Jean-Paul Sartre,Simone de Beauvoir and the Paris jazz scene

There is a substantial amount of common, if relatively unexplored, ground between the emergence of existentialist philosophy in France and the growth of a French jazz culture. Both Jean-Paul Sartre and Simone de Beauvoir play significant roles at the interface of these phenomena. This study investigates those roles and attempts to clarify the relationship between the 'home-grown' French philosophies and the cultural import. There are in fact two quite separate stories which have different outcomes, though there are important points of convergence. Both de Beauvoir and Sartre appropriate jazz, and for both of them the music is associated with fundamental freedoms, but where he uses it to inform and illustrate his philosophy, she derives from it a programme of action, or at least the basis for developing such a programme. Interestingly, the critical period for revealing the nexus between jazz and existentialism is not so much the post-Liberation era, but the time between the wars.     

Nietzsche,Perspectivism, Anti-realism: An Inconsistent Triad

“Philosophical perspectivism” is surely one of Nietzsche's most important insights regarding the limits of human knowledge. However, the perspectivist thesis combined with a minimal realist metaphysical position produces what Brian Leiter calls the ‘Received View’: an epistemologically incoherent misinterpretation of Nietzsche which pervades the secondary literature. In order to salvage the thesis of perspectivism, Leiter argues that we must commit Nietzsche to an anti-realist metaphysical position. I argue that Leiter's proposed solution is (1) epistemically weak, and (2) inconsistent with much of Nietzsche's views on truth, knowledge and the psychological make-up of human beings. I argue that we need to abandon the scheme/content distinction on which both the Received View and Leiter's anti-realist construal of perspectivism are predicated and instead construe perspectives as environments of power.     

Art and Impowerment: Levinas,Nietzsche, and the Ethics of Literary Discourse

This article draws on the profound affinities between the thought of Levinas and Nietzsche to argue that aesthetics plays a major role in Levinas's ethical philosophy. As in the case of Nietzsche, who called himself “the first tragic philosopher,” aesthetics gives reference to the tragic, yet affirmative content of Levinas's ethics. For both, what Levinas calls the “alterity,” or otherness, of art and literature is located not in an ontological or conceptual “beyond”—in a “spiritual” dimension “which sets itself up as knowledge of the absolute”—but in the “interstices” of language, in the “between times” (entretemps) of its modes of temporality: which can only be accessed by way of “the tragic” in art. Alterity signifies not a privileged, interpersonal dimension freed from the problematics of modernity, but points to the complicity between the West's concept of rationality and its history of barbarism exemplified by the Holocaust. The artwork for Levinas is at once temporally diachronic and spatially diasporic, a region of impowerment that is precisely lacking in the expressive or imaginative empowerment normally attributed to the artwork, but which demonstrates a utopian, emancipatory potential in revealing the fissures and hidden pathways that run through the hegemonic structures and totalizing frameworks of modernity.     

Giorgio Agamben and the spatialities of the camp: an introduction

The Italian political philosopher Giorgio Agamben's conclusion that the camp has replaced the city as the biopolitical paradigm of the West is as difficult to digest as it is easy to see how it responds to contemporary political tendencies in the world today. In this introduction to this theme issue on Giorgio Agamben and the spatialities of the camp, a detailed exposition, emulating the structure of Agamben's seminal book Homo Sacer, is conducted, tracing the genealogies of Agamben's ideas and commenting on his swiftly enhanced importance in the social sciences and humanities. The introduction concludes by outlining some possible research fields in human geogrphy where much insight could be gained if Agamben's work is given more detailed consideration.     

The Religious,the Secular,and the Natural Sciences: Nietzsche and the Death of God

When, in The Gay Science, Nietzsche poses the question of how the natural sciences are possible, he insists that they depend not on a principle that is natural but on the will to truth, the will not to deceive even oneself, with which, he holds, “we stand on moral ground.” Yet, that the natural sciences stand on ground that is moral also means, for Nietzsche, that their origin is to be located in “a faith that is thousands of years old,” a faith that, in the Genealogy of Morals, he develops as presupposing what he calls the ascetic ideals of Judaism and Christianity. Further, in holding that the natural sciences have their origin in principles that are biblical, Nietzsche goes on to indicate that, like the natural sciences, his own critical position, unconditionally honest atheism, is, in forbidding itself “the lie involved in belief in God,” not opposed to, but is rather an expression of, Judaism and Christianity's ascetic ideals. In addressing the interrelationships among the religious, the secular, and the natural sciences in light of Nietzsche, I argue that the natural sciences have their origin in principles that are not natural but that are no less religious than secular.     

Giorgio Agamben and the new biopolitical nomos

In this paper I reflect on the progressive normalization of a series of geographies of exception within Western democracies and, in particular, the relation of these to the new biopolitical power that is progressively affirming itself in our everyday lives — and that appears to be imposing itself as the new, secret, ontology of the political. I do so by engaging with the work of Giorgio Agamben and, specifically, interrogating the spatial architecture that underpins his theory of sovereign power. Starting from Agamben's spatial conceptualizations, I explore his attempt to trace the contours and the secret coordinates of the contemporary biopolitical nomos, a nomos rooted firmly in the crisis and progressive demolition of that which Carl Schmitt described as the ius publicum Europaeum. I note, moreover, how the definitive dissolution of the geographical nomos that had dominated the two centuries preceding the First World War, and the lack of a new, alternative, geographical nomos in the century which followed, can also be grasped by critically rereading some key episodes in the history of European geography; in particular, the contested legacy of the work of Friedrich Ratzel's grand geographical project and the Geopolitik experiment. What I suggest is that to understand the deep nature of the geographies of exception that arm the global war on terror, it is vital that we think in terms of a theory of space in order to try to unveil the Arcanum, the secret enigma of the empty centre around which turn the wheels of a new, macabre, geo‐biopolitical machine.