Unpacking “Accumulation By Dispossession”, “Fictitious Commodification”, and “Fictitious Capital Formation”: Tracing the Dynamics of Bahrain's Land Reclamation

We explore the interrelationships between the concepts of fictitious commodities, fictitious capital and accumulation by dispossession. We do so through a detailed examination of the dynamics of land reclamation in the Kingdom of Bahrain during the years 2001–2014. Particularly, we dissect in‐depth the ensemble of social relations and chain of events involved in two specific real estate projects, Norana and Bahrain Financial Harbour, that have come to symbolize Bahrain's neoliberal era. Reclamation was a unique process in which land was explicitly produced as a commodity for market purposes. Primary material of land deeds, company registration documents, and news articles were used to map out the social relations across the state–finance–real estate nexus. We emphasize that our understanding of accumulation by dispossession involving land is greatly enhanced if we view it as a process of reconfiguring the ensemble of social relations using fictitious commodification and fictitious capital formation.     

“Proto–Tantric” Elements in The Gandavyuha‐sutra*

Although a Māhāyana sūtra, the clearly contains a number of elements that seem to presage the “tantric” phase in Indian Buddhism. In particular, the sūtra contains four components worthy of note: elaborate scenes detailing what can best be understood as , a soteriology based on absolute faith in the spiritual guides, a strong insinuation of organisational esotericism, and the hint of sexual yoga. After briefly summarising some recent scholarship on the , the author addresses each of the four “proto‐tantric” components in detail. Following this, the author concludes with the suggestion that despite the inherent difficulties in developing a relative chronology of Indian Buddhist literature, close readings such as provided in this article may be useful in generating data sets, which can then be used to relate Indian Buddhist texts to each other.     

“Hymns of a More or Less Idiotic Character”: The Impact and Use of “Sankey's” Gospel Songs in Late Nineteenth‐Century Australia

Through the large inter‐denominational evangelistic campaigns of the last quarter of the nineteenth century in Australia, the gospel songs commonly described as “Sankey's” were introduced to both church‐goers and the general community and came into wide public knowledge. This article explores their early acceptance, dissemination, and use, and argues that while their impact upon church‐goers was considerable since they were so widely sung in many churches, they were also known, or known about, in the wider community, occupying a significant cultural space.     

THE “INS” AND “OUTS” OF HISTORY: REVISION AS NON‐PLACE

Revision in history is conventionally characterized as a linear sequence of changes over time. Drawing together the contributions of those engaged in historiographical debates that are often associated with the term “revision,” however, we find our attention directed to the spaces rather than the sequences of history. Contributions to historical debates are characterized by the marked use of spatial imagery and spatialized language. These used to suggest both the demarcation of the “space of history” and the erasure of existing historiographies from that space. Bearing these features in mind, the essay argues that traditional, temporally oriented explanations for revision in history, such as Thomas S. Kuhn's Structure of Scientific Revolutions, miss the mark, and that a more promising line of explanation arises from the combined use of Michel Foucault's idea of “heterotopias” and Marc Augé's idea of “non‐places.” Revision in history is to be found where writers use imagery to move readers away from rival historiographies and to control their movement in the space of history toward their desired vision. Revision is thus associated more with control than with liberation.     

Babi–Baha'i Expansion and “Geo‐Cultural Breakthroughs”

Utilising the concept of “geo‐cultural breakthroughs,” the article briefly describes the process of Babi‐Baha'i expansion, tracing the way in which the early Babi movement was later transformed into the Baha'i Faith, and the Baha'i movement itself underwent a succession of massive transformations in the range and diversity of its following. Three main stages and three “worlds” of expansion are identified: (i) an initial “Islamic” stage (1844–c. 1892), in which Babism and the early Baha'i movement were largely confined to the environing culture and society of the Islamic Middle East and its cultural extensions; (ii) an “international” stage (c. 1892–c. 1953), during which Baha'i missionary expansion succeeded in transcending the religion's Islamic roots, in particular by gaining a small but intensely active Western following; and (iii) the present “global” stage from about 1953 onwards, in which the Baha'i Faith has begun to assume the characteristics of a small‐scale world religion, with larger numbers of adherents having been gained, particularly in some parts of Africa, Asia, and Latin America, regions outside of both the religion's original Islamic heartland and the West.     

Eighteenth‐Century Meissen Porcelain Reference Data Obtained By Proton‐Beam Analysis (PIXE–PIGE)

Prior to their restoration, the porcelain bodies of broken pieces from 31 authentic Meissen objects of the early 18th century were investigated by proton‐beam analysis. Attention was paid so that the proton beam probed only the bare porcelain paste areas of fractures. Thus, contributions to the measured X‐ray and γ‐ray spectra from adjacent surface glaze were prevented. The chemical compositions, obtained by simultaneous detection of elements with Z ≥ 13 (X‐rays) and lighter elements Z ≤ 14 (γ‐rays), represent rather consistent mixtures of paste ingredients. This result highlights the durable recipes and raw materials used in early Meissen porcelain production in the years 1725–50. Mean concentration values of element oxides, deduced from the detailed measurements, prove suitable for use as a database for Meissen porcelain paste identification. Material authentication of intact objects, without access to the bare porcelain body, is demonstrated by inspection of the white glaze. Unique museum objects are examined in atmosphere and without sampling. A low proton‐beam intensity and a short irradiation time ensure non‐destructive analysis. Simultaneous radiation and backscattered particle detection allow complete composition analysis, using the established ion beam techniques of particle‐induced X‐ray emission (PIXE), particle‐induced gamma‐ray emission (PIGE) and Rutherford backscattering spectrometry (RBS).