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Rachel Askew 《Northern history》2017,54(2):189-210
The demolition of castles following the English Civil War is often seen as an inevitable consequence of the conflict, with their slighting often being ascribed to a need to prevent further bloodshed and punish the ruling elite. However, recent studies have demonstrated that the destruction of elite buildings during this period was far from straightforward, and this complexity is reflected in the methodology employed to damage them. At Sheffield, so extensive was this damage that, less than a century later, not a trace remained of what had once been one of the largest castles in South Yorkshire. Whilst little remains of the building itself, the rare survival of a set of demolition accounts, alongside a large number of other sources including personal correspondence, estate rentals and town records, means it is possible to explore in great detail the circumstances of the castle’s slighting. Through these a far more nuanced picture of civil conflict emerges with the castle’s destruction taking place within a complicated dialogue between the Lord of the Manor, Parliament’s officials and the inhabitants of Sheffield themselves. 相似文献
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Hugh R. Watkin 《英国考古学会志》2013,166(1):147-150
AbstractOne of the perennial problems in the study of medieval architectural sculpture is the lack of identifiable patrons. At the church of St Michael, Horwood (North Devon), however, the north aisle and chapel of c. 1400 can be firmly associated with the patronage of the Pollard family, in particular John Pollard and his wife Emma. This includes the north arcade of five bays with its four freestanding and two engaged columns, all of which bear carved capitals. It is likely that the building of this extension was intended to establish the Pollard family at Horwood as well as to commemorate the patrons. Thus the work carries a funereal/monumental air that is reflected in the choice of sculptural imagery which includes a skull, angels and hybrid monsters. This context provides new insight into the ways in which architectural images were perceived and used in the later Middle Ages, particularly with regards to the image of the mermaid. 相似文献
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Geo. T. Clark 《考古杂志》2013,170(1):282-285
This is the report of research excavations and salvage recording both inside and outside the standing Romanesque church. Evidence was seen of three pre-Conquest churches. The first was a ground standing timber building. The second was a Brixworth-type stone building. The third was a T-shaped church with a continuous transept and a tiny eastern apse. The evidence for these interpretations is presented. Documentary evidence is given and parallels are discussed. Additional information about the succeeding Romanesque church is presented. It had a rectangular crossing and tower, and evidence of a large added eastern chapel, reasoned to have been a new setting for the Holy Cross of Waltham, is discussed. Finds include floor tiles and stone. A burial close to the first church probably dates to the seventh century and suggests that Waltham was a minster church from the early years of the conversion. A herring-bone masonry wall is attributed to Harold. 相似文献
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