Religious Transformations in the Middle Ages: Towards a New Archaeological Agenda

UNDERSTANDING RELIGIOUS CHANGE between the collapse of the Roman Empire and the Reformation forms one of the cornerstones of medieval archaeology, but has been riven by period, denominational, and geographical divisions. This paper lays the groundwork for a fundamental rethink of archaeological approaches to medieval religions, by adopting an holistic framework that places Christian, pagan, Islamic and Jewish case studies of religious transformation in a long-term, cross-cultural perspective. Focused around the analytical themes of ‘hybridity and resilience’ and ‘tempo and trajectories’, our approach shifts attention away from the singularities of national narratives of religious conversion, towards a deeper understanding of how religious beliefs, practices and identity were renegotiated by medieval people in their daily lives.     

Consumption and the ‘Social Self’ in Medieval Southern England

Over the last 30 years we have become increasingly aware of the commercialising nature of the medieval English economy. However, these insights have had little impact on narratives of consumption, which persist in seeing it as a characteristic of modernity. Here it is argued that we must move away from seeing an early modern consumer revolution and instead think about consumption in medieval society, particularly to examine the implications of commercialisation for identity and selfhood. A framework is developed, building upon David G. Shaw’s use of the ‘social self’ and the writing of Gilles Deleuze and Felix Guattari, to explore how the increasing variability, and wider range, of objects impacted upon the negotiation of selfhood in the 13th–15th centuries.     

Tracking ‘Same–Sex Love’ from Antiquity to the Present in South Asia

This essay focuses on the anthology Same–Sex Love in India: Readings from Literature and History (2000), edited by Ruth Vanita and Saleem Kidwai. Unlike many other recently published, celebratory ‘gay anthologies’, this book contributes to ongoing scholarly work on specific same–sex erotic practices and relations in historical and cultural context. We examine issues relevant to this anthology and other such projects: the use of ‘love’ and ‘same–sex’ as (stable) signifiers over centuries; the validity of interpreting social reality through literary texts from the period; the difficulties of locating ‘love’ in severely hierarchical, even slave–owning, societies; and the implications of using such anthologies in the classroom.     

Social monsters and the walking dead in William of Newburgh's Historia rerum Anglicarum

William of Newburgh's Historia rerum Anglicarum (c.1198) is one of the foremost literary artefacts of the late twelfth century. Contained within Book V are four narratives that detail encounters with the walking dead (‘revenants’). This article contends that the specific placement of these narratives within the Historia encourages the reader to make a metaphysical connection between the activities of the revenant and the conduct of social malcontents. The paper analyses the medieval concept of monstrousness and the cultural context of the Historia’s creation, and argues that learned theories of disease causation underscored the base narratology of the four revenant encounters. Following an appraisal of the unrest caused by Williams FitzOsbert and Longchamp, as well as the kings of England and France, the paper concludes by evaluating the ways in which their social monstrosity was encapsulated by the destabilising and destructive tendencies of the walking corpse.     

Comparative Study of Perimortem Weapon Trauma in Two Early Medieval Skeletal Populations (AD 400–1200) from Ireland

Violence was a reality of life in early medieval Ireland (AD 400–1200). Its omnipresence is indicated from numerous narratives of regicide, mortal conflicts, battles and warfare that survive in ancient myths, legends and annalistic accounts. The archaeological evidence of violence and conflict is mainly identified in the osteoarchaeological record, and approximately 13% of all skeletal populations from excavated early medieval cemeteries in Ireland have shown evidence of weapon trauma. This study considers the osteological representation of violent deaths in two contemporaneous Irish skeletal populations dating to this period: Mount Gamble in County Dublin and Owenbristy in County Galway. This analysis involves assessing the different anatomical regions of the body for evidence of lesions that can be attributed to weapon trauma. The results indicate that these populations are likely to have been exposed to violence under differing circumstances; the evidence suggests that the individuals from Mount Gamble may have been well equipped or skilled at interpersonal battle, in contrast to the majority of individuals from Owenbristy who may have been unprotected and unprepared. The presence of two adolescents and two adult females amongst the victims from the latter population gives insight into a wider social dimension of weapon trauma in early medieval Ireland. There is also evidence of postmortem mutilations and decapitations, which reflect ritualistic aspects of violence. Copyright © 2012 John Wiley & Sons, Ltd.     

The secret of my succession: dynasty and crisis in Vandal North Africa

The system of royal succession in the Vandal kingdom of North Africa has long been regarded as idiosyncratic within the early medieval west, but its fullest implications have rarely been investigated closely. The present article examines the origins of succession by agnatic seniority under the strong rule of King Geiseric, and argues that it was one of several innovations intended to establish the emergent Hasding royal house against other aristocratic challenges. The article goes on to explore the consequences of this law in the two major dynastic crises of the Vandal kingdom: under Huneric in c.481 and under Hilderic in 530. In both cases, the standard narratives of events are challenged, and with them assumptions about the ‘constitutional’ status of Geiseric's law of succession.     

Ritual and interpretation: the early medieval case

In dealing with early medieval ‘rituals’ (whatever this category may mean), historians have to take into account that they were written about, staged, and participated in by members of a culture that was steeped in interpretation, and especially by the exegetical dialectic between letter and spirit. The consequences for narrative techniques, and therefore for our approach to the sources depicting ‘rituals’ are plural. The narratives can heighten or de‐emphasize the ‘ritualness’ of an event, as well as heighten or hide conflict (or consensus) within the ritual event, regardless of what actually happened. Rituals in texts, therefore, should seldom be taken at face value. Such techniques suggest that often enough the textual rendition (or even imagination) of a solemnity had more political impact than its performance.     

Losing it in Hawai‘i: Weight Watchers and the paradoxical nature of weight gain and loss

In Hawai‘i, bodies may be big, successful, widely accepted, and revered by their public, yet some subjects may simultaneously be seeking a thinner body even with what appears to be ‘fat acceptance’ by many state residents. This article analyses weight and weight loss narratives of two prominent public and nonwhite men, Israel Kamakawiwo‘ole and Sam Choy. We connect these narratives to Weight Watchers International discourses of slimming as these apply to ‘nonwhite’ subjects in Hawai‘i. We suggest that Weight Watchers normalizes thinness through discourses of whiteness inherent in particular foods. Hawai‘i's regional cuisine known as ‘Local Food’ is framed as ‘exotic,’ which is distinct from what the organization proposes is ‘good’ food that produces ‘healthy’ bodies. Weight Watchers narrates slim bodies and health while normalizing ‘white’ cuisine and the bodies who consume it thereby excluding Local brown bodies in Hawai‘i.     

Pure and impure gestes: the generation of history in Jean d’Outremeuse's Myreur des histors

ABSTRACT

Scholars have long debated the place in medieval historiography of Jean d’Outremeuse's Myreur des histors, a universal history in celebration of Liège written in French around 1399. The abundance of Old French epic material in a chronicle that, according to its author, contained translations of only Latin sources, was once a source of outrage. The Myreur now holds significant interest, however, for its evidence of late medieval narrative strategies. This study demonstrates the Myreur's deliberate adaptation of epic material to glorify Liège. The author reimagines the Carolingian past as a source for future historical narratives by knowingly altering the genealogical framework of the chanson de geste universe. Carrying tales of sexual impurity, he describes the demise of the Carolingian line and transforms figures from epic to function within his linear history. This inventive approach allowed him to create a new hero- and history-generating lineage for his universal history.     

The handling and interpretation of dreams and visions in late sixth- to eighth-century Gallic and Anglo-Latin hagiography and histories

Early medieval attitudes to dreams and visions have been seen either as negative, products of an ostensibly repressive theological tradition, or positive, as suggested by the apparent ease with which many narratives treat these phenomena. This article explores the relationship of early medieval views on dreams to those of the church Fathers and suggests that views on the value and handling of dreams vary in accordance with the probable audiences and aims of our sources. Instead of uniform views either repressive or permissive, we see a variety of attitudes and techniques, aiming to satisfy both practical needs and theological concerns.     

Dental chipping: Contrasting patterns of microtrauma in inuit and European populations

While the study of dental wear has enjoyed wide popularity for over 100 years, dental chipping, or microfractures of the tooth crown, has received little attention. Observations on dental chipping in populations from the Arctic (St. Lawrence Island, Alaska) and Europe (medieval Norway and Spain) reveal patterns of microtrauma that provide insights into the dietary and tooth‐tool use behaviour of earlier populations. St. Lawrence Island Inuit, with an emphasis on consuming tough and frozen foods, in combination with extensive tooth‐tool use, exhibit a pattern of chipping that is characterised as ‘molar dominant’. The two European samples exhibit an ‘incisor‐dominant’ pattern but contrast markedly in frequencies, with medieval Norwegians showing significantly more chipping than medieval and post‐medieval Spanish. The systematic study of chipping promises to provide a new perspective on how populations used and/or abused their dentitions in earlier times. Copyright © 2010 John Wiley & Sons, Ltd.     

Medieval Embroidered ‘Water Flowers’

The term ‘water flower’ has been taken by some to refer to all embroidered conventional flowers found on some late medieval English copes and chasubles. It is argued here that the term was used in medieval times in the sense of ‘water flower deluce’, and referred to a particular type of conventional flower, which has a conical, sword-like body, flanked by two pairs of strap-like leaves.     

King John's military reputation reconsidered

A measure that medieval chroniclers used for judging kings was success in battle. King John obviously failed this test with his loss of Normandy, 1202–04, and the failure of his 1214 continental campaign. Modern scholars prefer to depict the king as an able administrator, downplaying his military activity; they continue to follow medieval writers in labelling John an incompetent general, lacking boldness, even cowardly. In fact, John's poor military reputation is based on only a few comments in chronicles and verse narratives. While his defense of Normandy from the French was a disaster, partly because of his own failings, factors beyond his control contributed heavily to his loss of the duchy, such as the superior wealth of Philip Augustus. Critics neglect the link between the English king's warfare and his administrative activity, which aimed at raising men, money and other resources for wars. John conducted campaigns capably before and after the loss of Normandy. Some moderns accept traditional condemnation of his military skill, because of a misunderstanding of the nature of medieval warfare. Pitched battles were rare, and war consisted of seemingly aimless plundering raids and sieges of castles. John's supposed lack of boldness merely reflects a medieval commander's caution. His plans for the relief of Château Gaillard in 1203 and his 1214 two-pronged attack on Philip illustrate skill in strategy. Unlike many medieval generals John was skilled at siegecraft, seen at Rochester Castle in 1215. While King John's two greatest campaigns failed, costing him most of his continental lands, his failures in warfare are due neither to incompetence nor to cowardice.     

‘Water mixed with the blood of Thomas’: contact relic manufacture pictured in Canterbury Cathedral’s stained glass

Four remarkable stained glass panels in the Trinity Chapel of Canterbury Cathedral (executed c.1185–1220) picture the mixing of Thomas Becket’s blood with water at Becket’s tomb. The ‘water of St Thomas’ was among the most widely renowned medieval water relics, reputed to have healed the sick throughout Latin Christendom. This article examines the glass images, comparing them with narratives in the glaziers’ source text, Benedict of Peterborough’s collection of Becket’s miracles. The glaziers presented an enhanced and carefully designed version of the early history of the water relic: the visual images draw strong parallels between the water of St Thomas and the Eucharist, and trumpet the role of the monks of Christ Church Cathedral Priory, Canterbury, the patrons of the glass, in the mixing process. The glass panels also provide suggestive evidence regarding the personnel, vessels and ceremonial involved in the actual mixing of the relic at Canterbury, including the likely participation of a lay sacrist and the possible use of mazers.     

The Charms of Women and Priests: Sex,Magic, Gender and Public Order in Late Medieval Italy

How did judicial authorities in late medieval Italy understand the relationship between gender, sexuality, social status, magic and public order, especially when magic was used to facilitate the crime of adultery? What might this reveal about the intersection of gender, magic and public order in a place and time so fraught with political and social tensions? This study qualitatively compares four love‐magic trials from fourteenth‐century Lucca and suggests that the anxieties underpinning these trials were both particular to late medieval Italian communes and projected onto two populations, women and priests, whose unchecked sexuality posed the greatest threat to civic order. Historians examining gender in medieval European magic trials have often treated judicial officials’ anxieties as portents of the ‘witch craze’ of early modern Europe. Historians of medieval Lucca have tended to treat the political and gender histories of the city as largely separate. This article suggests that the courts’ increasing regulation of gender and sexuality in late medieval Lucca reflected larger ecclesiastical and communal concerns about the dissolution of civic order. In a world of civic power that increasingly belonged to secular men, the unchecked sexuality of women and clergy represented a dual threat to the stability of the family and, by extension, the city. This article argues that secular and ecclesiastical judicial officials feared not magic itself, but the ability of magic to invert power relations between men and women and between clergy and laity, destroying public order.     

Displacement,memory and home(less) identities: Turkish Cypriot women’s narratives

Abstract

This study is an analysis of the narratives of Turkish Cypriot women in the north of Cyprus who were displaced during the ethnic conflict between the 1950s and 1974. We have conducted 21 interviews with Turkish Cypriot women who were living in different parts of Northern Cyprus. We used oral history, both as a method and as an epistemological stance to re-phrase the near past of Cyprus and the Cyprus issue from the perspective of gender/women’s studies. The study follows the traces of modernity, patriarchy, and nationalism in women’s narratives, about the place, home, belonging and homelessness. The narratives describe Turkish Cypriot women’s experiences of being a woman in conflict and displacement (‘göçmen olmak’ in daily talk in Turkish) making a home out of a house and undertaking daily routines for their families. The study also reveals that ethnic conflict and displacement have empowered women to a certain degree.     

Late Medieval Jugs with Lettering

Previous interpretations of medieval moated sites, rooted in functionalist and culture-historical theoretical frameworks, describe moat owners as defending themselves from threats of physical violence or emulating a fashionable status symbol. This study takes an alternative framework by exploring moated sites’ active role in producing medieval ideologies of inequality. A set of case studies from the eastern Weald in south-east England provides evidence for how moats alter patterns of movement, produce spaces of stratified accessibility, and enhance the visibility of structures and spaces bounded by moats. Spatial data from surface survey is synthesized with historical context and ‘imagined’ moated spaces found in pictorial and textual sources to determine how moats may have been perceived by different groups of people in medieval society. By altering the physical and symbolic landscape, moated sites constituted the authority of their owners and contributed to the maintenance, or in some cases contestation, of medieval structural inequalities.     

Medieval Ireland and the Shannon Hydro-Electric Scheme: reconstructing the past in independent Ireland

This essay considers the position of Irish medieval buildings in the early years of the twentieth century. Focusing on the treatment of the oratory of St. Lua at Killaloe, it examines the ways in which the ruins of the medieval past were used to signify a range of political, religious and cultural ideas and attitudes. The rising water levels following the Shannon Scheme works (begun in 1925) meant that this stone oratory was moved from its original position on Friar’s Island to the grounds of St. Flannan’s Roman Catholic Church in 1929. The resulting paper trail reflects the complex processes of decision-making within a civil service in transition as the new Irish Free State calibrated its position with regard to the past and the treatment of medieval ruins throughout the countryside. The case study of St. Lua’s oratory is considered here in the context of the nineteenth-century tradition of scholarship on medieval buildings, the development of the idea of a national Irish architecture during this period, and the impact of this tradition on subsequent engagement with the buildings of the medieval past.     

Cultural policy as mythical narrative

ABSTRACT

In this paper, we argue that policy assumptions are shaped by mythical narratives carrying underlying beliefs and values. Drawing on narrative studies, organisational theory and Gramsci’s cultural hegemony theory, we examine how sense-making narratives create consensus, how they imply causation and individual agency, and finally how narratives fragment to reveal alternatives to hegemonic ‘common sense’ assumptions. Applying this framework to cultural policy we examine the place of mythic, sense-making narratives in the historical development of foundational national cultural policies in the UK and Mexico – respectively, narratives of ‘the civilising mission’ and ‘social transformation’. We then consider narrative emplotment and individualisation underpinning assumptions about individual creativity in the UK creative industries policy. Finally, we address the postmodern turn in narrative studies, showing how fragmented, polysemous narratives fracture cultural policy into ‘personalised truths’ and give voice to other, counter-hegemonic perspectives. We conclude by proposing an agenda for narrative research in cultural policy.