The ‘indomitable’ Pignatellis

The fall of Fascism generates contrasting feeling in Italy, now liberated by the Allied troops. In this new scenario, the search for new forms of democratic gathering coexists with its opposite: the aim to recreate an experience now historically ended (the Fascist regime). Indeed, many southern Italians still believe in Fascism and, despite Mussolini's execution in Piazzale Loreto, they kindle the hope of a new Fascist era. Arguably, they see the death of Mussolini as an opportunity to refashion the Fascist ideology, by returning to the myths of its origins. They envision a new form of Fascism, free from political contamination and compromise, and a new regime able to realize the programmes that the old regime has failed to realize. Maria and Valerio Pignatelli represent the dream of a Fascist revival, characterized by innovative and original characters. They find many supporters in the southern regions, especially in Calabria, reversing the stereotype of an ‘apolitical’ and passive south. Therefore, the aim of this article is to reconstruct the Fascist revival in post-war southern Italy through the history of its main exponents.     

The shifting evocations of squadrismo: remembering the massacre of Palazzo d’Accursio in Fascist Bologna

The massacre of Palazzo d’Accursio is considered one of the first events in the rise of the Fascist squads. This article analyzes the ways in which the event was described in Bologna during the twenty years that followed it. It is believed that in the first few years, commemorations that emphasized the role of the Fascist squads were not very common. Instead, they concentrated on the life of Giulio Giordani, a murdered lawyer and opposition councilor, who became a martyr. Members of the city’s ruling class, especially lawyers, developed their own rituals of commemoration, but the establishment of the regime led to the acquisition of the commemorations of Giordani by Fascism, reflecting the shift of the local elites towards Fascism. In the 1930s, the massacre began to be described with detailed reference to the violence carried out by the Fascists. This process coincided with a much more incisive occupation of the area of commemoration.     

Making Italians out of rocks: Mussolini's shadows on Italian mountains

In this article I use the case of mountains to explore the ways in which the Fascist regime articulated its vision of nature/human relationships. I will show how mountains were considered as creative environments which could produce a special type of people: the montanari (mountaineers), meaning with this word mountain villagers rather than mountain climbers. The Fascist regime praised people from the mountains – especially from the Alps - as the true and better stock of Italians; that environment made them strong, healthy, pure, and disciplined, as the rhetoric of the Great War had supported. The Fascist regime celebrated the virtues of montanari by birth, those who were born and raised in the mountains, but it also aimed at employing the creative power of nature in its plan to shape the new Italian. In the article I show how the regime employed mountains in its discourses and practices of ‘bonifica umana’ (human reclamation) which involved both body and soul. In the Fascist narratives, mountains were the open air gymnasium for building a stronger man, a living archive of ruralism for reproducing the true Italian, and the secular church of the collective memory for the making of national subjects. The blend of nature, culture, and politics in the Fascist discourse on mountains and people is at the core of this article.     

Between Defeat and Victory: Finnish memory culture of the Second World War

The article focuses on five essential phenomena in the Finnish memory culture relating to the three Finnish wars fought in 1939–1945, namely, (1) the memory of the fallen; (2) the influential work by author Väinö Linna; (3) the contested memory politics and veteran cultures in the 1960s and 1970s; (4) Germany and the Holocaust in the Finnish memory culture; and (5) the ‘neo-patriotic’ turn in the commemoration of the wars from the end of the 1980s onwards. The Finnish memory culture of 1939–1945 presents an interesting case of how the de facto lost wars against the Soviet Union have been shaped into cornerstones of national history and identity that continue to play a significant role even today. Using the growing research literature on the various aspects of the Finnish war memories and memory politics, the article aims, first, at outlining a synthesis of the memory culture's central features and, second, at challenging the common contemporary conception, according to which the Finnish war veterans would have been forgotten, neglected and even disgraced during the post-war decades, to be ‘rehabilitated’ only from the end of the 1980s onwards.     

The 'civic religion' of the Resistance in post-war Italy

The problem of the legitimacy or otherwise of the Resistance tradition in post-war Italy has been addressed in recent years mainly in terms of the role of the partisan struggle and its political legacy. This article aims to assess the tradition in terms of commemorative practices, rituals, artistic representations and monuments. It seeks to evaluate whether the Resistance gave rise to a civic religion that may be compared to those which existed in the Liberal period, based on the heroic struggles and figures of the Risorgimento, and the Fascist period, which drew on the feelings of loss and injustice that followed the First World War. It is argued that, although the Resistance lacked, prior to the 1960s, a high degree of official sponsorship, it did acquire some of the features of a civic religion. Its appeal was mainly limited to the regions administered by the Left which had seen a significant degree of Resistance activity in 1943-5. Even here, however, it was difficult to sustain the tradition as a key feature of community life during and after the economic boom: the eclipse of public culture, the decline of public mourning and the development of commercial leisure and mass culture all served to deprive it of meaning. Although intellectuals, politicians and ex-partisans reacted to this situation, the visual and rhetorical languages associated with the commemoration of the Resistance became increasingly divorced from everyday life and dominant social values.     

Rome’s Uncomfortable Heritage: Dealing with History in the Aftermath of WWII

Rome is a city famed for its outstanding cultural heritage stretching back two and a half thousand years. However, the events of the Second World War raise particular problems in dealing with this patrimony. This article examines the issues raises by the monuments built during the Fascist period and the Roman remains excavated by the Fascists. It also examines how commemoration throughout the city since 1945 reflects the changing attitudes to the war. The article argues that Rome has not yet come to terms with its Fascist past and that this constitutes a barrier to a sustainable heritage plan.     

Nationalism and war commemoration – a Latin American exceptionalism?

Recent scholarship on collective memory and nationalism in Latin America argues that – in sharp contrast to Europe – war commemoration has been of little importance to the memory work of states in the region. The article challenges this claim. A comparative‐historical analysis of school textbooks and school ceremonies in twentieth‐century Mexico, Argentina and Peru reveals that the commemoration of major civil and international wars was central to official national narratives in these countries. The article further identifies important qualitative changes in war commemoration over time, especially with respect to how commemorative discourses portrayed agency and assigned responsibility for military victories and losses. These changes are situated within broader transformations of nationalism and new alignments in the politics of nationhood and memory.     

Military Nationalism and the State: the Case of Fin‐De‐Siècle Spain

Abstract. Military culture can play an important role in the rise of modern nationalism, as developments in late nineteenth and early twentieth century Spain demonstrate. Like many Europeans, Spanish army officers turned increasingly to nationalist ideology as they lost faith in the ability of liberal institutions to meet their needs. Because Spain, where army officers had much influence on politics and society, lacked other strong movements of modern, Castile‐centred nationalism, military culture had a significant and long‐lasting influence on the subsequent development of notions of Spanish national identity. The case of turn‐of‐the‐century Spanish military nationalism lends credence to a general understanding of nationalism as a political phenomenon in which the state plays a central role.     

‘YOUTH RIOTS’ AND THE CONCEPT OF CONTENTIOUS POLITICS IN HISTORICAL RESEARCH

This article analyses European ‘youth riots’ as a social phenomenon after World War II. It also uses a specific riot – the 1948 Stockholm Easter Riots – in order to discuss the limits and potential of some theoretical assumptions underlying the field of historical contentious politics studies, primarily ‘contentious politics’ and ‘claims’. Using police reports and newspapers, the article shows that the riots were part of a European repertoire of post-war ‘youth riots’, but that they also bear similarities to an older popular repertoire of contention in Sweden. However, the riots do not really fit into the concept of ‘contentious politics’, as this concept is built on ‘claim-making’ as a key aspect and the participants did not make explicit claims. This leads to the conclusion that other theoretical tools, inspired by the concept of ‘moral economy’, are better suited for understanding the motivations of the rioters, whose actions are interpreted as a way of defending a perceived moral right of access to the urban public space.     

Protocol,politics and popular culture: the independence jubilee in Gabon

National days are powerful moments of commemoration that aim at renewing the citizens' bonds to the nation and the state. In order to be successful, public rituals need to draw large audiences, and their ceremonial design therefore has to be adapted to suit the masses, employing elements of popular culture and everyday forms of nationhood. Despite drawing its significance from the declaration of independence in 1960, however, Gabon's independence jubilee was less concerned with history and commemoration than with celebrating the state and the nation in the present. The ceremonial design of Gabon's jubilee featured intensive preparations, official ceremonies, popular festivities and symbolic politics. In this article, I look at why history and commemoration played such an unimportant role during the celebrations and how Gabon's jubilee organisers included official as well as popular forms of nationhood to assure the population's participation.     

‘An entirely new land’? Italy’s post-war culture and its Fascist past

Scholarship has for decades emphasized the significant continuities in Italian culture and society after Fascism, calling into question the rhetoric of post-war renewal. This article proposes a reassessment of that rhetoric through the analysis of five key metaphors with which Italian intellectuals represented national recovery after 1945: parenthesis, disease, flood, childhood and discovery. While the current critical consensus would lead us to expect a cultural conversation characterized by repression and evasion, an analysis of these five post-war metaphors instead reveals both a penetrating reassessment of Italian culture after Fascism and an earnest adherence to the cause of national revitalization. Foregrounding the inter-relation of Italy’s prospects for change and its continuities with Fascism, these metaphors suggest that post-war Italian intellectuals conceived of their country’s hopes for renewal, as well as its connections to the recent past, in terms that transcend the binary division favoured in many historical accounts.     

Making waves: Giacomo Balla and Emilio Pucci

Emilio Pucci emerged as an international fashion force in the 1960s with his bold and brilliant, streamlined outfits for the active woman. Delving into Pucci's first career as a bomber pilot and Fascist aviation hero, this article demonstrates his unacknowledged debt to the fashion theories and textile designs of the Futurist Giacomo Balla. Pucci was linked to Futurist aeropittura of the 1930s by the common culture of Fascism, aviation, and the cult of speed. Though Futurism was tainted by its affiliation with Fascism, in the post-war years, the works of Balla and others were kept in the public eye through exhibitions and their influence on a younger generation of modernist artists. In the same period, Pucci began to produce his vibrant eye-popping textile designs, which elaborated the proto-psychedelic imagery of wave-like swells, spinning vortexes, and exuberant floral arabesques developed by Balla between the World Wars.     

Rabin’s road: The politics of toponymic commemoration of Yitzhak Rabin in Israel

Embedded into the language of the landscape and integrated into the routines of everyday life, toponymic commemorations belong to the political geography of public memory. The impact of Yitzhak Rabin’s assassination on Israeli society and culture was made apparent in a space-time matrix of public commemorations, which introduced remembrance of the slain Prime Minister into the public sphere. This article focuses on the politics of Rabin’s toponymic commemoration, evinced in decision-making procedures at local and national levels of government in various stages of the commemoration project. It expands on toponymic commemoration as a measure of conciliation for a politically divided nation and as an arena where political struggles between Left and Right were waged. The article further elaborates on public criticism of the commemoration project, which was mainly directed against what seemed excessive commemoration and inappropriate naming practices. Focused on the extraordinary circumstances of the political assassination of a head of government, this paper offers insights into how toponymic commemoration in a politically divided society unfolds between a demonstration of national consensus and expression of political conflict. It also directs attention to the question of appropriateness of commemorative naming practices in a democratic society.     

Rethinking battle commemoration: female letters and the myth of the battle of Las Navas de Tolosa (1212)

This article re-examines epistolary accounts by Berenguela and Blanche of Castile of the Battle of Las Navas de Tolosa. Building on previous assertions that Berenguela’s letter is a forgery, and through close comparison with the three surviving male eyewitness battle accounts, this article argues the letters of Berenguela and Blanche – in the form in which they survive – are confections based on original letters. The Battle of Las Navas de Tolosa’s mythical status and standing as a watershed event within the narrative of Gran Reconquista is understood to have been largely shaped by three male-authored chronicle accounts: Chronica Latina regum Castelle (1239), Chronicon mundi (1239) and De rebus Hispaniae (1243). In asserting these letters are confected accounts, in circulation by the 1220s, this article argues that battle commemoration began in the immediate aftermath of the Christian victory, and that female voices were recognised by contemporaries as a viable tool for commemoration.     

The politics of disenchantment: Marcel Gauchet and the French struggle with secularization

ABSTRACT

This article looks at Marcel Gauchet’s major metahistorical statement, The Disenchantment of the World: A Political History of Religion (1985), and uses it to advance a series of claims about the place of secularization in debates within and about French politics, especially in relation to modern French history. The argument is put forward that Gauchet’s work is best understood as offering an alternative philosophy of history to Marxism that could serve to support a broadly republican realignment of French politics in the 1980s. Revisionist historiography concerning the French Revolution likewise played a role in this development, and served as a prerequisite of sorts to Gauchet’s broader historical project. The article also considers Gauchet’s work in light of postmodern skepticism of the utility of historical metanarratives.     

Behind the Cold War: rethinking the left,the state and civil society in Italy (1940s-1970s)

This article stresses the longue durée features of the Italian political system. It examines the role of two historical factors: (1) the existence of some peculiar (and quite 'sophisticated') state financial institutions; (2) the influence of certain long-enduring social traits (regional differences, family values, the Catholic Church, political religion) on the relationship between state and citizens. It discusses the specificities of the Italian political system (with its historical Fascist heritage and the biggest Communist Party in Europe) and the reaction of the political elite (especially on the left) to international developments in the 1940s and the 1970s, since these years (of the economic 'miracle' and the origins of Italy's political 'landslide') offer the best comparison of Italy with other European countries. These two periods also enable us to examine the Communist Party's (PCI) crucial contribution in the two worst times of national crisis: the post-war years and the years of terrorism. The first part of the article examines the heritage of Fascism and how Italy's new political elite exploited it to strengthen the country's political and economic position after the war. The second explores how behind the Cold War the mass parties helped the country to expand in the international market by controlling social conflict. The third draws some conclusions about the 'success' of the 1940s and the heavy legacies that contemporary Italy has inherited from the 1970s.     

The two Jameses: a Joycean politics of criticism as commemoration

Abstract

This article considers how, and to what extent, James Connolly is represented in the works of James Joyce and evaluates the place of Connolly in Joyce through an exposition of Andrew Gibson and Len Platt’s characterisation of a “London method” and “Irish method” of Joyce criticism. Examining the relative absence of Connolly from Joycean representation in comparison to overt commemorations such as those of Yeats et al., I claim that historical criticism on Joyce displays a will-to-connection between Connolly and Joyce that makes present the absence of the former. Where Connolly appears in Joyce, I suggest it is as a ghost called into presence through suggestive absence and a drive to commemoration in critical readings, inscribed not only in a Joycean politics but also in a politics of Joyce criticism. At a critical historical juncture for a reappraisal of Connolly and in the light of recent movements for self-determination such as in Scotland, this article examines how it is Joycean criticism that forges a narrative of connection to Connolly, outlining a genealogy of Joycean criticism centring on politics and nation and drawing on examples from across the Joycean canon to posit a politics of criticism that is illuminating of both the historical method and historical moment.     

New idols: Catholicism in the face of Fascist totalitarianism

Abstract

This article explores the attitudes of the Vatican and Catholic culture towards Fascism and Fascism's political religion during the pontificate of Pius XI, in the context of the Catholic church's rejection of modernity as a new epoch of paganism that took the form of political mysticism. It shows that despite the Concordat of 1929, the papacy reacted with growing alarm to the Fascist regime's ‘sacralization of politics’ that threatened to make Catholic religion a handmaid of the totalitarian state.     

6. ACTES DE PRÉSENCE: PRESENCE IN FASCIST POLITICAL CULTURE1

In order to discuss the notion of presence, I explore Fascist Italy as an example of a presence‐based culture. In the first part of this paper, I focus on the doctrines of “the philosopher of fascism,” Giovanni Gentile (1875–1944), in order to show that his programme of cultural awakening revolves around the notion of the “presentification of the past.” This notion formed the basis of Gentile's dialectic of the act of thought, which is the kernel of his actual idealism, or actualism. I argue that actualism should primarily be interpreted as an ontology of a historical reality; it expresses the view that reality is history. In his 1914 inaugural “L'esperienza pura e la realtà storica” (Pure Experience and Historical Reality), Gentile drew this view to its ultimate consequence by developing a view of experience that has some striking parallels with the contemporary views of presence as expounded by Gumbrecht, Runia, and Ankermit. In the second part of my paper, I discuss how Gentile and his collaborators put presence into practice in school reforms, the Enciclopedia Italiana, and in hundreds of monuments, memorials, and exhibitions. Finally, I discuss the 1932 Mostra della rivoluzione fascista, which was not only the apex of fascist culture politics, but also of the practice of presence. In this context, I argue that this practice should not be seen as a politics of historical interpretation, as Hayden White once held, but as a politics of sublime historical experience, or presence. The presence of presence in fascist political culture raises some difficult questions for all who embrace the new paradigm, questions that can only be answered if the notion of presence is somehow balanced by the critical historical method, which is the basis for a true dialogue with the past.     

War veterans and the transnational origins of Italian Fascism (1917–1919)

This article explores the origins of the historical relationship between war veterans and Fascism. Transcending the predominant paradigm of the controversial ‘brutalization’ thesis (George L. Mosse), the article relies on a transnational perspective that focuses on the interconnections between historical events and on processes of political communication and symbolic appropriation. Examining historical processes taking place in different European countries, as well as their effects on Mussolini and the Italian interventionists, the article argues that a transnational process of symbolic appropriation of the notion of the ‘veteran’, taking place between 1917 and 1919, is crucial to understand how the Fascist ideology and movement were born.