Conference report: 'L'età dei totalitarismi. Silone e la cultura letteraria e politica degli anni venti-trenta'

Giovannino Guareschi, author of the immensely popular Don Camillo stories and editor of the weekly newspaper Candido, spent 14 months in a Parma prison from 1954 to 1955 for having libelled the former Prime Minister Alcide De Gasperi. To this day, he is the only Italian journalist since the founding of the Republic ever to have served actual, behind-bars jail time for libel. This study examines several aspects of Guareschi's life in prison – the ways he coped with boredom and loneliness, the attempts he made to understand his fellow inmates and how he defiantly tried to buoy his spirits. In particular, it focuses on both his correspondence with his wife Ennia, a collection of 44 letters, and his personal musings kept in two prison diaries – all documents that have never been published. The analysis rectifies common misinterpretations as to why Guareschi purposely refused to appeal his guilty verdict and chose to go to jail, considers how Guareschi presented himself in his writings and contemplates Guareschi's place in the history of Italian prison writing.     

La Philosophie Analytique ou les Promesses d’Une Pensée Technologique

This article focuses on the origins of analytical philosophy. It argues that the conditions under which it was thought out were similar to the conditions necessary for critical thinking - like the scientific inquiry that served as its model, analytical philosophy was based on the distinction between syntax and semantics. Resulting from logical analysis, this distinction was later essential to all systems of representation - works of art, human action, intellectual endeavours. This evolution reveals a major concern - the need for a technical tool for the critical mind.     

La Fabrique de l’infini Phénoménologie du désordre et genèse sensible de l’idée d’infini chez Diderot

Against the classical point of view, for which the idea of the infinite is the expression of God’s in the human being, Diderot proposes a concept of the infinite that considers it as an immediate production of the body. Removing the infinite from its former divine origin, Diderot’s idea of the sentient body contests the classical concepts, particularly the one of order, which bound epistemology to theology. Thus, disorder acquires a new value, even in its pathological forms, which now can be considered as modes of an immanent and fundamentally creative process.     

War and peace in the contemporary French film ecosystem: Valérie Donzelli’s La Guerre est déclarée

This article analyses Valérie Donzelli’s film Declaration of War (La Guerre est déclarée, 2011), in the context of the contemporary French film ecosystem. The article argues that Donzelli’s film exemplifies the French miniaturist mode of production; demonstrates the modern conceptual notion of applied cinephilia; highlights the idiosyncratic uses possible for French popular genres, particularly the comedy and the musical; and embodies the French film industry’s export mission by representing on-screen the French national healthcare system.     

La République, l’affaire Dreyfus et la raison d’État

It is often said that the Dreyfus Affair was a key moment in the history of french republicanism. But the philosophical sens of this turning point remains to be elucidated. Indeed it is not certain that the republican discourse can then be reduced to the apology of the individual and of justice against the reason of State. The aim of this article is to analyse the arguments mobilised in the Dreyfus camp by certain figures of republican socialism, like Jean Jaurès, or of republicanism like Alfred Fouillée, Emile Durkheim and others. The examination of the positions of Célestin Bouglé, a young sociologist close to Durkheim, is here privileged: it is situated, through his biography and his work, at the crossroads of diverse tendencies, from positivism to neo-criticism.