也谈《红楼梦》研究

《红楼梦》这部千古传奇,一经问世,便广为流传,文入学者乃至普通读者都对《红楼梦》产生了浓厚的兴趣,每每以论红、评红为时尚,它以一部小说成就了一门学问——“红学”。本文对主要红学派别进行了综合概括,并针对索隐派、考证派的谬误进行了分析,明确提出《红楼梦》是一部伟大的文学作品,不是传记,也不是历史。作为文学作品的研究,重在研究作品本身,重在研究它的思想文化内涵、艺术成就,而不是去探佚、猜谜或毫无意义的考证。     

浅谈《雷雨》的悲剧艺术

《雷雨》自1934年7月在《文学季刊》上发表以来,尤其是在1935年被搬上舞台后,深受社会各界和广大观众的喜爱,历演经久不衰,并得到广大文艺工作者非同寻常的青睐。这部作品能够产生如此大的影响,最主要的原因在于它深刻的悲剧艺术。《雷雨》广泛吸收了西方戏剧的优点,受到易卜生"社会悲剧"、古希腊"命运悲剧"和莎士比亚"性格悲剧"等的影响,从本民族的生活出发,从现实生活中提炼出悲剧冲实,描写平凡生活中受压迫与扭曲的悲剧人物,反映出悲剧深刻、丰富的社会意义。《雷雨》是中国话剧史上杰出的现实主义作品,同时也是中国话剧艺术成熟的标志。     

一个优秀舞蹈表演者应该具有的综合能力分析

舞蹈作为一个优雅的艺术表现形式广泛受到人们的喜爱。在舞蹈作品中表演高难度的技巧动作本身不是目的,而是一种表现人物思想感情、塑造人物性格和精神面貌的一种方式。它的使命在于传达舞蹈中丰富的精神内涵。本文从心理素质、艺术表现力、舞蹈技巧、基本功、文化艺术修养等几个方面论述一个优秀的舞蹈表演者的应具备的综合能力。     

公共艺术倾向何方——关于《倾斜的弧》作品的回顾与反思

本文对公共艺术发展史上的著名作品《倾斜的弧》进行了介绍,并从作品本身和作品的影响力出发,分析、讨论了公共艺术的内涵、价值及其对中国公共艺术发展的影响。     

真实的震憾--论文学的真实性与祥子形象的塑造

一个作品的最终价值要通过它所反映现实生活的真实程度来体现。要真正做到理解一个人物形象,就要从理解它的真实性入手,看它是否为我们展示了一个真实的主观世界或客观世界。现代作家老舍在他的代表作 《骆驼祥子》中,塑造了祥子这个城市贫民的典型形象,既反映了当时社会生活中城市贫民的真实形象,为我们刻画出整个社会的状态,同时也反映出了作者面对黑暗社会苦苦寻求出路时内心痛苦而真实感受,正是这种真实的刻画,实现了作品存在的价值,并使作品产生了震憾人心的效果。一、作者与作品背景介绍二、人物形象分析三、艺术分析与评价     

浅析《小人物日记》对维多利亚时代的体现

英国的19世纪几乎能被称为“维多利亚时代”。这一时代的文学作品表现出了这个时代特定的特色。创作于1891年的《小人物日记》本身体现着维多利亚时期文学特点的同时,也体现着维多利亚时期的生活现实。本文将从作品人物生活的点点滴滴．作品采用的艺术手法以及作品所传达的现实社会意义等方面浅析作品对维多利亚时代的体现。     

陈列艺术设计与图像思维

卡西勒说：“艺术王国是一个纯粹形式的王国,它并不是一个由单纯的颜色、声音和可以感触到性质构成的世界,而是一个由形状与图案、旋律与节奏构成的世界。从某种意义上可以说一切艺术都是语言,但它只是特定意义上的语言。它们不是字符号语言,而是直觉符号语言。”艺术本身以形式说话,自不待言,而设计师就是与图像打交道的人。他们的语言就是形象、图形、图像。他们在工作中不仅以图形说话,也用图形来思维。图像思维具有区别于语言思维的自身特性。     

书画赏析

《激荡》为贵州省美术家协会主席李昂、贵州省美协油画艺术委员会主任张正刚共同创作,作品 画面设色厚重,运笔流畅,富有韵律,色块并置大小有序,对比强烈,极具视觉张力。 作品的真正意义在于:摒弃一般意义上符合生活逻辑的细节,画面图象以符号的特指方式组合, 从而超越形而下的“大众生活形态”,并独立于大众的“泛物质生活”,以获得前瞻的艺术观念而秉 赋独具、精神凸显。 (文／肖冰)     

声音

皇家官廷收藏的作品卖得好,并不代表作品本身的艺术成就的高低和真假。——针对清《石渠宝笈》收录作品的价格不断被刷新的现象,书画收藏家郭庆祥认为：“目前《石渠宝笈》著录的作品卖得好,只是因为它所代表的‘皇家宫廷收藏’是近年来艺术市场运作的一个商业概念。其实,收入《石渠宝笈》的作品格调不高。”     

浅析《双城记》中的理想人物

狄更斯在《双城记》中塑造了不同的人道主义理想人物,通过气氛紧张的社会历史背景,精心安排的艺术架构,作者刻画了梅尼特医生、代尔那和卡尔登三位男性理想人物,他们围绕路茜这条＂爱的金线＂构建起一幅和谐仁爱的生活画面。《双城记》通过浪漫现实主义描写,成功戏剧化了个人困境与人性冲突,堪称是最充分地宣扬作者人道主义理想的作品。     

赵孟頫《松雪斋集》成书的文化史意义

《松雪斋集》是赵孟頫宦游经历、诗文词赋、书画题跋等文艺作品的汇集,反映着赵孟頫个人诗文的风格特色、书画的艺术传统和历史价值;同时,因为其中凝结着元代诸多文人学者、书画名家的声音,因此又成为展示元代文人生态图景的一个窗口。本文拟从《松雪斋集》成书这一动态过程切入,分析赵孟頫文学创作展开的时代背景,考察参与和推动其创作的社会动因,借以认识赵孟頫文化形象树立的动态过程,以及在文化传播机制下《松雪斋集》的历史价值。     

A STRATEGIC LOGIC FOR ARTS MARKETING

Recent thinking within arts philosophy has moved further and further away from the concept of autonomous art. Nowadays art is mostly seen as an intrinsic part of everyday human life. Artistic value is conceived of more and more as something that depends largely upon experiencing the works as they are encountered within general culture. This relational perspective on art has important implications for the future development of arts marketing as a discipline. This article argues that arts marketing should primarily aim to support and reinforce the artistic functioning of artworks. It proposes that art consumers should be seen as co‐producers in the total art process and advocates that arts marketing should focus on the artistic experience as the core customer value.     

The Death of Beauty: Goya's Etchings and Black Paintings through the Eyes of André Malraux

Modern critics often regard Goya's etchings and black paintings as satirical observations on the social and political conditions of the time. In a study of Goya first published in 1950, which seldom receives the attention it merits, the French author and art theorist André Malraux contends that these works have a significance of a much deeper kind. The etchings and black paintings, Malraux argues, represent a fundamental challenge to the European artistic tradition that began with the Renaissance, an essentially humanist tradition founded on the pursuit of a transcendent world of nobility, harmony and beauty—an ideal world outside of which, as Malraux writes, ‘man did not fully merit the name man’. Following the illness that left him deaf for life—an encounter with ‘the irremediable’, to borrow Malraux's term—Goya developed an art of a fundamentally different kind—an art, Malraux writes, ruled by ‘the unity of the prison house’, which replaced transcendence with a pervasive ‘feeling of dependence’ and from which all trace of humanism has been erased. Foreshadowing modern art's abandonment of the Renaissance ideal, and created semi-clandestinely, the etchings and black paintings are an early announcement of the death of beauty in Western art.     

留在草原上的记忆——内蒙古美术遗产述要

内蒙古草原文化遗产分布广泛,美术品种类有岩画、动物风格的青铜器、建筑、壁画、石人等多种,是草原游牧民族生活、文化风习、审美形态的历史记忆。草原文明从发生到绵延盛大的历史,因随逐水草的游牧方式,文化素质具有明显的周期性特征。因地缘文化的关系,留存的美术品一方面表现出与中原文化间的交流与互动,另一方面又与欧亚草原的文化形态相呼应。本文试以各时段具有代表性的美术遗迹为纲目,参用具体的作品实例,诠释波澜壮阔的草原文明背景下的美术面貌,由一斑而略窥全豹。     

古代小说中棋戏描写的艺术功能

古代小说中具有大量关于棋戏的描写,其不仅具备娱乐的实用价值,而且被赋予独到的文学艺术功能,成为小说的一个有机组成部分。概而言之,不仅能够借以展开矛盾冲突,推动情节发展,并能刻画人物性格,塑造人物形象,还能展现社会风尚,创造典型环境,更能体现出作者的批判意识与价值取向。     

以作品《小白菜》为例浅谈声乐演唱艺术中情感的表现

声乐演唱艺术是最情感化的艺术。情是一切艺术之所以感人的根茎,情感是歌唱艺术的灵魂。歌唱时只有做到了声情并茂,才能发挥出作品的全部艺术感染力。本论文结合作品《小白菜》,浅谈声乐演唱艺术中情感的表现。     

中国藏传佛教艺术研究的进展(英文)

In the last ten years Tibetan studies has made great strides in China.Many scholars have shifted their interests to Tibetan art and gradually realized that these artistic works,containing the ideal of wisdom and compassion,will give them the key to this mysterious     

The Reappearing Masterpiece: Ranking American Artists and Art Works of the Late Twentieth Century

A survey of the illustrations in textbooks of modern art produces the startling finding that art scholars consider Robert Smithson's Spiral Jetty to be the most important individual work made by an American artist during the past 150 years. More generally, quantifying the evidence of the textbooks reveals the source of the pluralism, or stylistic incoherence, of American art since the late 1960s. A persistently high demand for artistic innovation has produced a regime in which conceptual approaches have predominated. The art world has consequently been flooded by a series of new ideas, often embodied in individual works, usually made by young artists who have failed to make more than one significant contribution in their careers. The monumental Spiral Jetty, made in 1970 by a young artist who was killed soon thereafter while in the process of making his art, brought together a remarkable number of the central themes of the advanced art of the time and has become a symbol for that art.     

田村俊子与她的女性小说

曾流行于大正时期的日本女作家田村俊子虽然作品不多,但在日本女性作家创作史上却占有重要位置。她取材于自身经历的两部代表作《木乃伊的口红》与《炮烙之刑》展示了她那个时代的新女性形象,并因为她自身的强烈个性让人物形象更加饱满,富有张力和感染力。作者提出的因女性的自立自我而产生的两性问题并没有过时,依然存在我们当下的现实生活中,这更凸显出田村俊子这两部作品的可贵。     

Myths of ancestry

This article examines the national significance of fifth‐century BC Greek sculpture and especially the so‐called Elgin Marbles. It examines the significance of these archaeological remains not for the Greek nation but for the British, and specifically the English, nation during the nineteenth century. The national significance of fifth‐century BC Greek art lies in its incorporation into nineteenth‐century debates concerning the identity of the English nation. At a time when physical appearance or race was accepted as an important and, indeed, determining component of the ‘self’ and a measure of collective belonging, Greek sculpture, which was primarily figural in its subject‐matter, came to be seen as an image of the English ‘self’. The belief in the Greek identity of the English caused a Greek revival in English life and art. In life, this revival took the form of care for the body and the imitation of the athletic practices of Greek youth through the practice of sport in English school and university education. It was thus that nineteenth‐century English youth turned itself into a work of art.