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Against the classical point of view, for which the idea of the infinite is the expression of God’s in the human being, Diderot proposes a concept of the infinite that considers it as an immediate production of the body. Removing the infinite from its former divine origin, Diderot’s idea of the sentient body contests the classical concepts, particularly the one of order, which bound epistemology to theology. Thus, disorder acquires a new value, even in its pathological forms, which now can be considered as modes of an immanent and fundamentally creative process.  相似文献   

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Abstract

This article examines the spatial, and especially scalar, dimension of feminism in a contemporary French anarchist organisation. This perspective is contextualised by a reminder of the role of feminism in the political history of anarchism and of the role of the spatial dimention through the question of anarchist federalism. The empirical study is based on research conducted through participant observation within the organisation Alternative Libertaire between 2006 and 2012. The problem to be addressed is the question of whether anarchist women succeed as well as they claim in bringing into question, in their promotion of feminism both inside the organisation and outside, the centrality of Paris in favour of an anarchist federalism. For this reason two scales or levels are studied: the national level and the local level of the city. The city of Paris is treated as both the national capital and as a locality.  相似文献   

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Included in the traditional typology of nations, the image of the melancholy Spaniard is a cultural stereotype which appears with a remarkable continuity since the Spanish Golden Age. Developed by foreigners--particularly by the French--this stereotype is also adopted by the Spaniards themselves. It is then necessary to inquire about the persistance of this stereotype through-out the centuries and to examine how--and why--the Spaniards did adhere to the image given by foreigners and the typology of nations. The examination of this stereotype aims at analyzing its mechanism, at discovering its representations--sometimes very different--and the implications involved. The image of the melancholy Spaniard is deeply subjective representation which engages a complex work of the imagination: it concerns the representation of the other and the consciousness that every nation has of itself, revealing many elements about the one who produces it.  相似文献   

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Historical research, during the last half-century, has improved our knowledge of the mathematics of Antiquity. Texts from Egypt and Mesopotamia have been better understood and their elucidation has left behind the crude alternative between empricism and rationalism. The landscape offered by Greek science grew richer and became more varied: it is no longer possible to reduce it to the sole geometrical theory. The main problems which were raised by its history have been deeply discussed. Things being so, more general questions arise, from an epistemological or philosophical point of view. Does the search into some far past of a single «birth» of mathematics make any sense? What link, if any, is there between the form of mathematics in such and such a civilization and its social structure? Can cultural anthropology help to elucidate the variety and unity of mathematics among various peoples? From what time and under what conditions is it possible for a single united historical progress of mathematics to begin?  相似文献   

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