Women’s public lives and sovereign arrangements in Karachi’s inner city

Women’s public lives in Pakistan are often presented through tropes of oppression and restricted mobility. While women do struggle with all kinds of limitations that curtail their movement in the public sphere, they also negotiate their way and find their place in the public realm through various means that remain understudied in this context. In this article I track women’s movements in public space in the historic quarters of Karachi, Pakistan’s largest and most populous city. What emerges in the study is that a key aspect of women’s movement through their neighbourhood is their membership in or attachment to various sovereign arrangements – political and religious, formal and informal – that seek to rule and govern the space of the quarter. These arrangements include political parties and groups, religious organizations and the shrines of Sufi saints. Ultimately I argue that women’s public lives are driven not so much by the assertion of an individualized citizenship as by an attachment to and association with collective arrangements that allow a participation in the making of political and religious imaginaries.     

Women’s changing domestic responsibilities in neoliberal Africa: a relational time-space analysis of Lesotho’s garment industry

Since 2001 when Lesotho embraced the neoliberal African Growth and Opportunities Act that offers preferential access to the US market, its garment industry has expanded dramatically to become the nation’s leading employer. Elsewhere, large-scale employment of women in low-paid factory jobs has entailed spatial restructuring of gender and age relations. Lesotho is a distinctive context, with socio-spatial relations historically adjusted to male labour migration, high levels of contemporary male unemployment and alarming AIDS prevalence. Based on semi-structured interviews with 40 female factoryworkers and 37 dependents, this article applies a relational time-space analysis to explore how financial and spatio-temporal aspects of factory employment articulate to alter women’s relationships with those for whom they have culturally determined responsibilities: their children, those suffering from ill health and their (generally rural) home communities. The analysis highlights that such employment is not merely adding to women’s responsibilities, but transforming how they are able to undertake social reproduction, as practical, social and emotional roles are converted to largely financial obligations.     

Women’s Lives Beyond the Checkpoint in Palestine

This article brings women to the fore of a discussion of checkpoints in Palestine to understand better the ways that Palestinian women’s lives—even as they may not regularly cross checkpoints—are affected by Israeli security infrastructure. Drawing on fieldwork near Checkpoint 300 between Bethlehem and Jerusalem, we examine women’s lives in the context of a gendered system of permits and the nearby checkpoint that makes men’s days of labour both long and exhausting, a fact that has profound effects on the family home in terms of restricted mobilities and the division of domestic labour. The article thus builds an account of checkpoints that: (1) situates women’s everyday lives in Palestine in the context of Israel’s military occupation; (2) extends the temporality of checkpoints beyond the checkpoint itself; and, therefore, (3) enables an understanding of the effects of borders beyond the immediate space of the border.     

Gombrich’s critique of Hauser’s Social History of Art

This article examines E.H. Gombrich’s critical appraisal of Arnold Hauser’s book, The Social History of Art. Hauser’s Social History of Art was published in 1951, a year after Gombrich’s bestseller, The Story of Art. Although written in Britain for an English-speaking public, both books had their origins in the intellectual history of Central Europe: Gombrich was an Austrian art historian and Hauser was Hungarian. Gombrich’s critique, published in The Art Bulletin in 1953, attacked Hauser’s dialectical materialism and his sociological interpretation of art history. Borrowing arguments from Karl Popper’s critique of historicism, Gombrich described Hauser’s work as collectivist and deterministic, tendencies at odds with his own conception of art history. However, in his readiness to label Hauser a proponent of historical materialism, Gombrich failed to recognize Hauser’s own criticism of deterministic theories of art, especially formalism. This article investigates Gombrich’s reasons for rejecting Hauser’s sociology of art. It argues Gombrich used Hauser as an ideological counterpoint to his own version of art history, avowedly liberal and individualist in outlook.     

‘Women are a colonised sex’: Elizabeth Reid,Human Rights and International Women’s Year 1975

This article situates Australian Elizabeth Reid’s contribution to International Women’s Year (IWY) (1975) within ongoing historiographical discussions on development and human rights. The world’s first advisor on women’s affairs to a head of government, Reid used the burgeoning Women’s Liberation Movement’s critique of ‘sexism’ to challenge IWY’s goals of formal equality, a limited and undesirable outcomes that prevented women and men from instead becoming ‘more human’. These ideas were then used to challenge the dominance of economic development over individual and collective rights at the 1975 Mexico City conference, placing Reid as a participant in the 1970s human rights ‘breakthrough’.     

Women’s education,time use and marriage in Iran

In many parts of the world, higher education has increased female chances of paid work and reduced the economic benefits of marriage. In Iran, however, female labour force participation has remained in low rates despite considerable improvements in female education. In the absence of direct economic benefits of education for women, this paper uses data from the 2009 Time Use Survey, representing urban areas of Iran, to explore another pathway of the impact of education on transition to marriage. It is postulated that female education can lead to later marriage by changing women’s role priorities, at least in two ways. While enrolment in education is time-consuming and incompatible with requirements of marital life, higher education can increase the chances and desire for engagement in alternatives to the roles related to marriage. The findings provide partial support for both explanations. These findings not only deepen our understanding about differentials in the time use and the potential pathway of the impact of female education on marriage, but also provide important information for policy makers who are concerned with marital and fertility behaviours of the large cohort of young educated women in Iran.     

Stitching Professionalism: Female-Run Embroidery Agencies and the Provision of Artistic Work for Women, 1870–1900

The activities of female-run embroidery agencies have been largely ignored in scholarship dedicated to the design professions in the late nineteenth and early twentieth centuries. This study reveals that embroidery agencies and societies played a key role in organizing and systematizing the female-dominated embroidery workforce, thereby granting women needleworkers new access to the business side of art. In illuminating the material and economic conditions of these women’s working lives, the author unpacks the complicated, and sometimes contradictory, relationship between embroidery organizations and professionalism, at a time when the design industries themselves were becoming increasingly professionalized and commercialized. Two broad categories of embroidery agencies are examined: modest, economically driven work depots; and artistically and philanthropically motivated embroidery societies. In the brief period of time when the popularity of the Arts and Crafts aesthetic and demand for ecclesiastical embroidery made embroidery a viable remunerative business, dedicated agencies and societies gave women with little or no connections to the art world access to a market for their wares. It was this access that allowed female needleworkers to practice as professional art workers according to that term’s most basic definition – they supported themselves monetarily through artistic work.     

Voluntary Organisations and the Assimilation of Non-British Migrant Women in Rural Australia: The Efforts of the Country Women’s Association of New South Wales 1952–66

Australian government assimilation policy envisaged that voluntary organisations would play a major role in facilitating the swift absorption of migrants into postwar Australia. Scholarship has focused upon the disjuncture between the rhetoric employed in describing the process of assimilation and the implementation of policy, but is yet to examine the viewpoint of ordinary settler-Australian volunteers. Through an analysis of the experience of members of the Country Women’s Association of NSW, one of the voluntary organisations which undertook to organise assimilation activities, I explore the nature of assimilation from a rural Australian perspective. CWA members modelled feminine, rural Australian values to migrant women through a suite of gender-specific core activities undertaken in the public realm, including handicraft and baby health care. Members remained reluctant, however, to initiate or sustain personal contact with migrants if it did not affirm the centrality of rural Australian values.     

‘[A]ll Sorts of Stiches’: Looking at Detail in a Proclamation of Solomon Embroidery

This object lesson considers a mid- to late seventeenth-century embroidery, now held by the Ashmolean Museum, University of Oxford, which portrays the proclamation of Solomon. It assesses how viewers’ attention was directed by the application of materials, textures and stitches, examining tensions between modes of viewing concerned with narrative, individual motifs, material content, skill and realism. It considers how these various forms of attention would have complemented or competed with one another, and how they may have appealed to different viewers in different contexts.     

Hiriira Spatiotemporalities: Mapping Oromo Women’s Liberation in Post-Imperial Berlin

In September 2020, Oromo women marched through the streets of Berlin, Germany, demanding recognition for their struggle. This protest march, called a Hiriira in the Oromo language, offers a case study into the entanglements between settler colonial Ethiopia, Germany’s post-empire, and the forces of oppression which link them. This paper uses the spatiotemporal reckonings generated from the Hiriira perspective to understand violence and elucidate the practices of resistance that have emerged despite it. These contrasting ways of viewing space and time are expressed through the tension between imperial spatialising, a way of knowing the world that is imperial and oppressive in nature, and geography guraacha, a Black and Blackened way of knowing space with a particularly Oromo perspective. The result is a type of mapping, tracing the Hiriira route across Berlin while describing the histories that shadow these streets, and the pathways towards liberation that Oromo women are organising.