical works, the Life of the Blessed Virgin Oda, a nun attached to his own house, whom he portrays as a martyr. It analyses the predominant and recurrent concerns and ideals expressed in the Life, particularly the claim to martyrdom, and the means by which this is expressed.     

The Mystery of St Cuthbert’s Ducks: An Adventure in Hagiography

‘St Cuthbert’s duck’ is a folk name for the common eider (Somateria mollissima). The saint’s affinity for the black-and-white ducks has been accepted uncritically for centuries. For such a well-documented saint, however, his ducks are strangely absent from early records. His near-contemporary hagiographers, including the Venerable Bede, make no mention of waterfowl. The enduring association begins almost five centuries after his death in a piece of twelfth-century folklorismus.     

Anti-Jewish rhetoric in Guibert of Nogent's Dei gesta per Francos

When Guibert of Nogent, a Benedictine monk living in northern France, re-wrote the anonymous Gesta Francorum, an eyewitness chronicle of the First Crusade, he changed more than just the style and the title. One of Guibert's most significant additions to his model was vitriolic anti-Jewish rhetoric. The present article explains some of the reasons why Guibert felt the need to deride the Jews of the Old Testament, particularly the Maccabees, as part of his narrative of the First Crusade. It attempts to demonstrate that Guibert's playing down the achievements of Jewish warriors of the past was inseparable from his aim to present crusading, to quote Jonathan Riley-Smith, in ‘theologically acceptable terms’, as a spiritual enterprise.     

Adgar's Gracial and Christian images of Jews in twelfth-century vernacular literature

This article concerns the adaptation and translation into the Anglo-Norman vernacular of an existing tradition of Latin miracles of the Virgin by the twelfth-century poet William Adgar. Adgar included many older ideas about Jews in his version of the stories, but also borrowed themes and language from contemporary courtly romance literature in order to suit his intended audience of lay nobles. In doing so, he portrayed Christian characters as the embodiment of loyalty and other courtly values. At the same time, he began to portray Jews according to courtly types of treachery. New implications emerged in his work about the general moral character of Jews, in contrast to previous works that commented mainly upon the nature of Jewish belief. Recent scholarship on Christian-Jewish relations in the twelfth century has begun to pay increasing attention to the movement of new Christian ideas about Jews outside of scholarly and ecclesiastical circles. The study of vernacular literature has an important place in this scholarly debate, since the move to the vernacular broadened the audience among which the new ideas about Jews could be spread.     

Italian history and gli italiani nel mondo,Part II

Abstract

Italian historians have not yet seriously confronted the emigration of 27 million Italians as an interpretative theme. Part II of this two‐part article studies Italian migrants’ experiences in France, South America, Switzerland and Germany, comparing ‘Latin’ and ‘Germanic’ receiving areas to the English‐speaking world discussed in Part I. A focus on these other sections of the Italian diaspora challenges some fundamental interpretations of historians of Italy about emigration: Italian migrations to these areas were neither limited to the late nineteenth century, sparked by the economic crises of those yean, nor a product of the ‘problem of the Mezzogiomo’. Italian historians have special opportunities to study return migration to Italy, and to interpret Italy's own evolution into a multicultural receiving country, by comparing it to the models of multi‐ethnic nations where Italian migrants once settled around the world.     

Adgar's Gracial and Christian images of Jews in twelfth-century vernacular literature

This article concerns the adaptation and translation into the Anglo-Norman vernacular of an existing tradition of Latin miracles of the Virgin by the twelfth-century poet William Adgar. Adgar included many older ideas about Jews in his version of the stories, but also borrowed themes and language from contemporary courtly romance literature in order to suit his intended audience of lay nobles. In doing so, he portrayed Christian characters as the embodiment of loyalty and other courtly values. At the same time, he began to portray Jews according to courtly types of treachery. New implications emerged in his work about the general moral character of Jews, in contrast to previous works that commented mainly upon the nature of Jewish belief. Recent scholarship on Christian-Jewish relations in the twelfth century has begun to pay increasing attention to the movement of new Christian ideas about Jews outside of scholarly and ecclesiastical circles. The study of vernacular literature has an important place in this scholarly debate, since the move to the vernacular broadened the audience among which the new ideas about Jews could be spread.     

The apparitions of the Virgin Mary of Medjugorje: the convergence of Croatian nationalism and her apparitions

Abstract. This article concerns the alleged apparitions of the Virgin Mary in one of the most popular, ‘active’ apparitional sites in the world: Medjugorje in Bosnia and Herzegovina. The connection between nationalist discourse and apparitions has often been observed and noted in the literature on nationalism; however, the examples of this connection are scattered in the literature and the question why the apparitional phenomenon so easily lends itself to co‐option into nationalist discourse has never been addressed. This article explores this question by showing that what binds the two phenomena together is the idea of ‘chosenness’ and ‘specialness’, which in turn can be theoretically linked to discussions about national election in the literature on nationalism. This article illustrates the convergence of nationalist and apparitional discourses by drawing on a selected number of examples of how the apparitions in Medjugorje have been appropriated by Croatian nationalist discourse.     

A bigger Settecento Italiano: wider vistas and open terrain

This paper introduces the six essays from the UCLA-Clark Library Conference on ‘The Culture of Enlightenment and Reform in Eighteenth-Century Italy’ (23?–?24 January 2004). Franco Venturi's persona, productivity, method, and themes are reviewed to help explain his influence on Italian Enlightenment Studies, while at the same time showing how recent research has developed in a number of directions?–?following up on his insights, exploring new topics, or leaving large questions yet unexamined.     

A colpi di cuore. Storie del sessantotto

This article attempts to tackle the problem of how a colonial culture that was elaborated through the written word may have impacted on an Italian society that was significantly more ‘backward’ than its western European counterparts. The Prima Guerra d'Africa (1885-96) has often been seen as a military campaign desired exclusively by an isolated Italian government in a society that was incapable of using the occasion to develop cultural themes that impacted on the desires and aspirations of the ‘real’ Italy. This supposed societal dysfunction meant that Italy failed to create a ‘culture of imperialism’ in the years of the Scramble for Africa in a way that has now come to be considered of such central importance for the histories of France, Britain or even Germany.

Through an analysis of the role played by primary schools in Italian culture in these years, this article attempts to reverse this view, arguing that even taking into consideration Italy's ‘backwardness’ there was not only a great awareness of what Italy was supposedly doing in Africa but also a serious attempt to load the events that occured there with a meaning that had a much more intimate relationship with Italy's population. Although defeat in Africa meant a major setback in this process, imperialism as a cultural phenomenon continued to be of fundamental importance to the progress of nation building and the development of nationalism in Italy and, Finaldi argues, it should therefore be assigned a place in Italian culture that is much more on a par to that which culture and imperialism are deemed to have held for other European nation-states.     

Pius XII: Romanita,prophesy and charisma

The modern popular cult of the Pope, which originated with the ‘disinherited’ papacy of Pius IX, reached its acme with Pius XII. Phases of intensification of this cult, which was linked to other ‘devotions’, those of the Sacred Heart of Jesus and of the Virgin Mary, served to mobilize the Catholic masses at critical junctures for the Catholic Church and in the face of what were perceived as political threats. Pius XII had to animate ‘movement’ in an age proclaimed to be one of a unique crisis of civilization. The projection of him as a charismatic figure was linked to that of Rome as a sacred centre and as the very fulcrum of world history. The Catholic activist ethos of ‘movement’ and also the presentation of the interchange between Pius XII and the Crowd had features in common with Fascist rhetorics, but ultimately the cult of the ‘victim‐Pope’ represented an inversion of the crasser forms of power‐imagery.     

‘…but not gagged’: Responding to Covid-19 and its control measures in France,Italy and the USA

The beginning of the Covid-19 pandemic was far from the ‘great equalizer’ sometimes described by the media. This article shares themes emerging from research conducted in 2020 in France, Italy and the USA concerning responses to the pandemic and its social effects. The authors analyze how the pandemic elicited varied reactions within the three countries where they conducted anthropological fieldwork. They propose that narratives of the Covid-19 response can shed light on how individuals navigate social and political relationships in each context.     

Life in Medieval London

Abstract

This is the first detailed published study of the stained-glass ‘band’ window which survives in the east end of St Mary’s church, at Selling in Kent. It is argued that the Selling window was installed in the second decade of the 14th century; not, as is usually thought, the first. The window is a hierarchical statement, embodying a number of interrelated levels of meaning. Its primary function is to celebrate Christ’s incarnation, and the role of the Virgin and other saints as intercessors for mankind at the Last Judgement. The window clearly also commemorates the glory days of Edward I, who died in 1307. The historical evidence and the iconography suggest that, in addition, it is a memorial to the Clare family, installed after the English defeat at Bannockburn in 1314, commemorating the death of Gilbert III of Clare, earl of Gloucester and Hertford. The window was probably commissioned by the local lord Bartholomew Badlesmere and his wife, who was Gilbert’s cousin, between 1314 and 1317, when Bartholomew was executor of Gilbert’s estate.     

‘In gente Britanniarum,sicut quaedam nostratum testatur historia …’: national identity and perceptions of the past in John of Salisbury's Policraticus

This article examines the construction of national identity in John of Salisbury's Policraticus (c.1159). This well-known treatise has not been included in recent discussions of identities in medieval Britain. The focal point of the analysis is the author's contradictory representations of Britones. John of Salisbury emphasised the distinction and hostility between the Britons/Welsh and the English; at the same time, he claimed that the ancient Britons (Brennius and his companions-in-arms from Geoffrey of Monmouth's De gestis Britonum) were ‘compatriots’ and ‘ancestors’ of the ‘contemporary’ inhabitants of the English kingdom. Comparison with other twelfth-century texts reveals specific features of the model of national identity traced in the Policraticus: the appropriation not only of the British past, but also of the British name and identity, and the imagining of a unified people of Britain. This culminated in the invention of the unique term gens Britanniarum, which nevertheless did not exclude the ‘English’ as an alternative or even interchangeable name. The article discusses political agendas behind John of Salisbury's use of the language of ‘Britishness’, most importantly, support for the pan-British ambitions of the archbishops of Canterbury. The example of the Policraticus, with its combination of both conventional and original elements, nuances our understanding of how and for what ideological purposes national identity might have been constructed in twelfth-century England.     

The virgin of the Macana: Emblem of a Franciscan predicament in new Spain

The importance of the Virgin Mary in Mexico's religious pantheon is well documented. Of the great variety of devotions imported to New Spain from Europe, Mary became a favored one; she was invoked by all sectors of society at different historical junctures, and was often promoted by specific religious orders or social groups. A number of these cults became inextricably linked with a sense of community autonomy and evolved into emblems of local pride, of which the Virgin of Guadalupe is the best-known example. To strengthen their local and creole character, a significant number of these devotions grant an essential place to the Amerindian in their apparition stories. This is the case with the Virgin of Guadalupe, the Virgin of Remedios, and the Virgin of Ocotla´n to cite a few examples. Several works of art of the seventeenth and eighteenth centuries represent these devotions by showing the Virgin Mary and the American Indian together.     

ABDULLAH BIN ABDUL KADIR MUNSYI: A MAN OF BANANAS AND THORNS

Abdullah bin Abdul Kadir Munsyi is best known for his memoirs, labelled by some his autobiography, the Hikayat Abdullah. The missionary, Alfred North, encouraged him to write his life story, a first in Malay, and it has been assumed that Abdullah, working in a new genre, was relatively faithful to the conventions of the genre; that at the very least, he was attempting to produce a tolerably straightforward account of his life and times. Both his admirers and detractors, though seemingly at odds, saw Abdullah's work as a mouthpiece for British values. It did not occur to scholars that Abdullah might possess his own agenda, and that his working in a foreign genre did not necessarily produce what those scholars assumed it did. This has produced a blinkered understanding of what Abdullah was about. His supreme aim was to enhance his own image and stature. Production of ‘historical’ facts was sometimes a secondary concern. ‘Fiction’ and ‘nonfiction’ were not yet established conventions in his literary milieu. He worked under major constraints, for his livelihood depended on not alienating patrons and future patrons, yet he devised ways to air views critical of the powerful. Here he was much more concerned with Islamic issues than ethnic ones.     

Hair in the Disraeli Papers: A Victorian Harvest

The Hughenden Collection of Disraeli Papers at the Bodleian Library in Oxford comprises over 50,000 items relating to the life and work of Benjamin Disraeli and his family. This article tracks hair through the Hughenden Collection in order to explore the collecting habits of Mary Anne Disraeli. It argues that reading Mary Anne Disraeli's story through hair – both hair as object, held in an archive and hair as represented in archival text – reveals aspects of that story occluded by reading only those archival texts with self-evident documentary value. It thus makes the case for a holistic reading of the Disraeli archive, and Victorian collections of personal papers more generally, by taking Mary Anne Disraeli as its central case study. In so doing it also illuminates her story, and points to the necessity of reading the stories of forgotten women through archival silences and absences. Section I reviews recent scholarship on hair in nineteenth-century Britain in order to contextualize Mary Anne Disraeli's case. Section II anatomizes the Hughenden hair collection in order to illuminate Mary Anne's history, her impulses as a collector, and the extent to which her activities complicate scholarly narratives about the sentimental commodification of Victorian hair. Section III gestures towards recent work on the archive and material culture to tease out the consequences of her example for our reading of the archive and our understanding of the texture of Victorian ‘thing culture’ more generally.     

The history of modern and contemporary Italy: Made in France (from the late 1970s to the late 1990s)

Abstract

Over the past three centuries Italy has been the focus of numerous studies by French historians, who have taken advantage of the great wealth of sources available there. While no new synthesis has yet been achieved, we can identify certain main lines of development in French historiography. In the late 1970s and into the 1980s international relations and, especially, the relations between France and Italy were given the greatest attention, before a new focus on forms of sociability and political pedagogy began to be more common. However, the shifting of focus of historical studies to the centres of political decision making often coincided with less attention being paid to social stratification. Beyond these major themes, some researchers have reconstructed ‘global’ historical models, which have been characteristic of the renewal of post‐war French historiography.