A ‘Half-hearted Response’?: Canada and the Cuban Missile Crisis, 1962

Whereas previous studies of Canada's actions during the Cuban Missile Crisis have argued that Ottawa was a half-hearted ally of the United States, recently released documents provide far different conclusions. Seeking to complement previous works, which are focused largely on military events, this study shows how Canadian diplomats responded to the crisis and sought to support their vital ally in the events of October and November 1962.     

Cuban Miami on the Air: Narratives of Cubanía

Radio has been a fundamental aspect of Cuban culture on and off the island since the first broadcast in Havana in 1922. When Cubans fled the island after the revolution of 1959 for the USA, particularly Miami, radio quickly became a vital medium for navigating a new country and for consolidating a Cuban exile identity. Politically, radio in Miami has been an effective means for articulating hardline exile politics. But with generational turnover and increasingly moderate stances on Cuba by more recent arrivals and US-born Cuban Americans, how is radio changing? How are narratives of what constitutes cubanía – Cubanness – shifting in an increasingly diverse Cuban Miami? This article takes up these questions through an examination of an immensely popular morning program that aired in 2009 in southern Florida called the Enrique y Joe Show. I examine how the Enrique y Joe Show, produced and performed by US-born Cuban Americans, utilized a form of irreverent Cuban humor called choteo to represent and satirize the hardline Cuban exile politics that have been dominant on Miami's radio waves for decades. Ultimately, their performances deploy choteo to articulate Cuban American identity divorced from a particular political orthodoxy. The coda reflects on changes in Miami's radio landscape since 2009.     

Breaking Ranks: C. P. Snow and the Crisis of Mid-Century Liberalism, 1930–1980

C. P. Snow's identification of ‘two cultures’, as the literary critic F. R. Leavis pointed out in 1962, represents not an insight but a cliché, one that invites the repetition of further clichés about the origins of a divided culture, the need to bridge cultures, the emergence of a third culture, or the reality of one culture. Yet this recurrent feature of ‘two cultures’ talk does not nullify the concept's value as an object of study, if these discussions are treated as revealing points of entry into foreign historical contexts. This article adopts this approach, unearthing the liberal position that Snow developed as a novelist and critic from the 1930s, that he advanced in the form of a disciplinary lament in The Two Cultures (Snow, C.P. 1959 Snow, C.P. 1959. The two cultures and the scientific revolution. Cambridge: Cambridge University Press. [Google Scholar]. The two cultures and the scientific revolution. Cambridge: Cambridge University Press.), and that — to his distress — increasingly came under radical critique from the mid-1960s. Ultimately, the technocratic liberalism that Snow associated with science at mid-century came to be closer to American neo-conservatism by 1980. By tracking the fortunes of the ideological position that structured The Two Cultures, rather than lifting that text out of its moment in an attempt to engage its arguments today, this article testifies to the abiding value of contextual analysis at a moment when intellectual historians are increasingly inclined to question and even displace it.     

Reading the Cuban revolution from Bogotá, 1957–62

This article traces the evolution of Colombian responses to the early Cuban revolution. For the governing Liberal Party in particular, developments in Cuba only gradually came to be read in terms of the Cold War. Instead, Colombians primarily interpreted the revolution through the lens of their own recent post-authoritarian transition, as well as a commitment to inter-American diplomacy. Using Colombian, US, and UK government as well as press sources, the article challenges recent historiography on the Cold War in Latin America, to demonstrate how the Cold War was but one reading of Latin American politics in the era of the Cuban revolution.     

Why Was There a Crisis of Historicism?

Book reviewed in this article:
Heidegger, Dilthey, and the Crisis of Historicism By Charles R. Bambach     

A Narrative Approach to Europe’s Identity Crisis

Alongside the institutionally constructed European identity, research shows that insights into citizens’ sense of belonging are valuable as well in assessing questions of identity. The tendency to conflate European identity with EU identity has spurred debates about the components that underlie European identification. The online subsidiarity adopted by the EU through e-platforms has allowed for a new form of citizenship where e-citizens (de)legitimate the issues under debate. This article examines the contents of European and national identities in the e-debaters’ comments posted on the Debating Europe platform. Drawing on narrative and discursive approaches, we propose a framework to operationalize the (de)legitimation and identification categories used by e-debaters within their discursive construction of European identity. The qualitative empirical research shows three main (de)legitimation clusters: the “EU as a loss,” “inclusive gain,” and “exclusive gain.” We discuss these findings within the broader context of Europeanization, identity multiplicity, and the conditions of the EU enlargement policy.     

Cuba's Cinematic Élan Vital: Cubanidad and Cubanía as Citizenship and Sentiment

This article focuses on the current shifts in expressions of Cuban national identity by considering the articulations of cubanidad and cubanía in recent documentary films from Cuba's Muestra joven. Rather than suggesting a disappearance or deterioration of national identity, these three examples of contemporary Cuban cinema evidence a more fluid, sentiment-based articulation of Cubanness that can be considered the island's élan vital. This analysis of representations of the ongoing transformation of Cuba deploys theories and terms conceptualised by Georg Sorenson in The Transformation of the State: Beyond the Myth of Retreat (2004) in order to posit how cubanidad is aligned with the modes of citizenship (the official), which is a sense of Cubanness defined by a rationality that may be imposed, while cubanía is affined with a sentiment fuelled by intuition (the personal). Thus we propose that just as the Muestra joven embodies the current vacillation and movement of Cuban cinema between citizenship and sentiment, so deMoler (Muestra 2004), Model Town (Muestra 2007) and La Época, el Encanto y Fin de Siglo (Muestra 2000) indicate a process of reinterpretation and rupture in a context of flux instead of rigidity.     

Straight Pins,Gauze, and Linotypes: The Cuban Post-Soviet Artists’ Book

Matanzas’s Ediciones Vigía and Holguin’s Ediciones Cuadernos Papiro construct an arc from the revolutionary 1960s and its investment in collective and communal goods, to the increasingly privatized 1990s and 2000s through their materials and procedures, as well as through their engagement with the figure of the archive. I contend that the books printed by Ediciones Vigía and Ediciones Cuadernos Papiro are both artists’ books – that is, books that are art unto themselves – and books as ‘archives’. Here, I understand the ‘book’ as ‘archive’ in a similar fashion as art historian Hal Foster interprets ‘archival art’: that is, art, in this case book art, that ‘draws on informal archives but produces them as well’ in an effort ‘to make historical information, often lost or displaced, physically present’. The hand-made books of Ediciones Vigía and Ediciones Cuadernos Papiro project a new figure of the reader and occupy social spaces that are radically different from their predecessors. Where Cuban institutional archives have left incomplete territories of the Revolutionary-era and pre-Revolutionary book, the 1990s and 2000s ‘archival book’ incarnated in Ediciones Vigía and Cuadernos Papiro has come to occupy these voids in a compensatory fashion as an ‘archival’ product.     

Global scarcity and modern technology: Crisis or opportunity?

William Ophuls. Ecology and the Politics of Scarcity. San Francisco: W. H. Freeman and Company, 1977. xi + 303 pp. Figures, tables, references, and index. $6.95 paper.

L. S. Stavrianos. The Promise of the Coming Dark Age. San Francisco: W. H. Freeman and Company, 1976. x +211 pp. Footnotes and index. $4.95 pape     

Coconut Crisis in Kerala? Mainstream Narrative and Alternative Perspectives

India's oilseeds sector, which includes its coconut economy, experienced drastic changes in the wake of agricultural liberalization in the mid‐1990s. A persistent coconut crisis ‘narrative’ emerged after sharp price declines between 2000 and 2002 in which small farmers in the state of Kerala, India's main coconut producer, were identified as victims of the liberalized importation of cheap palm oil. This article describes this crisis narrative based on a literature review of academic and official reports, and challenges its problem analysis by juxtaposing it with information from ethnographic research with local farmers and traders. The research indicates that local labour shortages and increased regional competition also had a strong impact on Kerala's coconut market, production and processing, which varied from region to region. Furthermore, small farmers, with their diversified livelihoods, did not recognize a ‘crisis’ as such. Drawing upon the ‘advocacy coalition framework’, the article also indicates reasons for the emergence and persistence of the coconut crisis narrative and points to complex processes of restructuring social space in the age of globalization.     

敦煌写本P.2555卷"马云奇诗"考辨

学界对敦煌写本P.2555唐人诗集残卷背面13首诗的研究结论众说纷纭,颇不一致.本文经过考辨,认为从内容风格、书写格式、字体大小、作者年龄等方面质疑《怀素师草书歌》后属12首诗为马云奇作的理由不足,进一步确认马云奇为12首诗的作者,马云奇曾入张掖军幕,张掖陷蕃后遭拘系走南线到青海蕃地.研究者囿于"敦煌""落蕃"的背景,故在诗意解读方面常有牵强不确之嫌.将《怀素师草书歌》以下的12首诗笼统地称为"落蕃诗"是不准确的,12首诗中,7首是落蕃诗,陆续作于从张掖经大斗拔谷到青海蕃地期间,时间为盛夏到秋天,其他5首是题赠诗,作于陷蕃前的张掖或其他地方.敦煌唐人诗集残卷中的落蕃诗在唐诗中别具一格,在中国文学史上具有独特的地位.