Beyond the stereotypes: Mary Lavin's Irish women

This paper discusses Mary Lavin's place within the Irish literary tradition by means of an analysis of her representations of female characters. It argues, first, that Lavin's short stories depart from the short story tradition in general and the Irish short story tradition in particular by failing to subscribe to the cultivation of the romantic outsider and focusing instead on family relations and social responsibilities. Second, Mary Lavin's marginal position in a feminist or female literary tradition is explained through her unwillingness to portray women as victims and through the absence of a clear critique of patriarchy in her work. The paper then tries to characterise the relationship between individual and society in Lavin's short fiction in a more positive way, by focusing on the notions of individual fate and personal responsibility, which turn out to be crucial to Mary Lavin's philosophy. This philosophy is first discussed explicitly in a reading of the story ‘Happiness’ and ‘The Widow's Son’ and subsequently shown to lie behind the oppositions and dilemmas in several other stories. Finally, the article demonstrates how Lavin manages to realise her Nietzschean belief in an Amor Fati in some of her most positive female characters through a clever use of imagery and point of view, without thereby succumbing to sentimentality or cliché.     

A Japanese “Girl's Reading” of Dostoevsky's Poor Folk: Senuma Kayô and the Origins of Japanese “Girls' Literature”

Senuma Kayô (1875–1915) was Japan's first woman translator from Russian. She is now remembered mainly for her translations from Chekhov. This paper examines one of Kayô's early works, Mazushiki shôjo (A Poor Girl, 1904), translated from Dostoevsky's Poor Folk, which was one of the first Japanese translations of a work by Dostoevsky to be made directly from the Russian original. Kayô chose to translate only a part of Dostoevsky's work, focusing on the memoir of the character Varvara, in which her first love and its tragic end are recounted. While the central theme of Dostoevsky's work is poverty and its impact on human relationships, in Kayô's translation the central theme is Varvara's misfortune in love. In this emphasis Kayô found a “girl's story” in Dostoevsky's novel, and Mazushiki shôjo foreshadowed a new wave of Japanese girls' literature, which attracted many new female readers. Kayô's translation style is examined to see how it contributed to the development of a style appropriate to girls' story writing.     

Scholarly Authority and Lay Mobilization: Yusuf al‐Qaradawi's vision of da‘wa, 1976‐1984

The late 1970s and early 1980s were a propitious yet challenging time for the Muslim Brotherhood in Egypt, as its elites sought to define the movement's priorities in the face of new opportunities to spread their call (da‘wa). The debate over preaching, while one of strategic assessment, also involved a negotiation of intellectual hierarchy: Should laymen lead Egypt's oldest Islamist organization, or should scholars? In contrast to previous studies that focus on how laymen led the Brotherhood's return to grassroots preaching, this article reintegrates scholars into the story of da‘wa by focusing on the organization's most prominent ‘ālim, Shaykh Yusuf al‐Qaradawi, and his vision of institution‐based preacher education and extra‐institutional activism. Drawing on three books written by Qaradawi on this topic between the mid‐1970s and early 1980s, this article casts lights not only on this Islamist scholar's claim to religious authority as he sought to mold the Brotherhood, but also on the ways in which projects of mass mobilization – whether grassroots preaching or the reform of state‐sponsored educational curricula – have transformed scholarly claims to authority more broadly.     

Perspectivismo Narrativo y Enjuiciamiento Social en La familia de Pascual Duarte

The phenomenal ambiguity and irony in Camilo José Cela's La familia de Pascual Duarte has led to many often differing conclusions regarding its social message. While some scholars regard its protagonist as a victim of society and of the new regime that followed the Civil War, others have argued that Pascual is the evil perpetrator of unspeakable crimes who is rightly punished by the new order. This article proposes to reconsider the picaresque nature of this novel, focusing on two features of the picaresque genre, namely its political commitment (or poética comprometida) and the determinism versus free will foil. This analysis will show that Cela replicated the Quevedian vilification of the protagonist and the Alemanian presentation of a false conversion at the end of the story with one purpose: to present Pascual as an unremorseful murderer who lived an irreligious life, killed his mother, and supported the Republican repression in his village killing the local aristocrat, before the new regime makes justice by executing him.     

‘Defending the race’: the Italian reinvention of the Hottentot Venus during Fascism

Abstract In 1938 the regime's popular periodical La Difesa della Razza published the portrait of Saartjie Baartman (a Khoisan woman known to the western world as ‘The Hottentot Venus’) to discourage miscegenation in the empire of Italian East Africa. But by 1938, Italian public and scientific interest in the Hottentot Venus had long faded away. In addition, readily available photographs of Italo-Eritreans could have been used to show the ‘outcome’ of miscegenation. Why then did the regime's organ publish a portrait of ‘The Hottentot Venus’? This article addresses this question, and explores how Baartman's story could serve the regime's aim of forging a new ‘racial consciousness’ among Italians. By focusing on the transformation of scientific discourses from the 1850s to the late 1930s, and on their silences, the article illuminates the process through which some of the regime's anthropologists constructed a new, ‘made in Italy’ story for the Hottentot Venus. Deliberately leaving out all the main issues long debated during the previous century, they turned this figure into an empty icon to support Fascist colonial obsession with the purity and prestige of the Italian race.     

Telling Stories about the Colonies: British and French Women in Algeria in the Nineteenth Century

This article recounts the stories told about Véronique Eugénie Allix‐Luce and her school for Muslim girls founded in Algiers in 1845. Drawing on English feminist writings, including correspondence and travel narratives, it explores how women, such as Barbara Bodichon and Bessie Rayner Parkes, constructed this French schoolteacher as a modern day heroine. French colonial authorities and women's travel narratives provide a more complicated portrait and reveal the weight of cultural and gender politics within the French ‘civilising mission’ that ultimately erased the memory of this initiative. By retelling the story of Mme Luce's school through the double perspective of British and French contemporaries, the article offers insight into the disappearance of women's roles in the French story of Algerian colonisation.     

Hollywood,the MPAA,and the formation of anti-piracy policy

Combating piracy is fundamental to the policy ‘priorities’ of the Motion Picture Association of America, the trade association representing the major Hollywood entertainment corporations. As the MPAA implements a multitude of actions to fight piracy, it is impossible to locate the formation of the Association’s anti-piracy policy in any single source. Instead, this article sees MPAA anti-piracy policy as formed across three fronts: the legal, through anti-piracy litigation; the political, by the MPAA joining with other trade groups from across the copyright industries to lobby for stronger domestic copyright laws and influence US trade policy; and the discursive, seen in the production of statistics to evidence the value of copyright to the US economy and consequent harms caused by piracy. Examining these actions confirms the cultural and economic influence of MPAA policy but the article is also concerned with how Hollywood’s anti-piracy efforts are challenged and contested from various directions.     

‘The rainha is the boss!’: On Masculinities,Time and Precolonial Women of Authority in Northern Mozambique

This article focuses on the oral historical narratives about precolonial women of authority (or rainhas in Portuguese) to explore the deeper history of gendered power in northern Mozambique. History-telling is a gendered practice, and nowadays male elders are usually the ones most knowledgeable in these narratives. Moreover, telling these tales - which in interview situations involves personal interpretations and comments - the men also story gendered temporal worlds. This article looks more closely at two seemingly clashing (and incompatible) storylines that emerge in the oral history material. One tells of women's spiritual-political power in the Yaawo chieftaincies in precolonial times, while the other tells a narrative of masculinised power and woman's subordinate position in relation to male leaders. The article focus's especially on how the male narrators talk about masculinity and how different models of masculinity in turn shape the historical narratives they tell. As the author's analysis demonstrates, these models have different temporal origins; yet they intertwine in present time-space, interacting also with newer notions (e.g. the ‘new man’ of the socialist period). The article thus shows how various models of masculinity linked to different temporalities and different imaginings of the relationality between femininity and masculinity coexist and shape male gendered identities as well as the histories men tell about the past and gendered power.     

In Loving Memory of Mary Belshaw,May McRidge,and the Nyungar People of the Badjaling Mission, 1930–1954

Using examples from his family and religious history, Patrick O’Farrell analysed the transition from Irish emigrant to assimilated colonial in what was perceived as vacant land. Like O’Farrell, this article will also use family history to address the issues of memory, religion, and assimilation. The Irish weaver Mary Belshaw (1879–1960) came to Australia in 1913 and was instrumental in the emigration of her family to Australia during the 1920s. She worked as a Protestant missionary among Aboriginal Australians from 1915, until her retirement in 1953. Although the grave she shares with her co‐worker May McRidge (1882–1943) bears the words “Ever remembered by what she has done,” her story was largely forgotten by her family. In 1986, the Nyungar people erected a memorial stone to Belshaw and McRidge and the thirty‐nine Nyungar families who lived at the Badjaling Mission in Western Australia from 1930 to 1954. This article will address the wider issues in twentieth‐century Australia which contributed to the neglect of the story by Belshaw's Irish Australian family and then led to its recovery. It will reveal how an Irish heritage was rediscovered because the story lived within a Nyungar community who had survived terra nullius and assimilation policies to return to their land at Badjaling.     

Edna O'Brien and narrative diaspora space

Given the persistent presence of migration in the work of Edna O'Brien, it is surprising how marginal a theme it is in critiques of her work. This article explores how questions of diaspora have reached a renewed level of depth and intensity in her novel The Light of Evening (2006) and the related short story ‘My Two Mothers’ (2011). Looking, in particular, at how letters play a central role in the relationships of three generations of Irish women across three countries, it analyses how issues of mother(land), diaspora and belonging are mediated through migrant fiction. It draws on the work of Avtar Brah and Paul Ricoeur to argue that, along with related forms of textuality within O'Brien's oeuvre, letters represent a ‘narrative diaspora space’ which illuminates the relationship between mothers, daughters and writing in Irish migrant experience.     

Coloured Cabinets: A Reflection on Material Culture as a Marker of Coloured Identity in Cloetesville,South Africa

In coloured neighbourhoods of the Western Cape in South Africa, there are objects in people's homes that live in a unique historical and cultural moment. This article reports on an examination, in the neighbourhood of Cloetesville, Stellenbosch, of how these objects inside residents’ homes tell a story of a creolised people and the locations in which they are situated. In the case of Cloetesville, as in many neighbourhoods that arose from a history of forced removals, many people experience various social and economic problems. Coloured people's identities are commonly thought to rest in these problems. This article, however, seeks to suggest an alternative way of exploring coloured identity through looking at objects in households and broader living environments. Thus, I hope to provide insight into different yet distinct experiences by contributing new perspectives through looking at nostalgic and ordentlike (respectable) sentiments of belonging. Specifically cabinets in living rooms are conceptualised as repositories of such sentiments in the home, and how the objects residing in the home have the power/ability to symbolically ground their owners in the neighbourhood of Cloetesville.     

HISTORIOGRAPHY: A FIELD IN SEARCH OF A HISTORIAN?

Richard Kirkendall's collection of essays, The Organization of American Historians and the Writing and Teaching of American History, examines the history of the Organization of American Historians (OAH) from its founding to the present, using that history to illuminate how the writing of American history has changed over the last hundred years. The book provides coverage of all the major dimensions of the Mississippi Valley Historical Association's (MVHA) and the OAH's activities, ranging from the work of its scholarly publications, the Mississippi Historical Valley Review and the Journal of American History, to its role in promoting the teaching of American history. Overall, the essays in the volume tell a story of the organization's progress toward greater inclusion and democracy, falling prey to a Whig interpretation of historiography. In doing so, the book is part of a larger tendency in the way that historians have approached historiography, which in turn reflects their ambivalence about their relationship to the historical process. Thus, even as the very enterprise of historiography is premised on the recognition of how historians are themselves the products of the historical process, historians have revealed the limits to that recognition in their approach to the subject. This essay shows how deeply rooted this duality has been in the study of American historiography and illuminates some of its sources by placing Kirkendall's book in the context of how the MVHA and the OAH have treated historiography over the course of the organization's history.     

Rights to the rescue? The promotion of Indigenous women's political-electoral rights and the rise of the Mexican security state

This article demonstrates how the promotion of Indigenous women's political-electoral rights in Mexico has furthered a conservative agenda of state securitization. To do so, it presents a discourse analysis of national media reports focused on the story of Eufrosina Cruz, a Zapotec woman who became the figurehead for state-led initiatives to promote Indigenous women's rights. It argues that a colonial rescue narrative constructed through Cruz's figure helped generate new hegemonic discourses of gendered indigeneity that portrayed Indigenous peoples' alternative political practices and spaces as anti-democratic and illegal. In an era where advancements in party democracy were linked to processes of state securitization, these categorizations helped justify new forms of state intervention into Indigenous peoples' lives. By exploring how rights initiatives were discursively constructed through racialized, spatialized and gendered constructions of indigeneity, this article contributes to a critical geography of indigeneity within political geography.     

El pulso de Centro América a través de la novela

This article offers a new reading of Miguel de Unamuno's San Manuel Bueno, mártir. Critics have traditionally focused on the question of the protagonist's supposed lack of faith and sought to relate San Manuel's doubts in the novel to Unamuno's own religious views. Although this novel is very much concerned with religion, eschatology, and social issues, it is also an extremely sophisticated literary narration wherein the use of irony and ambiguity remains perhaps unequalled in Spanish contemporary literature. By considering the principles of linguistic pragmatics, this article shows that in her account of San Manuel's life, the female narrator tells the dramatic story of the love she and San Manuel felt for each other. By means of a complex use of ambiguity, Unamuno writes a novel that can be read in two different ways: the religious novel and the love novel.     

Form,function, fiction – translations of technology and design in product development

This article is a case study of the design and development of a Norwegian crockery series for institutional households – the 1962 Figgjo 3500 Hotel China. It investigates how this product represented a decisive break with the conventions of postwar Norwegian design and manufacture. The onset of international free trade meant export or die for the manufacturing industry. The elitist aestheticism so prevalent in the so‐called Scandinavian Design movement was abandoned in favour of an ideology remarkably akin to what was at the German Ulm School of Design called scientific operationalism. The paper also analyses how the manufacturer sought to portray this product: first, it was inscribed as science incarnated, and the material morality reigned supreme. But as society's faith in science took some serious blows in the course of the 1960s and modernist design idioms were partly forsaken in the 1970s, the engineered tableware became the fashioned tableware as trends tamed technology. These translations of technology, design, identity and consumption tell the story of how an artefact is constantly in a state of transformation – on both sides of the factory gate.     

What More Is There to Say? Revisiting Agamben's Depiction of Homo Sacer

This article argues that Agamben's “paradigmatic method” leads to particular choices in his depiction of the figure of the homo sacer. Reviewing this project also suggests that there's more to history—the example given is the story of homo sacer—than Agamben's method would ever leave us to say. In other words, there are still resources in the tradition for something new, and thus there is much more left to say about its legacies.     

Michel de Certeau and the Limits of Historical Representation

The polymath Michel de Certeau is traditionally seen as one of a group of French post‐structuralist thinkers who reject constructs in the social sciences in favor of the diversity of the everyday or the past. However, in this paper I will show that, as a historian, Certeau did not discard these constructs, but rather valued them as a means of doing justice to the “strangeness” of the past. The position that Certeau adopts can be seen most clearly from his theoretical debate with Paul Veyne, which is the starting point of this article. I then show how Certeau's first major historical work, The Possession at Loudun, exemplifies his theoretical position. An analysis of this work demonstrates how the historian's active reconstruction of interactions between exorcists, medical doctors, state officers, and possessed nuns helps us to perceive the complexity of the past in a way that can be seen as a microhistory avant la lettre. I will suggest that during his writing of the history of Loudun, Certeau implicitly raises more theoretical and epistemological problems, and in so doing he “practices” a theory of history. The most elusive aspect of the story at Loudun turns out to be the drama around the priest Grandier. This article demonstrates how Certeau pays tribute to Grandier by using “scientific” methods, thus showing the “limits of representation” through disciplinary means. Finally, the article explores the implications of Certeau's theory and practice of the writing of history for understanding historiography at large. The historian not only appears as a tramp who looks for remains that are forever lost to us, but is also a “scientist” who uses both models and concepts in order to put them to the test.     

Industrializing Crusoe: Adventure,Modernity and Anglo-American Expansionism

This essay focuses on two updated, Americanized versions of the Robinson Crusoe story published in the final quarter of the nineteenth-century: Jules Verne's The Mysterious Island and Douglas Frazar's Perseverance Island: or the Nineteenth-Century Robinson Crusoe. The first half of the essay considers how these Robinsonades reworked Defoe's novel as a fantasy of applied technology in an industrialized agrarian context. The second half of the essay engages with recent historical work on nineteenth-century British expansion in order to consider how Verne's and Frazar's adventures might be understood in relation to the flow of migrants and money from Britain to America around the period the novels were written. As a result, the essay proposes The Mysterious Island and Perseverance Island as literary vehicles that inspired visions of agro-industrialization at a time when Victorian subjects were increasingly drawn to the American West as a site in which to sink their labour and finance. Thus linking the circulation of the adventure form with overseas capitalist enterprise, the essay concludes by reflecting upon how such expansionism might be understood with regard to the discriminatory processes of primitive accumulation and uneven development that have characterized the growth of the modern capitalist world system.     

‘The disappeared’: Power over the dead in the aftermath of 9/11 (Respond to this article at http://www.therai.org.uk/at/debate)

This article tells the story of how the remains of victims of the 9/11 terrorist attack on the World Trade Center have been mistreated and misused over the past 10 years. The article focuses on the experiences of some of the victims' families as they have sought to recover human remains dumped in the Fresh Kills landfill and to engage with officials about plans to house unidentified remains in a museum complex. The story reveals the institutional violence of a process in which human remains are devalued and subject to continual control by both state authorities and a private museum, a process that has turned victims into victims yet again. This second victimization lies in the gap between the shared heritage of that tragic September day and the individual rights of American citizens to care for their kin.