What about Translation? Beyond “Persianization” as the Language Policy in Iran

Against the background of language policy research on Iran, and drawing on insights from recent scholarship on the role of translation in language policy, this article calls into question the claim that “Persianization” of non-Persian peoples is the main element of language policy in Iran. In so doing, the article examines closely the role of translation as enacted in two legal instruments: the Constitution of the Islamic Republic of Iran and the Law of Parliamentary Elections. The study illustrates that although official communication between Iranian authorities and citizens is a prototypical example of monolingualism and non-translation, voluntary translation happens between Persian and non-Persian speaking individuals, acting as a viable and cost-effective bottom-up alternative for the inclusion of non-Persian speaking peoples, far more effective than an impractical, top-down language policy reform implicitly found in the “Persianization” claim.     

Writing the History of the “Persian Arabs”: The Pre-Islamic Perspective on the “Naṣrids” of al-Ḥīrah

Modern scholarship on Arabs in the pre-Islamic period has focused on Rome's Arab allies—the so-called “Jafnids” or “Ghassānids,” with much less attention paid to Persia's Arab allies, the so-called “Na?rid” or “Lakhmid” dynasty of Arab leaders at al-?īrah in Iraq. This article examines select pre-Islamic sources for the Persian Arabs, showing that even with the meager evidence available to us, and the lack of archaeological material, it is possible to draw a relatively complex portrait of the Persian Arabs. This article situates the Persian Arabs as important figures in some key themes and phenomena of late antiquity, such as the growth of Christian communities, the conflict between Rome and Persia, and the struggle for influence in the Arabian peninsula.     

The Unveiled Apple: Ethnicity,Gender, and the Limits of Inter-discursive Interpretation of Iranian Contemporary Art

In the past two decades, Iranian contemporary art has been eagerly embraced by international art venues. The transportation of artworks from Tehran to mostly western European and North American cultural centers entails inter-discursive translations that will render them legible for their reception in a new context. This paper argues that bound up in these translations are performative acts of language that label these artworks as markers of ethnic alterity, unexplored localities and most of the time associates them with issues of gender and femininity (and therefore limited to the vocabulary of “veil,” “plight of women” and “sexual inequality”). Looking at a seven-minute piece of video-art by Ghazaleh Hedayat entitled Eve's Apple (2006), the article examines this predicament and the possibilities for the artists to circumvent it. It argues that Hedayat's video enables an observation of the performative dominance of Western discourses of art history that mark the limits of inter-discursive interpretation in disciplines such as art history and art criticism.     

The Unfolding of Unreason: Javad Tabatabai's Idea of Political Decline in Iran

Javad Tabatabai, a leading theorist and historian of political thought in Iran, has presented a controversial theory regarding the causes of the decline of political thought and society in Iran over the last few centuries. His ideas on Iranian decline have affected the intellectual debates on modernity and democracy currently underway in Iran. Tabatabai's career-long research has revolved around this question: “What conditions made modernity possible in Europe and led to its abnegation in Iran?” He answers this question by adopting a “Hegelian approach” that privileges a philosophical reading of history on the assumption that philosophical thought is the foundation and essence of any political community and the basis for any critical analysis of it as well. This article critically engages with Tabatabai's ideas of “crisis,” and “decline” by challenging his exposition of the Persian tradition.     

Good Iranian,Bad Iranian: Representations of Iran and Iranians in Time and Newsweek (1998–2009)

This article analyzes the ways in which Iran and Iranians are represented in Western news media sources. Through detailed textual analysis of articles in Time and Newsweek between 1998 and 2009, it demonstrates that journalistic representations of Iran and Iranians are not simply efforts aimed at describing the real Iran, but rather form the basis of what Said refers to as a powerful “community of interpretation” that often reflects and reproduces certain xenophobic stereotypes of non-Western foreign subjects. While some shifts in Western media representations of Iranians have occurred in the thirty years since the revolution, the underlying ontological assumptions of these representations have remained remarkably durable. That is to say, the dominant representational discourse found in these newsmagazines depicts the political behavior of Iranians on the basis of essentialized notions of Persian and/or Islamic civilization, while very often emphasizing the taken for granted superiority of the West. Earlier Orientalist discourses focus on the difference of non-Western foreign subjects by denigrating them as fundamentally anti-modern and incapable of political, cultural and economic development without Western intervention. This article presents an unmistakable discursive pattern in American journalism whereby certain Iranians are incorporated into Western civilization by virtue of their embrace of a Western modernity.     

The Question of Identity vis-à-vis Exoticism in Contemporary Iranian Art

This essay explores two primary concerns in the art and artistic practice of contemporary Iran, namely “identity” (i.e. local, historical, imagined and collective identity and also self-identity) and “exoticism” (which appears inevitably related to the first), both of which (identity and exoticism) involve challenges relating to the “self” and “other” and the issue of “expectation”. It suggests that these issues see broader contextual socio-political parallels. The first apprehension relates to the concept of identity which addresses how artists have interpreted contemporary aesthetics in the light of national and indigenous ideology. The second refers to the ever-present obsession with cultural and frequently social concern with which Iranian artists are engaged within the country. The two concerns are integrated, in the way that the second is seen to be the outcome of the first. Some critiques are based on the issues of cultural commodification, anti-canonical West, cultural formulation, and also the stereotypes rooted in the preference and interest of the market.     

“The Gospel Has Always Been Disturbing”: The Centrality of “God's Will” to the Cold War Political Activism of the Reverends Frank Hartley and Alfred Dickie

Religious faith was pivotal to the personal ideologies and radical political activism of the Reverends Alf Dickie and Frank Hartley, both of whom were prominent in the Australian peace movement from 1949 until the early seventies. This article examines Dickie's and Hartley's self‐identification as prophets in the context of the optimism of the post‐war era and its subsequent retreat as the Cold War altered the political climate. It examines how their post‐war political activism was framed by a devout faith in the existence of an objective “truth” with regard to the Cold War, a “truth” based on a self‐styled notion of the “Will of God”. Further, it argues that suffering was understood by these self‐declared prophets to be inherent to their mission and was thus embraced, when ostensibly visited upon them, as an affirmation of the righteousness of their cause. For Dickie and Hartley, an active association with the radical Left was a natural expression of God's Will.     

The “Nation of Poetry”: Language,Festival and Subversion in Macedonia

This article critically examines the Struga Poetry Festival established in 1961 when it placed Macedonian poets and writers on the wider map of world poetry, international literature and language. With this the festival carried a subversive and an emancipatory task that not only promoted Macedonia's national poetry but also pushed the nation itself onto the world stage. Although highly politicized (and deeply political), the festival emerged as a seemingly apolitical event that celebrated the “universal language of poetry”. Yet, with its aesthetic form of an open event devoted to poetry, this festival (in a very Bakhtinian manner) pinpoints the obvious carnivalesque element in manoeuvring and subverting established social and political hierarchies. Initially, it allowed Macedonian language and poets to join established national states that have “undisputed” (or less disputed) literary traditions. The subversive nature of this festival after the 2001 military conflict in Macedonia changed the direction and intensity of the Albanian struggle for improving their status into the Macedonian society. This event has effectively allowed a minority group to initiate social movement and engage in serious identity politics related to territorial self-governance, language and cultural representation.     

The “Warrior of the Lords”: Smbat Bagratuni at the Center and Periphery of Late Sasanian Iran

The Armenian general Smbat Bagratuni's remarkable rise to military and political preeminence in the late sixth- and early seventh-century Sasanian Empire presents a fascinating historical question: how did a liminal figure, a Christian from a frontier region, become the “Joy of ?usrō” and “Warrior of the Lords” of king ?usrō II Aparvēz (590–628 CE)? This essay argues that Bagratuni's accomplishments were rooted in Sasanian patterns of political decentralization, provincial regionalism and strategic politics. The Sasanians were ethnically Persian, but Parthian and Armenian aristocrats from the periphery of the empire played a central role in upholding the regime. Granting titles, wealth and personal support, the king sought to turn aristocratic families against each other to enhance royal authority. Simultaneously, regional aristocrats like Smbat Bagratuni used royal patronage to advance their local interests, often at the expense of the royal center. The life of Smbat Bagratuni illustrates how complex negotiations of individual and collective identity shaped relations of “center” and “periphery” in Sasanian Iran.     

Narrating the Self among Arab Americans: A Bridging Discourse between Arab Tradition and American Culture

This article expounds the nature of Arab American identity through an exploration of discourses and practices related to traveling and movement at global and local levels, with a particular emphasis on personal narratives of both men and women of different ages and socioeconomic backgrounds. Travel is dealt with here in its broad meaning and connotes migratory travel, and immigration. It also indicates traveling back and forth between the homeland and new land. Despite the fact that cross‐cultural studies of travel are scant, population movements and transnational migration are currently the focus of broad academic debates and surround such issues as transnational cultural relations, the renovation of migrants' social cosmologies, ¹ and the dynamics of identity reconstruction ( Axel, 2004 ; Clifford, 1988 ; Cohn, 1987 ; Coutin, 2003 ; el‐Aswad, 2004, 2006a ; Euben, 2006 ; Hall, 1990, 1992 ; Julian, 2004 ; Kaplan, 1996 ; Kennedy & Danks, 2001 ; Mintz, 1998 ; Tsing, 2000 ). This inquiry is contingent on ethnographic material gathered from 20 case studies addressing various experiences of Arab Americans living in the community of Dearborn, in the metropolitan Detroit area of Michigan. ² These case studies reveal some important and comparative theoretical insights that help us understand core features of the unity as well as the multiplicity, diversity, and plasticity of Arab American identity. The study concentrates on narratives of personal experience, defined as verbalized, visualized, and/or embodied framings of a sequence of actual or possible life events, through stories, narrations, diaries, memoirs, and letters ( Herman & Vervaeck, 2009 ; Ochs & Capps, 1996 ). Although personal narratives encompass a wide range of daily experiences, they are prototypes that express people's views of other cultures generated by travel or direct contact. Travel is used here to mean a range of material and spatial practices that generate knowledge, stories, traditions, books, and other cultural expressions ( Clifford, 1997 ; Euben, 2006 ). Cultures are understood by studying sites of dwelling, the local ground of collective life, and the effects of travel ( Clifford, 1997 ). Travel and migration or Diaspora ³ are prototypical rites of passage involving transition in space, territory, and group membership. They transform people's sense of themselves and others. For instance, migrants experience profound changes in their outlook and orientation as they move from the state of belonging to the homeland to that of belonging to the new land, generating a unique sense of multiple identities. The article aims to answer these questions: To what extent have travel and migration of the Arabs transformed their worldviews, including images of themselves, of others, and of new and old homelands? To what extent have these experiences of movement been incorporated into Arab American identities and articulated in their narratives as well? Do they view themselves as having one unified transnational identity, as being “Arab American,” or multiple identities? Is there a conflict of having multiple identities and maintaining one encompassing identity? And to what extent can Arab Americans be viewed as cultural mediators or agents bridging the West and the East (the Middle East) as well as the north and the south? These questions are examined within the perspectives and views of both Arab American writers and ordinary Arab immigrants of the Detroit metropolitan area. ⁴     

The Formative Years of Anglo‐Iranian Relations (1907–1953): Colonial Scramble for Iran and Its Political Legacy

As the title largely illustrates, this study seeks to investigate, from a diplomatic‐history and geostrategic perspective, the key developments in Anglo‐Iranian relations during what may best be dubbed their “formative years,” ranging from 1907 to 1953. Having thus provided a glimpse into pre‐twentieth‐century Persian–British relations, it moves to analyze the division of Persia into two spheres of influence between Great Britain and Tsarist Russia in 1907, the Anglo‐Iranian agreement of 1919, the English control of Iranian oil during the first half of the twentieth century and the nationalist struggle against it, and finally the 1953 coup d'état orchestrated by the United Kingdom and the United States against the democratic government of Mohammad Mosaddeq, which managed to topple him and bring Mohammad Reza Shah Pahlavi to power. While the article focuses mainly on the complex history of Anglo‐Iranian relationship, it strives to shed light on the implications of such a history for future bilateral relations, its impact on the contemporary Iranian perception of the British, and finally the cultural‐political legacy it has left behind in Iran. The study follows a chronological order and draws on a range of English and Persian sources in trying to fulfill its task.     

Iran's Free Trade Zones: Back Doors to the International Economy?

Since the late 1980s, Iran has pursued a policy of attracting foreign investment and fostering regional trade by granting favored status to the so-called “Free Trade-Industrial Zones” (FTZs) and “Special Economic Zones” (SEZs). To date six FTZs and sixteen SEZs have been set up throughout Iran. The FTZs are strategically positioned for their potential international links and have their eyes on markets beyond Iran, and the SEZs for their value in serving main industries and for improving the country's distribution system and supply network. This paper examines the experience of these zones in Iran in the context of Iran's contradictory and ambivalent approach to international economic integration in general. It is shown that liberal policies pursued in the free zones have been in marked contrast to the approach in the mainland, which has been generally inward-looking in much of the post-revolutionary period. We examine first the rise of free zones as a global phenomenon followed by an overview of Iran's zones and their characteristics. It is argued that serving mainly as “back doors” to the international economy, Iran's free zones have stalled mainly because their promotion has been decoupled from, if not at odds with, official attitudes to the international economy at large. As a result, the zones' ability to attract investment has been limited by both adverse external perceptions of Iran as an investment destination and internal complexities discouraging such investment.     

The Assyrian Evidence: A Reply to Salibi's Questions Regarding Assyrian Sources for their Campaigns in Palestine and the Existence of a Bît Ḫumria in Palestine in the Iron II

Abstract

In this paper the famous saying in Jer 31,29–30 is discussed taking the images of sour fruit and numb teeth as parts of metaphorical language. The two images should be classified as parts of two different root-metaphors: “sour fruit” falls under the tree “you are what you eat”. “Numb teeth” stand in the field of “demolition and ruination”. Their unexpected merger together with the aspect of time—as referred to by the nouns “fathers” and “(grand) children”—suggests that two concepts are communicated: (1) the idea of postponed retribution, and (2) tragic fatalism, The abrogation of the saying should be interpreted as an indication that “in the days to come” people can no longer blame others for their wrongdoings. Within the historical context of exile and return, the abrogation of the saying should not be interpreted as a sign of the rise of individualism, but as a feature of a symbol system that stresses personal responsibility as part of Israel's identity within the immense Persian Empire.     

Resisting and Reconciling Big Wind: Middle Landscape Politics in the New American West

Abstract: While critical geographers have addressed how place politics impacts rural landscapes, less attention has been paid to the particular ways in which rural landscape identities are being impacted by the new energy economy. The nascent US wind energy opposition movement is evidence of broad, organized resistance to the landscape impacts associated with the re‐sculpting of rural energy geographies. Drawing from cultural landscape and place theory, this article examines the shifting terrain of wind opposition in the “New American West”. The article argues that wind energy opposition is fundamentally about who speaks for and negotiates conflicting social commitments to technology, economic values and an imagined American pastoral identity. By examining a case study of wind development in Nevada, this article considers how renewable energy development can constructively acknowledge the important role the “middle landscape” continues to play in American constructions of rural space.     

The circulatory panopticon: Real names,rail infrastructure and Foucault's realist turn

This article examines the contemporary Chinese rail system as a circulatory panopticon: an apparatus that uses the “natural” movements of the population to render them legible and safe. The panoptic effect of rail space has emerged only recently. The Chinese state's introduction of the “real-name system” has made a state-legible identity an inextricable part of everyday life, and recent transformations in ticketing and station entry have placed it at the center of mobility practices as well. Synthesizing Foucault's apparatus of security with Karen Barad's realist conception of the apparatus, this article examines how the more-than-human elements of the rail system realize a panoptic assemblage out of the movements of passengers. Based on participant observation and interview data, this article examines three key elements of the rail system: the national identity card, the ticket, and the station entrance. Drawing on Barad's account of diffraction, I analyze how the particular material characteristics of these things both function to realize the circulatory panopticon and also to introduce novel discontinuities and fractures. This paper makes two contributions. First, it argues for a greater attention to the question of reality in Foucault's thinking: just as the art of government increasingly recognizes and calibrates itself against ‘reality,’ Foucault's analysis of governmentality becomes increasingly realist. Second, it shows how infrastructure is simultaneously a font of state power and a source of problems for the state—a contradiction deeply relevant in China today.     

Mythological Themes in Iranian Culture and Art: Traditional and Contemporary Perspectives

In Iran, ancient mythical elements are very much alive in the present as a part of the fabric of ordinary people's lives and worldview. This paper explores the relationship between culture, myth, and artistic production in contemporary Iran, using the specific examples of symbols and mythological themes evoked in the work of painter/writer Aydin Aghdashloo and photographer/video artist Shirin Neshat. The paintings of Aghdashloo, in which he deliberately damages beautifully-executed classical style Persian miniatures, convey a sense that the angelic forces have failed and that the world is succumbing to the destructive and degenerative activities of the demonic. The photographs, videos and installations of Neshat likewise draw heavily on cultic forms inherited from ancient Iranian tradition. It is important to note that in none of these cases does the artist use mythological themes and symbols to express their original cultural meaning; rather, they appropriate well-known elements of ancient Iranian culture and imbue them with new meanings relevant to contemporary issues and understandings. What these examples do illustrate is the persistent resonance of ancient Iranian culture among Iranians up to the present day. Iranian artists have demonstrated the effectiveness of evoking their target audience's deep sense of cultural identity to convey contemporary messages using ancient cultural concepts, sometimes on a subconscious level.     

Persian Monshi,Persian Jones: English Translations of Saʿdi’s Golestān from the Late Eighteenth to the Mid-Nineteenth Centuries

From the seventeenth century, Mosleh al-Din Sa?di Shirazi (d. 1291), a key figure in Persian classical literature, became the center of Europeans’ attention: his name appeared in travelogues and periodicals, and selections of his tales were published in miscellaneous Latin, German, French, and English works. To follow Sa?di’s impact on English literature, one needs to search for the beginning of the “Sa?di trend” and the reasons that led to the acceleration of the translation process of his works into the English language in the nineteenth century. This article examines the role of the British educational institutions in colonial India in the introduction of Sa?di and his Golestān to the English readership, and, in parallel, it uncovers the role of the Indo-Persian native scholars (monshis) who were involved in the preparation of translations. The article discusses how the perception of the British towards Sa?di’s literature developed in the first half of the nineteenth century and how their approach towards the translation of the “text” and its “style” evolved in the complete renderings of the Golestān.     

Orality in Persian Argumentative Discourse: A Case Study of Editorials

Languages have their own distinctive styles of argumentation. It seems some languages like Arabic and Persian have a preference for using the “oral” features of parataxis, formulaicity and repetition as persuasive devices in argumentation. The purpose of this article is first to examine these “oral” characteristics in Persian argumentation, and then to tie together the two areas of research: the study of orality and the study of metadiscourse. The article claims that these oral characteristics in Persian are means of gaining rhetorical effectiveness. Therefore, they should be considered as metadiscourse devices used to create a bond between writer and reader.