Decadence as historical myth and cultural theory

This article traces the early history of the concept of European decadence with special emphasis on its manifestations in French literary production in the period between 1860 and 1900. It argues that decadence was not a historical reality, but a cultural myth, that gave expression to a new, specifically urban experience of modernity first thematized in Baudelaire's poetry and prose work. It further claims that this concept continues to have important contemporary relevance in the form of debates about the “second modernity” and the new “cosmopolitanism.”     

French cultural history from theory to practice

Rioux, J.‐P. and Sirinelli, J.‐F. (eds), Pour une histoire culturelle (Seuil, 1997), 456 pp., 185F., ISBN 2 02 025470 0

Rioux, J.‐P. and Sirinelli, J.‐F. (eds), Histoire culturelle de la France, vol 3, Baecque, A. de and Mélonio, F., Lumières et libertés: les dix‐huitième et dix‐neuvième siècles (Seuil, 1998), 390 pp., 340F., ISBN 2 02 019793 6

Rioux, J.‐P. and Sirinelli, J.‐F. (eds), Histoire culturelle de la France, vol. 4, Rioux, J.‐P. and Sirinelli, J.‐F, Le temps des masses: le vingtième siècle (Seuil, 1998), 404 pp., 340F., ISBN 2 02 013537 X     

Biogeographical Regionalization,its Stages and Criteria

A historical approach to biogeographical regionalization is proposed. The approach is based on the assumption that the highest ranking hierarchical units in such a regionalization represent the oldest biogeographical regions, with the more detailed taxonomic units formed in subsequent historical periods. The regionalization process involves three stages: (a) faunistic-floristic investigation of the study area; (b) the identification of habitats of species that more or less coincide; (c) a determination whether the distribution of these characteristic species displays a cause-and-effect relationship with the geographical environment. The historical criterion is emphasized throughout, the regions are viewed as the product of the historical differentiation of a physical-geographic territory.     

Biogeographical field study of farmland

Abstract

Ecological biogeography, defined here as the ecological study of man‐managed communities, is essentially experimental: practical work therefore should play an important role in teaching this specialism. In Britain, lowland agricultural land has attracted little ecological investigation but falls within the scope of geography; characteristics of the farmland habitat combine to make it especially suitable for biogeographical field study. Field work, varying in form from day visits to projects spanning several years, may illustrate many biogeographical concepts introduced in lectures.     

New technologies in cultural institutions: theory,evidence and policy implications

Publicly-funded cultural institutions such as theatre companies, symphony orchestras, museums, libraries and so on are increasingly engaging with new technologies as a means of improving their operational efficiency and extending the range of ways in which they pursue their cultural missions. For example, opera companies are broadcasting performances by satellite to cinemas, and art museums are using the Internet to show virtual exhibitions. These developments have implications for funding authorities who need to update their policy approaches to encompass a range of new technological phenomena. This paper provides a framework for assessing technological innovation in cultural institutions, and discusses the ramifications of such a framework for cultural policy. The paper is illustrated using the results of a recent research project that evaluated the UK National Theatre’s NT Live experiment and the Tate Gallery’s use of a web-based exhibition as strategies to expand their audience reach.     

The robot intermediary: Mechanical analogies and autism

The article explores the use of social robots as therapeutic agents for helping children with autism. I explore the circulation and use of mechanical analogies to describe autism, extended by psychiatrists and autism experts and adopted by robotic scientists interested in developing robots as social agents and in developing robots as therapeutic agents.     

Considering gender analogies in southeastern prehistoric archaeology

Prehistoric archaeologists have done very little yet to explore how gender “works” within the historical processes of social construction during the long prehistory of the Southeast. As we undertake examinations of gender ideologies, roles, and relationships, applications of analogs play an important role. This is despite a distinctly unsettled agreement on uses of analogy in archaeology. In this piece, I explore archaeologists’ continued unease with the use of analogy in archaeological interpretation, assigning part of the blame to underlying and unresolved epistemological issues. A disciplined and studied use of formal analogies is suggested.     

Complexity, cultural theory and strategies for intervention in the High Atlas of Morocco

As a result of the Rio Conference, mountain areas have been placed at the centre of several international initiatives to prepare suitable strategies for long-term development. In recent years, the concepts of cultural theory and complexity have been proposed as frameworks in which to develop practical agenda encouraging the sustainable development. Any such agenda must account for the dynamic interaction between the particular physical conditions of mountains and the livelihoods of the population, itself a long-standing problem for geographers. This paper draws upon a number of development initiatives in the Moroccan High Atlas to provide a critique of these concepts. It outlines the initiatives for livestock management, soil erosion, arboriculture and tourism as they represent four important areas of policy debate. The principal features of cultural theory and the use of complexity thinking in social science are then outlined. This provides an opportunity to recast the development problems in the light of these concepts, and it is argued that co-evolution, diversity and indeterminacy provide helpful pointers to the design of successful strategies.     

Museums and cultural sustainability: stakeholders,forces, and cultural policies

This paper explores the relationship between museums, cultural sustainability, and cultural policies. Specifically, it offers a theoretical model for the sustainable development of museums and a process for designing appropriate cultural policies for museums with cultural sustainability in mind. The case of Cyprus is used to demonstrate how strengths and gaps in cultural sustainability can be identified within a broader museum environment. The study examines the main stakeholders (the state, municipalities/ communities, and individuals), types of museums (archaeological, art, ethnographic, etc.) they establish and the forces influencing their decisions (such as politics, a sense of national identity, cultural tourism, economic revitalization, and personal agendas) in order to map the Cypriot museum environment and identify the emphasis placed on different parameters of cultural sustainability. By identifying cultural sustainability strengths and gaps on a national level, it becomes easier for cultural policy-makers to design appropriate cultural policies for museums.     

Natural and cultural heritage

We receive communal legacies from two sources—the natural environment and the creations of human beings. To be sure, these inheritances everywhere commingle; no aspect of nature is unimpacted by human agency, no artefact devoid of environmental impress. Yet we have traditionally dealt quite differently with these two kinds of legacy. Though management of both heritages has many features in common, and both realms often share similar, if not the same, leaders and spokesmen, relations between the two are marked less by cooperative amity than by envy and rivalry. This essay discusses the reasons for our dissimilar approaches to nature and culture, and shows how they bear on the campaigns to protect and preserve each. In some important ways, the history, politics, and rhetoric of conservation and destruction are shown to have converged, in others to have diverged, over the last half century.     

Diversity and cultural policy: cultural citizenship as a tool for inclusion

At the crossroads of citizenship, cultural and diversity studies, I enter in the emerging debate on cultural citizenship. Culture is seen as a channel for diversity inclusion, and cultural policy carries the function of enhancing citizenship. My reasoning will follow two steps. First, in overviewing the recent literature, I identify two main drivers making cultural citizenship: the democratic/equality and the identity/national drivers. However, I will note that the debate is concentrated in the plurality of meanings of ‘culture’, and not, as I will argue as a second step, in the plurality of citizenship traditions: a liberal, a communitarian and a republican one. This view is at the basis of different approaches of cultural policies when we focus on them as enhancing cultural citizenship in diversity contexts. At the end, I will also contend that this can ground an interpretative framework capable of distinguishing current social practices and policies.