宜兴陶业文化遗产及其当代意义辨识

以宜兴为中国陶业经济文化典型,从社会文化学和遗产学角度,对其6000年陶业生产活动进行分析梳理和分期归纳,从中提炼出宜兴陶业文化遗产的重要概念;陶业文化遗产对当代宜兴甚而中国社会可持续发展,以及振兴宜兴和中国陶业经济文化有着重要作用与意义。     

Notes and News

Abstract

In 1925 a key piece of evidence, a fragment of Sheshonq I's victory stela, was discovered at Megiddo during the preparations for the excavations of the Oriental Institute of the University of Chicago. Unfortunately it was found on the surface, on one of the spoil heaps of the previous German excavations. The Chicago team tentatively assigned the fragment to the lowest level reached in the area, initially called Stratum IV, but said little more about it. In recent years, fresh information concerning both the location and the circumstances of the discovery has been published, which, in the author's view, makes it possible to locate the context in which the stela fragment was found, both horizontally and vertically. It is now clear that the lowest level reached in the area was Stratum V, and the author suggests below that the fragment was reused in Stratum VA, the stela having originally been set up in Stratum V B, dated to the 9th century BC by the current excavators.     

论江苏彩陶纹饰构成要素

本文根据江苏境内新石器时代遗址出土的彩陶,论述了点、线、面是构成江苏彩陶纹饰的要素及它们三者之间的相互关系。     

山东新石器时代早期考古新收获

山东地区的史前考古工作,始于1930年举世闻名的章丘市龙山镇城子崖龙山文化遗址的发掘.至80年代末期止,经过近60年的艰难探索,几经高潮,逐步建立了距今7300年至2200年左右,前后承袭、持续不断的北辛文化、大汶口文化、龙山文化、岳石文化和齐鲁文化的考古学文化发展谱系,表明……     

浅谈新石器时代出土陶器的考古修复

根据陶器质地、火候的差异使用不同的粘接剂是陶器修复的关键;补配材料及作色材料的应用得当,将使出土陶器再现当年风采。     

Detection of chloride from pottery as a marker for salt: A new analytical method validated using simulated salt-making pottery and applied to Japanese ceramics

Salt is an essential mineral in the human diet, and ancient peoples obtained salt either directly from rock salt, from salt lakes, or by concentrating saline waters from salt springs or seawater in pottery vessels. However, because sodium chloride, the major component of salt, is soluble in water, it has been thought unlikely that any trace of salt would remain in the pottery after a long period of time. A new methodology for retrieval of water-insoluble (retainable) chloride ion trapped within a pottery matrix is presented as a method for detecting previous use of the pottery for salt making. Simulated salt-making pottery was used to make salt by repeatedly boiling seawater over a fire. After chloride had been extracted with distilled water, to mimic the removal of chloride by natural waters such as rainwater and groundwater, an aqueous ammonium fluoride solution was shown to be capable of extracting chloride ions remaining in the pottery. A chloride-selective electrode was used to quantify the amount of extracted chloride in the presence of fluoride. This method was then successfully applied to excavated Japanese pottery vessels suspected of having been used for making salt. Identification of retainable chloride in pottery can offer insights into salt trading networks, which reflect the growth and affluence of an ancient society.     

郑州新天地唐墓(M6)发掘简报

2008年,郑州市文物考古研究院为配合郑州市基本建设,发掘清理了一批唐代墓葬,其中M6出土了陶俑、墓志等14件遗物,其中的两匹扬蹄白陶马为郑洛地区所少见,殊为珍贵,为唐墓研究提供了新资料。     

出土陶器现场保护研究的现状

对出土陶器的现场保护,主要包括出土陶器的提取方法和技术,对酥脆陶器和彩绘陶器的预加固处理,简单的清洗及运输中的保护与缓冲包装技术.     

中国早期陶器的研究

本文通过对历史、考古文献的梳理,将学界对于中国陶器起源及早期发展的探索过程分为三个阶段进行回顾;并指出早期陶器研究中存在的几个问题,认为多学科的综合研究将有利于中国早期陶器相关问题的深入探讨。     

再论大汶口文化的陶刻

关于大汶口文化中出现的陶刻符号,就其意义问题,曾引起学术界的热烈争论。从 60年代首次发现于大汶口文化遗址以来,一直没有间断对这一课题的研究。本文通过相关文化的区域特征和刻划符号出土的背景资料,阐明大汶口文化的刻符,并非具有文字的意义,应该与原始宗教有着密切的关系。     

渭河流域老官台文化的分期研究

The Laoguantai Culture is used to describe the archaeological remains distributed in the Wei and Han River Valley during the Middle Neolithic Period. This article is mainly dealing with the chronological sequence of the Laoguantai Cul- ture in the Wei River Valley. Based on the stratigraphical relationships and the characteristics of ceramics, the author subdivides the archaeological remains into two major periods and five phases, and generalizes the chronological idiosyncrasies of the Laoguantai Culture. This paper then lies down a solid foundation for the studies of settlement, demography and teelmology during the Middle Neolithic Period.     

崧泽墓地随葬陶器的编年研究

文章试图通过崧泽墓地的结构了解当时的社会情况,本文和一般文化分期式的研究有所不同,重点不是总结文化的分期标准,而是尽量梳理每一种文化特征演变的细节过程。     

淮阳彩绘陶院落的年代问题

淮阳彩绘陶院落是目前我国汉代考古中极为少见的建筑明器精品.本文依据出土墓葬的形制、随葬品的组合、陶院落的装饰艺术和时代特征等几个方面,对其年代进行了重新判定.     

陕西榆林地区夏代文化遗存考察

本文依据目前发现的考古资料,对陕西榆林地区的夏代文化遗存作了初步分析,考察了文化因素及其来源,认定了文化性质,对该地区夏代文化的内涵和特征提出了新认识。     

Pottery Styles during the Early Jomon Period: Geochemical Perspectives on the Moroiso and Ukishima Pottery Styles

Energy‐dispersive X‐ray fluorescence (EDXRF) was used to determine the minor and trace element chemistry of 92 Early Jomon pottery sherds. The sherds came from four contemporary sites in the Kanto region and belong to either the Moroiso or Ukishima style of pottery. Principal components analysis (PCA) and discriminant analysis indicate that there are four major groups in the data set, which correspond to site location. Furthermore, for sites having both Moroiso and Ukishima pottery, the statistical tests indicate that both styles of pottery were made from the same or geochemically similar raw materials. This suggests that both styles were probably made at the same site, and indicates that if the different pottery styles are reflecting ethnic identity, then intermarriage between ethnic groups is occurring. Alternatively, the pottery styles could be reflecting some sort of social interaction between groups.     

Painting as Agency,Style as Structure: Innovations in Mimbres Pottery Designs From Southwest New Mexico

The act of painting a design is a form of agency, and the overall style of that design in part can be conceptualized as a kind of structure. This perspective is used as a basis for analyzing chronological changes in designs on Mimbres Black-on-white pottery (ca. AD 750–1150) from Southwest New Mexico. Specific focus is on a methodology that can be used to detect innovations, that is, the introduction of novel designs that are incorporated into the design corpus and thus transform the structure. The conceptualization of a particular tradition (in this instance, pottery painting) as a form of structure analogous to general structure in Giddens' sense thus provides important insights into the recursive relationship between agency and structure.     

化隆县纳卡遗址彩陶颜料的拉曼光谱分析

本文利用拉曼光谱(Raman)、X射线衍射(XRD)和X射线荧光光谱(XRF)等方法,分析了青海省化隆县纳卡遗址出土的马家窑文化及齐家文化彩陶。结果显示:马家窑文化黑彩在不同文化阶段其显色机理不同,半山阶段黑彩以磁铁矿及黑锰矿为主,且Fe/Mn比值较低,反射率最低,呈现浓翠的黑色;而马厂阶段黑彩则以赤铁矿及黑锰矿为主,Fe/Mn比值较高,反射率偏高,主波长为400~450nm,呈偏紫色的黑彩。表明马家窑文化陶工已认识到赤铁矿与黑锰矿的混合矿物颜料、含锰磁铁矿二者之间具有不同的呈色性能,并且熟练掌握了浓淡的变换规律,使之满足于彩绘的需求。齐家文化黑彩以磁铁矿为主,含有锐钛矿,主波长为650~700nm,呈偏红黄色的黑彩,表明这个阶段彩陶的烧制温度不高,彩陶文化已趋向衰落。     

论江汉地区二例相关的史前陶文

阴湘城和石家河古城是江汉地区两个著名的史前时代的古城。最近,在这两个古城遗址的发掘中发现了两例相似的陶文。作者对这两例陶文进行了考释,认为它们是“荆”字最初的写法。他进一步认为“荆”是距今4000-5000年前生活在江汉地区的一个远古部落的名称,而荆州也因此而得名。