La espada,la cruz y el padrón: soberanía,fe y representación cartográfica en el mundo ibérico bajo la monarquía hispánica, 1503–1598

Antique Maps of Wales. By John Booth. Montacute, Somerset, 1977. pp. xiv, 132, illustrated, £4.95.

Sir Francis Drake. An exhibition to commemorate Francis Drake's voyage around the world, 1577–1580. Pp. 128, illustrated. British Museum Publications, 1977. Price £2.50.

Nautical charts on vellum in the Library of Congress. Compiled by Walter W. Ristow and R. A. Skelton. Washington 1977.

Collection for the History of Cartography. By Roy. V. Boswell. Fullerton, California: Published by Roy V. Boswell, 1976. pp. 41. (typewritten and xeroxed in an edition of 100 copies).

Maps for an emerging nation: Commercial cartography in nineteenth century America. By Walter W. Ristow. Library of Congress, Washington, 1977, pp. 66, 20 figures, U.S. $5.00.

The Nature of Maps. Essays toward Understanding Maps and Mapping. By Arthur H. Robinson and Barbara Bartz Petchenik. Chicago and London, The University of Chicago Press, 1976, pp. 138.

Lee, Chan, Old Maps of Korea. The Korean Library Science Research Insitute, Seoul, Korea, 1977, 249 pages (22,000 Hwan, $50.00).     

Consejero de Felipe III en su Real Consejo de Indias: venalidad y corrupción en el servicio a la Monarquía

During the reign of Philip the III, one of the most famous legal proceedings of the 17th century took place. It was conducted against Pedro Franqueza and Alonso Ramírez de Prado, who were charged for taking advantage of the king's trust to obtain personal benefits and in detriment of the Monarchy. Two of the charges were referred to the case of an adviser from Indias: Lic. Francisco Alonso de Villagrá, who might have obtained the position through fraudulent activities with the all-powerful Pedro Franqueza. Based on the analysis of the documents pertaining to this case, the aim of this research is to unravel the events that took place, understand the causes that led Villagrá to become involved and the consequences of the way in which the position was acquired.     

La prudencia de Cortés: teoría política y práctica retórica en la Historia de la conquista de México de Antonio de Solís

The Historia de la conquista de México, published by Antonio de Solís in 1684, and later extensively reissued and translated, has been praised for the ‘elegance’ and ‘sweetness’ of its style. From very early on these qualities made the Historia to be read as a prose model worthy of imitation. Different scholars have studied Solís's sources and the way he manipulated them on the one hand, and, on the other, the extent of the reliability of his account. However, very little has been said about the actual writing practices of the Historia in the context of contemporary historiographical theories, or the author's own ideas about history or politics. This paper analyzes how some of these rhetorical techniques (I particularly focus on the use of oratio figurata, sententia, and epiphoneme) gave shape to Solís's political ideas, in particular the concept of prudence.     

La clerecía del Fernán González

The Poema de Fernán González is usually regarded as a hybrid text—while its subject matter is deemed epic, its expression, intentionality, and ideology are considered clerical. This article studies several elements shared by Fernán González and the other poems of the mester de clerecía school: the same stanza (the cuaderna vía) and poetic rules; similar modes of composition, transmission, and reception; and common structural, thematic, and verbal patterns. The article concludes that the Poema de Fernán González fully participates in the common artistry of the mester de clerecía and therefore can be regarded as the attempt to produce epic poetry by this learned clerical school.     

Espacios locales y espacios trascendentales de la conversión: las Postrimerías de Carabuco y la producción performativa de epistemologías transculturales

The monumental paintings of the Postrimerías [Four Last Things] from the church of Carabuco (1684) serve as objects to study the complex dynamics of the visual and performative production of religious knowledge in a colonial contact zone. The article presents different ‘readings’ of the series that focus on possible uses and receptions of the paintings by local actors. These readings are based, on the one hand, on the idea of conceiving the series as a ‘cycle of meditation’ and product of the influences of Christian mysticism that played an important role in the ‘eschatological politics of conversion’ of the southern Andean Highlands. On the other hand, the paintings relate the eschatological message with the local hagiographic narratives of a pre-Hispanic apostle associated simultaneously with the Christian apostle Bartholomew and the Andean deity Tunupa—the most important figure of Aymara mythology. These works therefore represent objects of memory that participate in the local construction of time and space and that refer not only to Christian eschatological concepts but also to local Andean ontologies.     

Cartografía emocional entre la China y la Gloria: Agustín de Foxá, Víctor Ruiz Iriarte y la Modernidad

Both Agustín de Foxá and Víctor Ruiz Iriarte premiered their first plays very near the end of the Spanish Civil War in 1939. The two playwrights appear to belong to the same imaginative and poetical vein, but in fact Foxá yearns for an impossible return to an idealized past, in a pessimistic lamentation against Modernity—that is, precisely, his exotic drama Cui-Ping-Sing. The poetical theatre Ruiz Iriarte endorses in Un día en la Gloria, and thinks apt to Modern times, is based in a radical optimism—the idea that fantasy can always transform and improve a disappointing reality.     

La ejecución de Atahuallpa: Símbolo andino de colapso y resistencia

This article studies Los dramas de Atahuallpa (Atahuallpa's Dramas) as an oral and ritual memory of the Andean natives. In those texts are traces of the resistance of the European domination initiated during the middle of the sixteenth century. They also recall the destruction of the Inca empire. The discussion points out the work done by the panaca, a Tahuantisuyo institution dedicated to preserving the memory of each Incan emperor's public life. During the twentieth century and the present years of the twenty-first, the tradition of representing Atahuallpa's death has been an expression of the political projects built by the native Andean as well as a symbol of the resistance against the conquest and its results.     

El codescubridor Juan Niño y el puerto de San Juan en el marco de la marinería andaluza y de los viajes de Colón

Este trabajo de investigación ofrece resultados inéditos en relación con Juan Niño —maestre y propietario de la carabela Niña— que colaboró de forma relevante con Cristóbal Colón en la preparación de la armada en 1492 y en su primera travesía oceánica a tierras americanas. Asimismo, desvela el lugar concreto de vecindad y de residencia de este marino en el puerto de San Juan (Huelva, España) mediante documentación contrastada, así como el periodo en el que se produjo su fallecimiento permitiendo aclarar especulaciones historiográficas que ofrecían determinados datos erróneos sobre su trayectoria vital después del descubrimiento de América. Por último, aporta datos indicativos sobre el estatus socioeconómico y el nivel de rentas disfrutado por el codescubridor de América y por su familia.