On Roman Remains Recently Discovered at Headington near Oxford

Plans to redisplay the Bayeux Tapestry raise anew the questions as to where and how it was originally intended to be displayed. Analysis of the linen fabric provides new insights into the tapestry’s design and manufacture, and enables its original length to be calculated. Re-examination of the (largely destroyed) 11th-century cathedral at Bayeux and of its liturgical layout demonstrates that the tapestry would have fitted neatly into the nave west of the choir screen. Its narrative falls into three discrete sections that reflect the way in which it would have been hung within the building, and the arrangement of the scenes takes account of the uneven bay-spacings of the nave arcades and the positions of the doorways. It can therefore be concluded that the tapestry was designed for a particular location within the nave of Bayeux cathedral. The cathedral’s liturgical traditions shed light on the way in which the tapestry would have been viewed in the Middle Ages, and the wider implications for the way in which it could and should be viewed today are briefly considered.     

Notice of Inscriptions and Antiquities,Discovered at Caerleon

This paper presents some of the background information considered necessary to expand the archaeological uses of aerial photography. Some problems encountered recording archaeological features from the air are discussed but the paper concentrates on the subsequent use of aerial photographs and covers the interpretation and plotting of archaeological features, use of different map scales, and outlines two schemes for the presentation of completed drawings which show air photograph evidence. The uses and potential of morphological analysis are included, as are comments on the relevance of fieldwork to air photograph interpretation.

An appendix considers the application of geophysical techniques to air photograph sites, and the deductions that may be derived from these non-destructive methods.