Changing electoral politics: The local level

This article explores contemporary notions of Italian kinship—procreation, the family, biological and social relatedness—as they are shaped by programmes of gamete donation (these are programmes that require the use of third‐party egg and semen to achieve conception). The research was carried out in Italian clinics of assisted conception and presents the views of heterosexual couples suffering from impaired infertility. The overall material reveals the power of kinship as a cultural form.     

Gender and geography in Italy

Abstract

This article attempts to provide a picture of Italian gender geography in order to better understand the discipline’s key achievements and development. Rooted in a lively tradition of feminism stretching back to the 1970s, Italian gender geography has faced cultural and academic resistance while achieving a number of milestones. There is still much to be done if the multifaceted theme of gender is to be fully engaged by Italian geography. However, seminars, national and international congresses on gender geography themes, and the dialectic encounter with international gender geography have stimulated the domestic debate since the new millenium. Italian gender geographic voices may be self-perceived as limited and isolated but are continuously engaged in the struggle to overcome the many structural and cultural constraints imposed by Italian society and academia. This article tries to review Italian gender geography’s history to look forward and encourage new agendas and projects within a larger academic audience.     

In search of the nation in Fiume: Irredentism,cultural nationalism,borderlands

Irredentism is a crucial, yet understudied phenomenon of nationalism. Most scholars emphasise how irredentist thinking and practices function as a geopolitical instrument for inter‐state formation, resulting in radical nationalism. This article sheds light instead on the cultural preoccupations underlying irredentist discourses. It focusses on irredentist claims on the Adriatic city of Fiume (Rijeka) among Italian nationalists in the 19th and 20th centuries, emphasising how they were driven by cultural imaginaries of a spiritual borderland for the nation. These imaginaries continued to inform irredentist arguments during the phase of political mobilisation. This sheds light on contemporary European politics, in which irredentist imaginaries are once again shaping nationalist discourses.     

Pasolini contro Calvino: culture,the canon and the millennium

This article offers an account of a recent debate in the cultural pages of the Italian press on a polemical work of literary criticism entitled Pasolini contro Calvino, in which the two authors are shown to represent emblematically different attitudes towards literature, cultural institutions and the culture industry in post‐war Italy. The debate surrounding this claim is examined in substance, but also as an illustration of the workings of culture in 1990s Italy.     

ARCHAEOMETRICAL STUDIES OF ROMAN IMPERIAL AGE GLASS FROM CANTON TICINO*

An archaeometrical study of Roman glass finds recovered in the Canton Ticino area was performed after the finding of traces of possible glass‐working at Muralto near Locarno. The aim of this work is to provide chemical characterization of these glass varieties—never analysed before—and to compare the results obtained with those for glass of the same period coming from other sites (Aquileia, Augusta Praetoria and Modena). The chemical data shows that the composition of Canton Ticino glass remained the same from the first to the fourth century ad . Moreover, the large amounts of Sb used as a decolouring agent in these samples represents a peculiar trait.     

Scenarios of Poiesis: Italian New Media (1994–2004)

This essay attempts to read a number of interventions in Italian new media over the last decade as both a response to and an implicit critique of posthumanism. After a brief discussion of the principal terms in question—new media, interaction, and posthumanism—and a survey of the most important contributors to the discourse of posthumanism in Italy, the essay maps the principal features of Italian media as embodied by the works of three contemporary new media artists. These characteristics include the privileging of a prosthetic model for understanding interaction and more generally the staging of interaction as moments of poiesis. They also include more recently the cancellation of the boundaries between ‘scientific’ and cultural images. The essay insists that by foregrounding the primacy of Italian cultural patterns for determining how meaning is generated in new media, Italian new media artists implicitly critique a reifying tendency among posthuman observers in Italy. The essay concludes with a broad assessment of the importance of poiesis for an Italian technological imaginary.     

A Christian democratization of politics? The new influence of Catholicism on Italian politics since the demise of the Democrazia Cristiana

A paradox exists in relation to contemporary European Christian democracy. Its ideological influence has increased as Christian democratic parties have declined. This is particularly evident in Italy since the demise of the Democrazia Cristiana (DC). By investigating the ideological development of Italian parties and some key policy reforms that they introduced after the fall of the DC, this article explains this ‘Christian democratization of politics’, a process by which Catholic ideals and symbols acquire a decisive impact on the Italian party system. Three types of Christian democratization are individuated and analyzed: the gradual replacement of liberal values with Catholic political ideas in the positions taken by liberal-oriented parties; the novel synthesis between social Catholicism and social democracy by moderate left-wing coalitions; and the Lega Nord’s use of Catholic values to stress populist positions and identity issues.     

Arcangelo Ghisleri and the “Right to Barbarity”: Geography and Anti‐colonialism in Italy in the Age of Empire (1875–1914)

This paper addresses the work of early critics of colonialism and Eurocentrism within Italian geography in the Age of Empire. At that time, a minority but rather influential group of Italian scholars, influenced by the international debates promoted by the anarchist geographers Reclus, Kropotkin and Me?nikov, fumed publicly at Italy's colonial ambitions in Africa. Their positions assumed, at least in the case of Arcangelo Ghisleri, the character of a radical critique of both political and cultural European hegemony. These approaches were linked to a similar critique of “internal colonialism”, both Austrian in the Italian‐speaking regions of Trento and Trieste, and Piedmontese in southern Italy. Based on primary sources, and drawing on the international literature on imperial geography and colonial and postcolonial sciences, this paper conjures up the Italian example to discuss how some European geographers of the Age of Empire were also early critics of racism, colonialism and chauvinism, and how these historical experiences can serve current debates on critical, radical and anarchist geographies.     

Politics,prophecy and satire: Atto of Vercelli's Polipticum quod appellatur Perpendiculum

This article presents a new interpretation of Atto of Vercelli's Perpendiculum: this cryptic work, composed between 953 and 960, is a peroration that adopts the structural model of the classical oratio, identifying usurpations as the cause of the political problems of post‐Carolingian Europe. The text's aim is to denounce the usurpation that later led Otto I to definitively deprive Berengar II of his throne. The author's political discourse is a prophetic warning based on an eschatological reading of the political history of the Italian kingdom in the first half of the tenth century, analysed in depth by Atto. The crimes of the powerful are condemned in the cryptic and allusive style of classical satirical poets, within a work of considerable cultural ambition. The source adds significantly to our knowledge of the history of the Italian kingdom and conveys the author's specific assertion of the political role of the episcopate.     

Jews in Italy between Integration and Assimilation, 1861–1938

The history of Italian Jews from 1861 to 1938 is often viewed as the period in which they totally assimilated into the Italian nation. This article, however, argues that rather than their assimilation it was a period of their integration into Italian society. Various approaches to this question are presented, including a review of the literature, with a view to reconsidering the relationship between Jewish culture and Italian culture, or rather non-Jewish culture. Italian Jewish history is shown not to be separated from, but to be “internal” to Italian social, cultural, and political history—part of the dynamic process of change that occurred during this period not only in Italy but throughout Europe.     

Apparitions of Desire: Clive van den Berg and the Art of Historical Unknowability

This paper considers the art of South African artist, Clive van den Berg. Van den Berg has long been engaged in a careful exploration of landscapes and their capacity to bear traces of what is no longer known, often in ways that question the archive fever of contemporary historians and cultural activists. In a variety of media – from fire‐installations to oil pastel, from light and wood to acrylic, in video and in mono‐print – he has probed the history of eros and its relationship to the violences of apartheid, simultaneously citing the aesthetic traditions of the Italian Renaissance and Southern Africa. The paper both describes and explicates the aesthetico‐political ambition of the artist's work as it has developed over the last decade, in the aftermath of apartheid's dismantling.     

Paragone: notes on hegemony and realism in the 1950s

This article focuses on the literary review Paragone and on the debate on realism articulated by the review and by the Cultural Commission of the Italian Communist Party (PCI) in the 1950s. By analysing the review’s internal composition, correspondence between its contributors, and records of the PCI’s Cultural Commission, this article highlights a series of issues relating to the debate on realism in the 1950s, as a critical time, in both aesthetic and political terms, for the determination of Italian culture’s identity profile. Specifically, the article discusses the key features of the debate on realism that unfolded in Paragone, and relates these to the debate simultaneously developing within the Cultural Commission. This comparison allows us to argue for a close connection between the aesthetic habitus displayed by an independent review and that embraced by a cultural institution with a distinctly political as well as cultural agenda.     

Italian history and gli italiani nel mondo,part I

Abstract

Italian historians have not yet seriously grappled with the emigration of twenty‐seven million Italians as an interpretative theme. This article reviews the methodological challenges to such an undertaking. Existing works suggests that ‘Italy‐outward’ research strategies, exploration of Italian connections to its ‘diaspora’, and attention to labor recruitment and militancy, and return migration are promising approaches. Since most interpretation of Italian migration still occurs within the histories of receiving nations, Part I also provides a review of the historiography on Italian immigrants in the English‐speaking world, to be followed in Part II by a comparable review of Italians living and working in France, South America and central Europe.     

Language as an instrument of nationalism in Central Europe

This article presents a brief survey and analysis of the most intimate coupling of culture and national projects that occurred in Central Europe following the success of the Italian and German nation‐states established in this manner during the third quarter of the nineteenth century. Language is the very ‘stuff’ of culture as well as the instrument of communicating and reaffirming cultural difference vis‐à‐vis other cultures. As such, language became central to the processes of nation‐ and nation‐state‐building in Central Europe, leading to politicisation of language and also of linguistics and philology, which were expected to fortify the nations and their nation‐states than rather to lend themselves to objective research. It is proposed that this specific Central European interweaving of language and national projects may be better comprehended through the application of Einar Haugen's model of language standardisation and Miroslav Hroch's model of nation‐building. These two models in the Central European case seem to be closely corresponding to each other. The short catalogue of language elements used to produce national differentiation closes this contribution.     

Space agents: anti‐racist feminism and the politics of scale in Turin,Italy

This article discusses racialized politics among women in Turin, Italy, utilizing and expanding Neil Smith's concept of the spatial politics of scale specifically in relation to an anti‐racist organization, Alma Mater, that emerged during the early 1990s. International migration is relatively recent in Italy, and popular responses over the past decade have been both supportive and hostile. Overt and implicit expressions of racism and intolerance toward migrants have become apparent throughout the country. Migrant and Italian women have retaliated by engaging in a politics of space and scale to effect local and national labor and cultural practices. Through an examination of every day cultural–ideological practices and their links to broad political and economic processes I examine the relative success of Alma Mater in its ability to challenge scales and add to an understanding of the social production and reproduction of power relations at all scales.     

Constructing a national identity from a created literary past: Giosuè Carducci and the development of a national literature

Giosuè Carducci's conception of Italian literature differed from those of Francesco de Sanctis and Benedetto Croce. He argued that Italian literature, together with a concomitant cultural identity and political mission, developed along a continuous, progressive and evolutionary path. This study analyzes Carducci's creation of an Italian cultural and political identity through literary history and his construction of a plausible model for its historical development by incorporating literary,scientific and political theories. Carducci gave Italians a past of which they could be proud, proof of Italy's leading role in Europe's civilizing mission, and a strategy to accomplish it. Carducci's conception of italianitÀ, defined in terms of a historic mission of grandezza , was one of several brands of Italian nationalism. His linking of literary history to aspirations of national unity and aggrandizement implied that the mantle of the Risorgimento now belonged to the educated elite. This linkage of literature and national identity to aspirations of cultural and political hegemony explains why Carducci was so popular with the Nationalist Party whose leaders invoked his literary history to legitimize their political program and to discredit their political opponents prior to World War I and under Fascism.     

‘An entirely new land’? Italy’s post-war culture and its Fascist past

Scholarship has for decades emphasized the significant continuities in Italian culture and society after Fascism, calling into question the rhetoric of post-war renewal. This article proposes a reassessment of that rhetoric through the analysis of five key metaphors with which Italian intellectuals represented national recovery after 1945: parenthesis, disease, flood, childhood and discovery. While the current critical consensus would lead us to expect a cultural conversation characterized by repression and evasion, an analysis of these five post-war metaphors instead reveals both a penetrating reassessment of Italian culture after Fascism and an earnest adherence to the cause of national revitalization. Foregrounding the inter-relation of Italy’s prospects for change and its continuities with Fascism, these metaphors suggest that post-war Italian intellectuals conceived of their country’s hopes for renewal, as well as its connections to the recent past, in terms that transcend the binary division favoured in many historical accounts.     

A colpi di cuore. Storie del sessantotto

This article attempts to tackle the problem of how a colonial culture that was elaborated through the written word may have impacted on an Italian society that was significantly more ‘backward’ than its western European counterparts. The Prima Guerra d'Africa (1885-96) has often been seen as a military campaign desired exclusively by an isolated Italian government in a society that was incapable of using the occasion to develop cultural themes that impacted on the desires and aspirations of the ‘real’ Italy. This supposed societal dysfunction meant that Italy failed to create a ‘culture of imperialism’ in the years of the Scramble for Africa in a way that has now come to be considered of such central importance for the histories of France, Britain or even Germany.

Through an analysis of the role played by primary schools in Italian culture in these years, this article attempts to reverse this view, arguing that even taking into consideration Italy's ‘backwardness’ there was not only a great awareness of what Italy was supposedly doing in Africa but also a serious attempt to load the events that occured there with a meaning that had a much more intimate relationship with Italy's population. Although defeat in Africa meant a major setback in this process, imperialism as a cultural phenomenon continued to be of fundamental importance to the progress of nation building and the development of nationalism in Italy and, Finaldi argues, it should therefore be assigned a place in Italian culture that is much more on a par to that which culture and imperialism are deemed to have held for other European nation-states.     

A new era and new themes in Italian politics: The case of Padania

Abstract

By calling for the independence of Padania from the rest of Italy, the Lega Nord has recently drawn a great deal of attention to itself. In support of this campaign the Lega has actively introduced mythical and Utopian models onto the Italian political scene, combining a degree of cultural innovation with a certain political adventurism. This article focuses on these elements, beginning with the events of the autumn of 1996 when the Lega organized a ‘grande festa’ along the banks and in the towns of the River Po aimed at marking the birth of the new nation of Padania. The principal events of the festival were dominated by the many performances of the League's founder and leader, Umberto Bossi, whose speeches were full of pseudo‐religious or pseudo‐prophetic elements. Though the festival ended in Venice with a unilateral declaration of independence by the Lega and its followers in the north, it did not lead to any immediate political consequences. Nevertheless, the situation in Padania is marked by a complex mixture of identities. The Lega has not just introduced new methods of political opposition, it has also brought many subjects (local cultures, regionalism, the right to self‐determination) into the Italian political debate. Furthermore, it has used the language of the sacred and of ‘origins’ to create new characters, new calendars and new sacred sites.