Reflexiones en torno al teatro en la producción crítica de Alberdi y Sarmiento

This article examines the important role played by Juan B. Alberdi's and Domingo F. Sarmiento's literary articles in advancing the modern nationalist discourse in Argentina. I argue that in their performance reviews, these two men of letters advocated for the formation of a national theater in an effort to promote a national cultural expression.     

Topoiesis: Procesos de espacialización en la literatura (crítica y metodología)

ABSTRACT

Space in literary texts has been widely studied but poorly systematized. There is no valid method of analysis that gives space a critical meaning. For instance, critics have eluded the fact that time and space cannot be considered separately. On the other hand, they have used concepts or methods from disciplines aside literature such as anthropology, biology, psychology, or geography that do not help clarify the meaning or signification of a literary text. We begin this article by giving a review of the main theoretical and critical positions regarding space in literature from the second half of the twentieth century. We do this in order to evaluate the main results those studies have attained. Later on, we propose a methodology that may clarify the significance of space in a literary text. The concept topoiesis (as far as we know, it has not been used in the humanities) represents for us a key word. It helps us to distinguish one main process where space can turn from a signification practice to the production of meaning in a literary text.     

La re-escritura de la novela romántica argentina del siglo XIX: de Lucio V. Mansilla a Florencia Bonelli en Indias blancas

Contemporary Latin American retro-foundational or neo-romantic narratives allow scholars to reanalyze the nineteenth century's hegemonic discourse. They also provide an opportunity to rethink how social classes, ethnicities, and genders interacted during the past. Argentinean writers are rewriting some novels by authors of previous eras to raise points about national identity and historiography. Indias blancas and Indias blancas: La vuelta del ranquel by Florencia Bonelli are based on Una excursión a los indios ranqueles by Lucio Victorio Mansilla. Mansilla's provocative and long forgotten novel was brought to a new life through the re-examination of the Conquest/s of the Desert, during which the native population of the Argentinean Pampa was gradually exterminated. Although Bonelli's work presents some similar scenarios and themes as Mansilla's novel, the two volumes of Indias blancas parody the époque representation of the virginal, flimsy, powerless, and self-denying Creole women and the vicious savages of the Pampas. In addition, the contemporary narrative satirizes the Creole's civility and paternalism toward the indigenous population, whose displacement benefited the latifundia (large estate) system in Argentina.     

Entre el oro y la plata: Quito,el suroccidente de la Nueva Granada y el movimiento de mercancías norandino a fines del siglo XVIII

El artículo contribuye a un análisis cuantitativo de las relaciones económicas entre la Real Audiencia de Quito y el suroccidente de la Nueva Granada a fines del siglo XVIII. A partir de un análisis sistemático de fuentes alcabalatorias, el ejercicio mide el flujo de mercancías entre ambas economías. En particular, analiza a nivel agregado y regional la estructura de los intercambios estableciendo su volumen en términos reales y nominales, su grado de concentración y su evolución en el tiempo. La investigación muestra que, a nivel agregado, la importancia recíproca de las dos economías obliga a abandonar una tradición historiográfica que ha escindido el análisis de lo que sin duda era una región fundamental del sistema económico colonial.     

Comercio y comerciantes en América Latina colonial: Reflexión historiográfíca

Tráfico de Indias y política oceánica. By Fernando Bordejé Y Morencos. Madrid: MAPFRE, 1992. Pp. 341.

Relaciones económicas entre España y América hasta la independencia. By John R. Fisher. Madrid: MAPFRE, 1992. Pp. 280.

Las comunicaciones en América. By Secundino‐José Gutiérrez Alvarez. Madrid: MAPFRE, 1993. Pp. 424.

Piratas, bucaneros, filibusteros y corsarios en América. Perros, mendigos y otros malditos del mar. By Manuel Lucena Salmoral. Madrid: MAPFRE, 1992. Pp. 306.

El dinero americano y la política del imperio. By María Emelina Martín Acosta. Madrid: MAPFRE, 1992. Pp. 333.

Cargadores a Indias. By Julian B. Ruiz Rivera and Manuela Cristina García Bernal. Madrid: Mapfre, 1992. Pp. 395.     

Epistemologías transculturales: prácticas y producción de conocimientos en zonas de contacto colonial en los Andes y Paraguay

It is proposed that there is an iconographic and epistemological relationship between some drawings in Felipe Guaman Poma de Ayala’s Nueva corónica y buen gobierno and the images recorded in several colonial wood vessels (qeros) which circulated widely during the time that Guaman Poma was writing his letter to the King of Spain. This connection shows that the work of Guaman Poma was not an isolated or singular act in the colonial context and that both communicative and creative processes, that of the Nueva corónica and that of the qeros, formed part of a process of shared colonial semiosis through which Andean societies maintained a certain autonomy in the production and circulation of their own discourses. Secondly, the article discusses the epistemological tension that results from the coexistence of different narratives (European and Andean) that used their own temporal and spatial categories to account for new colonial conditions.     

La prudencia de Cortés: teoría política y práctica retórica en la Historia de la conquista de México de Antonio de Solís

The Historia de la conquista de México, published by Antonio de Solís in 1684, and later extensively reissued and translated, has been praised for the ‘elegance’ and ‘sweetness’ of its style. From very early on these qualities made the Historia to be read as a prose model worthy of imitation. Different scholars have studied Solís's sources and the way he manipulated them on the one hand, and, on the other, the extent of the reliability of his account. However, very little has been said about the actual writing practices of the Historia in the context of contemporary historiographical theories, or the author's own ideas about history or politics. This paper analyzes how some of these rhetorical techniques (I particularly focus on the use of oratio figurata, sententia, and epiphoneme) gave shape to Solís's political ideas, in particular the concept of prudence.