Illusions of a Future: Ishiguro,Liberalism, Political Theology

ABSTRACT

This article explores the fate of political theology in Kazuo Ishiguro's speculative fiction Never Let Me Go (2005) and, by implication, in contemporary fiction more broadly. To pursue a reading of Christianity that extends from Hegel through Lacan to ?i?ek, the article argues that political theology’s future may perversely lie in a materialism emptied of all transcendental guarantees: political theology is the historically privileged master fantasy or illusion which reveals the fantastic or illusory status of our entire relation to the real in (neo-)liberal modernity. In conclusion, the article argues that Ishiguro’s fiction may thus be read less as a melancholic dystopian study in total ideological capture or surrender than as the representation of a state of immanent freedom beyond the power relations of (neo-)liberal subjectivity.     

Nostalgia or das Heimweh: Homesickness and the Press-ganged Soldier in Sylvia’s Lovers (1863)

This article argues that Elizabeth Gaskell’s historical novel Sylvia’s Lovers (1863) uses nostalgia as a literary aesthetic and historical context to articulate a narrative of disorientating epochal change. Gaskell’s novel draws on nostalgia’s roots as a psychosomatic disease afflicting soldiers displaced by international conflicts to reassert the traumatic roots of a familiar feeling often understood as superficial and insignificant. Nostalgia began as a disease brought on by migration and only later came to be thought of as a type of sentimental memory; first home was far away and then it was long ago. Gaskell’s novel incorporates both, mingling longing for a place with longing for a past. This double distancing articulates an experience of transition within her historical novel. She draws on an eighteenth-century trope used by figures such as Jean-Jacques Rousseau and William Wordsworth, repurposed for the demands of prose fiction. The homesick soldier who was the first sufferer with pathological nostalgia is cast as the central protagonist of historical transformation and an emblem of uneasy transitions. Sylvia’s Lovers has received scant critical notice to date and, perhaps for this reason, its explicit allusions to nostalgia, and the role they play in Gaskell’s historical imagination, have been left entirely unremarked.     

Edna O'Brien and narrative diaspora space

Given the persistent presence of migration in the work of Edna O'Brien, it is surprising how marginal a theme it is in critiques of her work. This article explores how questions of diaspora have reached a renewed level of depth and intensity in her novel The Light of Evening (2006) and the related short story ‘My Two Mothers’ (2011). Looking, in particular, at how letters play a central role in the relationships of three generations of Irish women across three countries, it analyses how issues of mother(land), diaspora and belonging are mediated through migrant fiction. It draws on the work of Avtar Brah and Paul Ricoeur to argue that, along with related forms of textuality within O'Brien's oeuvre, letters represent a ‘narrative diaspora space’ which illuminates the relationship between mothers, daughters and writing in Irish migrant experience.     

Structural boundaries that effect the representation of gender and disability in works of fiction from the United States and United Kingdom

Abstract

Discussions of intellectual disability are found in medical journals, published biographies, and disability research. However, outside the realm of medicine or personal reminiscence intellectual disability struggles for spaces of social, historical, cultural and imaginative representation. This article addresses these struggles for space and specifically focuses on the imagined space of narrative fiction. Being imagined spaces they should easily be able to accommodate people with disability, and yet, very few characters with intellectual disability are represented or more importantly have agency in narrative fiction. Drawing on work from feminist geographies and literary geographies this article addresses the limiting narrative structures that have been used against fictional characters who have a disability and ways authors may move beyond these limitations. Reconciling feminist geographies and literary geographies allows new critical spatial knowledge around disability to emerge. It is not enough to write characters with disabilities into narrative fiction if the structures surrounding them remain limiting and prejudiced. This article discusses the three main limiting structures in narrative fiction: character representation, narrative voice and genre. Looking at narrative fiction through feminist and literary geographies reveals how these limiting structures function as power hierarchies, and importantly, shows how these imposed structures can be subverted and changed.     

The elusive ‘je’: Language and female subjectivity in Simone de Beauvoir's Les Belles Images

The most striking feature of the narrative of Simone de Beauvoir's novel Les Belles Images (1966) is the constant shift between the third‐person pronoun ‘elle’ (or ‘Laurence') and the first‐person pronoun ‘je’. The pattern produced by this shift in narrative voice within the text has important implications for the construction of female subjectivity in the narrative, primarily in relation to its central character, Laurence. This article examines the nature of Laurence's relationship with language using arguments offered by the feminist psychoanalyst Luce Irigaray pertaining to the relationship of exclusion binding women to language in patriarchal culture. My reading of the novel examines how far Laurence's problematic relationship with language might be read in terms of a quest to articulate her ‘je’ and make her ‘marginal’ voice heard. Further, it engages with, but ultimately problematises, Toril Moi's notion of an ‘authorial’ reading at work in Beauvoir's fictional texts.     

Cultivating the cosmos: spaceflight thought in Imperial Germany

Space historians have predominantly identified Weimar Germany (1919–1933) as the starting period of German debates over the possibility of spaceflight. However, spaceflight and the utopian potential of outer space were already topics of popular discussion in the late nineteenth century, when calls by German astronomers for speculative restraint were challenged in popular science accounts and fantasy literature. Mass-produced fiction in the first decade of the twentieth century increasingly depicted spaceflight as a technological vision, imagining the spaceship as the successor to the airship. While exploring the historical processes behind this ascent of plausibility of futuristic design, the article shows how popular science media gave public voice to both established and new professional elites and fostered interprofessional exchange. In the 1900s spaceflight developed into a popular theme and boundaries between fiction and popular science blurred.     

Masters of Healing: Cocaine and the Ideal of the Victorian Medical Man

This article offers a new perspective on the relationship between cocaine and medical practitioners in late nineteenth- and early twentieth-century Britain. Cocaine is often understood as one of a number of potentially addictive substances to which Victorian physicians and surgeons were regularly exposed, and tempted to indulge in. However, while cocaine has frequently been associated with discourses of addiction, this article proposes that it was also widely represented as a technological triumph, and that the drug was frequently used as a symbol for the scientific and moral virtues of the medical man. The argument draws on popular journalism, medical publications, and fiction to establish the cultural context of cocaine at the fin de siècle. In 1884, cocaine was revealed to be the first effective local anaesthetic, and this article traces the processes by which cocaine came to be regarded as the iconic achievement of nineteenth-century therapeutic science. This aura of innovative brilliance in turn communicated itself to the medical professionals who employed cocaine in their work, so that many patients and practitioners alike depicted cocaine as a most fitting emblem for the idealized selfhood of the modern medical man. This idea also informs portrayals of the drug in fiction, and I conclude with a detailed analysis of L. T. Meade’s 1895 short story, ‘The Red Bracelet’ (published in the Strand Magazine as part of Meade’s series, ‘Stories from the Diary of a Doctor’), as an example of the way in which cocaine functions as metaphor for the physician’s unassailable moral primacy and technical excellence.     

Reframing belonging: affective localism and the early fiction of Reino Rinne

The early fiction of a novelist and journalist born in the north of Finland, Reino Rinne (1913–2002), is illustrative of the post-war interest in a redefinition of cultural belonging. The aim of this article is to offer a reading of Rinne’s works that throws light on the way they exemplify a post-war articulation of affective localism. What is especially characteristic of the affective localism produced in Rinne’s early fiction is the deployment of certain narrative elements, realism as an aesthetic regime, tropes of spatial belonging and historical myths that are endowed with affective charge. A comparison between Rinne's first novel Tunturit hymyilevät. Kuvaus Lapista 1900-luvun alkuvuosilta ([1945a]. The Fells are Smiling. Helsinki: Kustannusosakeyhtiö Otava), and his collection of short stories Erämaan omia ihmisiä ([1949]. People of the Wilderness. Helsinki: Kustannusosakeyhtiö Otava), reveals that there was a change in Rinne’s artistic practice. While Rinne’s first novel revolved around a promise of reciprocity and happiness, the collection of short stories shows the dissolution of the optimism that, according to Berlant [(2011). Cruel Optimism. Durham, NC: Duke University Press], is at the core of all attachments.     

Normalizing urban inequality: cinematic imaginaries of difference in postcolonial Amsterdam

Combining insights from critical urban studies with geographies of race and racism, this article examines the role of spatial imaginaries in normalizing urban inequalities, showing how such imaginaries make the associations between places and populations appear natural. We extend analyses of the interplay between material landscapes and imaginative geographies to examine how these connections feature in processes of gentrification and displacement and emphasize the necessity of an intersectional approach in understanding the cultural underpinnings of urban change. We propose that such analyses of dominant spatial imaginaries benefit from attention to their colonial roots, given the persistence of monomythical explorer-hero narratives and the mapping of reworked colonial imaginative geographies onto contemporary postcolonial cities. Our analysis focuses on Amsterdam, the popular Dutch film Alleen Maar Nette Mensen and the spatiality of difference that its ‘monomyth’ narrative presents. It justifies an unequal urban order by contrasting Amsterdam’s city centre, which is depicted as White, middle-class and ‘civilized’, with the post-war urban periphery, which is cast as a mysterious place of racialized poverty, squalor and pathological behaviour. This culturally essentialist depiction contributes to the depoliticization of state-led gentrification and normalizes changes to the material cityscape.     

Fearsome people and places,narratives of street and hideout children in Freetown,Sierra Leone

This article is based on a GOAL Global field study of street children in Freetown, Sierra Leone. It draws on narrative accounts given by street children who have migrated to Freetown from rural Sierra Leone. The study used the participatory ranking method to generate data about children’s street and hideout (a room, shack or part of a building where children live in groups) lives post-migration. These data contained much about children’s fears, and the article explores their experience of fearsome people and places, showing that fear is a dominant aspect of these children’s lives. Fear shapes their day-to-day choices and decisions: their agency. It also suggests that agency should be seen as complex, contingent and sometimes paradoxical. The article concludes by identifying implications for social policy and practice, suggesting that these necessarily entail risky engagement with fearsome people in the liminal spaces of children’s street and hideout lives.     

Emigration,return migration and surprise homecomings in post-Celtic Tiger Ireland

This article explores the cultural and ideological management of mass migration in twenty-first-century Ireland, arguing that narratives of return have come to dominate representations of emigration. The almost universal focus on the moment or experience of return distinguishes the current era from other periods of high emigration in Ireland. The phenomenon of the surprise homecoming video is scrutinised alongside recent cinematic releases, newspaper articles, blogs and cultural events including The Gathering (2013) and the Marriage Equality Referendum (2015). By drawing these sources together, the article exposes how cultural representations of emigration have been shaped to fit with official narratives of a business-friendly nation in recovery. By repeatedly showcasing the emotional pleasures of return these popular culture forms support a fantasy of easy return and mask the real economic and social problems driving the latest wave of emigration.     

Death at St Bernard's: Anti-vivisection,Medicine and the Gothic

Displaying a Gothic fascination with the misapplication of science, Edward Berdoe's St Bernard's: The Romance of a Medical Student (1887) was one of a number of novels in the 1880s that repackaged the horrors of vivisection for public consumption. Although the novel can be dismissed as derivative, it departed from standard themes found in other anti-vivisection texts. Through the device of a hero struggling with the moral implications of science and the reckless treatment of patients, St Bernard's challenged the legitimacy of the teaching hospital. The present article moves debate about the Gothic, literature and science beyond well-known texts by Stevenson and Wells to examine how St Bernard's combined ‘the methods of science with the methods of romance’ and shifted the anti-vivisection narrative into the hospital. In locating the novel within anti-vivisectionist uses of fiction and late-Victorian anxieties about experimental medicine and the teaching hospital, the article explores the novel's relationship with other anti-vivisection texts and Gothic fiction, and examines what it says about scientific practices and mentalities. St Bernard's fashioned a very different hospital from existing representations to warn readers of how brutish students and cruel doctors tortured patients. In doing so, the novel recast the teaching hospital as an uncanny and dangerous place.     

The Impact of the First World War and the Polish-Soviet War on the ‘Culture of Suffering’ in Post-1914 Polish Fiction

ABSTRACT

Using Jeffrey C. Alexander’s theory of cultural trauma, this article focuses on the three major types of narratives of suffering which appeared in Polish fiction, after Poland regained political independence in 1918, outside the strong myth-creating narrative of the Polish Legions’ role in the war for independence. It argues that Polish post-1918 fiction developed these three major paths in the face of suffering inflicted on Polish lands, during WWI and Polish-Soviet War. These paths were to: 1) continue the narrative of Polish suffering within the framework of heroic, and selfless, sacrifice for Poland that has been well established since Romanticism; 2) present suffering as the universal fate of humanity outside the notion of national identity, due to the monstrosity of modern bureaucratic systems wherein human beings are treated as objects; and 3) present suffering as the result of modern warfare, but told outside of “patriotic phraseology” – thus suggesting a growing need as to finding a solution to national conflicts outside narrowly defined identities.     

Muhammad Abd al‐Rahman (Phillip) Barker: Bridging Cultural Divides through Fantasy/Science‐Fiction Role‐Playing Games and Fictional Religion

“Muslims” and “Dungeons & Dragons” are rarely discussed in the same sentence. However, one of the earliest fantasy role‐playing games, which left a lasting impact on the industry, was the brainchild of Muhammad Abd al‐Rahman (Phillip) Barker (1929‐2012), a professor of South Asian Studies, an expert in Native American languages, and an American convert to Islam. Like Tolkien, Barker created an enormous fantasy world; however, unlike Tolkien, his world was redolent with Native American and South Asian cultural and religious influences. Through this world, he shared with his fans a nuanced understanding of non‐Western societies, cultures, and beliefs – the facets of the human experience that truly constitute multiculturalism. While fictional religion in role‐playing games has been feared and condemned, fictional religion (and occultism) plays a pivotal role in Barker's work; an exploration of his approach towards fictional religion also sheds more light on the question of why fantasy role‐playing games came across as competitors towards religion. Barker's fantasy world brought people of diverse backgrounds together in a beautiful demonstration of how fantasy and science fiction can bring about intercultural and interreligious tolerance in an otherwise intolerant world. Given the centrality of games such as Dungeons & Dragons to American popular culture, an exploration of Barker's legacy can also be seen in the light of the study of the history and contributions of Muslims in America.     

Reading with the Occultists: Arthur Machen,A. E. Waite,and the Ecstasies of Popular Fiction

My article recovers a forgotten moment in the history of popular fiction criticism – the late Victorian advent of what I term occultic literary criticism – to challenge the persistent anxiety thesis that continues to dominate fin-de-siècle studies. In the late 1890s, the close friends, writers, bibliophiles, and, for varying amounts of time, practising occultists Arthur Machen and A. E. Waite used their literary criticism to champion the ecstatic occult potential of mass-circulated popular fiction, insisting that the penny dreadful, the newspaper story, and the popular picaresque as exemplified in Charles Dickens’s The Pickwick Papers (1836–37) represented coded versions of ancient mystery tradition rituals. The cheap popular texts could offer to readers, writers, and collectors the kind of joyous direct encounter with the unseen world that sacred texts no longer could. The pair’s conviction that ecstatic occult initiation was just as, if not more, attainable through popular exoteric texts as through their restricted esoteric counterparts offers an important corrective to contemporary understandings of both the late-Victorian reception of popular fiction and of the reach and constituency of the occult revival.     

The Bloody Skirt of Settlement: Arthur Vogan and Anti-Slavery in 1890s Australia

This article concerns Arthur Vogan's novel The Black Police, published in 1890. In his book Vogan drew upon an affective global language of suffering that combined appeals to his experience as an eyewitness of the frontier with popular stereotypes drawn from British and American abolitionist precedents. These sources included Uncle Tom's Cabin and popular newspaper commentary on Queensland frontier violence that had circulated earlier in Australia and Britain. The reception of Vogan's novel was mixed: while it reached a wide audience, it failed to prompt official action, and local and British reviewers charged him with sensationalism and ‘embellishment’. Vogan defended his work vehemently, asserting it was based on fact. Reviewers' scepticism stemmed, however, from Vogan's uneasy blend of realist narrative, grounded in eyewitness testimony, and the popular and sensational fictional and visual conventions he deployed. At the end of a period of intense frontier conflict in Queensland over the preceding three decades, Vogan's novel of protest and its ambivalent reception point to the limits of humanitarian influence within an Australian, intercolonial, and ultimately imperial framework.     

Objectivity and the writing of history

How do historians approach objectivity? This is addressed by Mark Bevir in his book The Logic of the History of Ideas (1999) by his argument for an anthropological epistemology with objectivity in the historical narrative resting on the explanation of human actions/agent intentionality equating with meaning. The criticism of this position is at several levels. As sophisticated constructionists historians do not usually ask ‘Can history be objective?’ Rather, they work from the balance of evidence reflecting the intersubjectivity of truth and they acknowledge the problematic nature of inferring agent intentionality and the difficulties in equating this with ‘what it means’. Why Abraham Lincoln issued the 1863 emancipation proclamation is a case in point. No historian would claim to have located its true meaning objectively in effect doubting Mark Bevir's claim that ‘objective knowledge arises from a human practice in which we criticise and compare rival webs of theories in terms of agreed facts’ (The Logic of the History of Ideas, 1999, p. 98). There are also further challenges to an over-reliance on rational action theory and the problems associated with the selection of evidence. Equally, most historians in practice doubt objectivity emerges from an accurate knowledge of the motives that can be matched to weak authorial intentions and that this leads to action via decisions. Few historians today accept that their narrative mimics past intentionality and that this provides true meaning. The article offers four reasons for rejecting Bevir's position and concludes with a defence of the narrative-linguistic determination of meaning. This suggests that history is subject to the same narrative and imaginative constraints as other forms of realist writing, rather than being privileged by an access to knowable intentionality and that this constitutes objective historical knowledge.     

Objectivity and the writing of history

How do historians approach objectivity? This is addressed by Mark Bevir in his book The Logic of the History of Ideas (1999) by his argument for an anthropological epistemology with objectivity in the historical narrative resting on the explanation of human actions/agent intentionality equating with meaning. The criticism of this position is at several levels. As sophisticated constructionists historians do not usually ask ‘Can history be objective?’ Rather, they work from the balance of evidence reflecting the intersubjectivity of truth and they acknowledge the problematic nature of inferring agent intentionality and the difficulties in equating this with ‘what it means’. Why Abraham Lincoln issued the 1863 emancipation proclamation is a case in point. No historian would claim to have located its true meaning objectively in effect doubting Mark Bevir's claim that ‘objective knowledge arises from a human practice in which we criticise and compare rival webs of theories in terms of agreed facts’ (The Logic of the History of Ideas, 1999, p. 98). There are also further challenges to an over-reliance on rational action theory and the problems associated with the selection of evidence. Equally, most historians in practice doubt objectivity emerges from an accurate knowledge of the motives that can be matched to weak authorial intentions and that this leads to action via decisions. Few historians today accept that their narrative mimics past intentionality and that this provides true meaning. The article offers four reasons for rejecting Bevir's position and concludes with a defence of the narrative-linguistic determination of meaning. This suggests that history is subject to the same narrative and imaginative constraints as other forms of realist writing, rather than being privileged by an access to knowable intentionality and that this constitutes objective historical knowledge.