Performing post-migration cinema in Italy: Corazones de Mujer by K. Kosoof

Following consideration of the most common representations of migrants in Italian cinema, where they are often portrayed as victimised and minor subjects, this article analyses a film by Davide Sordella and Pablo Benedetti, Corazones de Mujer (2008) as a ‘post-migration alternative’. This film considers a different way of depicting ‘foreigners’, and addresses the complex issues of gender and sexuality as they emerge at the interface between Western and Arab cultures. Within the conceptual framework of Judith Butler's ‘gender performativity’ and Rosi Braidotti's ‘nomadic subject’, this article aims to suggest an alternative way of representing migrants in Italian cinema as agents of social and gender transgressions.     

Day centres for homeless people: spaces of care or fear?

It is now widely argued that the contemporary city is becoming an increasingly hostile environment for homeless people. As basic street survival strategies are criminalized and public space ‘purified’ of those whose ‘spoiled’ identities threaten to ‘taint’ fellow members of the public, city authorities seem to have turned from a position of ‘malign neglect’ to more obviously punitive measures designed to contain and control homeless people. Less widely acknowledged but equally prevalent, however, is a parallel rise in the ‘urge to care’; evident in the growing number of night shelters, hostels and day centres emerging in recent years to provide shelter and sustenance to homeless people. This paper contributes to a small but growing body of work examining the development of the ‘spaces of care’ springing up in the interstices of a ‘revanchist’ city, by examining the development and internal dynamics of day centres for homeless people in the UK. Drawing upon a national survey of service providers, and a series of interviews and participant observations with day centre staff and users, the paper argues that day centres act as important sources of material resource and refuge for a highly stigmatized group. However, it warns against the romantic tendencies implicit in the notion of ‘spaces of care’, emphasizing that what for one person may operate as a ‘space of care’ might, for another, be experienced as a space of fear. The paper concludes by noting the ambiguity and fragility of such spaces within the wider ‘revanchist’ city.

Les centres d'hébergement temporaire pour itinérants: espaces de soins ou de peur?

On affirme couramment que la ville contemporaine est en train de devenir un milieu de plus en plus hostile pour les itinérants. Pendant que les stratégies ordinaires de survie dans la rue sont érigées en crime et l'espace public est «purifié» de ceux dont les identités «souillées» risquent d' «entacher» les autres membres du public, les autorités de la ville sont moins disposées à appuyer une position de «négligence pernicieuse» que des mesures nettement plus punitives conçues pour contenir et contrôler les itinérants. Ce qui est moins reconnu mais aussi courant est la progression simultanée du «désir de donner des soins» que permet de témoigner la croissance depuis quelques années de foyers d'hébergement, de gîtes, et de centre d'hébergement temporaire qui offre un toit et des moyens de subsistance aux itinérants. Cet article contribue à enrichir le corpus d'une ampleur limitée mais grandissante sur l'émergence d' «espaces de soins» dans les interstices de la ville «revancharde» par l'examen du développement et les dynamiques internes de centres d'hébergement temporaire pour itinérants au Royaume-Uni. Cet article a recours à un sondage national sur les fournisseurs de services et à un éventail d'entrevues et d'observations participatives auprès d'employés et d'usagers des centres d'hébergement temporaire. Il y est proposé que ces centres servent de lieu de distribution de ressources matérielles et de refuge pour un ensemble de personnes très défavorisées. L'article prend toutefois ses distances par rapport au penchant romantique implicite dans l'idée d' «espaces de soins», et souligne que les processus à l'?uvre peuvent être le reflet d'un «espace de soins» pour une personne ou celui d'une expérience d'un «espace de peur» pour une autre. Cet article termine par le constat qu'à l'échelle de la grande ville «revancharde», ces espaces demeurent ambigus et fragiles.

Centros diurnos para la gente sin techo: ¿lugares de asistencia o de miedo?

Hoy en día se reconoce que la ciudad contemporánea representa un lugar cada vez más hostil para la gente sin techo. A la vez que se criminalizan las estrategias básicas de sobrevivencia en la calle y se ‘purifican’ los espacios públicos, sacando a personas cuyas identidades ‘arruinadas’ amenazan con ‘contaminar’ a otros miembros del público, las autoridades cívicas parecen haber dejado su postura de ‘negligencia maligna’ a favor de medidas más punitivas, concebidas para contener y controlar a la gente sin techo. Menos reconocido, pero no menos corriente, es el aumento paralelo del ‘impulso a asistir’, evidente en el número cada vez mayor de refugios nocturnos, hogares y centros diurnos que han surgido en recientes años donde les dan alojamiento y alimento a los sin techo. Este papel contribuye a un conjunto de trabajo que examina el desarrollo de ‘espacios de asistencia’ que surgen en los intersticios de una ciudad ‘revanchista’, por medio de un estudio del desarrollo y la dinámica interna de los centros diurnos para los sin techo en el Reino Unido. Haciendo uso de un estudio nacional de las organizaciones que proporcionan servicios para los sin techo, y de una serie de entrevistas con funcionarios y usuarios de los centros diurnos, el papel sugiere que los centros diurnos sirven como fuentes importantes de recursos materiales y de refugio para un grupo muy estigmatizado. Sin embargo, argumenta en contra de las tendencias románticas que son implícitas en la noción de ‘espacios de asistencia’ y enfatiza que lo que puede servir como un ‘espacio de asistencia’ para una persona puede ser experimentado como una espacio de miedo por otra persona. El papel concluye por notar la naturaleza ambigua y frágil de estos espacios dentro de la ciudad ‘revanchista’ más amplia.     

Performing masculinity in the Moroccan theatre: virility,sexuality and Spanish military culture from the African War to the Civil War

This article explores constructions of Spanish masculinity in the first decades of the twentieth century, as Spain engaged in colonialist wars in Morocco; memoirs and literary texts by travellers, soldiers and military leaders such as Francisco Franco and José Millán Astray are read alongside theoretical works. I argue that, like European Orientalism, Spanish Orientalism projects onto Moroccan men an image of fanaticism, barbaric violence and ultra‐virile yet ‘polymorphously perverse’ sexuality. However, that particular image of masculinity is just as often re‐assimilated into a Spanish national identity that can never quite manage to assert its fundamental difference from North Africa.     

La clerecía del Fernán González

The Poema de Fernán González is usually regarded as a hybrid text—while its subject matter is deemed epic, its expression, intentionality, and ideology are considered clerical. This article studies several elements shared by Fernán González and the other poems of the mester de clerecía school: the same stanza (the cuaderna vía) and poetic rules; similar modes of composition, transmission, and reception; and common structural, thematic, and verbal patterns. The article concludes that the Poema de Fernán González fully participates in the common artistry of the mester de clerecía and therefore can be regarded as the attempt to produce epic poetry by this learned clerical school.     

Epitomising the Modern Spanish Nation through Popular Music: Coplas from La Caramba to Concha Piquer, 1750–1990

Music is an important language of the emotions and can often arouse strong passions in its performance and representation, both from the individual's perspective of personal identity and for the individual's sense of identity and of belonging to a given community. Likewise, music can serve to whip up and reinforce nationalism and national chauvinism against the ‘other’ as well as serving as a badge of identity. In this article I explore a musical form, a song that has been defined as ‘Spanish’ and as the ‘national’ song: la copla. Copla is rooted in the past and first appeared as both a poetic and a theatrical form, but always accompanied by music. It was, however, during the eighteenth century, when nationalism made its appearance as a ‘concern’ in the Spanish political‐cultural arena, when coplas would be used as a mark of Spanish identity. Copla is a women's song. Although it has been interpreted by men, some of them internationally renowned like Miguel de Molina, the most famous performers have been and still are women. That is why perhaps a recurrent theme of coplas is unrequited love, whereby love and passion play an important role, either with regard to the individual or the community from which the individual hails. But there are also other themes such as the longing stimulated by alien rule, which is reflected by cultural opposition and resistance to discourses of power, not only in terms of open opposition, but in a more subtle form of resistance, particularly in gender terms. I claim that it is precisely this resistance to fixed discourses of gender that have made coplas excellent negotiators with the different musical, social and political contexts and in this way have made them an icon of the invented tradition that is fundamental in the creation of a nation.     

The counter-revolutionary Atlantic: white West Indian petitions and proslavery networks

Following recent research into imperial networks and their materialities, this paper addresses the geographies of the early-modern Atlantic. Its focus is the defensive response of white West Indian colonists to the emergence of popular antislavery sentiment in Britain during the ‘age of abolition’ (c. 1780–1833), which led to the increasing marginalization of slave-holding interests. This response included the production of corporate legislative petitions that sought to prevent or delay the reform of slavery. The paper argues that these petitions should be understood not as rhetorical forms of ‘influence’ that can be analysed in terms of their language, but as material objects whose potential efficacy derived from how, and in what textual company, they travelled. Tracing these material networks of petitioning provides a means to operationalize ‘circum-Atlantic’ perspectives and thus explore the spaces of the Atlantic. The paper also considers how theories of creolization, which underpin much thinking about the Atlantic, might be informed by a consideration of these petitionary networks.

L'Atlantique contre-révolutionnaire: les demandes des blancs des Antilles et les réseaux favorables à l'esclavagisme

Cet article fait suite aux recherches récentes effectuées sur les réseaux impériaux et leurs matérialités et s'intéresse aux géographies du début de l'époque moderne de l'Atlantique. Il met l'accent sur la réaction défensive des colons blancs des Antilles devant l'arrivée du sentiment populaire anti-esclavagiste en Angleterre pendant «l'ère abolitionniste» (1780–1833) qui a contribué à la marginalisation des propriétaires d'esclaves. Cette réaction comprenait des pétitions légales relevant de sociétés privées dont le but était d'empêcher ou de retarder le projet de réforme de l'esclavagisme. Cet article montre que ces pétitions ne devraient pas être vues comme des formes rhétoriques «d'influence» pouvant s'analyser en fonction de leurs modes linguistiques, mais comme des objets matériels dont la capacité de rendement résultait des manières et des formats textuels par lesquels elles pouvaient voyager. Remonter jusqu'aux réseaux concrets qui ont permis de protester par des pétitions est un moyen d'opérationnaliser les approches «circon-Atlantique» et d'explorer ainsi les espaces de l'Atlantique. Par ailleurs, l'article tente de montrer comment l'étude de ces réseaux de pétitions peut éclairer les théories de la créolisation qui sous-tendent la plupart des réflexions sur l'Atlantique.

El Atlántico contra-revolucionario: peticiones y organizaciones a favor de la esclavitud de la gente blanca de las Antillas

Con referencia a las recientes investigaciones de redes imperiales y su aspecto material, este papel trata las geografías del antiguo atlántico moderno. Se centra en la reacción defensiva de los colonos blancos de las Antillas al surgimiento del sentimiento popular antiesclavitud en Gran Bretaña durante ‘la era de la abolición’ (c. 1780–1833), que dio lugar a una marginación cada vez mayor de los intereses de los negreros. La producción de peticiones colectivas legislativas para tratar de impedir o retrasar la reforma de la esclavitud formó parte de esta reacción. Este papel sugiere que hay que ver estas peticiones no como formas retóricas de ‘influencia’ que se puede analizar por su lenguaje sino más bien como objetos materiales, la eficacia potencial de los cuales viene de cómo, y en qué compañía textual se viajaban. Un análisis del origen de estas redes materiales de peticionar posibilita el funcionamiento de perspectivas ‘circum-atlánticas’ y, por consiguiente, una exploración de los espacios del Atlántico. El papel también considera como teorías de criollización que son fundamentales al pensamiento actual sobre el Atlántico pueden ser informadas por un estudio de estas redes de peticionar.     

A Review of “Henri Lefebvre and the Spanish Urban Experience: Reading the Mobile City”

In this article, the author analyzes how Salvador Espriu in La pell de brau (re)builds the myth of Sepharad that refers to the Hebrew name of the assembly of the medieval Hispanic kingdoms. La pell de brau is a work that opens the "collective cycle" toward a "we" framed within a specific historical context. The poet criticizes the unified vision of the Spanish nation and of the Catholic religion. The (re)construction of the myth of Sepharad not only reflects the crisis of the subject in search of an identity in an intolerant Spain after the civil war but also subverts the myth of the Spanish nation as created by the doctrine of National Catholicism under Franco.     

Bodies (and Spaces) do Matter: The limits of performativity

This article explores the insights and limitations within geography of Judith Butler's concept of 'performativity'. As a processual, non-foundational approach to identity, many feminist and post-structuralist geographers have incorporated performativity into their work on the intersections between gender, sexuality, ethnicity, space and place. Yet few have explicitly undertaken a close and critical reading of Butler's theory. The author argues that performativity ontologically assumes an abstracted subject (i.e. abstracted as a subject position in a given discourse) and thus provides no space for theorizing conscious reflexivity, negotiation or agency in the doing of identity. Butler posits a subject abstracted from personal, lived experience as well as from its historical and geographical embeddedness. Uncritically transcribing this abstracted subject into geography limits how we can conceptualize the linkages between emerging identities, social change and spatially-embedded, intentional human practice. A more thoughtful and nuanced use of performativity would allow geographers to map how concrete subjects (individual or collective) do identity in relation to various discursive processes (e.g. those that constitute race, class, sexuality and gender), to other subjects, and to layers of institutions and practices.     

The Gendered Identities of the ‘Lieutenant Nun’: Rethinking the Story of a Female Warrior in Early Modern Spain

This article analyses the story of Catalina de Erauso, a Spanish nun, who escaped from a convent at the beginning of the seventeenth century to begin a new life as a military warrior serving under the King of Spain in colonial Latin America. Her story reveals that notions of sex and gender at the time were surprisingly elastic and flexible, and often more associated with acts and behaviour than with physical bodies. By examining how the personage of the Lieutenant Nun has been treated in Spain and in Britain in the nineteenth century, this article also evaluates the extent to which certain pre‐modern ideas about sex and gender continued to survive two centuries later.     

Dress-code: gender performance and misbehavior in the manor

This article is a queer reading of the architecture of Swedish writer Selma Lagerlöf's mansion Mårbacka. Through a combination of performativity theory and architecture theory, the article addresses social and historical constructions of gender and sexuality, complicit with the entities age, class and nationality, through architecture. Architecture is explored ‘on the one hand’ as a representation of social norms and ‘on the other hand’ as a practice which can subvert them. Departing from a performative perspective on identity, the term cross-cladding is introduced as a tool to interpret architecture as dressing and thereby its complex, layered and manifold performances of gender and sexualities. The article writes a social and architectural history of what has been called ‘the most famous manor in Sweden and of Swedish manors the most famous in the world’ (Sterner 1935, 4). Mårbacka was not simply the home of Selma Lagerlöf (1858–1940) and her kin but also a public display of this Nobel Prize-winning first woman of the Swedish Academy – a national monument. Lagerlöf continuously worked on the main building. In 1919–1924, it was transformed with the help of the architects' office of Isak Gustaf Clason. It also appears in Lagerlöf's novels and throughout the building there are references to her books and biography. There is something queer here. The master of Mårbacka was a woman who loved women and made room for a household of women. This article discusses how architecture can represent a gendered disguise and reveals Mårbacka as an excessive, patriarchal ‘power suit’, which enabled a lifestyle that deviated from the norms of society.     

The Freak Show’s ‘Missing Links’: Krao Farini and the Pleasures of Archiving Prehistory

This article offers a new perspective on Victorian freakery and prehistory by reading the career of Krao Farini, the ‘Missing Link’, through lenses of queer theory and archival studies. Born in Laos with hypertrichosis, a condition that produces an abundance of body hair, Krao transformed into living proof of the ‘Missing Link’ upon migrating to London in the 1880s. I contextualize Krao’s exhibition by situating her show within contemporaneous visual, textual, and performed examples of the ‘Missing Link’. Reading Krao alongside these other ‘Missing Links’ illuminates inconsistencies in their representations of gender and sexuality that nullify firm distinctions between ‘pre’ and ‘history’. I argue that the freak show’s ‘Missing Link’ materializes rhetorical and epistemological connections between Victorian prehistory and contemporary queer historiography to provide a valuable framework for accessing queer archives otherwise buried in the historical record. Though the correlations between prehistory and queer history are not necessarily explicit, locating their similarities reveals how persistent notions of Victorian time inform contemporary queer scholarship. Presaging recent queer archival interventions, Krao’s remaining archive demonstrates how prehistory breeds alternative models of evidence that disorder the archive’s relation to time: evidence of the ‘Missing Link’ unravels the language of stability, family, and presence on which archives typically rest. Resisting the implicitly heteronormative logic of the archival document, prehistory makes possible new ways of narrating Victorian histories of freakery, imperialism, and gender and sexuality.     

Writing violence in Seventeenth-Century Yucatan: Fray Bernardo de Lizana's Devocionario de nuestra Señora de Izamal y Conquista espiritual de Yucatán (1633)

Although long considered a minor work, Franciscan friar Bernardo de Lizana's Devocionario de nuestra Señora de Izamal y Conquista espiritual de Yucatán (1633) is key for understanding what the author himself termed the ‘spiritual conquest’ of colonial Yucatan. Deploying José Rabasa's concept of ‘writing violence,’ this essay shows how this text works to promote a culture of forceful spiritual conquest, reminiscent of the culture of spiritual conquest of the primitive Yucatecan church (1545–1562), in order to complete the conquest of the last independent Maya on the peninsula.     

Imagining Cihuacoatl: Masculine Rituals,Nahua Goddesses and the Texts of the Tlacuilos

‘Imagining Cihuacoatl’ examines the conundrum of the multiple identities of the ‘serpent woman’, a Mexica goddess, analysing her relationship with other goddesses in the Nahua pantheon. She and the others were marked in a particular sexualised and gendered manner in the Nahua world. This article argues that Cihuacoatl and the fertility goddesses cannot be conceptualised in a symbolic universe that has binary divisions between male and female, nor can they be analysed by the methods currently employed in the social and cultural history of sexuality. This article follows images of various goddesses of warfare and fertility from pre‐conquest and early post‐conquest texts, suggesting ways in which the Spanish attempted to reconceptualise all of them into a framework of demonic sin. ‘Imagining Cihuacoatl’ will interrogate the sexual performance involved in Nahua ritual, lost in the translation not just from Nahuatl to Spanish but from a system that linked sex with rites of fertility to one that linked sex with sin. ‘Imagining Cihuacoatl’ shows that Gayle Rubin's call to develop a theory of sexuality separate from gender is a project fraught with contradictions, and one that remains incomplete.     

Challenging the Quimera (Sirena) Negra: Unamuno Reads Pardo Bazán

This article examines the literary relationship of Emilia Pardo Bazán and Miguel de Unamuno by analyzing Unamuno's 1905 review of La Quimera, as well as his tribute to Pardo Bazán on the occasion of her death in 1921. These two critical pieces, together with Unamuno's Dos madres and La tía Tula, reveal that while Unamuno dismisses Pardo Bazán's realism in his discussion of her works, he develops in his own fiction alter egos who struggle with dominant female figures, just as he competes with Pardo Bazán's model of authorship.     

MakingGüeras: Selling white identities on late-night Mexican television

This article examines discourses of whiteness and color in Mexico through a discussion of White Secret, a widely available skin-lightening cosmetic product. In an analysis of a televised infomercial advertising the product, we examine contextualizations of whiteness in Mexico, as figured through the product's representations of light-skinned female bodies and advanced cosmetic technology. We consider the ways that White Secret can speak to broader conceptualizations of whiteness and identity and, furthermore, argue that such an engagement points to the need to interrogate the geographical and epistemological limits of current understandings of whiteness based in Anglo-American and Latin-American contexts.

Creando güeras: La venta de identidades blancas en la televisión Mexicana de media noche En este artículo, hacemos un análisis sobre los discursos de ‘blancura’ y de color con respecto a la población en México a través de una discusión sobre ‘White Secret’, un producto cosmético para aclarar la piel que es muy disponible en México. Por un análisis de un ‘info-nuncio’ que sale por la televisión anunciando el producto ‘White Secret’, exploramos los entretejemientos de la construcción de blancura en México y como este ‘info-nuncio’ manipula imágenes de los cuerpos de güeras (mujeres de piel clara) y tecnología cosmética avanzada. Reflexionamos acerca de las maneras que el producto ‘White Secret’ pueda hablar a concepciones más amplias sobre la construcción de identidad y blancura y además, discutimos que tal exploración indica la necesidad de interrogar los limites epistemológicos y geográficos de la comprensión actual de la construcción de blancura basados en los contextos Latino Americanos y Anglo Americanos.     

(Un)Inventing America: the transpacific Indies in Oviedo and Gómara

In this article, I analyze the so-called ‘discovery of the Pacific’ and its implications for Spanish understanding of global geography, in two of the most important early histories of the early encounter with the New World: the works of Gonzalo Fernández de Oviedo and Francisco López de Gómara. Their general histories of the Indies tackle the Pacific in their accounts of the various expeditions that Spain sent to the Moluccas and Philippines between 1519 and 1542. There we see how both historians struggle to contain the discovery that the Pacific was much broader and emptier than anyone had expected it to be, and thereby prevent it from becoming, in the Spanish imagination, an insurmountable barrier that decisively separated America from Asia. Oviedo is committed to the idea that the Indies are a single tropical expanse that can be successfully spanned by Spanish military might and navigational skill, no matter how large an ocean it contains. Gómara gives up on the unified Indies, embraces the ‘invention of America,’ but miniaturizes the Pacific in order to keep Spain's South Sea ambitions alive. Each in his own way thereby articulates the New World with broader geographies and expansive horizons.     

Mothers' business,work/life and the politics of ‘mumpreneurship’

Heralded by some as ‘the new feminism’, the new, internationally widespread phenomenon of ‘the mumpreneur’ represents a hotly contested and contestable subject identity. This article explores the debate, arguing that its themes drive to the heart of current issues regarding changing working practices, locations and gender identities in affluent societies. The analyses of women entrepreneurs' views presented here (n = 330) reveal that practitioners are sharply polarised on ‘the mumpreneur’. This article explores these views and progresses research agendas by asking whether such information and communication technology-enabled transformations in working practices (embodied in the figure of the ‘mumpreneur’) have the potential to deliver greater choice for mothers' labour, or whether, conversely, they re-enable iniquitous gender role expectations and arrangements within families.     

Guada-narco-lupe,Maquilarañas and the Discursive Construction of Gender and Difference on the US–Mexico Border in Mexican Media Re-presentations

This article explores the ways in which Mexican media works to construct gender and difference in relation to the US–Mexico border. Through a discourse analysis of one Mexican newspaper, I argue that discursive violence, ‘narratives of eviction’ and silences are implicated in the construction of women as weak, sexualized objects, and Mexicans as raced, backward ‘others’. In so doing, I elaborate several discursive moments, specifically, ‘woman as anonymous, replaceable body’; ‘woman as victim of the border city’; ‘Guada-narco-lupe’; ‘woman as dependent appendage’; and ‘othered Mexican’; to illustrate that the production of knowledge about gendered subjects is a political and discursive practice embedded in national ideologies. Mexican media representations present a rich palette for thinking about constructions of gender and difference along a raced, sexed border. An investigation of the unequal and essentialist elements present in specific newspaper articles offers a fresh perspective on the socio-spatial aspects of particular discursive strategies and their role in underpinning dominant textual images.

Guada-narco-lupe, Maquilarañas y la construccíon Discursiva de Género y Diferencia en la frontera entre los Estados Unidos y México através de representaciones en la media Mexicana. A través de un análisis de tres artículos este ensayo investiga las maneras en que la prensa mexicana funciona para construir la diferencia y el género en relación a la frontera México-Estados Unidos. Yo discuto que la violencia discursiva, las narrativas de evicción, tanto que los silencios están involucrados en la construcción de mujeres como objetos sexualizados y débiles, y la construcción de Mexicanos como ‘racializados’, atrasados, y diferenciados a través del método de análisis de discurso de un periódico mexicano. Para llevar a cabo este análisis, yo elaboro varios momentos discursivos, específicamente, ‘la mujer como cuerpo reemplazable y anónima’; ‘la mujer como victima de la ciudad fronteriza’; ‘Guada-narco-lupe’; ‘la mujer como apéndice dependiente’; y‘el mexicano diferenciado’, para ilustrar que la producción de conocimiento sobre los sujetos géneros es una practica política tanto que discursiva arraigado en las ideologías nacionales. Las representaciones de los medios mexicanos presentan una pallete amplia par reflexionar sobre las construcciones de diferencia y géneros por la frontera norte, la cuál es a frontera ‘racializada’, y sexualizada'. La investigación de los elementos desiguales y esencialcitas colocados en varios artículos de la prensa mexicana provee una nueva perspectiva sobre los aspectos socio-espaciales de estrategias discursivas específicas y el papel que juegan estos aspectos en sostener imágenes dominantes textuales.     

Imperial modernity,national identity and capital punishment in the Samarcand Arson Case, 1931

ABSTRACT. This article draws upon the fascinating and little known 1931 Samarcand Arson Case involving the possible execution of adolescent white female inmates at a juvenile reformatory in North Carolina. Marked by nationalist discourses, the spectacle generated by this case indicates much about how white New South advocates construed national life and sought to construct a white ‘civilised’ collective identity, defending their region from Northern charges of Southern barbarism and asserting their place within the imperial politics of American nation building. The decision not to execute any of the sixteen defendants was informed by a series of interconnected ideas about sexuality, national danger, ‘civilisation’ and ‘race,’ suggesting that the presumed ‘legal chivalry’ extended to the young defendants was not a simple matter of gender bias, but involved a nuanced set of reasons related to negotiations of national belonging through racialised alliances.     

El pulso de Centro América a través de la novela

This article offers a new reading of Miguel de Unamuno's San Manuel Bueno, mártir. Critics have traditionally focused on the question of the protagonist's supposed lack of faith and sought to relate San Manuel's doubts in the novel to Unamuno's own religious views. Although this novel is very much concerned with religion, eschatology, and social issues, it is also an extremely sophisticated literary narration wherein the use of irony and ambiguity remains perhaps unequalled in Spanish contemporary literature. By considering the principles of linguistic pragmatics, this article shows that in her account of San Manuel's life, the female narrator tells the dramatic story of the love she and San Manuel felt for each other. By means of a complex use of ambiguity, Unamuno writes a novel that can be read in two different ways: the religious novel and the love novel.