LOCALIZING HISTORICAL CLUES USING IRT AND PETROGRAPHIC ANALYSES AT VILLA MIRABELLO,MONZA (ITALY)*

The rebuilding of Villa Mirabello started in 1666. Built on designs of Gerolamo Quadrio, the project refurbished and enlarged a smaller 16th century country house (‘casa da nobile e da massaro’). Archival documents report on the remodelling, which consisted of selective demolition of portions of the structure, re‐using most of the masonry as the core of the new building, and the reinforcement of retained masonry by insertion of ‘ceppo’ stone quoins to update new exteriors. The aim of Quadrio was to create an elegant and sumptuous mansion, suitable for noble owners such as Giuseppe Durini and his family. The plan and a small part of original finishing (‘marmorino’ plaster decoration) are recognizable nowadays. Nevertheless, there are many questions in interpretation when one compares the documents and the building. That is, Cardinal Angelo Durini made a major modification in the 18th century, and further minor changes were made in the 19th century. Although these latter modifications did not alter the plan, they changed the distribution of rooms and masked both decoration and finishing. After over 20 years of neglect, Villa Mirabello is now close to being restored. Architects in charge ordered a preliminary set of diagnostics to assess damage and study the historical evolution of the building. Integration of IR thermography (IRT) and endoscopy allowed restorers to detect the structure's texture underneath the plaster, and to detect openings filled with masonry. Moreover, archive documents confirmed these results and, above all, defined a date for the use of specific building techniques. This research constitutes a reference for buildings set in the same time and location that do not have significant archival documentation. Active IRT provided useful information for structural assessment (such as location of arches, chimney stacks, different thickness of wall, wooden elements, voids, beams etc.) and for crack pattern evaluation. This information directs design professionals working on this conservation project, and helps define the costs of intervention.     

GLAZED CERAMIC MANUFACTURING IN SOUTHERN TUSCANY (ITALY): EVIDENCE OF TECHNOLOGICAL CONTINUITY THROUGHOUT THE MEDIEVAL PERIOD (10TH–14TH CENTURIES)*

Archaeometric investigation allowed the characterization of two important classes of ceramics: ‘vetrina sparsa’ and ‘invetriata grezza’. Their archaeological peculiarity makes them particularly suited for tracing the evolution of glaze manufacturing in southern Tuscany throughout the medieval period (10th–14th centuries). These ceramics were found in different sites of historical importance, and also from a mining perspective. Local copper, lead, zinc and iron mineralizations supported the growth of several settlements in the vicinity of the mines. The many castles and different archaeological finds (ceramics, glazed ceramic, slag etc.) attest to the intense mineral exploitation of the area from at least the first millennium bc up to the modern period. In light of these geological and archaeological characteristics, archaeometric investigation was intended to provide insight into ancient technical knowledge of ceramic glazing and to determine the source area for raw materials in the medieval period (10th–14th centuries). Ceramic bodies were analysed through OM, XRDp, SEM–EDS and XRF, while coatings were investigated through SEM–EDS. Mineralogical, petrographic and chemical analyses revealed slightly different preparation and firing processes for the two classes of ceramics. These data suggest the continuity through the centuries of the ‘vetrina sparsa’ and ‘invetriata grezza’ production technology. The mineralogical phases, such as monazite, xenotime, zircon, barite, Ti oxide, ilmenite, titanite, tourmaline and ilvaite, and the lithic (intrusive and volcanic) fragments detected within the ceramic bodies suggest a source area in the vicinity of the Campiglia mining district. Lastly, the presence of Cu–Zn–Pb (Ag) and Fe sulphide mineralizations (materials used to produce glaze) in the area supports the hypothesis of local manufacture.     

Is the classic diaspora transnational and hybrid? The case of the Ukrainian Canadian Congress

Scholars studying migration processes through the transnational prism have expanded the concept of ‘diaspora’ with a new meaning as a transnational, hybrid identity and condition, which has displaced the classical interpretation constructed around ethnicity and territory. By analyzing the activities of the Ukrainian Canadian Congress, which represents the organised Ukrainian community in Canada, an old‐type diaspora, this paper argues that transnationality and hybridity have always been the inner attributes of diaspora identity and experience and stresses the importance of an essential characteristic of diaspora: the conscious effort to maintain a distinctive collective identity. Only if a community succeeds in maintaining its collective identity throughout multigenerational change can it qualify as a diaspora. These two dimensions – the self‐consciousness of diaspora as a distinctive group and the survival of its distinctive identity through multigenerational change – set diasporas apart from transnational communities.     

DID NEANDERTHALS PLAY MUSIC? X‐RAY COMPUTED MICRO‐TOMOGRAPHY OF THE DIVJE BABE ‘FLUTE’*

Archaeological evidence for wind musical instruments made by modern humans has been well established from the Upper Palaeolithic in Europe. Musical instruments evidently made by Neanderthals have not been found so far. The most controversial object is a juvenile cave bear femur with two complete holes, found in 1995 in the Middle Palaeolithic layers of the Cave Divje babe I, Slovenia. The bone was interpreted as a possible Neanderthal ‘flute’, but some scholars have firmly rejected this hypothesis on the basis of taphonomic observations, suggesting a carnivore origin for the holes. Here, we show the results of X‐ray computed micro‐tomography (mCT) performed on the Divje babe I ‘flute’. Our analyses demonstrate that there were originally four holes, possibly made with pointed stones and bone tools. Most surface modifications near the holes, previously interpreted as effects of carnivore gnawing, are post‐depositional marks. Furthermore, a thin layer has been removed around one of the complete holes, producing a flat surface, possibly to facilitate perforation. The new data show that a Neanderthal manufacture of the object cannot be ruled out.     

Contesting Marshall Sahlins on Kinship

In a recent two‐part article on the nature of kinship, Marshall Sahlins maintains that performative criteria for kin‐reckoning are at least as salient as procreative ones, and that, at conception, an individual is endowed with a wide circle of kin, including the ancestral dead. For both reasons, he argues, there is no warrant for granting privileged status to what anthropologists have called ‘primary’ kinship. The contentions here are that performative criteria are modeled upon procreative ones; that ties to ancestral figures are seen as antithetical to procreative ties; and that, therefore, all kinship constructs are derived from nuclear family relationships. Evidence in support of these contentions is provided from the Mae Enga, Fiji, the Trobriands, and Aboriginal Australia.     

Making time for national identity: theoretical concept and empirical glance on the temporal performance of national identity

Despite global, economic, technological and social transformations, nationality has remained an influential identity category. It still forms the basis for collective self‐determination, political sovereignty and sense of belonging. This article puts forward the concept of ‘Chrono‐Work’ to offer a critical approach to national identity. Employing temporal and performative perspectives, the concept addresses the conditions for establishing and constructing national identity. Drawing on Judith Butler's performance theory, it is suggested that performance of national acts loads national identity with meaning through the construction of a chronological narrative. To complete the theoretical picture, a case study of ‘Chrono‐Work’ among the Jewish settlers on the Golan Heights in Israel is offered. It is shown that national identity is constantly performed through temporal strategies that aim at achieving a chronological order. Therefore, it is suggested that national identity is not given, but rather is the result of continuous ‘Chrono‐Work’.     

Money talks: banknote iconography and symbolic constructions of Scotland

ABSTRACT. It has become common for scholars of nations and nationalism to use banknotes, coins and postage stamps as passing examples of everyday objects expressive of nationalism. Until recently, however, it has been less common for these objects to form the focus of empirical enquiries that substantiate their contribution to the creation and transmission of national symbolism. This article addresses this lacuna through an empirical investigation of over 300 years of Scottish banknote iconography. In their symbolic content, banknotes are shown to be amenable to the service of both national and non‐national political agendas. To explain this phenomenon, we advance three interrelated arguments. First, we contend that variations in banknote iconography reflect the different political contexts in which notes were produced and the distinctive loyalties and customer constituencies of the banks that issue them. Second, we argue that changes in banknote imagery reflect changes in the scale of their circulation. Third, we argue that Scottish banknotes have always included iconography that constructs the image of the bank and advertises its reliability, often through association with national images. The article concludes by addressing Scotland's place in wider understandings of the iconographic power of banknotes.     

Preliminary neutron diffraction study of two fenestrated axes from the ‘Enot Shuni' Bronze Age cemetery (Israel)

Neutron diffraction (ND) analyses of ancient metals show that this method is capable of detecting differences in the inner composition and microstructure of ancient metal objects. Here, ND measurements were conducted on two ‘eye shaped’ axes from the end of the 3rd-beginning of the 2nd millennium BC. The objects were excavated from the ancient cemetery of ‘Enot Shuni' Israel; one is made of bronze and the other of silver. Both artefacts are rare finds, with the silver axe unique in the archaeology of Israel, and therefore had to be analysed locally. For that purpose, a newly assembled diffractometer (KARL) at the IRR-1 of the Nuclear Research Centre (Soreq, Israel) was used. ND measurement on the bronze axe revealed the existence of an α-phase with a range of Cu/Sn ratios (Cu–Sn solid solutions) and some amount of a δ-phase (intermetallic compound of Cu and Sn). The silver axe ND pattern shows the existence of an α-phase (Ag–Cu solid solution) and some amount of copper metal. Our ND data are discussed in comparison with XRF surface measurements and thermal neutron radiography. The results are shedding more light on the in-depth material composition profile, as well as on the objects’ structural and compositional affinities, and help to better understand the production processes and assist in conservation decisions.     

HMQS Mosquito: the rediscovery and identification of Queensland's first warship

In 2009, the remnants of Her Majesty's Queensland Ship Mosquito, a 2nd‐class torpedo‐boat built in 1883, were relocated. Purchased by the colonial government of Australia in response to heightened tensions between Great Britain and Imperial Russia, Mosquito was assigned to Queensland's capital, Brisbane, where it had a largely uneventful career. Following removal from active duty it was stripped and abandoned on the foreshore of a tributary of the Brisbane River. This paper discusses Mosquito's historical background, and chronicles the rediscovery of the vessel, and the archaeological investigation and identification of its remains. © 2010 The Author