José Zorrilla in Mexico: Transatlantic Romanticism and the Question of Artistic Labour

This article explores the strategic use of literary form in the Mexican writings of José Zorrilla. The article focuses on México y los mexicanos (1856), a letter Zorrilla wrote to his fellow Spanish Romantic playwright, Ángel de Saavedra, the Duke of Rivas. Zorrilla’s México y los mexicanos is a rare piece of epistolary writing in Spanish Romanticism as well as one of the first literary histories of Mexico. Often overlooked in the letter, however, is Zorrilla’s economic critique of the precarious condition of artists in both Mexico and Spain. A conservative moderado, Zorrilla could not air his concerns publicly without the threat of retribution from his fellow conservative colleagues in Spain. Zorrilla thus used the epistolary form, the article argues, in order to surreptitiously introduce the economic plight of artists into mainstream Spanish as well as Mexican political discourse. Read in this context, Zorrilla’s letter makes visible the fundamental role a transatlantic Romantic vision of labour played in shaping nineteenth-century political discourse in both the Iberian Peninsula and Latin America.     

El codescubridor Juan Niño y el puerto de San Juan en el marco de la marinería andaluza y de los viajes de Colón

Este trabajo de investigación ofrece resultados inéditos en relación con Juan Niño —maestre y propietario de la carabela Niña— que colaboró de forma relevante con Cristóbal Colón en la preparación de la armada en 1492 y en su primera travesía oceánica a tierras americanas. Asimismo, desvela el lugar concreto de vecindad y de residencia de este marino en el puerto de San Juan (Huelva, España) mediante documentación contrastada, así como el periodo en el que se produjo su fallecimiento permitiendo aclarar especulaciones historiográficas que ofrecían determinados datos erróneos sobre su trayectoria vital después del descubrimiento de América. Por último, aporta datos indicativos sobre el estatus socioeconómico y el nivel de rentas disfrutado por el codescubridor de América y por su familia.     

Perpetual peace and shareholder sovereignty: the political thought of José de Carvajal y Lancaster

This article contributes to the recent historiography on Enlightenment plans for European peace by shedding light on the political and intellectual work of the neglected Spanish minister and intellectual José Carvajal y Lancaster. The article begins by outlining the intellectual context surrounding the War of Spanish Succession, and proceeds to analyse the ways that Carvajal deployed, both in his texts and in power, Enlightenment ideals to reform the Spanish Empire and achieve perpetual peace in Europe. The ideas of his first work, his Testamento Político, revealed the ways that the logic of joint-stock companies could catalyse the reform of the Spanish Empire. His measures in government, in turn, illustrated how international cooperation could be mutually beneficial, but turned on his fraught relationship with the future Marquis of Pombal. Finally, his text Mis Pensamientos, written in 1753, envisaged a formal commercial and political coalition between the Spanish and the British Empires. Carvajal’s vision for European peace was at once utopian and clear-eyed, and the ideas behind his plan persist as demanding questions for our age.     

Les critères de la radicalité en question : Le cas Poulain de la Barre

Early modern radicalism and its criteria are described and defined by Jonathan Israel in various works. Poulain de la Barre, one of the first modern feminist thinkers, first is used by Israel as an example of the so-called radical Enlightenment and finally is rejected as such. This case study exhibed the necessity of questionning the coherence of the required criteria for defining a « radical » thinker, especially when examinating carefully the last paragraph of Spinoza’s Political Treatise.     

El rey que fue animal: sobre la invención del otro en Calderón,Dostoievski y Coetzee

The aim of this article carries a comparison between Calderón and Dostoevsky, their semblances and differences. First, I study a relationship toward otherness which is, in both cases, problematic and modern. Departing from Segismundo's complaints when he is imprisoned (saying that he is living a life “worse than animals live”) I analyze two kinds of misunderstandings: a white blindness that respects the Other's difference, and the evil inside its unconcealment. Finally, I discuss Coetzee's Dostoevsky (in The Master of Petersburg) in relation to some of the thesis outlined previously: the necessity of respect when dealing with the space of the other, either in its human form or in a non-human presentation.     

La Parité en débat au-delà de Versailles

Referring mainly to texts published after the passage of the constitutional bill on gender parity in politics, this article asks theoretical questions about how French intellectuals understand the issue of 'women and politics'. It raises questions about 'differentialism' and 'discrimination', two notions that keep recurring in critiques of parity. By continuously emphasising the differentialism of parity advocates, 'republican feminists' may end up reinforcing and popularising this notion. Furthermore, parity critics' constant references to 'discrimination' may (intentionally or not) encourage the view that women are just another 'minority'. Do these two mutally reinforcing developments point to a 'socialisation of politics'? Is such a trend unavoidable when thinking about the links between 'women' and 'politics'?     

Le prieuré de Saint-Zacharie en i403 d'après le Livre de raison de son prieur

Saint-Zacharie is a small township northeast of Marseille, some kilometers from the main Aix-en-Provence-Nice road. In the middle ages it possessed a priory of Benedictine nuns of St Zacharias which was a dependency of the abbey of St Victor at Marseille. This abbey appointed a monk with the title of prior to administer the nunnery at Saint-Zacharie, while the nuns themselves elected a prioress. The Livre de raison drawn up by Jean de Assana, prior in 1402, allows us to establish the convent's budget. It reveals the efforts undertaken to restore a situation which had been severely shaken by the troubles of the fourteenth century, and in particular to develop the domain, which furnished the greater part of the convent's revenues from the production of corn and wine. Only corn provided a cash surplus. The economy of the priory was thus fragile because insufficiently diversified. The house faced other problems too. The development of its spiritual life was no longer a prime aim: the abbey of St Victor on several occasions arbitrarily limited the number of its nuns. There were ninety-eight of them in 1322; twenty-four in 1402; five in 1461. What is more, they were reduced to an income which provided only a bare living so that the convent's possessions appeared to be being exploited mainly as a source of profit for the prior and for the financial benefit of the mother house of St Victor, the archbishop of Aix, and the papal court.     

Revuelta plebeya,conciencia criolla y reivindicación jesuita: política y gobernanza en la Historia del Reino de Quito,de Juan de Velasco

Este artículo propone una lectura de la Historia del Reino de Quito en la América Meridional (1789), de Juan de Velasco, a partir de las ideas políticas y jurídicas de su autor. Sugiere abordar el tomo tercero de la Historia no solamente como un relato del declive social y económico que aqueja a la Audiencia de Quito, sino como un comentario a la crisis de gobernanza que, según Velasco, inicia con el ascenso de los Borbones al trono. La incapacidad jurídica de controlar la mestización de la sociedad y las desacertadas políticas de las autoridades peninsulares, resultan en la Rebelión de los Barrios de Quito, episodio que representa el clímax de las penurias que atraviesa el Reino y que le permite a Velasco cuestionar el modelo de gobierno establecido por los reformistas ilustrados, abogar por la necesidad de un gobierno criollo y restaurar la desgastada imagen de la Compañía de Jesús.     

El grutesco en el arte Novohispano: imágenes profanas en los muros conventuales

El propósito de este estudio, además de analizar la forma y significado de la decoración al grutesco en los conventos novohispanos del siglo XVI, es mostrar que hasta ahora en la iconografía conventual no se ha dado la debida importancia a este tipo de decoración para determinar su origen prehispánico o europeo. Los investigadores que han querido interpretar el simbolismo de esta decoración no han ahondado lo suficiente tanto en el estudio de los elementos europeos como en las aportaciones de los pintores indígenas.     

El policial palimpséstico en “Marta Odera,monja” de Marisa Grinstein

This article investigates the emergence of detective fiction and film from 1994 to the present. The corpus appears during the government of Carlos Menem and its intent to insert Argentina into a globalized economy. Poverty, insecurity, and violence prevail in Argentine society, and many detective novels, based on real-life murders, appear in 1994. Moreover, this type of literature continues to proliferate in the twenty-first century. In this essay, I explore one of the many stories written by Marisa Grinstein. I begin with the newspaper article and trace its transformation into short fiction and television series. The articles about the homicide follow the tendencies of the sensationalist yellow press. The author and the film director of “Marta Odera, monja,” however, transform the events, following and also subverting the characteristics of the classic detective fiction and the hard-boiled. In doing so, these recreations of this particular murder case denounce the domestic violence that exists in Argentine society.     

Teatro crítico contra la conciencia en crisis: Nada que perder

ABSTRACT

In this article I introduce how the 2008 financial crisis appears in the Spanish recent drama. Although the impact of the crisis has been studied in other genres and artistic expressions such as narrative, poetry, or comics, this issue needs more attention in Spanish contemporary drama. The article proposes a critical analysis of Nada que perder (Bazo, Romero, and Yagüe, 2016). In this play, we can observe a new perspective of the crisis that not only holds the ruling class responsible for the situation, but also charges the ordinary people with irresponsibility and lack of public conscience.