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1.
This introductory article details some of the main points that characterized Italian politics and culture in the period leading up to World War I and during the war itself, and then surveys the contributions of each article in this series that further investigates the period. The authors note the febrile nature of Italian domestic politics before the war which challenged traditional liberal parliamentarism. This political challenge was accompanied by a challenge to traditional art, and no movement epitomized these twin challenges to the old order like Futurism. Yet, though the Futurists and other nationalist groups glorified war and helped push Italy into the conflict, the country was hardly united. In fact, the hope was that war would finally unify the nation and erase the shame of Italy’s lackluster military performances since unification. As such, Italy’s cultural experience of the war was somewhat unique, in that the desire to prove its martial valor did not lead to the level of denunciations that other nations’ artists and writers produced – though there were some critics. Ialongo’s article traces the Futurist contribution to this pro-war ethic. Reich shows how the popularity of the Maciste alpino film during the war built upon this desire to unify the nation behind the war. And Palanti’s analysis of the post-war film Umanità notes that there were critics in Italy willing to challenge the cult of war.  相似文献   

2.
Abstract

The ‘friend–enemy’ relation represented an essential ideological mainstay of the thought and action of the Italian Communist Party (PCI) in the years of republican Italy. This relation goes back to the aftermath of World War I when Soviet communism became established as a global revolutionary movement. The PCI’s strategy of delegitimation of political opponents underwent substantial changes over the years of republican Italy. The long period spanning Togliatti and Berlinguer’s leadership of the party saw a change in political culture destined to alter the very nature of the ‘friend–enemy’ relation. Particularly in the 1970s, with the so-called ‘moral question’, a new antiparty public discourse became established and was implemented mainly against the parties in government. This paved the way to a more radical and absolute logic of enmity that, in the long run, overwhelmed the PCI itself in the dramatic transition from First to Second Republic.  相似文献   

3.
The Risorgimento was the process of independence and unification of the Italian nation between 1848 and 1860, and has remained a powerful symbol of Italian politics ever since. Elaborating on Jan Assmann’s concept of cultural memory, the article discusses the Risorgimento at crucial moments in twentieth-century Italian politics: the 1911 anniversary of unification, the elaboration of the Risorgimento during fascism, the re-appropriation of the Risorgimento by the left and by the Resistance during the 1930s and 1940s, the general semantic space carved by the post-war democratic forces on both right and left with reference to the Risorgimento, and the sudden return to the memory of the Risorgimento in the 1990s and afterwards. The aim of the article is to understand both continuities and changes in the reference to the Risorgimento in twentieth-century political discourse, and to put into perspective Italy’s ‘particular’ road to modernity within a comparative European frame.  相似文献   

4.
ABSTRACT

This article explores the multilayered dimensions of food politics in wartime Chongqing. A substantial number of wartime Chongqing dwellers were migrants who flocked to the city, having evacuated from coastal China to follow the Nationalists after the outbreak of the Sino-Japanese War. They could not simply be called refugees. Rather, they were sophisticated urbanites known by Chongqing natives as “downriver folks” who brought their political awareness and cultural tastes to the new wartime capital. Some introduced their sumptuous dining culture to Chongqing, thereby provoking a public sense of deprivation, while others brought organizational skills with which to turn public discontent into a political issue. This article argues that an increasing sense of deprivation stemming from the deterioration of the food situation in the city, if seemingly less significant than massive rural famine, became more consequential in the long run than any other political issue in the subsequent Civil War years.  相似文献   

5.
New political groups directly or indirectly related to the European fascist past are gaining strength and significance in the political arena of the new millennium. Starting from an analysis of CasaPound in Italy, a movement and party whose activists define themselves as ‘third millennium fascists’, this article explores the legacy of fascism in current Italian politics. Analysing CasaPound’s history, political programme and some of the main features of its organization as a community, the article examines the prominent role the fascist legacy plays in structuring this movement, for which history constitutes a source of legitimization and identity formation. Fascism is not traced as something isolated in history, but instead its history is presented as a legitimate legacy with a significant place in Italy’s political landscape.  相似文献   

6.
This article argues that the rise of parties as ‘public utilities’, that is, semi-state organs crucial in the functioning of democracy, which is currently observed by political scientists, has long historical roots. It looks from an institutionalist perspective to the development of party–state relations in Germany and Italy since the Second World War, paying specific attention to how institutional reform corresponded to changing normative assumptions about the position of political parties in twentieth-century democracy. The first notions on the ‘statist’ dimension of parties were put forward as an answer to the challenges of mass politics in the interwar era. After 1945, politicians and constitutional judges drew upon this tradition in their efforts to stabilize mass democracy. They deliberately constructed ‘party-state democracies’, in which parties influenced the state and the state managed individual parties and the party system. This became visible in the constitutionalization of political parties, as well as in the enactment and normative justification of party (finance) laws in the 1960s and 1970s. The advent of parties as public utilities, even though fiercely criticized today, was therefore embedded in an ideological tradition that sanctioned the ‘party-state’ as crucial for the stability of modern democracy.  相似文献   

7.
This article considers the meanings attached to refugeehood, repatriation and liberal citizenship in the twentieth century. Refugees are those who have been unjustly expelled from their political community. Their physical displacement is above all symbolic of a deeper political separation from the state and the citizenry. ‘Solving’ refugees’ exile is therefore not a question of halting refugees’ flight and reversing their movement, but requires political action restoring citizenship.

All three ‘durable solutions’ developed by the international community in the twentieth century – repatriation, resettlement and local integration – are intended to restore a refugee's access to citizenship, and through citizenship the protection and expression of their fundamental human rights. Yet repatriation poses particular challenges for liberal political thought. The logic of repatriation reinforces the organization of political space into bounded nation–state territories. However, it is the exclusionary consequences of national controls over political membership – and through this of access to citizenship rights – that prompt mass refugee flows. Can a framework for repatriation be developed which balances national state order and liberal citizenship rights?

This article argues that using the social contract model to consider the different obligations and pacts between citizens, societies and states can provide a theoretical framework through which the liberal idea of citizenship and national controls on membership can be reconciled.

Historical evidence suggests that the connections in practice between ideas of citizenship and repatriation have been far more complex. In particular, debate between Western liberal and Soviet authoritarian/collectivist understandings of the relationship between citizen and state played a key role in shaping the refugee protection regime that emerged after World War II and remains in place today. Repatriation – or more accurately liberal resistance to non-voluntary refugee repatriation – became an important tool of Cold War politics and retains an important value for states interested in projecting and reaffirming the primacy of liberal citizenship values. Yet the contradictions in post-Cold War operational use of repatriation to ‘solve’ displacement, and a growing reliance on ‘state-building’ exercises to validate refugees’ returns demonstrates that tension remains between national state interests and the universal distribution of liberal rights, as is particularly evident when considering Western donor states’ contemporary policies on refugees and asylum. For both intellectual and humanitarian reasons there is therefore an urgent need for the political theory underpinning refugee protection to be closely examined, in order that citizenship can be placed at the centre of refugees’ ‘solutions’.  相似文献   

8.
Selena Daly 《Modern Italy》2013,18(4):323-338
Filippo Tommaso Marinetti's first experience of active combat was as a member of the Lombard Battalion of Volunteer Cyclists and Motorists in the autumn of 1915, when he fought in the mountains of Trentino at the border of Italy and Austria-Hungary. This article examines his experience of mountain combat and how he communicated aspects of it both to specialist, Futurist audiences and to the general public and soldiers, through newspaper articles, manifestos, ‘words-in-freedom’ drawings, speeches and essays written between 1915 and 1917. Marinetti's aim in all of these wartime writings was to gain maximum support for the Futurist movement. Thus, he adapted his views to suit his audience, at times highlighting the superiority of the Futurist volunteers over the Alpine soldiers and at others seeking to distance Futurism from middle-class intellectualism in order to appeal to the ordinary soldier. Marinetti interpreted the war's relationship with the natural environment through an exclusively Futurist lens. He sought to ‘futurise’ the Alpine landscape in an effort to reconcile the urban and technophilic philosophy of his movement with the realities of combat in the isolated, rural and primitive mountains of Trentino.  相似文献   

9.
The current financial, economic, social, and political crisis is widely thought to benefit far‐right parties in many European states. The Front National party, a fixture in French politics for more than two decades, achieved its best result ever in the 2012 presidential elections. This article explores far‐right voters’ accounts of their political life‐stories, analyzing the factors that trigger people's “conversions” to the right, and examining the ways in which this increasing, yet diverse minority views French history, society, and politics. Far‐right supporters legitimize their political convictions and actions in different ways. Some believe that they are part of a “resistance movement”, others draw on what they believe to be sociological or anthropological insights. Many pretend to advocate Republican ideals such as equality and freedom. Democracy stands to gain from drawing this growing part of the population back into mainstream debate, and social scientists may have a role to play in this effort.  相似文献   

10.
During the war years, both fiction and non-fiction films relating to the war populated Italian screens. This article examines Maciste alpino (1916), one of the best known and best received of the popular Maciste series of Italian silent cinema, in light of several factors: the growing nationalist movement that saw intervention in World War I as the means of creating political consensus; the sophistication and development of narrative, character, and attractions in the Maciste series; and its relation to popular film genres such as comic serials and the emerging strongman genre. Maciste functioned as a modern weapon par excellence, a Futurist mechanized man whose muscled body constituted its own fighting machine. At the same time, through his humor, goodwill, and muscled physique he became a national symbol of Italian wartime might.  相似文献   

11.
Political self‐identification and interest in politics are used in this paper to define ‘left’, ‘centre’ and ‘right’ affiliation within the Australian public. Detailed political attitudes of these three groups are then analysed. The Australian ‘left’ is half the size of the ‘right’. It is, however, much better educated and much more ideological. Its political attitudes are twice as coherent as the attitudes of the ‘right’. The left's ideological congruence partly results from the better education of its affiliates. However, the difference in ideological congruence of the ‘left’ and the ‘right’ remains quite great even when the impact of education is statistically eliminated.  相似文献   

12.
Research in various countries has shown that journalists are politically inclined to the left rather than the right However, little attention has been paid to political journalists’ values. This study draws on the results of a national survey to explore the political views of Australian journalists who specialise in politics, while also evaluating the journalists’ background characteristics and professional values. It is found that political journalists are more likely to come from an elite background and to be more professional in outlook. They are, however, less concerned with some ethical principles. Political journalists are more left‐wing in their political views and more likely to vote Labor. Canberra political journalists are more professional, more likely to vote Labor and more left‐leaning than are other political journalists. Pro‐Labor bias cannot be proven from these findings, and it has been argued that journalists’ professional commitments override personal political views. On the other hand, a shared liberal consensus among political journalists, especially those in the national capital, may result in general acceptance by them of a liberal agenda.  相似文献   

13.
Carl Levy 《Modern Italy》2013,18(1):103-104
The recent argument that the notion of ‘transition’ should be set aside in attempting to explain the trajectory of Italian politics in the past two decades is to be welcomed, but does not go far enough in explaining why we, as Italianists, got our case wrong and how exactly we might get our case right today. The transitional ‘myth’ was born and maintained despite growing evidence of its inherently problematic nature, in both conceptual and empirical terms. The concept of ‘transition’ needs more serious conceptual treatment and empirical application, but even with this work it is unlikely to be concluded that Italy is in transition. Freeing Italy and Italianists from this conventional wisdom, while, at the same time, not abandoning the idea that something exceptional happened to Italian politics in the early 1990s will help enrich the debate on the nature of the political change that Italy has experienced in the past 17 years.  相似文献   

14.
Axel Körner 《Modern Italy》2013,18(2):137-162
Since the early nineteenth century political opposition became a central concept of political representation in constitutional monarchies. While this concept marked the political language of unified Italy on the national level, in local administration the legitimacy of political opposition remained an issue of dispute, as illustrated in this analysis of the political language in Bologna's local council. Local perceptions of national events, like the government's reaction to Garibaldi's unsuccessful Mentana-campaign, assumed major symbolic meaning in local politics and challenged traditional understandings of municipal administration by introducing the concept of political opposition. In Bologna, after Rome the second city of the former Papal State, the Moderates were able to grow into a position of political hegemony after the Unification of Italy and remained the predominant political force also after Italy's “parliamentary revolution” of 1876 and the electoral reforms of the 1880s. As a consequence of its limited influence on the local administration, Bologna's Left defined its ideological profile earlier and more clearly than the Left in other parts of Italy and integrated issues of national importance into local political discourse. Analysing the relationship between central administration and periphery, the article reveals the development of political language and the changing meanings of political representation between Unification and World War One and explains on this basis the escalation of social and political conflict in Finesecolo Italy.  相似文献   

15.
ABSTRACT

The idea of adequately ‘representing’ violence was an important point of discussion amongst Resistance artists and intellectuals at the time of the French Occupation. In particular, intellectual resistant Jean Paulhan had written on the subject in his text introducing Jean Fautrier’s retrospective exhibition of November and December 1943 in occupied Paris, ‘Fautrier the Enraged’. While the thematic of the exhibition proposed an academic and traditional subject matter, Paulhan demonstrated that Fautrier’s typically matierist and anti-naturalistic approach was instrumental in ‘suggesting reality’. Fautrier’s individual creative process, Paulhan argued, led to a transparent experience to be shared between viewer and artist not only on an aesthetic level, but also from a political point of view. At the time of ‘Fautrier the Enraged”s writing, Paulhan had indeed been concerned with issues of political engagement, as is evident from his essay ‘The Flowers of Tarbes or Terror in Literature’ (1941), which reflects upon the human condition and is concerned with reconciling poetry, politics and ethics. The author believes that such questions were being addressed in Paulhan’s text on Fautrier and by Fautrier’s art and that an aesthetic reading of Paulhan’s text is inseparable from a political interpretation of Fautrier’s art within the context of the Occupation. Indeed, the aesthetic criteria used in Paulhan’s text as framework to his argument were then loaded with political meaning. For instance, Paulhan considered virtuosity as an essential artistic characteristic to be opposed to the art of imitation based on the technical ability to observe and simulate ‘nature’ as imposed by the occupants. With excerpts from Paulhan’s essay and exchange of letters with Fautrier as well as visual analysis of some of the artworks presented in the exhibition, this paper deals with the wider issues of ‘representation’ in the historical and cultural context of the Second World War in France.  相似文献   

16.
19世纪英国的政治民主化与女权运动   总被引:1,自引:0,他引:1  
潘迎华 《史学月刊》2000,11(4):85-92
工业化与政治民主化是19世纪英国历史的主旋律。在工业化的浪潮中,许多妇女走向社会,走进劳动力市场,成为独立的雇佣劳动,从而扩大了眼界,增强了独立意识。在社会政治民主化运动中,她们接受自由主义思想,参与党派活动、宪章运动和反谷物法斗争,甚至独立开展争取妇女选举权、与男性平等的经济权和社会立法权运动,向社会显示自身的实力,不仅改变了轻视妇女的传统社会立法,提高了女性的经济地位和社会地位,而且有力地推进了国家的民主化进程。  相似文献   

17.
Zionist thinkers assumed that the establishment of a Jewish state, which entailed a fundamental change in traits that non-Jews found contemptible, would bring an end to anti-Semitism. Yet after the 1967 war, the Soviet Union, the Western left and Third World governments, previously supportive of Israel, placed Israel in the camp of Western imperialism, while the emerging New Left identified Israel as imperialistic and racist. Against the background of the change in the international climate, debates in Israel over anti-Zionism and anti-Semitism were shaped by domestic politics. While the right saw anti-Semitism as the cause of hostility to Israel, the left argued that anti-Zionism, rooted in political arguments about the Middle East conflict, fanned the flames of anti-Semitism. The attitude to anti-Zionism and anti-Semitism became a cultural code, highlighting the divide between left and right, and between religious and secular.  相似文献   

18.
Summary

In ‘Itinerary’ Patrick McCarthy provides an introduction to the four articles that examine the connections between sport, politics, business and contemporary culture in Italy. Noting that mass participation in sport has been closely related to modernization, McCarthy argues that the forms of contemporary mass sport reflect the particular cultural, political and economic conditions of each European society. In Italy these made soccer and cycling the most popular mass sports by 1945.

Patrizia Dogliani’s article ‘Sport and Fascism’ examines the development of mass sport in Italy from the late nineteenth century, showing the critical role played by the Fascist regime, which rapidly expanded public sports facilities while the language of politics and combat permeated the vocabulary of sport in Italy in the 1920s and 1930s. Initially the emphasis was on international competition as a symbol of national virility, but following the success of Germany and the USA in the 1936 Olympics the regime’s search for consensus placed new emphasis on recreational aspects. The institutional and administrative organization of sport established in the 1930s remained in place in Italy, however, until more recendy.

In ‘Itinerary 2’ McCarthy examines the roles of the boxer Carnera from Friuli and the racing driver Tazio Nuvolari as sporting heroes of Mussolini’s Italy and in ‘Itinerary 3’ shows how the struggles between Catholic Italy and Communist Italy were personified in the rivalry between the cyclists Gino Bartali and Fausto Coppi in the post-war period.

In ‘Itinerary 4’ he asks why soccer had by the 1970s overtaken cycling as Italy’s most popular sport. That theme is examined in greater detail by Nicola Porro and Pippa Russo, whose article reconstructs the ‘hybridization of sport, mass media and politics’ in Italy in the 1990s. Its central focus is Silvio Berlusconi, the self-made media tycoon who founded Fininvest in the 1970s, acquired AC Milan in 1986, and by 1994 controlled a media empire that enabled him to found a new political party (Forza Italia) and become Italy’s Prime Minister albeit for less than a year. Porro and Russo examine the ways in which Berlusconi’s roles in the world of the media and professional soccer have changed both Italian politics and Italian sport.

In ‘Itinerary 5’ McCarthy sets the example of Berlusconi in the context of the integration of soccer and mass media, the commercialization and politicization of sport at a global level in the last decade. These issues are developed in greater detail in Emanuela Poli’s article, ‘The revolution in the televised soccer market’, which emphasizes the critical role that has been played by soccer and soccer clubs in the development of the new media empires based on digital pay-per-view TV and the sale of sporting events in the 1990s. This has left control of the sport (in terms of who can watch and when) in the hands of major international communications moguls like Berlusconi and Rupert Murdoch.

‘Itinerary 6’ links the fragmentation of collective myths like the national soccer championships to the decline of the nation state, and surveys the situation of other sports in Italy (the Americas Cup, skiing, rugby football. Formula 1 motor racing and the gymnasium). The latter is the subject of the final article by Roberta Sassatelli on ‘The commercialization of discipline: keep-fit culture and its values’ which explores the social and cultural meanings attached to the growing vogue for fitness clubs and the shaping of the ideal body in contemporary Italy.  相似文献   

19.
Born in 1919 in Dominica and educated in Grenada, Canada and Britain, Eugenia Charles became the islands first female barrister, head of a political party and in 1980, Prime Minister. With political views on the right of the spectrum, her close alliances and friendships with Margaret Thatcher and Ronald Reagan as well as her own defiant personality, Charles gained the title of ‘Iron Lady of the Caribbean’. This moniker, however, obscures more than it reveals, especially when it relates to Charles's gender politics. This article examines her speeches, interviews and policies and argues that a politics of contradiction and ambivalence characterised Charles's gender politics. This ambivalence partly explains the resilience of andocentric masculinist ideologies present in Caribbean political structures. Moreover, it demonstrates the continuity of ‘first-wave’ Caribbean feminism in the late twentieth century and the pragmatism of women in politics.  相似文献   

20.
This article critically examines the Struga Poetry Festival established in 1961 when it placed Macedonian poets and writers on the wider map of world poetry, international literature and language. With this the festival carried a subversive and an emancipatory task that not only promoted Macedonia's national poetry but also pushed the nation itself onto the world stage. Although highly politicized (and deeply political), the festival emerged as a seemingly apolitical event that celebrated the “universal language of poetry”. Yet, with its aesthetic form of an open event devoted to poetry, this festival (in a very Bakhtinian manner) pinpoints the obvious carnivalesque element in manoeuvring and subverting established social and political hierarchies. Initially, it allowed Macedonian language and poets to join established national states that have “undisputed” (or less disputed) literary traditions. The subversive nature of this festival after the 2001 military conflict in Macedonia changed the direction and intensity of the Albanian struggle for improving their status into the Macedonian society. This event has effectively allowed a minority group to initiate social movement and engage in serious identity politics related to territorial self-governance, language and cultural representation.  相似文献   

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