金陵画派与金陵文化——金陵画派综论

“金陵画派”是指在明末清初形成的以“金陵八家”为核心的充分表现了地方特色的一个画派.它是南京文化史上的一个重要组成部分,同时又与其他的南京文化有着密切的联系.一、金陵画坛的历史回顾与金陵画派的形成金陵历来是画家集中而且在全国著有影响的地方,远从三国的东吴曹不兴、东晋顾恺之、南朝的陆探微、张僧繇,到五代十国时期南唐的周文矩、董源、徐熙乃     

泉石膏盲 长世无怀 明末清初“金陵画派”的形成及其特色

<正>明末清初是中国绘画史上最具有创造活力的一个历史时期,诞生了一大批在中国绘画史上极具有影响力的中国画家,绘画流派纷呈。"金陵画派"即是明末清初崛起的一个非常重要的地域性绘画流派,在中国绘画史上占据有重要的地位。"金陵画派"是作为为明末清初活动于金陵地区画家群体以及受其影响的画家的总称。按照龚贤的说法,明末清初实际上活动在南京地区的画家不下千人之多,最为重要的画家也不止八人,当时周亮工在《读画录》中就曾列金陵画家四十一人。以后陆续出现了金陵八家之说,分别将龚贤、樊圻、高岑、邹喆、吴宏、叶欣、胡!、谢荪、陈卓、蔡苍霖、李又李、武丹、施震(霖)、盛丹、王概等人列为金陵八家之中。     

金陵画风里的造型一角——金陵盆景馆探秘纪略

<正>按语:金陵盆景早在六朝时就东渡日本,近几十年来重新崛起,精品层出不穷,在全国崭露头角,逐步形成了独特的风格:自然清新,奇特别致,古拙朴茂,飘逸奔放。潜移默化,一脉相承盆景被称为"立体的画",以有限的空间表现无限的想象,以高度概括的手法再现自然之美,以生动的形象表达深远的意境。明末清初,南京出现了以龚贤为首的"金陵八家",新中国建立初期,以傅抱石为代表的一批画家实现了中国传统的山水画在思想和笔墨上的一大变革,被人们称为"新金陵画派"。同一片文化土壤,金陵盆景继承了金陵     

“张松顾柳”——介绍京江画派杰出画家

京江画派是清代乾、嘉年间产生在镇江地方的一个画派。其主要画家有张夕庵和顾鹤庆等人。过去往往有人根据张夕庵的绘画有浓郁苍润的特点,将他列到金陵八家一派中去,忽视了京江画派的客观存在,以及它在清代晚期绘画史上起过承先启后的积极作用。当年,张夕庵本人,也并不认为他是金陵八家一派的。例如他在自题山水册中云:"国初画家,有三谿金陵八大家之目,名公巨卿,推崇之者至矣,幸得尽见之。先     

通明的实相 深邃的精神——金陵八家画展侧记

南京古称金陵,人们习惯上将活动在南京地区明末清初的一群画家称之为“金陵八家”。根据南京博物院2008年度展览策划安排,于2008年8月4日-9月4日在该院古代书画陈列馆（现傅抱石艺术馆）推出“金陵八家”画展,遴选院藏龚贤、高岑、樊圻、吴宏、邹拮、吴宏、叶欣、胡懂、谢荪八家45件书画精品,作为重点展览项目,对外集中展示八家的艺术成就。     

金陵八家的构成及四位高岑问题

“金陵八家”的构成 我著《中国山水画史》,至清初一节中遇到一个棘手的问题,就是“金陵八家”到底是怎样构成的,也就是说金陵画家那么多,为什么这八个人被称为“金陵八家”。比如“吴门四家”是由吴门最杰出的四位画家构成的,当然是后人发现沈周、文征明、唐寅、仇英这四个人的绘画成就最高,且又都是吴门(苏州)人,故称之为“吴门四家”。又如“四王”,清初“四僧”等皆如此。任何一种构成,必须要有一个先决条件,否则,随便把几个画家称为“四家”,“八家”,那就毫无意义了。     

在心性与日常经验之间畅游——当代后金陵画派的绘画风格解析

后金陵画派是金陵画派、新金陵画派的传承与发展,后金陵画派延续明清近现代文人画传统,在力求笔墨意境表现的同时,注重意趣情性的表现,注重艺术的鲜活和日常经验,乃至不无雅玩墨戏的色彩,表现出亦古亦今,雅俗共赏,得文人画性情,意趣之妙。     

金陵各家画册

金陵各家山水花卉册,是故宫博物院所藏清代初期一件比较珍贵的绘画作品。作者是龚贤、樊圻、高岑、高遇、吴宏、谢蓀、柳堉、王(?)、邹喆九家。按清代张庚《画征录》中记载有龚贤、樊圻、高岑、邹喆、吴宏、叶欣、胡慥、谢蓀号"金陵八家"。这本画册中除高遇、王(?)、柳堉三人外,其他六人都在"八家"之内。实际上,他们虽然都是同一地域的画家,交遊来往,画风上会相互     

关于“金陵八家”的多种记载和陈卓

据清代方志载,“金陵八家”的提法出于周亮工(1612—1672)的品题.目前,我所见到的“金陵八家”提法的最早文献是方文的《(余山山)山集》,其续集卷五《七言绝句》中有二首《题樊会公小像》,其中第二首是:“绘事江东有八家,君工人物更修姱.奈何不把青铜镜,自写真形对雨花.”樊会公即“金陵八家”中的樊圻,字会公,比方文和周亮工年轻四岁.“江东八家”即是金陵八家,金陵一带在《三国志》、《三国演义》等书中,皆可称江东.方文字尔止,安徽桐城人,著名学者兼画家方以智之叔,生于明万历四十年(1612),卒于清康熙八家(1669年).他的《(余山山)山集》的最早刻本不得而知,但我所见到的北京图书馆所藏方文全集《(余山山)山集》《(余山山)山续集》,其中《(余山山)山续集》,乃由方文之婿王概     

金陵四家 画坛国手——南京四老花鸟画展

在中国现代美术史上,江苏以傅抱石为代表的“新金陵山水画派”是为很多人所熟悉的。和“新金陵派”同处于一个时期的,南京还有一个“新金陵花鸟派”,知道的人就很少了。李味青,赵良翰,韩少婴,张正吟四位已逝的老画家,就是这个画派的代表。     

南京堂子街太平天国山水画考辨

南京堂子街太平天国壁画中有四幅重要的山水画已经相关专家考释并命名。但根据壁画内容及对画中地点的考证,现有命名方式的合理性遭到质疑。对金陵图咏进行脉络梳理之后可发现这四幅山水画的原形应为清乾隆至同治间《金陵四十八景》中的四幅。太平天国壁画历来有为政治、军事服务的传统,故军事因素应是对金陵四十八景中四景的选取原则。     

Christian colleges amid political changes: The University of Nanking’s reorganization and registration (1927-1928)

Jinling University, or the University of Nanking, was created in 1910 from the merger of three Christian missionary schools in Nanjing (Nanking). After a period of smooth development in the second decade of the twentieth century, the University of Nanking had to face huge challenges in the 1920s when nationalism and revolutionary movements gained momentum in China. After the Nanjing Incident in 1927, the university was forced to deal with all the serious challenges of running a new school. Within two years, the University of Nanking underwent comprehensive reform, which included the reorganization of the school administration, the establishment of a board of directors, the accession of the university’s first Chinese president, and the completion of a process of government-mandated registration. All this ultimately led the University of Nanking into a new era. The university reacted to the registration requirement and the internal administrative reshuffling in a process of gradual, interlocking responses. This process reflects the general nature of relations between church universities and the Chinese government during this important historical moment, though the unique characteristics of the University of Nanking’s own experience are also apparent.     

赵之谦的金石交及其同浙派的关系

赵之谦（1829-1884年）逝世124周年。百余年间,艺术界越来越深刻地认识到赵之谦的重要性。艺术史学者将赵之谦与任伯年、吴昌硕并称“清末三大画家”。他精通丹青,尤善写意花卉,笔墨酣畅,色彩榷丽,实为晚清大写意一派之开山。赵之谦又是晚清书坛上震古烁今的碑派书法名家,那手“颜底碑面”的书法影响至今。他也是一位印人。     

南唐金陵公私园林考

南唐时金陵园林众多,皇家园林有北苑、西苑等,而私人园林多为达官贵人所有。公私园林中自然美景与人工巧作融为一体,多修建于城北等山水俱佳之处。     

《凤合集序》——研究高启的新见文献

本文所辑《凤台集序》是明初谢徽为著名诗人高启《凤台集》所作序文,此文不见于今存诸种高启诗文集,也向无研究者加以注意。它保存在明人朱存理《珊瑚木难》中,是现存唯一一篇评论高启金陵时期诗歌作品的文字。本文认为此序真实可信,并通过对其内容的解析,揭示了此序对于高启诗学思想与创作研究的独特价值。     

金陵大报恩寺地宫遗址保护技术研究

为了对金陵大报恩寺地宫遗址进行科学保护,首先通过ANSYS有限元模拟对地宫遗址的现状结构性能进行分析,找出其在不同工况下存在的安全隐患;然后根据保护原则及计算分析结果提出仅增设护壁、增设护壁及锚杆的两种保护技术方案,采用ANSYS有限元模拟计算对两种保护技术方案在四种工况下的结构性能进行比较分析,最后提出了适用于地宫遗址的保护方案,建议采用增设不锈钢的护壁及水平、竖向锚杆,并给出了不锈钢护壁及锚杆相应的参数值。     

‘Ellie is the coolest’: class,masculinity and place in vehicle engineering students’ talk about literature in a Swedish rural town school

This article aims to show how boys in a vehicle engineering programme at an upper secondary school in Sweden use their reading and literature discussion in their identity construction and how the classroom is converted into a place where the boys create the social space that they are a part of. This article is written in the intersections between different disciplines, research fields, and theoretical and methodological perspectives, and it is argued that this approach makes it possible to exceed each respective limitation and present a more nuanced and far-reaching discussion about how children use literature discussions in the construction of identity and place.     

稀见南京文献《金陵世纪》述论

《四库全书总目》列为存目的明陈沂《金陵世纪》一书,是一部稀见的南京文献。本文据《四库全书存目丛书》影印北京图书馆藏隆庆三年（1569）刻本,重点考察了作者陈沂的生平与学术背景、成书时间、结构、内容及其价值,对编校刊刻者及作序者的生平略作考述。     

Children's daily travel to school in Johannesburg-Soweto,South Africa: geography and school choice in the Birth to Twenty cohort study

This paper has two aims: to explore approaches to the measurement of children's daily travel to school in a context of limited geospatial data availability and to provide data regarding school choice and distance travelled to school in Soweto-Johannesburg, South Africa. The paper makes use of data from the Birth to Twenty cohort study (n?=?1428) to explore three different approaches to estimating school choice and travel to school. First, straight-line distance between home and school is calculated. Second, census geography is used to determine whether a child's home and school fall in the same area. Third, distance data are used to determine whether a child attends the nearest school. Each of these approaches highlights a different aspect of mobility, and all provide valuable data. Overall, primary-school-aged children in Soweto-Johannesburg are shown to be travelling substantial distances to school on a daily basis. Over a third travel more than 3 km one way to school, 60% attend schools outside of the suburb in which they live, and only 18% attend their nearest school. These data provide evidence for high levels of school choice in Johannesburg-Soweto, and that families and children are making substantial investments in pursuit of high-quality educational opportunities. Additionally, these data suggest that two patterns of school choice are evident: one pattern involving travel of substantial distances and requiring a higher level of financial investment and a second pattern involving choice between more local schools, requiring less travel and a more limited financial investment.     

《我的叔叔于勒》教学设计

本文是初中语文《我的叔叔于勒》一课的教学设计,作者力求通过这种设计能够体现新课标所倡导的初中语文教学新理念,即通过语文阅读教学培养学生的感受、理解、欣赏和评价的能力。