Unsettling “Inner City”: Liberal Protestantism and the Postwar Origins of a Keyword in Urban Studies

The term inner city first achieved consistent usage through the writings of liberal Protestants in the USA after World War II. Its genesis was the product of an era when a largely suburban mainline Protestantism was negotiating its relationship to American cities. Liberal Protestants’ missionary brand of urban renewal refocused attention away from the blight and structural obsolescence thought to be responsible for urban decay, and instead brought into focus the cultural pathologies they mapped onto black neighbourhoods. The term inner city arose in this context, providing a rhetorical and ideological tool for articulating the role of the church in the nationwide project of urban renewal. I argue that even as it arose in contexts aiming to entice mainline Protestantism back into the cities it had fled, the term accrued its meaning by generating symbolic and geographic distance between white liberal churches and the black communities they sought to help.     

Revolution,Reaction, Restoration: The Meanings and Uses of Seventeenth-Century English History in the Political Thinking of Benjamin Constant,c.1797–1830

Comparisons, juxtapositions or analogies between France's recent Revolutionary and post-Revolutionary history and England's experiences of Revolution, Civil War and Restoration between the 1640s and the Glorious Revolution of 1688 were a common but controversial feature of political discourse dealing with France's contemporary situation in the decades following the Revolution of 1789. The present article probes this dimension of post-Revolutionary political debate, by tracking the shifting meanings and uses of seventeenth-century English history in the published and unpublished political writings of the leading liberal thinker and politician Benjamin Constant, from the 1790s through to his death in 1830. Such an analysis reveals the sometimes striking reversals and inconsistencies to which Constant was driven in his effort to adjust his historical readings to France's rapidly changing political conditions, but it also reveals underlying continuities in his historical and political thinking. The exemplarity of England's case lay, for Constant, less in the provision of a constitutional model that France might hope to appropriate than in the historical spectacle of a nation's struggle for liberty, and the value of this spectacle lay as much in its cautionary messages—focused on the sterile brutality of the Stuart Restoration—as in its eventually progressive outcomes.     

The Politics of Memory: History,Biography, and the (Re)-Emergence of Generational Literature in Germany

The existentialist philosopher Karl Jaspers is the father of a discourse on the spiritual consequences of the Holocaust. First addressed as the Schuldfrage (the question of guilt) by Jaspers immediately after the Second World War in his famous Heidelberg lecture, it has reappeared in various forms in German life and letters. Post-unification Germany has witnessed the valorization of the German experience of the Second World War. This ongoing re-evaluation has its antecedents in the generational literature of the 1970s and 1980s. Whereas the Vaterliteratur of the 1970s (by authors such as Christoph Meckel, Uwe Timm, and Peter Henisch) was often embedded in a left-wing critique of the establishment, recent contributions to this growing genre (by Marcel Beyer, Stephan Wackwitz, Wibke Bruhns, and Ulla Hahn among others) speak to the issue of collective identity and transgenerational family trauma outside distinct left- and right-wing interpretations of National Socialism. The current writings on the life during the Third Reich (filtered through the experiences of discrete generations) are a confluence of historical writing, memorial literature, biography, and fiction. They are closely related to the discussions that W. G. Sebald initiated in his 1997 lecture series on the silence of German postwar literature with respect to German suffering. The subsequent debate on how to bring closure to this “German suffering” was intensified by Günter Grass's widening of the concept of German victimization beyond the air war controversy in his book Crabwalk (2002). As Grass distinguishes clearly between the various post-World War II generations (and their different perspectives on historical events), the question becomes whether these recent writings will bring about a final so-called “zero hour” in German postwar history.     

Foucault and Technology

This article offers the first comprehensive analysis of the ways in which the French philosopher Michel Foucault (1926-1984) employed the terms ‘technology’ and the ‘technique’ over the course of his intellectual career. His use of these words in his mature writings, it is argued, reflects a profound ambivalence: Foucault sought to denounce the pernicious effects of what he called modern ‘technologies of power,’ but also deliberately evoked the more positive values associated with ‘technology’ to develop a philosophical standpoint shorn of the ‘humanist’ values he associated with existentialism and phenomenology. The article situates Foucault’s condemnation of power technologies within the broader skepticism towards ‘technological society’ that pervaded French intellectual circles following World War II. In the first phase of his career (1954-1960), Foucault built on these attitudes to articulate a conventional critique of technology’s alienating effects. Between 1961 and 1972, the theme of ‘technology’ fell into abeyance in his work, though he often suggested a connection between the rise of technology and the advent of the ‘human sciences.’ Between 1973 and 1979, ‘technology’ became a keyword in Foucault’s lexicon, notably when he coined the phrase ‘technologies of power’. He continued to use the term in the final stage of his career (1980-1984), when his emphasis shifted from power to ‘technologies of the self.’ The essay concludes by addressing Paul Forman’s thesis on the primacy of science in modernity and of technology in modernity, suggesting that in many respects Foucault is more of a modernist than a postmodernist.     

From Beyond the Grave and Across the Ocean: Washington Irving and the Problem of Being a Questioning American, 1809–20

This article is a reconsideration of Washington Irving’s early career between the productions of his first two major works: A History of New York (1809) and The Sketch Book (1819–20). His life and writings in that period are treated as a study in the individual problem of being a ‘questioning American,’ specifically a questioning American writer, in the new republic, and as a broader critique of the developing new nation. Specifically it places those writings in dialogue with the dominant Jeffersonian narrative of a glorious national future. It thus rediscovers Irving as a critical alternative witness to this important period in American history and the entwined attempt to critique his country and to come to terms with it as the central, underappreciated theme both in neglected writings (his contributions to the Analectic Magazine (1812–15)) and familiar tales (Rip van Winkle, The Legend of Sleepy Hollow).     

LÖWITH,LÖWITH'S HEIDEGGER,AND THE UNITY OF HISTORY

This article is about the problem of the unity of history as seen through the writings of Karl Löwith. By “unity of history” I understand the notion that all history constitutes one and only one range of kinds of objects and/or one field of knowledge. The article argues that the problem of the unity of history—though often neglected as a matter of mere argumentative infrastructure—is central to a number of wider problems, most prominently the possibility of a plural understanding of historicity and the possibility of ultimately avoiding a unified historical teleology. The article revisits Löwith's writings and proposes a variety of novel interpretations with the aim of evincing the centrality, and of exploring diverse aspects, of the problematic of the unity of history. This problematic is shown to have informed Löwith's work on the secularization thesis as well as his debate with Hans Blumenberg. The foundations of Löwith's discussion of the problem are pursued across his ambivalent critique and appropriation of Heidegger's model of an ontology of historicity as marked by inevitable internal conflict and thus disunity. The paper reconstructs the manner in which, after the Second World War, Löwith's philosophy of history sought to salvage basic traits of the Heideggerian model when it tried to establish the possibility of plural historicity from a notion of the natural cosmos. It is demonstrated that the motives for this salvage operation ultimately extended beyond the problem of Löwith's reception of Heidegger and concerned the possibility of continuing any debate on the philosophy of history.     

The Mid-Tang Scholar-Monk Shenqing and His Beishan lu

Abstract

This article investigates the thought of the mid-Tang scholar monk Shenqing through an examination of his Beishan lu. In this work, Shenqing launched a fervent attack against Southern Chan, while pressing for the harmonization of the Three Teachings. His critique of Southern Chan reflects his Theravadin tendency, as he expressed negative views about Southern Chan's violation of traditional Buddhist teachings. He specifically attacked its de-emphasis on the vinaya, and the fabrication of the 28-Patriarchs theory of transmission. In an effort to establish the orthodoxy of Southern Chan in early Northern Song, Chan clerics found it necessary to respond to Shenqing's critique, as clearly reflected in the writings of the monk Qisong. Beishan lu is a valuable source for a study of Shenqing's thought, and the unfolding of the harmonization of the Three Teachings. It also allows us to trace the historical unfolding of the Southern Chan movement from a different perspective.     

S. Weir Mitchell’s Prose and Poetry on the American Civil War

The prose and poetry of S. Weir Mitchell (1829–1914) – related to the American Civil War – encompass a very significant portion of his non-medical writings. The Civil War, more than any other single event, shaped his future career as one of the founders of American neurology. Indeed, it should not be surprising how the war was also such a driving force in his non-medical writings. His novels, once widely read, now are scarcely noted. His accounts of the social, political and economic events of the Civil War are of historical interest to students of the period. Neuroscientists as a group, like others, are apt to be unfamiliar with these writings, with the possible exception of “The Case of George Dedlow.” A major purpose of this essay is to introduce readers, especially neuroscientists, to Weir Mitchell’s fictional works in which neurological cases so often appear. One appreciates more the medical aspects of his novels, written as they were by a first-hand observer. His non-medical writings, poetry and prose, are to a large extent timeless and can be appreciated by today’s readers.     

The Sense of History: On the Political Implications of Karl Löwith's Concept of Secularization

Written during the period of his emigration to the United States, during and just after World War II, the originality of Karl Löwith's book Meaning in History lies in its resolute critique of all forms of philosophy of history. This critique is based on the now famous idea that modern philosophies of history have only extended and deepened an illusion fabricated by a long tradition of Christian historical reflection: the illusion that history itself has an intrinsic goal. This modern extension and deepening of the chimera propagated by Christian historical reflection is what Löwith terms "secularization." Drawing on the arguments in Meaning in History as well as those proposed in other contemporaneous and earlier writings, including Löwith's heretofore unpublished correspondence with Leo Strauss, this article attempts to set in relief the frequently neglected, yet eminently political implications of Löwith"s idea of secularization. Among the problems implicitly considered in relation to the theory of secularization in Meaning in History is a theme frequently addressed in earlier writings: the motives that led German intellectuals like Friedrich Gogarten, Martin Heidegger, and Carl Schmitt to adhere to the Nazi movement.     

United in revolt and discourse: urban and noble perceptions of ‘bad government’ in fifteenth-century Brabant (1420–1)

This case study on the Brabantine uprising of 1420–1 reveals common ground between noble and urban political values, calling into question the dominant historiographical cleavage between noble and urban ideologies. In 1420, one of the most severe political conflicts in Brabantine history caused a coalition of members of the upper nobility and Leuven city councillors to remove Duke John IV from the throne and convict his councillors. Preceding these drastic events, both parties had written texts together to legitimise their political position and attract supporters. By analysing the writings of the insurgents, this article illustrates how these noblemen and urban councillors combined their political ideas in practice to create a coherent discourse that supported their claims to power. The analysis also emphasises the insurgents’ appropriation, interpretation and use of key notions, such as the ‘common good’, to criticise Duke John’s government and promote their cause.     

A Liberal and a Classic: Pierre Manent's Neo-Aristotelian Reading of Raymond Aron

The contemporary French political philosopher Pierre Manent is, by his own account, deeply influenced by the Christian tradition, by Leo Strauss, and by his teacher Raymond Aron. This article explores Manent's indebtedness to Raymond Aron (1905–1983), one of the great political thinkers of the twentieth century. In a series of writings about Aron over the past thirty-five years, Manent presents a public man who spoke with “authority and competence of the things of the city, whose eloquence was able to instruct the public as it retained the ear of princes, of whom the sovereign reason seized, in each situation, the essential.” Manent has thought long and hard about Aron's lucid and courageous opposition to totalitarianism, his defense of human liberty and political reason, and his affinities with the prudence and sobriety of the first great political scientist, Aristotle. Manent's Aron is a liberal classic more than a classical liberal. His defense of modern liberty never forgot that even a free society must cultivate virtue and respect for the common good. This article shows the affinities between the later Aron in particular and Manent's own political writings. Manent's own turn to the chose publique owes much to Aristotle as indirectly mediated by Aron.     

The Panstereorama: City Models in the Balloon Era

The nineteenth-century ‘panstereorama’ was an urban relief model placed on display as a public spectacle. In this article, I consider first two affiliated forms that help to explain the genre, namely panorama paintings and plans-reliefs. I then go on to consider urban regional practices of city modelling in London and Paris before examining in detail panstereoramas representing Paris and New York. It is argued that this form of model urban cartography served as proxy for the view obtained from the increasingly popular balloon trip and that it accordingly provided virtual travel to, and a map of, the cities depicted.     

The Ultimate "Other": Post-Colonialism and Alexander von Humboldt's Ecological Relationship with Nature

This article is a meditation on the overlaps between environmentalism, post‐colonial theory, and the practice of history. It takes as a case study the writings of the explorer‐scientist‐abolitionist Alexander von Humboldt (1769–1859), the founder of a humane, socially conscious ecology. The post‐colonial critique has provided a necessary corrective to the global environmental movement, by focusing it on enduring colonialist power dynamics, but at the same time it has crippled the field of environmental history, by dooming us to a model of the past in which all Euro‐American elites, devoid of personal agency, are always already in an exploitative relationship with the people and natural resources of the developing world. A close reading of Humboldt's work, however, suggests that it could provide the basis for a healthy post‐colonial environmentalism, if only post‐colonial critics were willing to see beyond Humboldt's complicity in colonial structures. In particular, this article attempts to rehabilitate Humboldt's reputation in the face of Mary Louise Pratt's canonical post‐colonial study, Imperial Eyes: Travel Writing and Transculturation. Humboldt's efforts to inspire communion with Nature while simultaneously recognizing Nature's “otherness” can be seen as radical both in his day and in ours. In addition his analysis of the link between the exploitation of natural resources and the exploitation of certain social groups anticipates the global environmental justice movement.     

Heritage as trope: conceptual etymologies and alternative trajectories

The theorization of heritage must necessarily examine the impact of its often concealed status as a metaphor, a figuration framing our use of the term as well as those things described as heritage. Describing elements of the past as heritage is a trope as the past does not leave a testament. This figuration singularizes past, present, and legacy (concealing differences within these terms), as well as ascribing intentionality to the past. These resonances often lend a conservative charge to heritage; however, they might also be viewed as offering a critique of the present. The theorization of heritage should also examine specific histories of how this trope arose. In Britain, John Ruskin’s influential articulation of cultural heritage, for example, drew on the way inheritance featured in political writings of John Locke and Edmund Burke. Theorization of heritage can also be broadened by considering how inheritance is employed in other disciplines, such as its use in phenomenology and poststructuralism, an arc encompassing work by Edmund Husserl, Martin Heidegger, Jean-Luc Marion, Jacques Derrida, and Bernard Stiegler. These investigations help expand the conceptual dimensions of heritage.     

Art as Appearance: Two Comments on Arthur C. Danto's After the End of Art

In his latest book about art Arthur Danto claims that aesthetic appearance—visuality in the visual arts—has become more and more irrelevant for most of contemporary art. This essay first immanently critiques the distinction between the aesthetic and artistic properties underlying this claim. Danto's claim about the irrelevance of the aesthetic is not compatible with the spirit of his own writings: what Danto denies in After the End of Art has been a cornerstone of his theoretical work since The Transfiguration of the Commonplace , namely, that the aesthetic is indeed both an elementary and a defining property of art. Examples ranging from Duchamp's Fountain to a recent installation by the Art & Language group are discussed to support this critique. Second, the essay defends Danto's contention that developing a "definition of art" is a sensible enterprise. But it turns out that Danto's (self-ascribed) "essentialism" concerning art has no essentialist implications in any specific sense.     

The desert,the border,and the city: Staging a spectacle on the Chile-Peru border

The 1970s saw Chile and Peru, both headed by military dictators, come to the brink of war. In order to avoid such a war, the Chilean military in the far north engaged in techniques of ‘spectacle’ for two reasons: firstly, to convince citizens on both sides of the border that Chile had a strong military and would succeed in the event of a war with Peru, and secondly, to create the impression of ‘fraternity’ with Peru. To perform these spectacles, the Chilean military employed the geography of northern Chile in three spaces: the desert, the border, and the city. These spaces became stages where acts of military deception could be implemented with the Chileans using fake tanks, military ceremonies, and bogus parades to appear militarily strong. This extends current scholarship by arguing that multiple environments can be harnessed for their specific geographical qualities in order to stage a unified geopolitical spectacle. Previous geographical scholarship has focused on individual environments as military spaces and scholarship on spectacle has treated environments as a backdrop and not a central part of how the spectacle is enacted. Here I show that it was the precise natures of the border, the desert, and the city that were exploited for a multi-scaled, heterogeneous, and fractured form of spectacle. Through the orchestrated control of these three spaces that define the border region, a clear narrative of military strength matched with a desire for peaceful co-operation with Peru was created.     

Thinking Past Henri Lefebvre: Introducing “The Theory of Ground Rent and Rural Sociology”

This introduction to the translation of Henri Lefebvre's 1956 essay “The theory of ground rent and rural Sociology” moves through three stages. First, it suggests that Anglophone appropriations of Lefebvre have tended to focus too much on his urban writings, at the expense of understanding his early work on rural sociology, and failing to recognise how his urban focus emerged as a result of his interest in rural–urban transformation. Second, it provides a summary of his wider work on rural questions, including his unfinished work on a major treatise of rural sociology; and outlines the key themes of the present essay in relation to these other projects. Third, it connects Lefebvre's issues to wider debates in political economy and geography about aspects of the rural, land and ground rent, not least including the work of Antonio Gramsci and José Carlos Mariátegui.     

Not told by victims: genocide-as-story in Aboriginal prison writings in Canada, 1980–96

When criminalized Aboriginal peoples serving time in Canadian prisons wrote in penal presses, they often used genocide as a framework to discuss both their personal life histories and the colonial history that led to overrepresentation of Aboriginal peoples in prisons. Genocide, though, is not a straightforward idea, and the ways that Aboriginal prisoners wrote about genocide differed significantly from how scholars or politicians used the term. By interpreting these writings within Aboriginal storytelling traditions, this article illuminates the lived experience of genocide, how those experiencing incarceration viewed genocide within their belief structures, the ways that genocide became a critique against the Canadian government, and the spiritual basis for discussion of genocide. By reading Aboriginal prison writings as valuable intellectual pursuits, we can begin to interpret genocide within frameworks that differed from the insights from academia. First, genocide was experienced as part of both colonial and personal processes, meaning it was experienced at the community level and in personal violence in pre-carceral lives. Second, by telling stories of genocide, prisoners asserted their own survival, which reflected the goals of their organizations and functioned as a political critique against the Canadian government. Third, genocide became an identity-shaping force in the lives of criminalized Aboriginal peoples, which in turn shaped their experience of incarceration. Finally, genocide was not uniformly experienced, as it had important gendered differences. This article shows the nuance in prisoners' discussions of genocide by proposing a new way of interpreting genocide within Aboriginal history in Canada by analysing penal publications as part of Aboriginal storytelling traditions, what the author refers to as ‘genocide-as-story’.     

Crime and the City Solution: Crime Fiction, Urban Knowledge, and Radical Geography

Radical urban geography has recently begun a critique of crime fiction, seeing its ideological shortcomings as politically instructive. This paper argues that this critique is theoretically naive and suggests that a concentration on the epistemological claims of both fiction and urban geography is more fruitful. The paper turns the critique back on radical geography and celebrates the critical possibilities of some forms of crime fiction. Specifically, the police procedurals of British author John Harvey are used to illustrate the genre's ability to articulate alternative epistemologies, ways of knowing the city that track the structure of everyday life and thus offer a critical, realistic, and reflexive approach to the city and itsproblems.